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Notes: When Waldorf introduced the Quantum in 2018 it immediately found its way in the studios and hearts of the most acclaimed film composers, producers, musicians and sound designers. Now five years later Waldorf have released an upgrade of the flagship Quantum synthesizer called "Quantum MK2".

Quantum MK2 was upgraded with a 61 keys polyphonic aftertouch keybed from Fatar, increased sampling storage to 59 GB, improved mechanical design and display. The new 3.0 firmware allows for up to 16 digital or any combination using the 8 analogue filter with additional 8 digital.

What's new?

61 keys Fatar TP8/SK with aftertouch

The Quantum MK2 is the first instrument which presents a 61 keys Fatar TP8/SK polyphonic aftertouch keybed to the world. With its increased possibilities for musical and gestural expression the keybed allows to utilize the enormous modulation capabilities of the Quantum synthesis engine. It is a next level of expression based on a traditional keybed, which keeps all playing capabilities of a musician, and then extends it with an additional dimension of control and creativity.

The polyphonic aftertouch is highly customizable in multiple dimensions globally as well as for individual keys. The high-resolution graphical display supports visual feedback and control for the customization process. In addition to its internal poly aftertouch keybed, the Quantum MK2 can be controlled by any MPE capable controller by directly connecting to Quantum's USB host port.

16 voices of polyphony, digital and analogue filters

Based on an 8 voice analogue dual-filter architecture, the Quantum has been opened up for up to 16 voices of polyphony in any combination of using digital dual multi-mode filters with the 8 analogue ones. Moreover the combination of analogue with digital filter opens up new sonic possibilities of what Waldorf Music stands for since its beginning: Hybrid digital and analogue synthesis. A new set of allocation modes gives the musician an easy control.

59 GB sampling storage

Another cornerstone of "The Quantum Mark 2" is its increased internal sampling storage from a few GB to 59 GB. The Quantum has quickly become the instrument of choice for modern advanced sampling capabilities for sound enthusiasts and cinematic composers from Berlin to Los Angeles. From firmware 1.0 to 3.0 Waldorf Music has listened to the requests and needs of musicians to extend it polyphonic granular sampling engine as well its traditional multi-sample engine.
Design and display

The updated mechanical design and a classy naval blue presents the musician an instrument of beauty and inspiration. The improved mounting of the high-resolution touch display provides wider viewing angles and an intuitive way of controlling the more advanced features of the Quantum synthesis engine.
Sounds and samples

Highly acclaimed sound designers from all over the world have contributed to the huge library of factory presets and an initial sample content of 2 GB. Waldorf Music is proud to have sounds from designers like Richard Devine, Howard Scarr, Reinhold Heil, BT, Matt Johnson, Joerg Huettner, Kevin Schroeder, Sascha Dikiciyan, Kurt Ader, Mike Huckaby, Thorsten Quaeschning and many more. All sounds are compatible with Waldorf's Iridium instruments in both directions.

Synthesis Platform

Waldorf Music has updated and improved its Quantum firmware continuously adding new synthesis capabilities and many feature requests by musicians. The Quantum firmware builds together with the Iridium firmware a "Waldorf Synthesis Platform".

Notes: Waldorf is proud to announce a new chapter in their tradition of designing high-end ground breaking synthesizers. Starting with Waldorf's famous wavetable technology developed decades ago, it was always a challenge to give our instruments a powerful flexible beating heart. Our digital oscillators coupled to the enormous power and efficient simplicity of our analog filters started the digital revolution back in the 80's.

Quantum combines the raw power of a classic digital & analog hybrid synthesizer, with futuristic sounds that are only possible with today's software synthesizers.

Its 3 Oscillators offer four synthesis algorithms each:

- Waldorf-style Wavetables with the latest additions from Nave, including speech synthesis and wavetable generation from audio
- Classic Synthesizer Waveforms with multiple waves for an ultra fat sounds right out of the oscillators
- Granular Sampler with multi sampling plus traditional sampling mode
- Resonator for virtual sound sculpting
- Quantum Display

The flexibility emanating from Quantum's powerful oscillators and their interaction with one another is simply breath-taking. Never before has it ever been possible to create such a wide sonic bandwidth with one synthesizer. Stretching from classic analog, with precise sample playback, through to harsh or animated digital sounds, escalating all the way up to sound and sequence clusters, that can only be achieved with a modular synthesizer system.

Quantum's beautiful ergonomic and intuitive user panel supports an artist's workflow with a previously unknown elegance. The carefully crafted array of aluminium knobs and encoders surround an ultra hi-resolution multi touch display. Waldorf engineers spent many long hours perfecting the interaction between the display and the physical control elements. The stunning display is a highly flexible extension of the tactile experience, and is light-years ahead of any synthesizer currently on the market today.

To help understand functional correlations between one knob and another, each control knob is individually illuminated by a multi colour LED. This makes it instantly obvious when viewing complex settings and modulation settings, where related parameters can be adjusted quickly and efficiently. With the help once again of the gorgeous central display, precise settings can be handled with ease, much the same as the experience when using your cutting edge computer tablet.

When the Waldorf engineers decided to develop Quantum, little did they realise it would take several years of painstaking work. There were areas of Quantum that our years of experience with sound generation were bought to the fore. But Quantum is so powerful it took our team into uncharted territory, involving both sound and the way it was felt the musician would interact with it.

Quantum was designed and developed by our dedicated team in Germany. All essential components have been designed, manufactured and assembled here in Germany. This has allowed us to manufacture Quantum with an unparalleled build quality. We would also like to take this opportunity to thank a world class array of sound designers that have contributed to a multi-facetted factory sound set.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II/XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets - totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).

But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensington compatible security lock slot.

Notes: Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II/XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets - totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).

But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensington compatible security lock slot.

Notes: Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II / XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, (16 voices for the M16) four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. M has a total of 16 banks with 128 memory slots each. The included sound presets - 1024 in total (divided into 8 banks of 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).


But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no classic modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers five (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensingtonr compatible security lock slot.

Specifications

Oscillators: 2 Wavetable oscillators with independent wavetables and two different tone generation models - Waldorf Microwave I model and Waldorf Microwave II model. 96 Factory Wavetables + 32 slots for User Wavetables
Filter: Analog low-pass 24 dB/Oct VCF (SSI 2144 Improved Ladder Type) with saturation and resonance
Amplifier: Analog true stereo VCA for each voice with panning option
Envelopes: 4 Envelope Generators; 8 point loopable time/level Wave envelope generator, VCF and VCA ADSR envelopes and a free assignable loopable 4 points time/level envelope
LFOs: 2 LFOs with different waveforms
Arpeggiator with 16 preset patterns, chord mode and the ability to synchronise to MIDI clock
Sound storage: 2048 Sound programs + 128 Multi programs
Polyphony: 8/16 voices

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.

Notes: Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.

Notes: Special edition sea blue version of Waldorf's excellent Kyra synth. Seriously powerful multitimbral virtual analogue monster, featuring eight independent parts each with up to 32 note polyphony.

Supplier's Notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices. Versatility further abounds as each PART has a dedicated multi-effects unit comprising nine stereo effects modules - namely, three-band EQ, Formant filter, input Limiter, Distortion module, Delay module, six-state Phaser, Chorus flanger, Stereo reverb, and output Limiter - with dedicated audio stream via USB (Universal Serial Bus).

