Back catalogue: All genres

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Great value from this compact eight-channel mixer featuring built-in Alesis effects. Bluetooth and USB in/out give added versatility, allowing you to mix just about any sound source.

Supplier's Notes:
Easy-to-Use Analogue Audio Mixing with Built-in Effects from Alesis

The Alto Professional TrueMix 800 FX is a portable audio mixer with built-in DSP effects that delivers all the essential features you need for home recording, livestreaming, podcasting, or performing. The TrueMix 800 FX features 16 effects including chorus, flange and an assortment of high-quality delays and reverbs. There's also a convenient Bluetooth channel for easily streaming from your personal devices. A unique feature to the TrueMix Series, the Bluetooth channel also supports feedback-free phone pairing by utilizing mix-minus technology. There are eight analogue inputs with high-headroom circuitry for minimal noise and clipping in your signal. The four Mic Input Channels offer XLR inputs that are great for connecting dynamic mics or condenser mics with 48v phantom power. These channels also have balanced 14" line inputs for connecting instruments and other line-level signals. There are also two Stereo Input Channels, each with dual balanced 14" TRS inputs. These inputs are perfect for your line level audio sources. All channels feature a two-band EQ with colour coded knobs that make it easy to dial in your perfect sound while operating in low-light situations. There are even extra knob caps included so you can fully customize the look of your TrueMix 800 FX. Connecting the TrueMix 800 FX to your computer is also lightning fast, with plug and play connectivity on Windows and macOS. The TrueMix 800 FX is a feature-packed compact audio mixer that's perfect for using on-the-go.

Flexible Output Routing

Whether you're recording a podcast, livestreaming online, or making music at home, being able to hear yourself and easily route audio is essential. The TrueMix 800 FX features a variety of output and routing options to handle any scenario. There are four headphone outputs, each with their own volume control knob. If you need to send your audio signals to another destination like an external monitor or effects unit, each channel is equipped with a send knob so you can always dial in the perfect mix. For recording, the USB output sends a copy of the main outputs to your computer, or you can connect the 2-Track in/out to an external recorder which can also be sent directly to the headphones. The TrueMix 800 FX delivers everything you need to take full control of your audio routing in any situation.

Product Features:

TrueMix 800 FX Features
USB I/O for audio playback and stereo recording
Dedicated bluetooth channel with mix-minus return for feedback-free phone pairing
Four headphone outputs with independent volume control
16 built-in Alesis multi-fx with dedicated return channel
1/4" Main, Tape, and AUX outputs
Four mic input channels with phantom power and balanced line inputs
Two stereo input channels with balanced 1/4" TRS jacks
Two-band EQ on all channels
2-track inputs w/ assignable routing: main mix or headphone out
Eight-segment LED VU meter for precise level monitoring
Extra knob caps included in the box for added customization

Technical Specifications

Frequency Response All inputs: 20 Hz - 22 kHz (i1 dB)

THD+N (Total Harmonic Distortion)
All inputs: < 0.005% (@ 4 dBu, 1 kHz)

Gain Range Mic inputs (Channels 1-2): 0 - 50 dB Line inputs (Channels 1-2): 15 dBu - 35 dBu Line inputs (Channels 3-6): -20 dBu - +20 dBu

Max Voltage Gain
70 dB (MIC INPUT to MAIN MIX OUTPUT)
80 dB (MIC INPUT to CTRL ROOM / PHONES OUPTUT)
60 dB (MIC INPUT to MON SEND)

SNR (Signal-to-Noise ratio)
All inputs: > 110 dBu

Crossover Frequency
Adjacent inputs: < -80 dB @ 1 kHz
Inputs to outputs: < -75 dB @ 1 kHz (stereo L/R, Channels 1-2, panned hard left or right)

Phantom Power: +45 ~ +49V with switch control

Impedance
Mic inputs: 3.9 kO
All other inputs: > 10 kO
Aux outputs: 1 kO
All outputs: 120 O

Equalization High:
+/-15 dB @ 12 kHz
Low: +/-15 dB @ 80 Hz

Bluetooth
Profile: A2DP
Module: Bluetooth 5.0
Operating Frequency: 2402 MHz - 2480 MHz
Range: 100 ft. / 30.5 m

Connectors
(6) 1/4" (6.35 mm) TRS outputs
(6) 1/4" (6.35 mm) TRS stereo L/R inputs
(4) 1/4" (6.35 mm) TRS headphone outputs
(4) 1/4" (6.35 mm) TRS mono inputs
(1) Standard RCA L/R input
(1) Standard RCA L/R output
(4) XLR inputs
(1) USB type-B input
(1) DC power input

Controls
(1) Power switch
(15) volume control knobs (1 per input, 1 return, 1 EFX return, 1 2-track/USB in, 4 headphone outs, 1 Bluetooth, 1 main)
(6) Stereo pan control knobs (1 per input)

(6) Mon volume control knobs (1 per input)
(6) EQ Low control knobs (1 per input)
(6) EQ Hi control knobs (1 per input)
(6) Gain control knobs (1 per input)
(4) Buttons (1-EFX mute, 1 Bluetooth, 2 Source Select)
(1) Horizontal sliding switch

Indicators
(1) Power LE
(6) Peak LEDs
(1) Phantom LED
(16) Main Out Meter LEDs
(1) Bluetooth LED

Power Connection: DC Voltage: 18V, 1.2A Consumption: 18W

Notes: ***B-STOCK: Box opened, product in perfect working order***


Hands-on hardware synth goodness in a boutique desktop format, feauting an eight-voice digital supersaw engine and four-pole filter. Built-in delay, reverb, chorus and freeze effects can be used to process external signals.

Supplier's Notes:
Design philosophy

Knob-For-Knob Functionality:

Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.

Curated, Onboard Effects:

With over a decade of experience in the effects industry, Artium have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.

Plug and Play Functionality:

The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)

Quality Craftsmanship, Intentional Design:

Artium have invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colours, artwork, and the weight of the enclosure, every detail has been considered. These details matter because the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. A lot of love and passion has been poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.

Open Source Platform:

Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products.

Synth core

Oscillator:

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

Control Modes:

The Swarm employs this massive sound through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously, exploring the full range of polyphony. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns, enhancing your creative possibilities.

More Features & Controls:

To shape the sound further The Swarm has a 4 Pole Low Pass Filter with a subtle resonance as well as a simple attack and release envelope.

Onboard effects

All onboard effects can be used with other music equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

Freeze:

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time-a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing the device to capture a fresh sample.

Delay:

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighths, eighths, and triplets.

Reverb:

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

Chorus:

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

Controls

Synth core:

Detune - Detunes SuperSaw oscillator
Filter - Cutoff frequency of the filter
Attack - Rising edge of envelope
Release - Falling edge of envelope

Arpeggiator:

"ARP" Toggle - Activates Arpeggiator Mode
"HOLD" Toggle - Stores all notes played in memory
Direction - Selects the direction of arpeggiator (UP, DOWN, SEESAW, RANDOM, ORDER PLAYED)
Octaves - Selects the number of octaves played by the arpeggiator
Clock - Speed of the arpeggiator and delay clock
Clock Toggle - Switches between manual clock knob and tap tempo.
Tap Tempo (Yellow Pad) - Tap tempo for arpeggiator and delay clock

Effects:

Freeze (Yellow Pad) - Press to record. Pressing with Freeze Knob at minimum will erase sample
Freeze (Knob) - Sets the level of the frozen, infinite drone
D.Level - Delay signal level
D.Feedback - Number of delay repeats
D.Multiplier - Sets delay multiplier (quarter note, dotted eighth, eighth, triplets)
Reverb - Mix and Decay of reverb increase simultaneously
Chorus - Sets chorus level

Rear panel

Out(L) - Left Output (stereo headphone jack/TRS when Out(R) is unconnected)
Out(R) - Right Output
In(L) - Audio input to send external audio through onboard effects (If source is Mono, use In(L))
In(R) - Audio input to send external audio through onboard
Oct+: Shifts the entire synth up one octave for every press
Oct-: Shifts the entire synth down one octave for every press
MIDI HOST INPUT - Provides power and communication with your USB Midi Controller
USB POWER SUPPLY - USB-C plug to power synth

Notes: Third-generation version of Arturia's exceptional KeyLab controller is presented here in a white, 88-key format. Top quality, expressive performance and Arturia's famed reliability.

Supplier's Notes:
Building on the success of their recent rev3. releases (Minilab 3, Keylab Essential 3 and Keylab MK3) Arturia are delighted to share their next gen 88 note controller keyboard, the Keylab 88 MK3.

With a full-size hammer-action aftertouch keybed and next-level software integration encased in hard wearing high-quality materials and hard-wood panelling - KeyLab mk3 88 not only looks the part but will stand the test of time on stage and in the studio.

Keylab 88 MK3 features all of the refinements found in the other MK3 keyboards, but it sports a massive upgrade to it's keybed over previous models, now equipped with a FATAR TP/110 the Keylab 88 MK3 delivers a stunning playing experience, unlike any other 88 note controller on the market.

