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Anthems & Antithets Vol 1: Levity & Novelty (limited CD + autographed hand-numbered insert)
Cat: RERBW 2. Rel: 04 Mar 21
Jazz
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Review: We Jazz Records welcomes a label debutant here for a tasty little 7". Gothenburg-based Finnish pianist Joona Toivanen is the man and he offers up a fresh take on Terry Riley's 'Keyboard Study' with trusty help from Tapani Toivanen on bass and Olavi Louhivuori of Superposition on drums, both of whom complete his trio. It is a heady, minimalistic piece with a deeply introspective mood. On the a-side is an edit of his future album cut 'Except For' which is another complex, moody piece of inward-looking jazz minimalism with gorgeously mellifluous
… Read moreIntérprete: Jane Fitz, Juno Recommends Jazz
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Cat: CMT 10031. Rel: 25 Feb 20
Soundtracks
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Review: "Huxley's Howl" by Bay-area keyboard savant Howard Wales was originally released as a 7in single in the early '70s on his own Costal Records imprint. Luv N'Haight is proud to present the first official reissue of this classic slice of mid-tempo, instrumental funk, loaded with stabbing horns, explosive Hammond organ and heavy drums with a nice dose of psychedelic vibes to round out it out. The B-side "My Blues" chugs along at a slower pace, with a "bluesier" sound as the title suggests while keeping the same killer psych flavor as the A-side.
Known primarily for his work alongside Grateful Dead frontman Jerry Garcia on their collaborative album "Hooteroll" while also appearing on the Dead's seminal "American Beauty" LP, Howard Wales had already established himself as a talented player during the mid-1960's working and touring with the likes of Ronnie Hawkins, the Four Tops and the Godfather of Soul himself James Brown. A true original and progenitor of the oft-used but mostly maligned "Acid Jazz" genre, Howard Wales paved the way for the psychotropically enhanced excursions of 70s' Jazz, Funk, Soul and fusion.
… Read moreKnown primarily for his work alongside Grateful Dead frontman Jerry Garcia on their collaborative album "Hooteroll" while also appearing on the Dead's seminal "American Beauty" LP, Howard Wales had already established himself as a talented player during the mid-1960's working and touring with the likes of Ronnie Hawkins, the Four Tops and the Godfather of Soul himself James Brown. A true original and progenitor of the oft-used but mostly maligned "Acid Jazz" genre, Howard Wales paved the way for the psychotropically enhanced excursions of 70s' Jazz, Funk, Soul and fusion.
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Cat: ND 003. Rel: 23 Dec 19
Jazz
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VARIOUS
Cat: CDSEWD 163. Rel: 27 Sep 18
Funk
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Review: This tasty 7" single brings together two stalwarts of the thriving Finnish jazz scene, namely saxophonist Timo Lassy and drummer Teppo Makynen. It's A-side "Calling James" that hits home hardest, as Lassy adds a snaking, alluring sax solo - all parping blasts and fluid fills - to a bustling, percussively rich Makynen drum track. Despite the fact that there's no other instrumentation, it's a genuinely heavy dancefloor workout. On the flip you'll find the looser and slightly more experimental "Yanki", where Lassy provides some free-jazz style soloing over a distinctively left-of-centre Makynen drum workout.
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Cat: BIS 007U. Rel: 22 Mar 18
Jazz
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Review: Despite not releasing all that much in 2018, Canadian nu-jazz combo BADBADNOTGOOD's reputation continued to rise. That was in no small part due to their eye-catching collaboration with Little Dragon, which resulted in the digital release of "Tried" back in September. Now the track has been given a deserved seven-inch single release by Ninja Tune. With LD lead vocalist Yukimi Nagano doing her best to channel the spirit of Minnie Riperton, "Tried" has a similarly languid, jazz/folk/soul fusion feel as some of the best works by Rotary Connection. BADBADNOTGOOD's admiration of the Charles Stepney-produced band comes through loud and clear through the choice of instruments and arrangements. For further proof, check the accompanying flipside instrumental mix.
… Read moreIntérprete: Juno Recommends Broken Beat Nu Jazz, Vito lalinga
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VARIOUS
Cat: CDBGPD 300. Rel: 29 Jul 16
Jazz
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Al SMITH / VARIOUS
In Session 1952-1958 Fooling Around Slowly (mono) (unmixed CD)
Cat: JASMCD 3234. Rel: 18 May 23
50s/60s
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Cat: FDCD 143. Rel: 29 Jun 23
Progressive Rock
Review: We're not quite sure how to "navigate" an ashtray in and of itself, but this new album by Ashtray Navigations might hint at true executions of the art. A long-running experimental rock project led by Leeds' Phil Todd, Ashtray Navigations have been active since 1991, releasing dozens of albums and EPs on various labels and formats, often in limited editions. Their music is eclectic and unpredictable, spanning psychedelic rock, drone, noise, ambient, folk, and electronica. One From Then Another compactly sums up Todd's diverse and adventurous approach to sound creation in double-sided single form, with 'Drink The Moment/Thin Fox Legs' coming as a dubious space jam for flute, bass and bloop, and 'Return Of The Sun Of DR Artur' bringing up a beatless, Afrofuturist rear.
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Review: This is an exclusive for independent stores only this Record Store Day and a fine one it is too from the one and only welder turned reggae kingpin that is Bob Marley and his Wailers. This is a vital one for the collection that has been pressed in limited quantities and is a non-album 45rpm that he recorded for legendary producer Bunny Lee at Randy's in Jamaica. This 7" single has a Custom Gorgon label and features the happy-go-lucky dub of 'Mr Chatter Box' with Bob's smoky but smooth vocals and a version on the flip.
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Review: There's a definite sense of "time and place" throughout John Carrol Kirby's latest album, Blowout. He recorded it all during a recent trip to Puerto Viejo, Costa Rica, "between 5am wake-up calls from orpopendola birds and psychedelic sunsets", drawing inspiration from the people, music and nature that surrounded him. It's certainly a joyful and colourful affair - despite his insistence that it's about "enjoying yourself even though life is tough, before the candle blows out" - with Kirby mixing sparkling, often kaleidoscopic 1980s electrofunk synth sounds with warming grooves, pastoral woodwind instrumentation, and musical motifs that draw on his love of jazz-funk and fusion. It's basically a sensationally summery affair whose mostly subtly nods to Costa Rican musical culture only enhance the album.
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Cat: TRANS 466CD. Rel: 06 Jul 23
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Cat: TRANS 465CD. Rel: 06 Jul 23
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Review: After years spent delivering heady fusions of deep funk and Afro-funk on Daptone Records, The Budos Band resurface on Diamond West, an imprint founded by two of the band's key members earlier this year. Their first missive on the California-based imprint is as rousing and fiery as ever, with their usual riotous and heavyweight sound being subtly expanded via nods towards psych-funk, Mariachi Band music and the funk-rock sound made famous by Sly and the Family Stone. The six scorching instrumentals on show are all superb, with our current favourites including the punchy 'The Devil Doesn't Care', the trippy solo-laden explosion that is 'KRITIN' and the deliciously psychedelic and suspenseful 'Curled Steel'.
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