Notes: ***B-STOCK: Box opened, product in perfect working order***


12-voice version of Waldorf's Iridium Core, a compact synth from the same range as the Quantum. Running on the Waldorf OS, the Iridium features a versatile selection of Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator synth engines.

Supplier's Notes:
The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.

Specifications

Compatible with the Waldorf Quantum synth engine
Software: Waldorf Synthesis Platform OS

Oscillators
3 Oscillators each capable of 5 synthesis modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM, AM or Wavetable-position at audio rate)

Dual Stereo Filters per voice
True stereo path Dual Digital Filter with independent modes:
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Analyzer displayed in Filter view
Filter curve animation when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Digital Former
Filter models like State Variable, Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filters, Bit-Crusher, various Drives, Ring-Modulation

Modulators
6 Envelopes
6 LFO
Komplex Modulator (LFO/Envelope combination with user-definable shape and morphing)

Mod Matrix
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Effects
5 slots per layer
Various parallel and sequential routing options
Reverb, Delay, Chorus, Phaser, Flanger, Drive, EQ, Compressor, Tremolo

Performance features
Advanced Arpeggiator
Step-sequencer with up to 64 steps for notes and parameters
2x4 button pads assignable to notes or chords
4 user-assignable potentiometers
6 user-configurable macro buttons
Favourites screen for quick patch recall
XY control on touchscreen
Wheels touchscreen for MIDI controls like mod wheel, pitch bend, aftertouch and velocity
MPE capable

Screen
Industrial-grade highly responsive touch screen with Brightness control
1024x600 pixels

Voices
12 voice polyphony
Duo-timbral
Mono, Legato and Unisono modes

Patches
Over 1700 factory patches
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum and other Iridium variants can be loaded and vice-versa
Category filter for patch list
2.6 GB sample flash memory preloaded with 2 GB factory samples

Connections
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included)
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MicroSD slot
2 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analogue clock In & Out with clock divider settings

Overall
Sturdy metal case
Dimensions: 346 mm wide by 200 mm depth by 64 mm height (including controls)
Weight: 2.2 kg
External Power Supply: Input 100-240 V / AC 50-60 Hz, Output 12 V DC / 3 A

What's In the Box?
Iridium Core Synthesizer
Two MIDI adapters: mini TRS to DIN sockets
Power Supply
Printed Quick Start Guide

Notes: 12-voice version of Waldorf's Iridium Core, a compact synth from the same range as the Quantum. Running on the Waldorf OS, the Iridium features a versatile selection of Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator synth engines.

Supplier's Notes:
The Core

Iridium Core provides the core synthesis engine of the Quantum / Iridium platform. It is the heart of Waldorf's most advanced hardware-based synthesis. The essence of forward-looking sound. The Core.

Sonic Explorer

Iridium Core contains 5 synthesis engines: Wavetable, Multi- & Granular-Sampling, Waveform, Kernel FM and Resonator. Combined with a broad selection of digital filter and processing options Iridium Core lets you explore a huge sonic universe of electronic sound. Iridium Core's intuitive and easy graphical interface helps you to keep your flow of creativity.

Wave Traveller

The compact form factor makes Iridium Core an ideal companion to travel with you to all your sonic explorations and performances. It fits well into laptop size bags and in carry on-baggage it leaves enough space to all your other devices you need for your performances.

Driven by Inspiration

Iridium Core comes with a huge collection of more than 1700 factory presets and samples to drive your sonic Wanderlust. Get inspired what the broad and diverse array of sound designers have created to fuel your musical endeavours.

Team Player

Iridium Core integrates into various live performance and studio setups. Its connects with your modular synths, drum machines, sequencers and computers. The compact form factor fits well into your tabletop or space limited setups.

Family Member

Iridium Core shares the same software platform like Quantum, Iridium Desktop & Iridium Keyboard. All instruments are powered by the Waldorf synthesiser OS and will receive joint updates. Thus, the whole family participates from future enhancements and developments.

Specifications

Compatible with the Waldorf Quantum synth engine
Software: Waldorf Synthesis Platform OS

Oscillators
3 Oscillators each capable of 5 synthesis modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM, AM or Wavetable-position at audio rate)

Dual Stereo Filters per voice
True stereo path Dual Digital Filter with independent modes:
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Analyzer displayed in Filter view
Filter curve animation when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Digital Former
Filter models like State Variable, Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filters, Bit-Crusher, various Drives, Ring-Modulation

Modulators
6 Envelopes
6 LFO
Komplex Modulator (LFO/Envelope combination with user-definable shape and morphing)

Mod Matrix
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Effects
5 slots per layer
Various parallel and sequential routing options
Reverb, Delay, Chorus, Phaser, Flanger, Drive, EQ, Compressor, Tremolo

Performance features
Advanced Arpeggiator
Step-sequencer with up to 64 steps for notes and parameters
2x4 button pads assignable to notes or chords
4 user-assignable potentiometers
6 user-configurable macro buttons
Favourites screen for quick patch recall
XY control on touchscreen
Wheels touchscreen for MIDI controls like mod wheel, pitch bend, aftertouch and velocity
MPE capable

Screen
Industrial-grade highly responsive touch screen with Brightness control
1024x600 pixels

Voices
12 voice polyphony
Duo-timbral
Mono, Legato and Unisono modes

Patches
Over 1700 factory patches
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum and other Iridium variants can be loaded and vice-versa
Category filter for patch list
2.6 GB sample flash memory preloaded with 2 GB factory samples

Connections
Stereo Audio Out: 2x TS jacks
Stereo Audio In: 2x TS jacks
Headphones TRS output with level control
DIN MIDI IN & Out, mini-TRS Type A (two adapters to DIN MIDI sockets included)
USB Type B (device) for MIDI connection to computer
USB Type A (host) for storage media and MIDI devices
MicroSD slot
2 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix
Analogue clock In & Out with clock divider settings

Overall
Sturdy metal case
Dimensions: 346 mm wide by 200 mm depth by 64 mm height (including controls)
Weight: 2.2 kg
External Power Supply: Input 100-240 V / AC 50-60 Hz, Output 12 V DC / 3 A

What's In the Box?
Iridium Core Synthesizer
Two MIDI adapters: mini TRS to DIN sockets
Power Supply
Printed Quick Start Guide

Notes: A true powerhouse of a synth, packaging the Quantum synth engine into a more manageable four-octave design. Five synthesis modes, powerful stereo filters, performance features and outstanding playability.

Supplier's Notes:
Waldorf Iridium has made the impossible possible. The mighty synth engine from Quantum is now available in a compact form. Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:
12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.