With a stunning visual display that shows a range of contextual information on-screen alongside touch-sensitive controls and advanced creative features; it enhances every aspect of the music-making process. From integrating effortlessly with Analog Lab Pro and all major DAWs to supporting musical ideation, keyboardists, producers and composers alike can take full command of their setup like never before.

From customizable MIDI settings and intuitive controls to advanced creative features that support musical ideation - KeyLab mk3 is a powerful ally both in the studio and on stage

KeyLab mk3 offers advanced connectivity with all major DAWs including MCU/ HUI protocols, allowing you to view contextual information on-screen, create user programs and have complete control of your music making software and instruments.

With Analog Lab Pro, Ableton Live Lite and a range of timeless instruments from the world-renowned V Collection, discover a suite of pro-grade software to start making music right away.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Notes: In collaboration with 4ms Befaco have designed this custom pod to achieve the perfect match of your Oneiroi with your desktop synthesizers, effects pedals, modular synthesizer or any kind of music gear.

A small and portable modular system to exploit the full potential of Oneiroi.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


In collaboration with 4ms Befaco have designed this custom pod to achieve the perfect match of your Oneiroi with your desktop synthesizers, effects pedals, modular synthesizer or any kind of music gear.

A small and portable modular system to exploit the full potential of Oneiroi.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Upgraded second-generation version of the high-end DT 1990 features improved sound, increased comfort and top quality sound, all based around the new generation Tesla 45mm driver.

Supplier's Notes:
DT 1990 PRO MKII - the evolution of a studio legend

The DT 1990 PRO MKII open-back studio headphones are the second generation of the popular premium model. They boast improved sound, increased comfort and industry-leading workmanship made in Germany. At the heart is the newly developed TESLA.45 driver technology. Suitable for mixing, mastering and editing, they are the perfect choice for discerning users who want to take their tracks to the next level.

The open-back reference

Thanks to their open-back design, the DT 1990 PRO MKII offers a natural, spatial sound pattern, which makes them ideal for professional mixing, mastering and editing.

The new generation of TESLA technology

TESLA.45

The DT 1990 PRO MKII feature the latest generation of TESLA driver technology TESLA.45. Redesigned from the ground up, the 45mm driver system boasts an excellent resolution, extremely low distortion and outstanding impulse behaviour. The TESLA.45 provides signal fidelity even at high volumes. Beyerdynamic's engineers have managed to combine studio-sound and flexibility thanks to weight-optimized materials. The DT 1990 PRO MKII has an impedance of 30 ohms, which means that the studio headphones can be used with a variety of end devices.

When it comes to sound, the reference headphones boast precise bass response right down to the lowest octaves. The slightly reduced highs compared to the previous model offer a high amount of information and help to avoid wrong decisions when mixing. Thanks to the wide soundstage, instruments and voices can be precisely pinpointed.

The sound transducers are manufactured at the company headquarters in Heilbronn, Germany. Each DT 1990 PRO MKII contains two TESLA.45 sound transducers, which are measured several times during the various production steps.

Maximum comfort

The DT 1990 PRO MKII is designed for several hours of use in the studio and offers outstanding comfort. The robust, flexible spring steel headband design ensures optimum contact pressure. Thanks to the skin-friendly velour ear pads, the headphones are comfortable to wear even during long sessions. The headband, consisting of soft memory foam and durable leatherette, adapts perfectly to the shape of the head. And thanks to the fontanelle recess, potentially pain-sensitive areas on the head are avoided. Both the headband and the ear pads can be replaced if necessary.

Two sound signatures

Designed to maximise flexibility, the DT 1990 PRO MKII is supplied with two different types of ear pads. The 'Producing Velours' fitted as standard deliver a full sound thanks to a slight bass boost. The 'Mixing & Mastering Velours' offer a more analytical sound. Two cables are also included: a 3m straight cable and a 5m coiled cable. Both cables have a lockable 3-pin mini-XLR plug. Everything is safely stored in a high-quality hard case.

Industry-leading workmanship

Thanks to German manufacturing expertise, the DT 1990 PRO MKII sets the benchmark in workmanship and durability. The TESLA.45 driver systems are measured within tight tolerances several times during production. High-quality materials such as anodised metal and hard-wearing plastics make the DT 1990 PRO MKII a long-term investment. In the interest of sustainability, almost every part of the premium headphones can be replaced.

Notes: Introducing the new Buchla Auxiliary Oscillator Card, a brand new revision of the BEMI era AUX Card, designed to perfectly compliment 208c series / Easel instruments.

Buchla Music Easel users remember fondly the BEMI-Era Easel Aux Expander Card, which added an auxiliary modulation source which could also be used as an audio rate oscillator and more!

Now, the Aux Card returns as the Aux Osc Card - A new Auxiliary Oscillator Card which perfectly compliments the current generation Music Easel Modern, Retro, Easel Command, and Anniversary Edition.

The new AUX Card unlocks an incredible range of features, dramatically expanding the Easel's capabilities and taking your creative potential to the next level.

Notes: Super affordable but fun analogue synth, the LORE does two-oscillator FM synthesis to create experimental tones, drones and textures. Power via USB-C, output over 3.5mm jack socket.

Supplier's notes:
Lore takes two of the lush all-analogue oscillators from OVUM, and adds frequency modulation to unlock a wild new range of sounds. It's designed for exploring tones, drones, and frequency modulated textures. Each voice is made of an independently controlled triangle-core oscillators, with separate control for volume, pitch, and can be crossfaded between a bright square wave and a crisp triangle wave.

Lore is frequency modulation. The left oscillator can be sent to the audio output, where it will create harmony or dissonance with the right oscillator, or it can be switched to modulate the frequency of the right oscillator. This is a simplified and analog version of the kind of FM synthesis you'll find in digital synthesizers like the DX7 and it's descendants. It's hand-built from 100% analog circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

Lore is enclosed in a sturdy transparent-green petroleum-free bioplastic case. It has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default Lore comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. Lore is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: Space grey version of the specially designed Chroma USB drive from DJ Tech Tools. Optimised for DJ use, the Chroma offers USB-C and USB-A connections to ensure fast performance and compatibility with both Denon and Pioneer players.

Supplier's Notes:
The Chroma USB Drive is a 128GB dual USB-A and USB-C drive designed specifically for DJs.

This drive has especially-chosen USB 3.2 memory, enabling fast library syncing on Rekordbox and Engine (sync in seconds, not painful hours).

Optimized for pro use, the Chroma Drive went through rigorous testing across Pioneer DJ and Denon DJ gear.

It's incredibly reliable for long gigs and harsh conditions. Sync faster, perform smoother, and never worry about adapters again!

Sync in seconds, not hours

Have you ever waited an hour for just 100 songs to upload to your USB from Rekordbox? It's not optimized for DJing. Rarely advertised on USB drives are the actual read and write speeds for DJ-style transfers. Most USB drives have memory not designed to update lots of little files quickly (metadata, cues, songs, analysis data, etc), but better at single/big files (i.e: a large single video file). DJs libraries aren't single files - they're lots of different files that have to be checked, updated, and then added to - all done concurrently.

Tested by DJs for thousands of hours

We've tested these with 350+ hour (two week) marathon DJ sets, using drives on all Pioneer DJ and Denon DJ all-in-ones and media players (CDJs), heavy media recording (DJ sets, 4k ProRes video), Stressdisk testing to ensure the memory has a long use life, high dust / high heat environments in the middle of the Black Rock Desert, heavy repeated plugging/unplugging (500+ times) to simulate long-term wear on the connectors.

Maximum DJ gear compatibility

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. For best results, this means you should leave 10-15% of the drive free to avoid library corruption.

Works with as many pieces of DJ gear as possible out of the box:

The drive comes pre-formatted as FAT32. Yes, some newer DJ gear can work with ExFAT and HFS drive formats, but for maximum compatibility with all DJ gear, even just 3-4 year old units, FAT32 makes the most sense. The only major limitation is that you cannot copy over files larger than 4 GB onto these drives. So if you want to have a very long lossless set stored on your drive, or use it to copy other types of media, you can reformat it easily. We recommend keeping all of your DJ drives FAT32 to make sure that older firmwares and gear all work seamlessly for your future.

Works with:

XDJ-AZ
XDJ-XZ
XDJ-RX, RX2, RX3, RR
Opus QUAD, OMNIS Duo
CDJ-3000, CDJ-2000/NXS/NXS2
XDJ-1000/MK2
Prime GO, Prime 2, Prime 4, plus the plus models
SC5000, SC6000, plus the M models
Honestly, pretty much any DJ device made in the last two decades that uses a USB port on it and can accept FAT32 formatted drives

Tech Specs
High speed USB flash memory designed for rapid-transfer of many smaller files
USB 3.2 Gen 1 (with memory that performs well at lots of rapid small file updates and read/writes like in Rekordbox syncing)
Quality metal alloy build
Engraved with DJ TechTools logo on one side. The other side is blank, but can be customized
Dual USB connectors in USB-A and USB-C
Rotatable cover (with satisfying mechanical action) to protect connector not being used
1 year limited warranty for mechanical issues (water, accidental, or intentional damage not covered, please buy an Extend warranty if you want all issues covered).
Support from DJ Techtools staff for all drive issues

Drive Specs:

Size: 128gb
Connector Type: USB-A + USB-C
Read Speed: 160-180MB/s
Write Speed: 240-260MB/s
Material: Zinc Alloy

Notes: An evolution of the monophonic Typhon synth concept, the Artemis applies similar interface design to a six-voice analogue synth module with Sinevibes digital effects. Lots of power and typically classy Dreadbox sound.

