Review: The Craft Music label is back after a one year break with some fresh new cuts by resident Marco Lazovic. It's an EP inspired by the sound of the English club scene in the nineties and noughties, labels like Good Looking Records and artists such as Mike Millrain. Opener 'Losin Control' sure is a compelling mix of electro and breaks that soars on cosmic lines with euphoric vocals in the distance. 'Come To London' has a distinctly garage feel to it with its crisp broken beats and there is more high energy but melody-rich breakbeat action in 'Dark Gravity' while 'Space Jazzy' is s super sweet and deep jungle cruiser.
Review: Described as a release "made by wrong'uns, for wrong'uns", Wrong'uns 001 hears artists JoeJoeMojo, Oward, Rewi De Kooney and Mehlor join forces for some serious bassweight united. Exemplary 2-step, speed garage and bass compiled into a single EP for the modern zeitgeist, and packaged under the visage of a stoned, grilled bucket-hatter, the likes of 'Crackz' and 'Meet With The Devil' stick out like throbbing sub-bled ears, hardcore-continual conches for a next gen eager to prove their mettle.
Review: Burnski's agenda-setting garage label Instinct is back with killer new beats from Mance. 'Atmos101' gets things underway with sparking melodies zipping about the stereo field over chunky drums and with a filthy bassline. There is more of a throwback feel to the dusty drum loops of 'Stone Cold, Baby' complete with great vocal samples and spiralling pads. 'All Night' shows another look again with dry, stripped-back beats and big hits under warped synth stabs and more brain-melting bass. 'I Can't Help It' shuts down with silky pads work and soulful vocals.
Review: The Time Is Now label continues to lead the way in new school garage sound with a fresh platter that matters from Mass Transit System. As ever this is hefty, bass driven tackle with plenty of throwback sounds like the reversed bass and yelping vocals stabs on 'Need Someone' and it is absolutely irresistible. After that face melter is 'Hold U Tight' with its whirring bas sounds and dark grooves, the crispy 2-step naughtiness of 'Fever' and 'Tasty' with its badman lyrics, withering sci-fi synth sounds and gritty warehouse sounds all primed and ready for maximum impact.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.