The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Specifications
16-voice polyphony, duo-timbral
Compatible with the Waldorf Quantum synth engine

3 Oscillators
Oscillator Modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM at audio rate)

3 Stereo Filters per voice
True stereo path
Dual Digital Filter:
Two filters with independable modes
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Digital Former:
Filter models from Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filter
Bitcrusher
Drive
RingMod
StateVariable mode
Analyzer displayed in Filter view
Filter curve moves when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Modulators:
6 Envelopes
6 LFOs
Komplex Modulator (LFO/Envelope combination with user-definable shape)

Mod Matrix:
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Pads:
4x4 silicon pad matrix with RGB backlights
Pads can play notes, chords, arpeggios and sequences
Latch mode

Performance features:
Arpeggiator
Step sequencer with up to 32 steps for notes and parameters
Favourites screen for quick patch recall
Onscreen Mod Wheel, Pitch Bend and Aftertouch

Screen:
Industrial-grade highly responsive touch screen

Patches:
Over 1000 factory sounds
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum can be loaded and vice-versa
Category filter for patch list
2GB user sample flash memory

Connections:
2x TS output
2x TS input
Headphones output with Gain control
DIN MIDI In/Out/Thru
USB MIDI
USB host for storage and MIDI devices
MicroSD slot
Kensingtonr lock

CV connections:
4 CV inputs plus Gate In, Trigger In, Clock In, Clock Out
Inputs can be used as modulation sources in the Mod Matrix

Overall:
Sturdy metal case with aluminium knobs

Dimensions: 440mm wide by 305mm depth by 85mm height (including controls)
Weight: 5.4kg
19" rack assembly parts available

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk

Notes: With the completion of the '14 Analogsynthesizer, a long fostered dream becomes true: The design and realization of an uncompromising synthesizer for instrumentalists.

Equality of haptics and sound:
To us, expressive play means a balanced relation between melodic virtuosity and sound shaping. In our '14 Analogsynthesizer, these factors unite in full equality: Keyboard, pitch- and modulation-wheels are incomplete without the additional controls and switches of the remaining control surface. These offer direct access to each individual sound shaping parameter of the synthesis engine.

The '14 Analogsynthesizer is perfectly suited for distinctive solo and bass sounds including dynamic and individual sonic variations which are completely under your control at any time.

Uncompromising circuit implementation:
The components being responsible for the sound-generation and -shaping are based upon our proved and tested circuits of PERfourMER MKII and Mono Lancet '15. However, we did not just carry over these circuits but have adapted and refined these specifically for the '14 Analogsynthesizer. Besides stability and musicality, we paid great attention to an intuitive and practical scaling of each and every sound parameter.

The '14 Analogsynthesizer follows the classic subtractive synthesis structure: a versatile low-pass moulds the sound-source being created by two powerful analog oscillators. Typical for Vermona instruments, the sound is warm, round, classy and offers musical authority in the mix.

Handmade in our electroacoustic manufacture in Germany:
There a hundreds of work steps from the assembly of the circuit boards to the final, rigorous quality assurance of the finished instrument. Without exception, these steps are carried out with skilled craftsmanship and expert precision in our Elektroakustische Manufaktur in Erlbach, Germany.

Each '14 Analogsynthesizer is an outstanding instrument and leaves our manufacture as one of just 222 units.

Notes: One of our favourite instruments: hugely creative digital synth, sequencer, sampler, multi-track recorder and effects unit. Inspiration in a box. A true modern classic. Check out our full review.

Supplier's notes:
The OP-1 from Teenage Engineering is a high-end portable synthesiser, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether you're in a home, project or professional studio, the OP-1 delivers power and performance every time.

The OP1 from Teenage Engineering grabs your attention, with its simplistic layout and colour coded interface. The OP1 is also a portable, compact, hand-held synthesiser. The power of the OP-1 lies in the features; 8 built-in synthesiser engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4-channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion-controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16-hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.

To continue Teenage Engineering's ten year celebration of the OP-1, here is another free update (July 2021):

OP-1 is now capable of streaming audio over USB. In effect, this means that every OP-1 owner just got a new portable USB sound card. enjoy!

Streaming USB Audio

With update #243, every OP-1 is now capable of streaming stereo audio over USB. This means that you can now sample and record to OP-1 directly from any USB audio host, as well as get OP-1 audio straight into your favourite DAW, in effect replacing the need for an external sound card. It works with both PC and Mac, as well as with iOS and Android, and has been made possible by adapting and using the knowledge from OP-Z. the update also includes a range of bug fixes and stability improvements.

Here's some of the update highlights:

Added USB audio device in & out
External tempo sync stability improved
When tape is armed and OP-1 receives a play command, recording now starts

How to update: visit https://teenage.engineering/downloads/op-1 and follow the steps to update your OP-1.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: Housed in Synthrotek's Power Lunch, the MST Mono Voice System is a powerful analog monophonic FULLY modular synthesizer.

Includes a power brick.

The MST Mono Voice is powered by Synthrotek's Case Power Mini Yellow, which has the following amperage specs: +12v @1A; -12v @ 0.5A; +5v @ 1.5A

Modules:
MST MIDI to CV Converter
MST VC LFO
MST VCO
MST Dual Envelope
MST Low Pass Filter
MST Dual VCA
1U UniBuffer
1U Stereo Output Mixer

Notes: The Synthrotek Bi-Translator is a new mini 44HP synthesizer system available as a completely built and calibrated system or as a do-it-yourself-kit. This versatile a system lets your translate your artistic voice bi-coastally and really anywhere in between.

The Translator’s powerful multi-waveform sound generation starts with the two fully analog VCO modules. Paired with the two channels of the Low Pass Gate Module, the VCOs can operate as two independent voices or can be used together for deep complex modulation.

ADSR envelope generation is produced by the aptly named ADSR module which is a powerful-for-its-size 4HP module that produces the heartbeat functions and LFOs.
The RND module is compact power station of variable random voltages, setting time signatures and esoteric timing anomalies.

The Sequence 8 is provides simple to complex sequencing when combined with the RND and other control voltage producing variables.
The Bi-Translator System 44 takes on the best features of West Coast synthesis with its insistence on organic percussion. This takes shape in the advent of the precisely crafted Synthrotek Dual Low Pass Gate Module, the LPG. Ear and hand selected vactrols provide organic earth-toned sonic variations from paleo hand drums to skin stringed instruments and beyond to cathedral bells.

Expansive and unique signal processing is provided by the DLY delay module. The DLY, like its predecessor the ECHO, takes full potential of its digital and analog topography by pushing the edges of what delay can do. The DLY performs 50s-era slap back, traditional repeats and even caustic post-industrial clock degeneration.

The 1U Stereo Output Mixer allows for internal signal mixing but also doubles as a performance mixer that allows you to incorporate other electronic music gear into your set.

Modules:
ADSR
DLY: Delay Module
LPG: Low Pass Gate
RND: Random Module
Sequenece 8
VCO (x 2)
1U UniBuffer
1U Stereo Output Mixer

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The iconic Synclavier brand returns with this digital powerhouse, based around FM synthesis but also offering additive and subtractive methods. Super versatile, with up to 98-voice polyphony and MPE support.

Supplier's Notes:
The new buck in the Synclavier stable

Synclavier Regen is the newest in an auspicious line of Digital FM synthesizers. Designed for desktop use, it contains the power of the Synclavier II DSP engine, enhanced and optimised. Full colour screen, liquid-like touch controls, high fidelity audio output coupled with a sound design powerhouse makes this the synth you always dreamed of.

Regen supports additive synthesis for full control of 24 harmonics. Synclavier have now added subtractive synthesis to the Synclavier synthesis engine, especially for Regen, allowing creation of super saws, PCM square waves, and noise generation. Or you can use samples for your carrier waveform.