Supplier's Notes:
Artemis is a unique analogue polysynth with a UI inspired by Dreadbox's award-winning Typhon synthesizer. It builds on Typhon's innovative concepts, adding six voices of polyphony, powerful modulation capabilities, stereo FX, voice spreading, and much more!

From classic polysynth tones to aggressive modern sounds and everything in between, Artemis has a wealth of raw synthesis and modulation capabilities to explore.

At its core, Artemis features a fully analogue architecture, based on the smart oscillator implementation found in both the Typhon and the Murmux Adept, allowing effortless transitions between multiple waveforms, mix settings, glide, FM, and more.

These VCOs are paired with Dreadbox's signature filter topology, offering classic 12dB or 24dB per octave low-pass modes, as well as a standalone resonant high-pass filter. The low-pass filter includes dedicated filter frequency FM control for dialling in edgier, modern tones.

Two multi-mode LFOs enhance the modulation possibilities: LFO 1 offers a unique fade-in parameter, while LFO 2 includes XMOD (cross-modulation) control for chaotic, brash textures. Each LFO has multiple waveforms and can modulate pitch, filter cutoff, VCO waveform, pulse width, and more.

This analogue powerhouse is complemented by a suite of world-class FX from Sinevibes, who previously collaborated with Dreadbox on Typhon's FX. With reverb, delay, modulation effects, master distortion, and more, Artemis delivers an extra dimension to your sounds.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Use familiar gestures to easily animate the sound of your favourite hardware and software synths.

Push your favourite synths further

Press Touche to activate a filter on your hardware synth or gently bow Touche's plate to add arpeggiator action to your favourite software synth. These are 2 examples of the many possibilities Touche can interact with your gear. This standalone MIDI controller simply translates your gestures into data (MIDI, CV or USB). Touche precisely allows you to modulate any sound, from the subtlest brush to the wildest strike.

Sturdy & precise

Touche boasts a solid monoblock design with few replaceable moving parts, equipped to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Universally compatible

Touche is compatible with any software or hardware synthesizer thanks to its built-in CV, MIDI and USB outputs. Internal memory even lets you control hardware synths without a computer.

Ready to use

Touche can control all your favourite third-party software instruments too. Pre-made mappings for all best-selling VST instruments, as well as hardware instruments, are included.

Sounds included

Touche ships with UVI Workstation, a plug-in providing over 250 custom-designed instrument sounds. These sounds come pre-mapped with Touche so you can focus on producing.

A new, tactile playing experience

Touche bypasses the traditional limitations of most synths' and MIDI controllers' keybeds, seamlessly connecting your gestures to sound. Less programming, less automation, more creativity!

4 degrees of freedom

Each direction on the control surface affects different parameters. Combine movements for amazing effects.

Capturing precision

Touche captures your movements with pinpoint precision. Record incredible performances in real time.

Get percussive

Tap your melodies rhythmically, creating percussive tones unique to the Touche family.

Hands down

Discover new ways to articulate your sounds with your keyboard and Touche working in harmony.

A powerful companion software

Meet Lie, Touche SE's control centre and companion software. Lie allows you to:

Browse easily the included sound library (+250 presets)
Host any third party plug-in and map it to Touche and Touche SE
Create mappings for hardware gear in a blink (Touche only)
Adjust Touche's sensitivity to your taste

Rediscover your favourite hardware synths

Touche includes more than 250 hardware synthesizer mapping presets - providing instant, ready-mapped control of the factory presets included with most popular synthesizers.

Rediscover your favourite plugins

A beautifully engineered hardware instrument, able to translate anything from the softest touch to the roughest rhythms, with pinpoint precision.

Extraordinary sounds included

Touche comes with a professionally-designed sound library, so you can start exploring right after installation. Explore ripping basses, soaring leads, evocative pads and pounding percussion, all pre-mapped to take full advantage of the hardware.

Expand your soundscape with Touches expansions and instruments plugins

Need more sounds? Expansions and instrument plugins are an ideal playground for Touche. Discover a whole new universe of sounds and playing articulations, fully compatible with Touche and its software companion, Lie.

Touch plate

We are all different, and your Touche can be different too. You can fully perfect your Touche's response with adjustable controls, and you can even customise its appearance with our range of alternative touch plate finishes, available separately.

Cylinder

The cylinder is the heart of the Touche - it controls exactly how your Touche reacts to pressure. The 'Shore 40 Pink Cylinder' is the classic all-rounder and is included with Touche. It's suited for a wide range of gestures, soft or hard, progressive or percussive. But for those interested in a softer or harder response, we have a range of other cylinders to try.

No computer required

Touche can operate completely standalone, controlling MIDI and CV hardware without a computer connected. Pre-prepare your perfect control mappings and select and recall them live onstage - Touche is the perfect companion for adding expression to your live rig.

Touche

USB: USB Powered
MIDI in: 1/8" (3.5mm) jack socket
MIDI out: 1/8" (3.5mm) jack socket
CV: 4 x 1/8" (3.5mm), up to -10V to 10V
Axe: 4 axes with customizable sensitivity
Lie: Lie: macOS 10.11 and higher / Windows 10, VST / AU format, hosts VST instruments only
Dimensions: 9.7" x 3.9" x 2.4" / 246 x 100 x 62 mm

Box content:
Touche
1x USB Cable
2x MIDI break-out cable (jack to DIN)
1x Ground Loop Adapter

Notes: ***B-STOCK: Box opened, product in perfect working order***


Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.

The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.


OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Unassuming looks conceal the excellent EaganMatrix sound engine, offering USB-powered synth creativity perfectly matched to Haken's own Warbl Wind Controller but also compatible with MIDI and MPE.

Supplier's Notes:
EaganMatrix Micro

The power of EaganMatrix Sound Technology in Haken's smallest product ever! The EaganMatrix Micro is a full-featured EaganMatrix sound engine in a small self-contained form factor, and is powered and controlled via USB.

The EaganMatrix Micro provides a truly versatile framework for both studio and live performance, with a robust implementation of MPE and MPE+ Midi.

The EaganMatrix Micro is a perfect companion to the amazing Warbl Wind Controller.

The fingering holes on the Warbl are not just switches. You can hear that the pitch starts off a bit as the finger gets close to the hole (like it would on an acoustic wind instrument) and hits the final pitch once the hole is covered. It's a subtle effect but important. The following video shows 15 Presets from the Micro's demo assortment that Edmund Eagan skillfully customized to take advantage of the Warbl's specific sensing technology. In the future there may be demo assortments customized for the sensing technologies of other devices.

Hundreds of System Presets are included with the EaganMatrix Micro. An external cross-platform (Mac and PC) Haken Editor may be connected to modify and customize the supplied EaganMatrix System Presets, or create completely new presets from scratch.

The EaganMatrix Sound Technology, originally created for the highly sensitive Continuum, is now available to you in this compact form factor.

EaganMatrix Micro Connections
1. USB Power and Midi (shown connected).
2. Foot Pedal or Haken Audio CVC communication.
3. Stereo Audio Out.

Haken Audio's EaganMatrix Micro offers:
Polyphony: Nominal 1-3, Maximum 8
Stereo Audio Output: 3.5 mm TRS
EXT Connection: 3.5 mm TRS

Can be used as a pedal input (Yamaha FC3A with HOSA MHE-100.5 is recommended),
or it can be configured for a Control Voltage Converter.

Seven Segment Display: Preset navigation and settings
USB Power: 500 mA (190 mA average actual usage), via Mini USB connector
USB Midi: via Mini USB connector (USB-A to Mini USB cable included with purchase)
Allows bidirectional MPE and MPE+ connection to other devices; allows connection to the Haken Editor for editing and archiving EaganMatrix presets
Dimensions: 11.3 x 5.8 x 1.9 cm (4.4 x 2.3 x 0.75 inches)
Weight: 0.075 kg (2.6 oz)

Notes: ***B-STOCK: Box damaged with tears on packaging, but product is in excellent condition and in perfect working order***


The Headliner 3-Tier Desktop Synth Stand was designed to improve your workflow and help you stay organized while fitting more gear on your production desk. It fits three compact devices like synthesizers, controllers, drum machines, and effects modules. The angled design makes it easier to reach knobs and view LCD screens.

The Headliner 3-Tier Desktop Synth Stand is adjustable in width from 7.3" to 11.5" and fits a variety of devices from Roland, Korg, Elektron, and more (partial list below). It is made from solid steel and includes non-slip rubber strips for added stability.

Features
Improve your workflow and stay organized while fitting more gear on your production desk.
Fits three devices such as synthesizers, controllers, drum machines, and effects modules.
Angled stand makes it easier to reach knobs and view LCD screens.
Solid steel construction with non-slip rubber strips keep stand and equipment in place.
Width adjustable from 7.25" to 11.5". Best fits devices from 8" to 14" in width.
The lower tier has a depth of 7". The middle and upper tiers have a depth of 5.25".
Overall dimensions of stand (WxDxH): 7.25"-11.5" x 17" x 17.5".
Includes non-slip rubber strips.

Fits*: Akai Fire, Alesis SR-16, Arturia SparkLE, Behringer Crave, Behringer TD-3, Behringer RD-6, Elektron Digitone, Native Instruments Maschine Mikro MK3, PreSonus ATOM SQ, Akai LPD8, Akai MPX8, Dreadbox Typhon, Korg nanoPAD2, Korg SQ-1, Korg Volca Bass, Korg Volca Beats, Korg Volca Drum, Korg Volca Kick, Korg Volca NuBass, Korg Volca Sample 2, Roland Boutique Series, Roland MC-101, Roland TB-3 Touch Bassline, Roland TR-6S
*Some devices may not fit on all tiers.

Notes: Blue version of the DJ Control Inpulse 200 MK2, a superb option for beginners and anyone looking for an ultra-portable DJ controller. Great value.

Supplier's Notes:
Elevate your DJing journey with the Hercules DJControl Inpulse 200 MK2 Blue Edition. This sleekcontroller comes packed with powerful features, including Serato DJ Lite and DJUCED software,designed to inspire creativity and unlock your full potential. The groundbreaking Stems feature lets youeffortlessly blend instrumentals from one track with vocals from another, opening endless possibilities for unique mixes.

Master the art of beatmatching with the intuitive Beatmatch Guide, featuring built-in light indicators below each jog wheel and beside each tempo fader, making track syncing a breeze. With 4 performance pads and 4 versatile modes (Hot Cue, Stems, FX, Sampler), you'll have everything you need to craftseamless, professional-level transitions that will captivate any crowd.

Whether you're a beginner or looking to refine your skills, the DJ Academy video tutorials offer step-by-step guidance, expert tips, and tricks to help you perfect your mixing techniques and take your sets to the next level. Let your creativity shine with the DJControl Inpulse 200 MK2 Blue Edition

Notes: Great value DJ speakers, ideal for home setups. Excellent clarity, plenty of power and solid bass response thanks to 5-inch Kevlar woofers. Sold as a pair.

Supplier's Notes:
Optimized for music production and mixing, this pair of active, bi-amplified Hercules Monitor 5 speakers (2 x 80 watts RMS) will take your home studio to the next level with precise, clear and powerful audio rendering.

Box contents:

2 monitoring speakers
2 power cables
User manual and warranty information

Speaker Connectivity:

1/4" Jack / TS
RCA
XLR

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of IK's MTM monitors offer even better performance in the same compact package. Available here as a pair bundled with ARC measurement microphone for precise calibration.

Supplier's notes:

IK Multimedia iLoud MTM MKII Active Studio Monitor (single)
Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A / B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations

In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac / PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A / B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK have packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios. Learn how iLoud MTM MKII is ideal for use with ATMOSr and other multi-channel audio systems!


Specs

iLoud MTM MKII Specifications

Type: 2-Way / 3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz + / - 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within + / - 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1 / 4" TRS balanced input; 1 / 8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions

Size: 264 mm / 10.39" x 160 mm / 6.3" x 130 mm / 5.12"
Weight (per speaker): 2, 5 kg / 5.5 lbs (speaker + foot)

Package includes

1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
1 x ARC Microphone
1 x ARC Microphone clamp
1 x XLR to 1/8" (3.5mm) TS cable for ARC microphone (2.5m/8.2ft)

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A total music production system in a controller:
The iRig Keys I/O series evolves the concept of traditional controllers as the only one available on the market that integrates 25 or 49 full sized keys together with a fully-fledged professional audio interface featuring 24-bit audio up to 96kHz sampling rate, balanced stereo and headphone outputs, plus a combo input jack for line, instrument or mic input (with Phantom power.)

Together with an audio interface, iRig Keys I/O also packs all the controls you would expect from a premium controller including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs for unique expressiveness and fast workflow.

Both iRig Keys I/O 25 and 49 are also the smallest full sized keys on the market making them the best solution for working in small spaces and ideal when it comes to having a controller for traveling musicians, in addition to the consideration that they are the only truly mobile devices that can also work on AA batteries.

Being certified Apple MFi keyboard controllers ("Made for iPod, iPhone, iPad,") iRig Keys I/O are guaranteed to work out of the box with all iOS devices including the latest generation of iPhone 7, that does not have an audio output, thanks to the on-board audio interface. The included Lighting cable allows for straight plug-and-play with Apple iOS devices, the USB cable connects Mac and PC computers.

Plus with over $/€550 (25) and $/€750 (49) worth of IK full software and apps they include an unmatched selection of everything that is needed to make complete, finished productions out of the box like the full SampleTank 3 sound and groove workstation, Miroslav Philharmonik 2 CE orchestral workstation, Syntronik Pro-V vintage synthesizer, T-RackS Deluxe mix and mastering suite and more, as the ultimate music production station.

The only controller with an audio interface:
Having a professional 24-bit / 96kHz capable complete audio interface built-in with iRig Keys I/O presents many advantages versus regular controllers for today's musicians. The system becomes self-contained taking up minimal space in any situation whether on a small studio desk or when playing live and traveling. The set-up is also kept to a minimum and is as fast and easy as just plug and play. The work environment becomes clean and tidy, without a bunch of extra cables.

In a recording studio, everything can be connected directly to the keyboard ensuring the best possible quality with a Class A preamp for dynamic and condenser mics (including those requiring 48V Phantom power, which works under battery power as well,) to line instruments and even Hi-Z guitars and basses. The built-in headphone output allows for convenient silent playing when studying or practicing. Plus, when used in live performances the balanced stereo output allows for long cable runs directly from the keyboard to the PA or mixer which is useful for performing keyboard players or DJs.

Take control with touch controls:
Despite their ultra-compact dimension, iRIg Keys I/O include all the tactile controls you would expect from a fully-fledged controller and more. Starting with a fast synth-action key bed that improves on all preceding IK keyboards and it's a joy to play. Both the models feature one volume/ data push knob, 4 touch sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured, velocity sensitive pads. Plus, there are 2 fully programmable touch control strips acting by default as Pitch and Mod controls allowing for dramatic performances in any genre and double as fully programmable sliders.

A complete touch sensitive transport and button control section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

Perfect for mobile, great with computer:
iRig Keys I/O work universally with all types of devices whether mobile, laptop or regular desktop computer. They are ideal for iPhone and iPad thanks to the included Lighting cable connections and certified MFi compatibility. Additionally, they offer more iOS friendly features that can't be found with any other controller like the included mobile device stand and the possibility to keep the device charged during long playing session using an optional power supply adapter, and of course the included audio interface that makes them perfect when used with the latest generation iPhone 7 that lacks a mini jack audio output.

Notes: Introducing Jazzman's own exclusive range of brand new 7" hard-wearing wooden record cases, in equal measure stylish and functional, solving the age-old problem of storing, transporting & displaying your precious 45s once and for all!

The PRO Large holds 150 x 7" records, and is available in your choice of 2 finishes: Dark Walnut or Graphite Grey.

This new updated design is again custom made to an exact specification in limited numbers. They don't just look the business, they've been built for professional use and will last for many years to come.

Ugly, bulky industrial cheap n' nasty mass-produced flight cases they are not! No flimsy plastic, chipboard, MDF or cheap cardboard either! These cases are hand-crafted from ethically-sourced & hard-wearing wood, the ultimate 7" record cases for all serious record collectors & professional DJs.

Each case has been hand-made in the EU from wood that has been sourced from managed and sustainable forests. They have been custom built to Jazzman's exact specifications before being stained and lacquered for a durable finish:

The lid is fully removable via detachable metal hinges so you have unfettered access to your records
Interior lined with soft & durable black felt to add both extra cushioning and a luxurious feel. Each interior is also embossed once with Jazzman's shiny 45CASE logo
All corners made with extra strong interlocking dovetail joints
Dual metal catches on the front are lockable with padlocks (not included) to keep your records secure from unwanted attention
Strong metal brackets feature on all corners to further protect against knocks & damage
Wood sourced from managed and sustainable forests
The base has 4 sturdy rubber feet to protect the bottom of the case when standing
Each cases has dual compartments, securely holding up to 150 of your prized 7" records. The interior dimensions will also accommodate double-bagged 45s.

Important note: due to the innate variability of wood grain, each box is unique and will differ slightly to the image shown. Records are for illustration purposes only and are not included!