And these different waveform generators can be mixed. You have up to 12 partials to use in your sound design creation with crossfades assignable to inputs such as velocity, pressure, mod wheel, and of course, keyboard.

Regen is loaded with content to get you inspired fast. There are over 550 timbre presets across 10 newly commissioned timbre libraries. On top of that, there are over 2000 royalty-free samples built-in, including over 350 selected original samples from the NED era and 2 exclusive artist sample libraries.

When you're done exploring the factory content, you'll have fun with the sound design possibilities. You can layer up to 12 partials with different sound generators (additive, subtractive, samples) then apply dynamic effects per partial. It's truly an expressive instrument, both to program and to play. Polyphonic aftertouch and MPE is fully supported and there's a sophisticated modulators section where you can apply responsive curves to properties driven by pressure, velocity, mod wheel position, and so on.

Synclavier Regen is a desktop unit measuring 310mm wide by 260mm tall and 42mm deep.

Housed in aluminium, finished with a sand-textured black and Synclavier red surround. It has rubberized plinths.

User interface consists of many silicone buttons with multi-colour backlighting, a virtual knob capacitive-touch slider with epoxy-coating. A VK display is included as well as a main modal display that shows current parameters, user settings, timbre library, etc.

Over 40 years of synth design has led to this product. It's a sound-designer's dream in a timeless desktop package.

Sound-design Capabilities

Advanced DSP synth engine, as used on Synclavier II, has been extended for Regen.
12 separate tracks of multi-timbrality, assignable to MIDI tracks and keyboard ranges.
Up to 98 simultaneous voices. Voice count is dependent on system load and is likely to be much higher in typical scenarios.
12 partials per timbre. Each partial can be 1 of 3 oscillator synth modes: additive, subtractive, or samples.
Additive mode supports coefficient and phase control of 24 harmonics.
In samples mode, up to 128 samples can be placed on the partial's patchlist.
Subtractive can have a noise generator or up to 9 de-tunable continuous sawtooth waveforms.
Hybrid (resynthesized samples)
Timbre-level effects, including:
Stereo reverb algorithm with pre-delay and library of presets.
Highly-optimised multi-mode filter with sophisticated filter envelope.
Bit-crusher (for use with additive, sample, and hybrid modes).
Frequency modulation (FM) controllable per partial (all modes) with envelope.
Sophisticated modulation system that allows many Regen parameters to be controlled via MIDI, LFOs (24 per timbre), or driven by envelopes (24 per timbre).
Approx 300MB of sample space in memory = 100 mins @ 48Khz 24-bit mono shared across all active tracks and partials.

Hardware

Balanced stereo output through XLR connections at pro-level 4dBu. Designed for studio and home use. These are DC-coupled for maximum bass impact.
Single-ended TS stereo outputs, also DC-coupled.
Convenient headphones TRS jack for monitoring master audio with independent volume
control. For headphones in range 32O - 300O.
DAC circuit is designed for ultra-low noise floor. 11dB of headroom over nominal level. A
measured 130dB of dynamic range. 24-bit, 50kHz sample rate, as per Synclavier II.
Hybrid sound design engine: original Synlcavier II hardware is modelled in software.
High quality audio components throughout, including a precision temperature compensated crystal oscillator for jitter-free digital audio.
Two glorious full-colour sunken displays.
Responsive silicon back-lit parameter buttons.
The vertical value swiper is touch accurate to 128 levels of resolution for precise control
of every parameter.
12 selector buttons are touch-sensitive and can handle gestures to quickly select
multiple partials or tracks.
SD Card reader for unlimited user timbre and sample libraries.
4 USB accessory ports for MIDI keyboards, sequencers, and audio interfaces. Plus 1 USB Host port for connecting to a computer for MIDI input from a DAW.
Take it on the road. Rugged, full metal enclosure.

Notes: The iconic Synclavier brand returns with this digital powerhouse, based around FM synthesis but also offering additive and subtractive methods. Super versatile, with up to 98-voice polyphony and MPE support.

Supplier's Notes:
The new buck in the Synclavier stable

Synclavier Regen is the newest in an auspicious line of Digital FM synthesizers. Designed for desktop use, it contains the power of the Synclavier II DSP engine, enhanced and optimised. Full colour screen, liquid-like touch controls, high fidelity audio output coupled with a sound design powerhouse makes this the synth you always dreamed of.

Regen supports additive synthesis for full control of 24 harmonics. Synclavier have now added subtractive synthesis to the Synclavier synthesis engine, especially for Regen, allowing creation of super saws, PCM square waves, and noise generation. Or you can use samples for your carrier waveform.

And these different waveform generators can be mixed. You have up to 12 partials to use in your sound design creation with crossfades assignable to inputs such as velocity, pressure, mod wheel, and of course, keyboard.

Regen is loaded with content to get you inspired fast. There are over 550 timbre presets across 10 newly commissioned timbre libraries. On top of that, there are over 2000 royalty-free samples built-in, including over 350 selected original samples from the NED era and 2 exclusive artist sample libraries.

When you're done exploring the factory content, you'll have fun with the sound design possibilities. You can layer up to 12 partials with different sound generators (additive, subtractive, samples) then apply dynamic effects per partial. It's truly an expressive instrument, both to program and to play. Polyphonic aftertouch and MPE is fully supported and there's a sophisticated modulators section where you can apply responsive curves to properties driven by pressure, velocity, mod wheel position, and so on.

Synclavier Regen is a desktop unit measuring 310mm wide by 260mm tall and 42mm deep.

Housed in aluminium, finished with a sand-textured black and Synclavier red surround. It has rubberized plinths.

User interface consists of many silicone buttons with multi-colour backlighting, a virtual knob capacitive-touch slider with epoxy-coating. A VK display is included as well as a main modal display that shows current parameters, user settings, timbre library, etc.

Over 40 years of synth design has led to this product. It's a sound-designer's dream in a timeless desktop package.

Sound-design Capabilities

Advanced DSP synth engine, as used on Synclavier II, has been extended for Regen.
12 separate tracks of multi-timbrality, assignable to MIDI tracks and keyboard ranges.
Up to 98 simultaneous voices. Voice count is dependent on system load and is likely to be much higher in typical scenarios.
12 partials per timbre. Each partial can be 1 of 3 oscillator synth modes: additive, subtractive, or samples.
Additive mode supports coefficient and phase control of 24 harmonics.
In samples mode, up to 128 samples can be placed on the partial's patchlist.
Subtractive can have a noise generator or up to 9 de-tunable continuous sawtooth waveforms.
Hybrid (resynthesized samples)
Timbre-level effects, including:
Stereo reverb algorithm with pre-delay and library of presets.
Highly-optimised multi-mode filter with sophisticated filter envelope.
Bit-crusher (for use with additive, sample, and hybrid modes).
Frequency modulation (FM) controllable per partial (all modes) with envelope.
Sophisticated modulation system that allows many Regen parameters to be controlled via MIDI, LFOs (24 per timbre), or driven by envelopes (24 per timbre).
Approx 300MB of sample space in memory = 100 mins @ 48Khz 24-bit mono shared across all active tracks and partials.