Details:

Exterior size: 420 x 220 x 220mm
Weight when empty: 3.2kg (7lb)
Weight with 150 records: 11kg (24lb)

"I'm really impressed with this box, nobody's made them like this for years, a nice new home for my best stuff" - Mark 'Butch' Dobson (World #1 Northern Soul DJ)

"Jazzman are already known for making great records, well done to them for making the nicest record boxes I've seen in years" - Norman Jay MBE

"Sturdy and with a classic design, this is the best 7" box I have come across" - Eddie Pillar (Acid Jazz)

"Northern, Funk, Rockabilly, Garage - these are the boxes to keep 'em in, f*** marvellous!" - The Legendary Keb Darge

Notes: No-nonsense analogue business here from JMT. Square wave VCO and sub-oscillators can be morphed and wave folded to create unique timbres.

Supplier's Notes:
The JMT Synth EWG is a desktop analog synthesiser with a wide-ranging VCO and two reconfigurable sub-oscillators that emit square waves, ideal for thick bass tones. Two adjacent knobs can control the pulse of the square waves, allowing for a wide range of tones and timbres. Two reduce knobs govern the leve of each sub-oscillator, allowing the user to blend the tones to their taste. The EWG-1 is powered by a DC9V center negative adapter or a single 9V battery.

Notes: Quirky synth fun from JMT, the NDE-1 is based around two oscillators, sample and hold, noise generator and a four-pole low-pass filter. Generate random tones, control via a sequencer or process external audio.

Supplier's Notes:
This model consists of two VCOs (oscillators), SAMPLE & HOLD, noise generator, low-pass filter, LFO, VCA, and envelope generator to create a powerful sound.

By itself, a wide range of sounds can be created, including random and regular intermittent sounds, mute timing, and fine-tuning of levels.

If you input sounds from other equipment through the A IN, you can apply a variety of filters, LFOs that oscillate the filters, and mutes to the input sounds in parallel with the built-in oscillator.

The variable range is wide enough to produce a variety of sounds. The filter is a 4-pole filter that works very smoothly, and external audio can be input via A IN.

You can also use it with a sequencer to create even more sounds.

CV INPUTs can accept - + 9V. Do not exceed this voltage.

The adapter is not included.

Please use centre negative 9V POWER SUPPLY or A 9V battery.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Love Gun is the sixth studio album by American hard rock band Kiss, released on June 30, 1977. Casablanca Record and FilmWorks shipped 1, 000, 000 copies of the album on this date. It was also the last studio album to feature Peter Criss on every song, as he was replaced by session drummer Anton Fig for all but one song on 1979's Dynasty. Love Gun was certified platinum on June 30, 1977. This iconic artwork is now available as a 500 piece jigsaw puzzle printed on high quality board.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Sampling meets the internet in the intriguing WoFi, a WiFi-enabled polyphonic instrument based around samples, granular synthesis and the online mywo.fi community platform.

Supplier's Notes:
WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.

Features

Player

The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.

Enveloppe

Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.

Manager

With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.

Filter

The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.

Texturer

The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.

LFO

The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.

Sequencer

The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.

Recorder

The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.

Master

The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.

Technical details

Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices

Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant

Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets

100 MB allows storing 18 minutes of audio

Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing


DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer

File servicing
- Direct file system management through USB
- Embedded sample editor

Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.

Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones


Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow


- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm

Notes: Sound Starts Here

The M-Track Duo HD is a versatile new audio interface that provides value and ease of use without sacrificing the pristine quality that M-Audio products are known for worldwide. Whether you're just diving into the world of recorded audio or looking for a new production tool to add to your arsenal, the M-Track Duo HD is the first step in your next sonic journey.

Plug and Play - It's That Simple

The M-Track Duo HD is the path of least resistance between any song idea, podcast concept, or voiceover and a studio-quality finished product. There are no extraneous knobs or parametersionly the essentials for recording your next masterpiece. This simple, reliable, and powerful unit built with USB-C connectivity makes it easy to create and record studio-quality audio instantly with any modern DAW or iOS/Android device.

Grow As You Go

While the M-Track Duo HD and its streamlined controls are perfect for those just getting into recording their own audio, it is also optimized for growth and experimentation. Two inputs and outputs, high-quality audio resolution, and M-Audio's dedication to quality provide users with ample room to try out a vast array of recording setups and techniques to help push and hone their craft.

Professional Sound Quality

At 24-bit/192kHz audio resolution, zero-latency monitoring, and an onboard Crystal preamp that delivers 55dB of clear, chiseled gain, the M-Track Duo HD has the capacity to impress audio professionals and beginners all the same. With powerful, professional sound quality in a single compact and affordable unit, this interface is equally suited for bedroom producers, sessions musicians, podcasters, and everyone in between.

Convenient Connectivity

The M-Track Duo HD is compatible with any modern Mac, PC, iOS, or Android device via USB-C for convenient integration with popular DAWs and recording software.

Comprehensive Software Bundle

Every M-Track Duo HD comes with an extensive bundle of professional music production software to help propel each user's unique creative journey even further. This bounty of top-of-the-line DAWs, sample libraries, and effects are valued at over $1,200 and were designed by some of the industry's leading professionals. Studio staples like Ableton Live Lite are perfect for those just starting to experiment with production and engineering, while Reason+ puts a dizzying array of VSTs at your fingertips. Akai Professional MPC Beats is a benchmark tool for any beatmaker or ambitious songwriter. Plus, a two-month Splice subscription unlocks a vast library of samples and loops - many of which are used by music's best and brightest producers.

Notes: Everything You Need

The M-Audio M-Track Duo HD Producer Pack is the perfect introduction to the world of studio-quality audio for first-time producers, content creators, songwriters, and every kind of artist in between. This powerful and cost-effective bundle combines the M-Track Duo HD audio interface with M-Audio HDH41 over-ear studio monitoring headphones and a professional-grade M-Audio M100 condenser microphone.

At the heart of this bundle is the new M-Track Duo HD, an audio interface that embodies M-Audio's dedication to quality while remaining user friendly and intuitive. In conjunction with the comfortable and precise HDH41 headphones and crystal-clear M100 microphone, this versatile set of tools will level up the practice of anyone in the pursuit of studio-quality sound.

The Complete Package

The M-Track Duo HD Producer Pack includes everything you need to take that song idea, podcast concept, or audiobook from dream into reality.

The M-Track Duo HD audio interface features a set of pared-down controls with just the right amount of added flourish: two combo XLR/TRS inputs, two 1/4 TRS outputs, a headphone jack, ultra-transparent Crystal preamps, pro-quality converters, switchable +48V phantom power, USB-C connector, and access to included software to help enrich your sonic journey.

Experience precise, studio-quality monitoring with the included M-Audio HDH41 headphones and clean audio via the included M100 condenser mic.

From Podcast to Power Ballad-Sound Your Best

Consider the M100 condenser microphone the vocalist's Swiss Army knife-it is the perfect easy-to-use tool for capturing high-quality audio, whether it be a chapter of an audiobook narrated in a soothing tone or a soaring chorus belted at the top of your range. The M100's wide-range frequency response allows for the preservation of even the most delicate harmonic qualities and nuance. Thanks to an included mic stand mount, zipper carrying bag, and XLR cable, the M100 is ready for easy setup and storage right out of the box.

Precise Monitoring Power

Clear, balanced monitoring is an integral part of the recording process, and the M-Track Duo HD Producer Pack has you covered. The M-Audio HDH41 headphones provide premium 40 mm transducer elements enclosed in a comfortable, sleek, and durable design. With an impressive 20 Hz-20 kHz frequency response, the HDH41 can deliver a level of sonic clarity that extends beyond genre and medium, ensuring a premium monitoring experience for users of all different creative and professional backgrounds.

Take Your Rig on the Go

Even with the Producer Pack's tremendous sonic capabilities, each individual component is lightweight and compact enough to take with you to set up wherever and whenever inspiration strikes-perfect for songwriting retreats, offsite recording, and live events.

Professional-Grade Software

In addition to this collection of high-quality M-Audio hardware, the Producer Pack comes with a staggering bundle of software that gives you everything you need to start recording, mixing, and producing like the pros. Included are industry-leading DAWs, soft synths, sample packs, effects, and more from brands like Akai Professional, Splice, Ableton, Reason+, Antares AutoTune, and Splice.

Notes: An exact replica of the legendary Pearl SY-1 Syncussion drum machine, featuring expanded I/O board. Classic analogue sound with individual trigger inputs, two voices and six different oscillator modes per voice.

Supplier's Notes:
The Michigan Synth Works SY-1 Drum synth is a full size, exact replica of the Pearl SY-1 Syncussion. Every detail has been replicated from the original board layouts to the mechanical construction. The assembled version has been modernized to use current manufacturing processes while still using the original board layouts and all parts have been carefully chosen to match the behaviour of the original. Case, boards, and I/O Boards are all interchangeable with the original Pearl device.

Assembled versions come with the METAL back standard, the wood case is available as a DIY kit separately.

The Syncussion:

The Syncussion is a 2 voice drum synthesizer with two oscillators per voice and six different modes. Five modes mix and modulate the oscillators plus a noise channel. Each voice has controls for TUNE, DECAY, SWEEP amount, SWEEP Speed, Sweep up/off/down, LFO amount, and LFO speed, LFO Shape (Tri or Square), and sample and hold.

OSC Modes:

A: One oscillator sound, at this position the regular drum synthesizer sweep can be effected.

B. Sound of one oscillator adjusting the other oscillator frequency; produces a metallic sound.

C. Sound of a mix of two oscillator outputs; sound is similar to that of a vibraphone.

D. Sound of mix of two oscillator outputs; produces a low to high sweep and is done by hitting pad softly or hard; there is no connection to SWEEP SPEED and SWEEP RANGE

E. Sound of one oscillator adjusting the other oscillator frequency with a mix of noise; produces a sound similar to hitting thin metal.

F. Sound of only noise

Triggering:

The SY-1 is designed to be triggered via drum triggers which output a very low pulse signal. Modern 5V trigger signals (v-trig) can be used, how it i recommended experimenting with simple audio samples or more dynamic triggers. One of the more interesting features of the Syncussion is the dynamic response to the drum triggers and just sending a straight pulse which maxes out the trigger inputs does not do the device justice.

Tuning:

The original SY-1 uses a tune pedal to adjust the pitch of both oscillators while playing. This functionality has been retained in the original configuration but is of limited use without the pedal. The expanded version DOES have per voice CV control (1v/Oct) as well as the MIDI.

The inputs and outputs use 1/4" Stereo to 1/4" (3 included) to greatly expand the capabilities of the device. The Mod input is prewired to VCF freq but can easily be switched to decay via jumper on the voice cards.

The SY-1 ships with a metal base panel but the DIY wood case can be used instead. It is provided UNFINISHED and sold separately.

Whats included:

SY-1 Synthesiser

Universal Power adapter (100-240V, 12V DC out, Tip Positive)

Expanded I/O: 3x 1.5m TRS 1/4" Phone to 2x TS 1/4" Phone

Notes: Excellent polyphonic hybrid synth module from Michigan Synth Works, based on the Mutable Instruments Ambika. Six digitally generated voices are processed through a Polivoks-derived low-pass filter. Also available with Roland-style Shruthi SMR4mkII filter.

Supplier's Notes:
Xena is a rework of the legendary Mutable Instruments Ambika DIY synthesiser. Now fully machine assembled with an updated layout and an improved modern power supply. Available with all original 3 voice cards and compatible with 3rd part operating systems as well as a new AS3109 (modern reissue of the original Roland filter chip) filter

Xena Features:

6 voices with individual outputs, one Mix output (Mono)
2 digital oscillators per voice, with 36 oscillator algorithms/wavetables.
1 sub-oscillator, also configurable as a transient generator.
Pre-filter overdrive and bit-crushing effect.
Analogue 4-pole filter (or 2-pole multimode filter depending on the type of voicecard used) and VCA.
3 ADSR envelopes, 3 patch-level LFOs, 1 voice-level LFO.
Modulation matrix with 14 slots and 4 modulation modifiers.
1 arpeggiator, 1 note sequencer and 2 step sequencers per part.
Flexible mapping of the 6 voices. A single patch with 6 voice-polyphony, 6 independent mono parts, 2 layered patches with 3-voices polyphony, a 3-voice unison bass line on the lower half of the keyboard with a 3-voice unison lead on the upper half... all are possible!
MicroSD storage allows the storing of a life-long of patches, programs and multis, along with the history of editing operations for undo/redo.
Easy to change voice cards
Case size: 10.5"x6.5"x1.75"

Filter Options:

The device is available with the original 3 Mutable voice cards (more will be added later one). Mixing voice cards is possible but not recommended.

SMR Filter: This filter uses the same topology as the Shruthi SMR4mkII. It is a low pass 4 pole OTA-C filter. Its is a smooth "Roland-ish" type filter.
4P Filter: This filter uses the same core as the Shruhti 4-Pole Mission but only offers the LP4 output. The 4P filter is perhaps a a bit fuzzier than the SMR type.
SVF Filter: This filter board features a 2-pole state variable filter with low-pass, band-pass and high-pass modes. It is half of the Shruthi SVF Filter.

Includes:

Xena Desktop Synth
12V DC universal (100-240V) Power Supply
Preformatted SD card

Notes: ***B-STOCK: Box opened, product in perfect working order***


A clever take on generative sound, the Crum Hum is a three-voice soundscaping instrument, capable of creating unique melodic and harmonic tones based on 12 different sound engines.

Supplier's Notes:
Crum Hum is a 3-voice experimental and expressive soundscaping instrument with generative, ever evolving melodic and harmonic creation.

3 melodic voices with expressive touch control

12 different Sound engines

Generative & randomized melodic and chord generation

12 different Scales

Delay, Reverb, Overdrive, LFO

3.5mm CV output

3.5mm Clock input

Send and receive Midi sequencing and Midi CC.

Notes: ***B-STOCK: Box opened, product in perfect working order***


***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. [email protected]***

Structure EP-208 Eurorack Enclosure -

Maximum Power for a New Generation



Beautifully stained hardwood double row, 208hp powered eurorack travel case with lid. Includes professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:

With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.




Features:

Structure EP-208 Power:
4 Amps of Clean +12v Power

3 Amps of Clean -12v Power

2 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 30 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere



Structure EP-208 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Dual 104hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

20 Smooth Sliding Square Nuts Per Rail (Holds up to 40 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set


Structure EP-208

Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 12 1/4"
External Width: 22"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: ***B-STOCK: Box opened, product in perfect working order***


Another innovative groovebox from Polyend, the Synth allows you to sequence and perform up to three synths from eight different synth engines. Unique Smart Grid feature allows single-button chords and note followers.

Supplier's Notes:
Compact Design. Massive Sound. Unmatched Innovation.

Easily Play 3 Synths at Once

The power of three synth engines is at your fingertips, all running together seamlessly. Whether you're in the studio or performing live, you can juggle between different engines, adjust parameters on the fly, and layer effects with ease. The built-in sequencers, arpeggiators, and all new smart grid system keep everything flowing smoothly, letting you focus on creativity without interruption. With instantly recallable scenes, you can save and recall every detail of your setup.

Eight Synth Engines to Explore

Dive into a world of sound with eight distinct synth engines, each offering its own unique character. Whether you're drawn to the classic analogue warmth of FAT or the evolving textures of GRAIN, you'll find the sound to shape your creations exactly the way you want:

PHZ: A modern take on phase distortion synthesis with options for both retro and cutting-edge tones.
PMD: Physical modelling technology that simulates realistic instruments or creates entirely new sonic expressions.
GRAIN: A granular engine with two modes, burst and cloud, ideal for rhythmic textures or sweeping ambient layers.
WAVS: Morph between wavetables with intricate control over scanning and phase shifting to create evolving textures.
VAP: A dual-oscillator polysynth that draws inspiration from the classics, offering rich, lush pads and detailed soundscapes.
FAT: Massive sound with three oscillators and vintage ladder filters for deep basses and expressive leads.
ACD: The ultimate recreation of iconic vintage monophonic synths, but with increased customization.
WTFM: A unique FM synthesis engine that uses wavetable-based oscillators for complex sounds without the usual FM complications.

Three Customizable Effects

Take your sound to the next level with three onboard effects, each fully customizable to suit your style:

MOD: This versatile modulation engine can take you from subtle choruses to wild, feedback-heavy flanging.
DEL: Dual delay lines with five unique models, giving you the flexibility to sync with your track or create complex delay effects.
REV: Three reverb modes - Natural, Plate, and Warp - let you add anything from subtle space to massive, otherworldly reverbs.

Reimagined Rhythms

Unlock your full creative potential with three independent sequencers and arpeggiators. Control every aspect of your rhythm, from swing to groove, transposition, and more. Whether you're building tight, rhythmic patterns or sweeping melodies, this system adapts seamlessly to your music.

For Performers, Sound Designers, and Innovators Alike

Always Musical Smart Grid for Live Play

Stay in control even during the most chaotic performances. The customizable Smart Grid ensures every note and chord stays in the desired scale, while making live performances smoother and more intuitive.

Scenes on Demand

Imagine having every setting - from synth engines to sequences - saved in one easy-to-recall Scene file. Build entire live sets and instantly access them with a touch. Plus, share your unique setups with the community

Combo Knobs for Quick Tweaks

Create dramatic builds or subtle shifts with customizable combo knobs. Whether controlling one or all three synths at once, adding movement and dynamics to your sound has never been easier.

Polyphonic Aftertouch

Express every nuance of your performance with polyphonic aftertouch. Adjust multiple parameters with just the pressure of your fingers, allowing for truly expressive, dynamic control over your sounds.