Hardware

Balanced stereo output through XLR connections at pro-level 4dBu. Designed for studio and home use. These are DC-coupled for maximum bass impact.
Single-ended TS stereo outputs, also DC-coupled.
Convenient headphones TRS jack for monitoring master audio with independent volume
control. For headphones in range 32O - 300O.
DAC circuit is designed for ultra-low noise floor. 11dB of headroom over nominal level. A
measured 130dB of dynamic range. 24-bit, 50kHz sample rate, as per Synclavier II.
Hybrid sound design engine: original Synlcavier II hardware is modelled in software.
High quality audio components throughout, including a precision temperature compensated crystal oscillator for jitter-free digital audio.
Two glorious full-colour sunken displays.
Responsive silicon back-lit parameter buttons.
The vertical value swiper is touch accurate to 128 levels of resolution for precise control
of every parameter.
12 selector buttons are touch-sensitive and can handle gestures to quickly select
multiple partials or tracks.
SD Card reader for unlimited user timbre and sample libraries.
4 USB accessory ports for MIDI keyboards, sequencers, and audio interfaces. Plus 1 USB Host port for connecting to a computer for MIDI input from a DAW.
Take it on the road. Rugged, full metal enclosure.

Notes: The ultimate expansion of the original Levitate tabletop synthesizer with a huge collection of NEW Features and Eurorack patch points.

These include:

Three full signal generators - "Legus", "Neura", and "Crazy"
Mixer and lever for all stages + audio outputs per section
Phaser/Delay
VCF
Fuzz
Distortion
6 LFOs

The Levitate Expansion is presented in a Limited & Numbered edition of 3 and brought to you by the mind, passion and work of Synamodec. Manufactured the old school way by hand in Spain in the year of 2023. This is a Sound Art Machine for the times!

Dimensions: 19" x 12" x 4"

Specs

Legus

* 1 Extra out exterior
* 2 LFO included
* 1 Exterior input
* 2 Exterior CV in

Neura

* Triple oscilator
* 1 Exterior output

Crazy

* 1 Extra out exterior
* 1 LFO included
* 1 Exterior CV in
* EQ control included

VCF(2)

* Exterior signal input with level control each.
* Exterior CV in
* 2 Extra output (HP, BP)
* 2 LFO included

Phaser/Delay

* 1 Exterior CV in for delay
* 1 Exterior CV in for phaser (FB)
* 1 Extra out phaser (4P)
* 1 CV LFO for delay included
* 1 LFO included ( for modulate the CV LFO of the delay)

Mixer
Fuzz
6 band EQ/filter
Distortion

VCA
1 Exterior CV in
1 Gate/Trigg out (Sync)

Envelope

Outputs (4)

Direct out from the mixer
Out from mixer + fuzz + 6B equ
Out from mixer + distortion
Out from VCA (We can select with a switch which of the three previous outputs we introduce to the VCA)

* The four outputs are simultaneous.

Notes: Supercritical Synthesizers introduces their first desktop instrument, Redshift 6 - six voice analogue Variable Character Synthesizer

Supermassively dense analogue oscillator combined with a chameleon analogue filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company's previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analogue waveforms generated under digital control. The filter core is an analogue 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6's idea is something that is wrapped in the moniker "Variable Character Synthesizer". Each voice's analogue path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analogue polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehaviour and beyond. No modelling here - it's all analogue until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6's six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch colour screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analogue platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module

Technical specifications

Six voices each featuring:
Full analogue signal chain
Digitally controlled analogue Supercritical Demon Core Oscillator
Analog four pole Variable Character Filter
Flexible gain staging with an analogue boost circuit
Physical audio output per voice (2 main outputs and 4 aux outputs)
Optional voice chaining
Bypassable digital effects in main outputs 1-2
2.7" TFT IPS colour screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
Quick powerful controls for oscillators and filters.
Six user-assignable macro controls
Six parts multitimbral
Modern MIDI implementation with USB-B connection and DIN IN/OUT
MPE
12V power supply
Physical dimensions: 378 mm x 254 mm x 63 mm

Notes: The SE-3X is a new model in the SE range that sits above the illustrious SE-1X; this model has significant hardware features and software upgrade from the SE-1X.

New hardware additions include:
2 types of saturation
2 new additional analog VCF types for a total of 4 filter types 4 Voltage Controlled Discrete Analog Filters: SE Classic 24dB Moogr; SE Classic 24dB ARPr; SE Classic Juno/Jupiter:

Numerous software enhancements including 3 note paraphonic capability, enhanced modulation and envelope types, and improved workflow with easier/simpler navigation of menus (including some requested user features)

Three + Four = Heaven. The SE-3X: a three-voice paraphonic synth with four discrete, classic hardware filters.

Seen where the sound of success was heard, the SE-1(X)'s popularity with hitmakers, film composers and sound designers has spanned decades, and the 'X never quite rode off into the sunset. Now, it's blazing back with software sweetening and sweeping hardware refinements - innovations worthy of 30 years of rack time... and your time. Built attractively, built solidly, bringing you the bump 'n' thump and higher frequency clarity and warmth that has been the secret weapon of legends. Complete '3X software for '1X users is available as a Flash ROM chip upgrade.

New features

Software:
Paraphonic Mode: for easy and electric 3X chords and colors.
Front Panel control for Oscillator Mix.
Front Panel control for Oscillator 2 & 3 Fine Tune.
LFO Gate from our BOOMSTAR / MIDIMINI V30
OMEGA / SE-02 Envelope routines in addition to the original linear & magical quasi-exponential Envelopes.
Exponential Glide routine from the OMEGA and '1X Linear Glide.
New Front Panel Screen Jumps & Shortcuts.

Hardware:

Two fuzz modes: 70s & 90s. Front panel switchable.
RESONANT FILTER COLLECTION: 24 dB MINI, 24 dB ARP, 24dB, 6dB, "Mix Mode" JUNO/JUPITER. SEM remains the built-in filter. Front panel switchable.

The software of the SE-3X in detail:

The exponential glide routine from the Omega: Now you can choose that or the original linear glide.

The Omega/CODE Envelope routines: These show up as EXP2 in the Envelope window; this is in addition to the original linear and magical quasi-exponential Envelopes.

Page 2 Mix knobs for the Oscillators: Due to space restrictions, the SE-1(X) didn't allow direct control, requiring navigating to the Audio Mixer page for tweaksitedious. Now holding Shift and using the Pulse Width pots to adjust Oscillator mix levels brings balance and satisfaction.

OSC 2 & 3 Fine Tune: Hold Shift and rotate 2 & 3 Frequency knobs. Another useful and efficient jump-cut.

LFO Gate from our Boomstar and Mini V-30, a venerable and most funky feature from the ARP Odyssey and 2600; LFO 3 can now gate the Envelopes: hold Shift and press LFO 3, or send it CC #9. MIDI sync applies, of course when received.

Lastly for spice and "poly" nice nice, Paraphonic Mode: This allows the 3 oscillators to be played by 3 different MIDI notes, for easy and electric 3X chords. All 3 oscillators still go thru the same VCF and VCA, so it's not truly polyphonic. But with some care and creativity in programming, it can sure swing like it. Check out Marc St. Regis' SoundCloud demos to see just how warm & snappy the PARA can sound, especially when a DAW is in control.

Specifications:

Voices: Monophonic, with 3 note Paraphonic mode.
Audio Outputs: 1
External Audio Inputs: 1
Interface: 1 rotary encoder, 24 knobs, 20 square switchesi17 illuminated, one three-way toggle (filter fuzz), one 5-way rotary switch (filter selection), power.
Main Display: 20 x 4 blue backlit liquid crystal.
Memory: 8 banks of 99: 396 patches in ROM, 396 in RAM.
Weight: 11 lbs.
Dimensions: 3 rack spaces, 8 inches deep.
Power: 90 - 250 volts AC auto switching.

Notes: The kind of instrument Soma Labs do so well: weird but wonderful. Based around 32 complex digital synth algorithms and 12 note velocity- and pressure-sensitive sensors, transposition techniques allow you to play the full range of a grand piano.

Supplier's Notes:
TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.

Notes: TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.

Notes: The Next Evolution of the Prophet:
The Prophet X is a potent fusion of samples-plus-synthesis and is Sequential's most ground-breaking evolution of the Prophet yet. At its heart, it's a bi-timbral, 8-voice-stereo (16-voice mono) synth with a newly developed sound engine that powers two simultaneous 16-bit, 48kHz sample-based instruments plus two high-resolution digital oscillators - all processed through analogue filters. With 150 GB of internal samples from acclaimed sound developers 8Dio, and all of the powerful synthesis tools you've come to expect from Sequential, the Prophet X has a musical voice uniquely its own.

Sample Engine:
On the sample side of things, the Prophet X provides two independent, stereo, digitally sampled instruments per voice (4 in Stack or Split mode). The 150 GB of internal sample content was created by 8Dio, known for pioneering "deep sampling." You'll find a diverse collection of acoustic and electronic instruments as well as plenty of edgy ambient and cinematic effects. You can shape the samples through loop manipulation, sample stretching, and the Prophet X's sound-sculpting modulation functions. Each sample instrument has its own Tone control for high-pass or low-pass filtering. Fifty gigabytes of additional internal storage is dedicated to importing external sample libraries. Support for user-created samples is planned for December 2018. Add-on sample packs are available from 8Dio on product release.

Synth Engine:
On the synth side, the Prophet X gives you the power of a classic Prophet, with two high-resolution digital oscillators that feature both classic waveshapes and a supersaw for more timbral possibilities. Using the Shape Mod control, you can manually dial in a desired waveshape width for any of the classic sine, sawtooth, or pulse waves, or use an LFO or other mod source for continuously shifting timbre. You can shape the raw sounds with all of the classic synthesis functions you'd expect, including 4 syncable LFOs with slew and phase offset, 4 loopable five-stage envelope generators, and a 16-slot mod matrix with dozens of modulation sources and destinations.

Stereo Filters for Depth and Impact:
At the heart of the Prophet X's powerful sound are its new, 24 dB-per-octave resonant low-pass filters, which are based on a vintage design. There are separate filters in the left and right channels for a true stereo signal path. These add exceptional presence and fullness to both the samples and the oscillators. For additional polyphony, you can switch the Prophet X from 8-voice stereo mode to 16-voice mono mode, which is useful for stacks and splits.

Poly Step Sequencing:
The polyphonic step sequencer provides up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer if working in stacked or split voice mode, making it a powerful tool for composition or performance. Sequences can have ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.

Two Effects per Layer:
A dual effects engine provides multiple reverbs, 2 delays (standard and BBD), chorus, phase shifter, flanger, vintage rotating speaker, high-pass filter, and distortion. In stacked or split voice mode, you can apply two different effects to each layer. Effects parameters can be modulated through the mod matrix.

Road-worthy and Studio-ready:
With loads of sonic firepower and personality, a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch, an integrated power supply, MIDI USB support, and three crisp OLED displays, the Prophet X fits into any music rig or gig - in the studio or on the road.

Notes: The Prophet REV2 is Sequential's reimagining of his Prophet '08 poly synth - a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Sequential put it, "The Prophet REV2 is the realization of our effort to enhance and improve everything we could about the original design - all at a more accessible price."

You can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with new features.

The Prophet REV2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet '08, but in many classic instruments of the 70's and 80's. A separate Audio Mod control adds additional harmonic complexity and movement.

A powerful new feature unique to the Prophet REV2 is waveshape modulation. You can now vary the pulse width of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.

The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It's a veritable sound designer's playground.

The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.

The knob-per-function front panel offers instant access to Prophet REV2 functions. Included are 512 permanent factory programs and 512 rewritable user programs. All of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet REV2 an ideal instrument for gigging or recording, and an analog powerhouse like no other.

Notes: A Modern Classic Reinvented:
The Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it's exactly the same on the inside - Sequential's reimagining of his now-classic Prophet '08 poly synth.

The Prophet Rev2 retains all of the key features of the Prophet '08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.

You can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with the new features.

Bold Sound:
The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet '08, but in many classic instruments of the 70's and 80's. A separate Audio Mod control adds additional harmonic complexity and movement.

Waveshape Modulation:
A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the "pulse width" of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.

Effects Per Layer:
The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.

Extended Mod Matrix:
Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It's a veritable sound designer's playground.

Poly Step Sequencing:
The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.

Per-Knob Programmability:
The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.

Eminently Playable:
All of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you're gigging or recording, it's an analog powerhouse like no other.

Notes: A Modern Classic Reinvented:
The Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it's exactly the same on the inside - Sequential's reimagining of his now-classic Prophet '08 poly synth.

The Prophet Rev2 retains all of the key features of the Prophet '08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.

You can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with the new features.

16-Voice Polyphony:
With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords via your MIDI controller, stack two 8-voice sounds for massive, complex textures, or split your controller into two completely separate 8-voice Prophet Rev2 instruments.

Bold Sound:
The Prophet Rev2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet '08, but in many classic instruments of the 70's and 80's. A separate Audio Mod control adds additional harmonic complexity and movement.

Waveshape Modulation:
A powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the "pulse width" of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.

Effects Per Layer:
The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.

Extended Mod Matrix:
Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It's a veritable sound designer's playground.

Poly Step Sequencing:
The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.

Per-Knob Programmability:
The knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.

Eminently Playable:
All of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you're gigging or recording, it's an analog powerhouse like no other.

Notes: A Modern Classic Reinvented:
The Prophet REV2 is Sequential's reimagining of his Prophet '08 poly synth - a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Sequential put it, "The Prophet REV2 is the realization of our effort to enhance and improve everything we could about the original design - all at a more accessible price."

The Prophet REV2 retains all of the key features of the Prophet '08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.

Best of all, you can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with the new features.

16-Voice Polyphony:
With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments.

Bold Sound:
The Prophet REV2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet '08, but in many classic instruments of the 70's and 80's. A separate Audio Mod control adds additional harmonic complexity and movement.

Waveshape Modulation:
A powerful new feature unique to the Prophet REV2 is waveshape modulation. You can now vary the "pulse width" of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.

Effects Per Layer:
The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.

Extended Mod Matrix:
Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It's a veritable sound designer's playground.

Poly Step Sequencing:
The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.

Per-Knob Programmability:
The knob-per-function front panel offers instant access to Prophet REV2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.

Eminently Playable:
All of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet REV2 an ideal instrument for gigging or recording, and an analog powerhouse like no other.