A Dream for Sound Designers

Intuitive 3x3 Knob Matrix

Designed for hands-on control, the 3x3 knob matrix lets you quickly access and tweak key parameters. No need to dive into endless menus - everything you need is right in front of you, ready for real-time adjustments.

Real-Time Visual Feedback

Every adjustment you make is instantly reflected in the visual interface, giving you clear, real-time feedback on how your sound is evolving. Whether you're tweaking filters, modulating oscillators, or adjusting LFOs, you'll see the changes happen as you hear them.

Endless Customization

Expand your creative palette with SD and USB storage. Easily load new wavetables, presets, and entire setups, or share your creations with others. With endless possibilities, this synth is designed to grow with you

Notes: ***B-STOCK: Box damaged, product in perfect working order***


PreSonus Eris-series studio monitors are used worldwide by audio engineers and producers who need to hear every detail of their recordings. Our best-selling studio monitors just got better! Eris 3.5 media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 25 watts per side of onboard power, the Eris 3.5 reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 3.5's 3.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction throughout the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With three types of inputs, it's easy to connect just about any audio source to Eris 3.5 reference monitors. High- and low-frequency controls let you easily adjust the Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

3.5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
50W, Class AB dual amplification
80 Hz to 20 kHz frequency response
98 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/8-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/8-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/8-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Versatile connectivity.

PreSonusr Erisr 3.5 reference monitors connect to virtually any line-level audio source, using rear-panel, 14-inch TRS and RCA inputs and a front-panel, 1/8-inch, stereo line input. You also get a convenient (and loud!) front-panel, 1/8-inch, stereo headphone jack; connecting headphones mutes the speakers.

Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Erisr speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 3.5s precisely to your environment to further ensure the best sound possible.
Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Erisr 3.5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 25 Watts (Each Speaker)
Input impedance: 10 kO

Performance
Peak SPL: 98 dB (@ 1 meter)

Speakers
Crossover frequency: 2.8 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, 1 x Stereo 1/8", 2 x Balanced 1/4" TRS, 2 x Unbalanced RCA
Power amplifier type: Class AB

Measurements
Dimensions: 8.30 x 5.50 x 6.00 in

Depth: 6.5" (16.4 cm)
Height: 8.3" (21.0 cm)
Width: 5.6" (14.1 cm)

Notes: ***B-STOCK: Box opened, product in perfect working order***


*** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

NT1 Signature Series User Guide

Discover everything you need to know about using your NT1 Signature Series studio condenser microphone in this comprehensive user guide, including how to attach and mount your microphone, pop filter and shock mount, and how to connect and power your NT1 Signature Series.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia


Specifications

Acoustic & Electrical

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box

Studio Condenser Microphone
1 x NT1 Signature Series
1 x SM6
1 x XLR Cable

Notes: ***B-STOCK: Original box damaged and cable is in plastic seal; product in perfect working order***

The SC16 is a high-quality USB-C to USB-C cable designed to connect RODE microphones with a USB-C output to USB-C compatible devices. Measuring 300mm long, the cable is ultra-flexible and features an in-built cable grip that is compatible with the VideoMic NTG shock mount cable management system. It is particularly suitable for connecting the VideoMic NTG to USB-C mobile devices, but will also work with any RODE device with a USB-C output, including the NT-USB Mini, Wireless GO II and RODECaster Pro.

Key Features:

High-quality shielded USB-C to USB-C patch cable
300mm (11.8") long
Junction box for cable management

Specifications

Acoustic & Electrical Specifications

Output Connection
USB Type-C
Inputs
USB Type-C

Compatible RODE Products

VideoMic NTG
NT-USB Mini
Wireless GO II
RODECaster Pro
AI-1

Mechanical Specifications

Colour: Black
Weight (g): 6
Cable Length (millimetres): 300

Box Contains: 1 x SC16

Notes: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Being the same size as the average laptop these will fit perfectly in your backpack, making them super portable and an easy option to have on hand as back up. Offering more control than a 7" but still being lighter than a 12" these make a welcome addition to our standard colour range.

Serato control vinyl features our re-mastered Serato NoiseMap Control Tone that is 6db louder than earlier pressings, allowing for precise tracking, better vinyl wear and the most authentic feeling digital vinyl experience on the market.

Notes: Shik's 32-knob MIDI controller offers customisable, rock solid performance. Set up macros, program knobs to control your key parameters and develop your own hands-on performance interface.

Supplier's Notes:
A Versatile Macro MIDI Controller

Simplify Your Workflow, Manage Multiple Parameters with a Single Knob

Juggling complex controls can disrupt your creativity. The N32B Slim, with 32 programmable knobs and up to 4 macros per knob, makes managing multiple instruments seamless and intuitive.

Customize each macro to send MIDI messages, define ranges, invert directions, assign channels, and select output ports - offering unmatched flexibility for your setup.

Versatile MIDI Message Support

The N32B Slim is built to handle a wide range of MIDI messages, offering precision and adaptability for any musical setup. Supported message types include:

Control Change
Program Change
RPN
NRPN
Aftertouch
High-Resolution MIDI
System Exclusive (SysEx)

MIDI Thru & Outputs

The N32B Slim offers MIDI Thru functionality and flexible output options, including MIDI-USB, TRS, or both simultaneously. Each macro can be individually configured to send messages to a specific output, giving you precise control and seamless integration with any setup.

High-Resolution Mode

With 4095 steps, the N32B Slim delivers exceptional precision compared to the standard 127 steps of most controllers. Fine-tune your sound with unparalleled detail for truly expressive adjustments.

Compact and Portable

The N32B Slim measures just 20.8 cm x 13.5 cm (8.19" x 5.31") with a sleek 1.9 cm (0.74") enclosure. Lightweight and travel-friendly, it fits effortlessly into your bag, making it an ideal companion for studio and on-the-go production.

Stylish and Strong

Designed with a sturdy metal frame, the N32B Slim is built to perform and look great in any setup. Its sleek design and durable construction make it a reliable, long-lasting addition to your gear.

Easy Customization

Fine-tuning your workflow is simple with the N32B Slim's intuitive web editor. Configure each macro to send any MIDI message type, define ranges, and adjust parameters with precision - all in just a few clicks.

Specs

Midi Message Types: Control Change, RPN, NRPN, Program Change, Aftertouch, SysEx
Resolution: High resolution - up to 4095 steps
Channels: 16 Global channels. Supports custom channel assignment for each macro
Presets: 10 quick presets, easily managed via our web editor with the ability to import/export unlimited presets.
Macros: Up to 4 macros for each knob
MIDI I/O: IN, OUT, THRU - TRS 3.5mm (1/8"), MIDI USB
Power: 1 x USB Type C
Compatibility: Mac, Windows

Scope of delivery:

N32B Slim MIDI Controller

1 x USB C to USB A cable

1 x TRS to MIDI DIN5 Adapter

Notes: Offering optimum protection for transporting and storing your Flux synthesiser, this case of coated multiplex, with aluminium edge protection and two butterfly locks. Foam padding inside for protection and multiple accessory compartments contained within.

Notes: This lightweight soft case has a carrying handle, shoulder strap and a padded interior to protect your Flux. It also contains a compartment for the power supple, cable and any other accessories.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Derived from the excellent Lyra-8, the Lyra-4 features a similar 'organismic' approach to synthesis. Four-voice non-linear architecture offers unique tones in a compact, portable format.

Supplier's Notes:
Introducing the revived version of LYRA-4 organismic synthesiser, the younger sister of the famous LYRA-8. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation. It's smaller and weighs less but is equally rugged in design, and still packs a lot of punch. This makes it easy to fit in a backpack and perfect for taking the LYRA sound on the road. And playing two LYRA-4s can actually sound very different than just one LYRA-8.

LYRA-4 is based on four generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into two pairs (12, 34), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-4 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of delay with feedback. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS jack
Output resistance: 10 KOhm
CV DELAY: unipolar, range of 0 to +5 volt
CV DELAY: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 1.2 watt
Headphones resistance: 6-64 Ohm
Power supply stabilised, +12 V, 0.2 A, centre positive
Dimensions: 241 x 203 x 62 mm
Weight (without power supply and packaging): 1.2 kg

What's included:

LYRA-4 - 1 pc
Power supply - 1 pc

Notes: ***B-STOCK: Box opened, product in perfect working order***


Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesiser designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.

Specifications:

Max output voltage: 2 v 0-to-peak
Output connector: mono 6.3 mm TS or TRS (balanced) jack
Output resistance: 100 Ohm
EXT IN: 1 v 0-to-peak
EXT IN connector: 6.3 mm TS jack
HOLD GATE: full HOLD volume +5 V
HOLD GATE connector: 6.3 mm TS jack
CV DELAY : unipolar, range of 0 to +5 volt
CV DELAY connector: 6.3 mm TS jack
CV VOICES: unipolar, range of 0 to +5 volt
CV VOICES connector: 6.3 mm TS jack
Power supply: stabilised, +12 V, 0.2 A, centre positive
Power Consumption: 2 watt
Dimensions: 266 x 266 x 62 mm
Weight (without power supply and packaging): 2.5 kg

Notes: More than just master keyboards, the SL mk2 series is a new chapter in musical keyboard controllers. From the innovative UX Logic interface, seamless integration with the Numa Player, high-definition MIDI 2.0, to the immersive realism of our new keybeds, every detail is crafted to bring your music to life.