Notes: The Prophet-6 is Sequential's tribute to the poly synth that started it all - the Sequential Prophet-5. But it's not simply a reissue of a classic. Rather, as Sequential put it, "It's the result of our effort to build the most awesome-sounding, modern analog poly synth possible." The Prophet-6 takes the best qualities of the original Prophet - true voltage-controlled oscillators, filters, and amplifiers - and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.

Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice - a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.

The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There's also an independent stereo distortion effect, which is 100% analog.

Also present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.

The knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs in 10 banks of 100 programs. In addition to these, you can create and save up to 500 user programs of your own. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.

All of this awe-inspiring sound is packed into a four octave, semi-weighted keyboard with velocity and channel aftertouch that's an ideal combination portability and power for the project studio or the gigging musician.

Notes: The Prophet-6 desktop module is every bit as powerful and easy to use as its counterpart, the Prophet-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use - with absolutely no menu diving. As with the Prophet-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.

How does it sound? Awesome - just like the keyboard, because on the inside, it's exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic sound that has been earning raves from customers and reviewers alike.

We've also added a poly chain feature so that any two Prophet-6s can be paired for twelve-voice polyphony!

Both the Prophet-6 desktop module and keyboard are Sequential's tribute to the poly synth that started it all - the Sequential Prophet-5. But it's not simply a reissue of a classic. Rather, as Sequential put it, "It's the result of our effort to build the most awesome-sounding, modern analog poly synth possible." The Prophet-6 takes the best qualities of the original Prophet-5 - true voltage-controlled oscillators, filters, and amplifiers - and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.

Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice - a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.

The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There's also an independent stereo distortion effect, which is 100% analog.

Also present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.

The knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs and 500 rewritable user programs. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.

All of this awe-inspiring sound is packed into a desktop module that's small enough to fit in a backpack. It's an ideal combination of portability and power for the project studio or the gigging musician.

Notes: Don't let its small size fool you. The Prophet 12 Module boasts the same power and sound as the Prophet 12 Keyboard. Each of the Prophet's twelve voices is composed of a brand new hybrid digital/analog architecture that sounds different than any other DSI line of synths, yet retains the true Prophet vibe. With a humongous twelve voice polyphony, sophisticated architecture, and sleek design, the Prophet 12 is ready to handle any sound in any setting.

The Prophet 12's brand new hybrid voice has a digital front end followed by an all analog signal path output. Each voice has five high resolution digital oscillators, a digital character effects section, a resonant Curtis low-pass filter, a high-pass filter, a tune-able feedback circuit, a four-tap delay line with feedback per line, four loopable five-stage envelope generators, four syncable LFOs with slew and phase offset, a sophisticated arpeggiator, and a sixteen slot modulation matrix with 26 mod sources and 97 modulation destinations. The Prophet 12 Module is packed with a plethora of sonic potential and power!

Frequency and amplitude modulate the oscillators with incredible accuracy. Freely assign oscillators in whatever operator and modulator configurations you choose. You can even assign each of the oscillators to modulate LFOs, envelopes, and filters.

The Prophet 12 Module's streamlined interface invites quick and easy control of every parameter on the synth. Each synth section can be selected at the press of a button with every parameter editable from the crisp OLED display. Easily create modulation assignments using the Assign Mod buttons. Dedicated Low and High Pass Filter potentiometers provide quick and smooth control of the filters.

The Prophet 12 Module has a rugged steel enclosure and is equally at home on your desk, in your rack, or on stage! An extensive MIDI implementation covers every available parameter on the synth and you can easily pair it with your favorite MIDI controller or DAW.

The Prophet 12 is the most cutting edge hybrid synthesizer on the market and defines what a modern polyphonic synthesizer is. Designed and manufactured in San Francisco, the Prophet 12 Module has a glorious combination of form and function in a sturdy, portable and elegant build.

Dave has been a pioneer in the field for 35 years. After creating such greats as the Prophet-5, '08, and VS, this is his favorite Prophet yet!

Notes: Two Legends. One Instrument:
The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Sequential and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound - with its true voltage-controlled oscillators, 2-pole filter, and amplifiers - and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.

Vintage SEM Tone:
The OB-6 sound engine is inspired by Tom's original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.

Dual Effects:
The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom's original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.

X-Mod and Poly Step Sequencing:
Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.

Easy to Program:
The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.

Easy to Play:
This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.

*For audio demos, please visit - https://soundcloud.com/davesmithinstruments

Notes: Classic Oberheim Sound - Made Portable:
The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.

How does it sound? Massive - just like the keyboard, because on the inside, it's exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world.

We've also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony!

Two Legends. One Instrument:
Both the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Sequential and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound - with its true voltage-controlled oscillators, 2-pole filter, and amplifiers - and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.

Vintage SEM Tone:
The OB-6 sound engine is inspired by Tom's original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.

Dual Effects:
The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom's original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.

X-Mod and Poly Step Sequencing:
Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.

Easy to Program:
The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.

Easy to Play:
This analog powerhouse is packed into a desktop module that's small enough to fit in a backpack. It's an ideal combination of portability and power for the project studio or the gigging musician.

Notes: Semi-modular digital synthesis from a brand with a long history. Full Eurorack-compatible desktop module, including an eight-voice swarm oscillator, multi-mode filter and lots more.

Supplier's Notes:
A semimodular synthesizer consists of 9 essential synthesis modules whose combination provides a very powerful and straight forward starting point into the world of Eurorack synthesizers. Let's see, which modules are included in Radikal's latest brainchild: The system includes one swarm oscillator, a mixing stage with a noise source, a very powerful filtering section around the analog multimode filter plus stereo digital emulations of 12dB multimode and 24 dB ladder filters and one VCA. One LFO and one snappy envelope generator for modulation purposes plus the secret weapon of all Radikal Technologies digital modules, the SNAPSHOT INTERPOLATOR are adding extra excitement to your sonic adventures. The icing on the cake of the sound engine is a digital FX section with incredible modulated stereo delay effects including tape delay, phasing, chorus, flanging etc.!

In a modular synth system, the different sound generating and altering sections are not connected. The user has to establish all the connections that are necessary to generate sound effects and tones with patch cables. In a semimodular synth the most essential connections are hardwired. This means you can play the DELTA CEP A right out of the box. Of course you can go a step further and add your own module patching.

The DELTA CEP A has a MIDI interface, which is essential when you want to use the paraphonic mode of the Synth. The paraphonic mode let's you play chords and turns the DELTA into the perfect pad and ensemble section. The MIDI Interface has additional outputs for external modules and a special digital bus allows for controlling the SWARM OSCILLATOR RT-311 direct with notes and chords to layer additional voices in monophonic and chords mode using an external MIDI keyboard.

The SNAPSHOT INTERPOLATOR is a very unique feature in the synthesizer world. First you have the ability to store snapshots of your sound creations into the internal memory. Then you can play these snapshots sequentially for very cool sonic sequences. But that is not all. You can even create smooth transitions from one snapshot to the other for stunning sound morphing effects. Independent from the Interpolator, the snapshot memories can also be used as preset memories and are filled with sounds from our sound designers.

23 knobs, 14 buttons, 28 RGB LEDs, 14 outputs and 17 inputs - the DELTA CEP A has a great synthesis potential that can even grow by adding additional modules. The connectivity provides the freedom to use it as part of your existing Eurorack system or as an independent solo synthesizer with our special DELTA CEP A desktop case.

Notes: Mantis is a unique, duophonic hybrid synthesizer that was co-developed by the late Chris Huggett (of EDP Wasp, OScar & more fame) and is dubbed as a spiritual successor to the OSCar, sporting precision digital oscillators, dual state variable filters and more.

Mantis is a premium synthesizer, sporting a high quality 37-note velocity and pressure sensitive keybed, SSI2164 IC's for the VCF's and VCA's, custom high performance processors for the oscillators coupled with a pristine analogue signal path, which features a twice amplified gain structure for maximum clipping capabilities plus lush stereo digital FX.

The modulation capabilities are vast with:
Two unique ADSR's that feature "sustain fall" that allows you to create a drop before release...even while a key is held for greater sound design possibilities. The envelopes can also be set to cycle.
Two tempo-syncable LFO's with four waves, fade in and fade out parameters and a seriously wide operating range.
Ring modulation available at the mixer
And a unique modulation routing controller with 6 choices of modulation parameters, 6 choices of modulation sources and scale control, which used to scale the effect of the modulation.

In development over the last period of his life Chris threw everything into Mantis. Although incomplete when he sadly passed away in 2020, he handed the project over to Paul of PWM to carry on and continue the project.

PWM, with the support of Chris' estate, think this synthesiser deserves to be born into the world for everyone to enjoy!

PWM MANTIS Key Features:
Hybrid-Analogue Synthesiser, powerful digital oscillators with dual analogue filters
With Mathematically Generated Oscillators with a Pure Analogue Signal Path
A Modernised Design Architecture based on the WASP with an OSCar style filter designed by the late, great Chris Huggett
Duophonic - Two Fully Independent Voices each with 2 Oscillators plus Sub-Oscillator per voice
Dual Filters - Multi-Mode State Variable VCF's with Overdrive per voice that can be combined in Series or Parallel with Width Control
Keyboard - 37-Note Full-Size Semi-Weighted Keybed with Aftertouch plus Joystick
Fully featured Keyboard, Joystick and USB-MIDI Control for Easy Integration with any Studio or Live Environment

Notes: Keyboard version of Pittsburgh's superb Taiga synth, combining Moog-style East Coast elements with Buchla-inspired West Coast synthesis. Premium 37-key model with velocity, aftertouch and 24 HP expansion bay.

Supplier's Notes:
Modern Analogue Keyboard with Expansion Bay

Taiga Keyboard is an evolution of the award-winning Taiga synthesizer. Taiga gave users a boundary-smashing suite of unique modern Pittsburgh Modular analogue synthesizer innovations. Now in Taiga Keyboard, that same powerful suite of tools acts as a foundation in this expressive keyboard instrument.

Exploring the larger keyboard format, spreading controls out, and adding larger knobs makes sound sculpting while performing easier than ever. We've also added additional modulation sources, additional controls, a full-size 37 key premium aftertouch-enabled keybed, and a first-of-its-kind, modular expansion bay.

Taiga Keyboard oscillators

Waveforms generated by the three Taiga Keyboard oscillators stretch beyond the basic geometric shapes and sounds associated with analogue synthesis. Taiga Keyboard waveforms pass through up to three proprietary, cascading waveshapers designed to precisely manipulate their symmetry and harmonic content. In addition, each oscillator includes a robust six-stage wave folder to add even more complexity and depth to the diverse sonic palate of Taiga Keyboard. Dedicated coarse and fine controls deliver maximum flexibility & control over the full range of each oscillator.

The "Pittsburgh Filter"

The Pittsburgh filter has defined the sound of Pittsburgh Modular from the moment it was introduced. A signature gummy and relaxed sound with no dead spots that has been tweaked to perfection. It offers a warm, smooth sweep through the full frequency range and a sweet resonance that does not roll off the low end. This generation of the Pittsburgh filter is specifically designed to ensure a remarkable interplay with Taiga Keyboard's oscillators.

Pittsburgh Dynamics Controller

Pittsburgh's new Dynamics technology imparts Taiga Keyboard with a uniquely organic depth and presence. By simultaneously managing both amplitude and harmonic content, the Pittsburgh Dynamics Controller expands beyond the one-dimensional VCA found in other synthesizers. It does this by utilizing new advancements from traditional low pass gates to add additional definition and dimension to the voice of Taiga Keyboard.

When used in low pass gate mode, sounds shed harmonic content and become warmer as they decrease in volume. This mimics how sound waves react to their environment. Because of this connection, the Taiga Keyboard sounds more natural or complex compared to other instruments.

Analogue Echoes

Echos is a beautifully dark analogue delay tuned to enhance the source material by repeating it over and over. Echos utilizes a pair of bucket brigade delay chips to produce a classic voltage-controllable analogue delay effect that helps to place the sounds of Taiga Keyboard in a simulated environment.

Open Architecture

Taiga Keyboard has an internally defined signal path. Patch cables are not necessary to begin exploring. Attach a midi keyboard and plug the output into a speaker or DAW and Taiga Keyboard is ready to go with a robust but familiar workflow. When your ideas grow beyond the pre-defined signal path, a 64 point patch bay opens up a fully modular instrument with access to an even deeper set of features and tools.

Modular Expansion Bay

Staying true to our modular roots, we've added a 24hp powered eurorack Modular Expansion Bay that lets you personalize your Taiga Keyboard to your sound and performance needs. Simply remove the metal plate that covers the bay and add eurorack compatible modules. The modular bay helps you make Taiga Keyboard's sound completely your own.

Complete Set of Modular Tools

Taiga Keyboard includes a host of fully modular, analogue, and digital synthesis tools to support and enhance its core functionality. Analog tools include a flexible dual mixer, a pair of plucky four-stage envelope generators, noise, and sample and hold. Digital tools cover external MIDI, arpeggiator, clock sync'd modulation tools, and a robust collection of random generators. The Taiga Keyboard toolset is deep enough for any type of sonic exploration.

Keybed and additional MIDI control

Taiga Keyboard as its name would suggest, has an integrated 37 key keyboard with aftertouch, as well as pitch bend and modwheel. The keyboard can be used as a separate USB / Din MIDI controller using the Local On/Off modes.


Taiga Keyboard's key range can be easily changed using the dedicated octave up and down buttons that are located adjacent to the pitch bend and modwheel.

Taiga Keyboard features and other info:

Paraphonic synthesizer with unique additive elements
37 note aftertouch equipped keybed with full-sized keys
Fully patchable - use Taiga Keyboard's components as separate modules with external devices or reroute its internal patching.
24hp powered Eurorack Modular Expansion Bay
64 point patch bay for rerouting internal signal flow and integrating external sound and modulation sources
Controllable via MIDI, CV, and integrated pseudo random sequencing mode

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Gorgeous analogue synth, the successor to the excellent Sub 37. Two-note paraphonic design capable of classic Moog tones and more aggressive modern sounds. A real bass monster.

Supplier's notes:
The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability.

The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer's newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.

In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Gorgeous analogue synth, the successor to the excellent Sub 37. Two-note paraphonic design capable of classic Moog tones and more aggressive modern sounds. A real bass monster.

Supplier's notes:
The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability.

The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer's newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.

In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.