The SL gets smarter. With the revolutionary Studiologic UX Logic, first introduced with the Numa X Piano, the SL mk2 series redefines simplicity and elegance. A sleek, modern control panel empowers your creativity, making navigation intuitive and effortless. Create, explore, and control with unparalleled ease.

SL Link, Studiologic's groundbreaking protocol, bridges the gap between your gear and your imagination. With compliant external apps taking full control of the SL mk2, every nuance of your performance stays in perfect sync.

Seamlessly connect the SL mk2 with Numa Player 2, our cutting-edge music software is built now to complement the SL series perfectly.

Numa Player is cross-platform and designed for ultimate versatility, offering a rich selection of high-quality sound libraries. Best of all, these libraries are free for every SL user1, providing you with a full musical experience straight out of the box. Whether you're composing, performing, or exploring, SL Link and Numa Player ensure your creativity knows no bounds.

The SL mk2 takes a leap into the future with MIDI 2.0. Unlock the full potential of your music with greater resolution, richer dynamics, and unprecedented precision. It's not just MIDI; it's music at its most expressive.

Take charge of your studio with dedicated DAW transport controls. From playback to recording, essential features are just a touch away, so you stay immersed in the creative process without breaking stride.

The SL mk2 doesn't just control; it delivers. With dual audio outputs and a headphone jack, it functions as a professional-grade audio interface. Powered entirely by USB-C, it delivers pristine sound from computer or mobile device directly to your speaker system no extra hardware needed.

Featuring the TP/400 Wood, our finest keybed ever. Designed to deliver an unparalleled touch, it offers a playing experience remarkably close to that of an acoustic grand piano. From the precise hammer action to the timeless beauty of wooden keys, every detail is crafted to inspire and elevate your performance

Notes: Highly collectible products direct from Japan!

Get ready for a thrilling surprise with every order! Each box is sealed and looks identical, turning each purchase into an exhilarating lucky dip experience. This concept is inspired by Japan's beloved gachapon capsules, bursting with mystery and delight! Typically, you'd pop in some coins, give the crank a satisfying twist "Gacha," and watch as the capsule drops down with a cheerful "Pon!" These miniatures aren't just fun - they're highly collectible treasures, and the Technics models are absolutely no exception. Join the adventure and see what amazing goodies await you!

Your box will contain one of the following models:

SL-1200MK2: The iconic DJ deck features a 100 mm slide pitch controller for the first time. The miniature version is accurately scaled and includes a dust cover.

SL-1200MK7: This deck features a matte texture achieved through an innovative painting technique. Designed specifically for DJs, this product was launched in 2019 and has garnered significant acclaim within the DJ community. Additionally, it comes with a dust cover for enhanced protection.

SL-1200GLD: This model includes a gold-plated paint finish and a commemorative plate. The color of the actual product is accurately reproduced. A dust cover is also included.

SL-DZ1200: A detailed scale model that replicates all buttons and controls of the original, including a CD that can be inserted and removed.

SH-DJ1200 × EAH-DJ1200: A detailed and accurate miniature replica of the DMC battle mixer, with all connections on the rear faithfully reproduced.

LUCKY ITEM: Some units will have a random inclusion of a miniature vinyl record as a lucky item!

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: Tired of spending ages just to transfer 100 tracks to your USB from Rekordbox? Most USB drives aren't designed with DJs in mind. What really impacts speed isn't always advertised many drives handle large files well (like videos) but struggle with rapid updates of multiple small files, like track metadata, cue points, and analysis data.

For DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.

These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.

Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.

This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.

To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.

Notes: Tired of spending ages just to transfer 100 tracks to your USB from Rekordbox? Most USB drives aren't designed with DJs in mind. What really impacts speed isn't always advertised many drives handle large files well (like videos) but struggle with rapid updates of multiple small files, like track metadata, cue points, and analysis data.

For DJs, efficiency is everything. Your library needs to update, transfer, and sync seamlessly - because every second on stage matters.

These drives have been pushed to the limit with over 350 hours of nonstop DJ sets across two weeks, tested on Pioneer DJ and Denon DJ standalone units and media players. They've endured intense media recording, including DJ performances and 4K ProRes video capture, alongside rigorous Stressdisk tests to verify long-term memory durability.

Designed to withstand extreme conditions, they've been exposed to high heat and dust in the Black Rock Desert, and subjected to 500+ cycles of plugging and unplugging to simulate years of real-world use. Built for DJs who demand reliability in any environment.

This drive is pre-formatted in FAT32 to ensure seamless performance across all DJ equipment. While some newer setups support ExFAT or HFS, FAT32 remains the most reliable option for full compatibility even with gear that's a few years old.

To maintain optimal performance and prevent potential library issues, it's recommended to keep 10-15% of the storage free. This ensures smooth operation and a hassle-free DJ experience.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The smallest speaker in Yamaha's range, the compact MS101-4 sits happily on even the most cramped desktop or attaches to a mic stand for versatile monitoring anywhere.

Supplier's Notes:
The industry standard in compact monitors

Yamaha MS101-4: The de facto standard for compact monitoring in a simple form

The standard model in Yamaha's range of desktop utiility powered monitors, the MS101-4 offers portability in a simple, compact design, with comprehensive functions for outstanding usability. The MS101-4 comes with a 3/8-16 threaded female mounting for direct attachment to a Euro microphone stand. Optional accessories can also be added for use in a wide range of applications.

A compact, convenient approach to high-quality monitoring anywhere

Compatible with both line and mic inputs, the MS101-4 offers the flexibility needed for temporary or permanent use in applications requiring simple, compact monitors.

Simple, portable, durable design

Yamaha Powered Monitor Speaker MS101-4: front and rear

With the controls (power switch, volume and tone controls) and the combo jack input on the lower front panel, you'll find the MS101-4 is easy to operate. The sturdy metal grill offers complete protection for the four-inch cone driver, while the rear panel is equipped with one stereo mini and a TRS Phone input connector, along with an output jack. An AC inlet for a removeable power cord provides excellent portability. The bass reflex port is also located on the rear surface, resulting in a more compact chassis.

MS101-4 Powered Monitor Speaker

The standard model in our range of desktop utiility powered monitors, the MS101-4 offers portability in a simple, compact design, with comprehensive functions for outstanding usability.

30W of amplifier power provides clean, high output sound
Redesigned enclosure for an even lower profile
Combo Input jack accepts both XLR and 1/4" connectors
Directly mountable on Euro microphone stands (optional mic stand adaptor BMS-10A is available for adjusting tilt angle)

General specifications

Speaker type: Full range Powered Speaker, Bass-reflex Type
Frequency range (-10dB): 77 Hz-20 kHz
Maximum output level (1m; on axis): 115 dB SPL *1
Components: LF-HF 4" Cone, 1" Voice coil, Ferrite magnet
Dimensions: W: 142 mm, H: 196 mm, D: 187 mm
Net weight: 2.1 kg (4.6 lbs)
Flying and mounting hardware Screw threads (bottom): 2 x M5 depth 11 mm pitch 60 mm (for 2, M5 x 6-10 mm screws), 1 x 3/8" depth 12 mm (for 1 x 3/8" x 9-11 mm screw)
Amplifier class: Class-D
Power rating: Dynamic: 30 W
Continuous: 20 W
Cooling: Natural cooling (no fan)
I/O Connectors: Mic Input: [Front] INPUT: Combo, [Rear] INPUT LINE 1: Stereo Mini, INPUT LINE 2: Phone (TRS)
Line Out: 1 x Phone (TRS)
AC: 1 x AC inlet
Input impedance: [Front] INPUT: LINE=5.4 kO / MIC= 5.4 kO, [Rear] INPUT LINE 1,2: 10 kO
Input sensitivity: [Front] INPUT: LINE=-10 dBu / MIC=-40 dBu, [Rear] INPUT LINE 1, 2: -10 dBu (VOLUME: Maximum)
Input Level: [Front] INPUT: LINE=+5 dBu / MIC=-25 dBu, [Rear] INPUT LINE 1, 2: +5 dBu (Nominal Input Level / VOLUME: Center), [Front] INPUT: LINE=+20 dBu / MIC=-10 dBu, [Rear] INPUT LINE 1, 2: +20 dBu (Maximum Input Level)
Others: Controls: 1 x VOLUME, 1 x LOW CONTROL, 1 x HIGH CONTROL, POWER
Indicators POWER (Green LED)
Power consumption: 1/8 Power Consumption: 10 W, Idle Power Consumption: 3 W
Power requirements: 100 V - 240 V, 50/60 Hz
Options: Mic stand adaptor BMS-10A, Free-angle clamp BAS-10, Wall mounting bracket BWS20-190, Ceiling bracket BCS20-150 / BCS20-210