Review: EPM20 Ep2 goes off on an electro tangent here. On this one, we have veteran producer Cisco Ferreira aka The Advent teaming up with his son Zein on the ferocious electro dystopia of "Strangeform" and as if that was not enough, another legend, the one and only Carl Finlow appears next with the abstract, cybernetic beats of "Optogenetic". Over on the flip, we have someone by the name of Detroit's Filthiest (quite an accolade!) who is in fact Motor City stalwart Julian Shamou (Motor City Electro Company) known for his work as 313 Bass Mechanics or Digitek, and longstanding hero of the Midwest Freddie Fresh should need no introduction; his contribution here under the Modulator alias is the deep mind IDM journey "Promars".
Review: Clut deliver a specialised clout-glut with a fresh split EP from rising artist Alric Aerial, who here teams up with yet another artist who's so far flown under the label's radar - Electrodynamique. Here the pair deliver four electro-dancefloor tracks primed for every situation: sleazy bar, backlit festival stage, ironic doomsday scenario, you name it. This EP's cascading sixteenths flow like metallic droplets, their acid lines and FM blurps splurging forth with increasing restlessness and impertinence, and decreasing self-control. Particularly squelchy is Aerial's 'Tough Cuts', which moves trigger-happy on the cutoff filter whilst dungeon-bound sine tones splay across the top edges of the track, like ectoplasms left behind after a string of Zeno's paradoxes have been solved. 'We Are The City' by Electrodynamique indulges a final emery note, abrading its curveball electro mix to a grinding, apocalyptic oblivion.
Review: New week, new Planet Rhythm, same old tech class. Aero is no stranger to this label and hail from Northside Dublin, where they Baldoyle native has been cooking up his take on techno - it's always driven by punchy rhythms but with plenty of synth craft making it much more than mere DJ tool fodder. 'Buried In Noise' has urgent and anxious melodies lighting up the drums while 'Velvet Kiss' is a deeper, more late-night prowler. 'State Of Burn' then bangs with steel-plated loops and 'Scarred' layers up synths that feel like they're going to fall over themselves with a hypnotic and time-keeping drum thud. 'The 242' closes with astral anxiety and a never-ending sense of rush.
Review: AgainstMe makes a powerful debut on 47 with four tracks of deep, spiralling techno rooted in Berlin's famous underground energy. The Greek producer showcases his signature multi-dimensional sound design well here as he fuses dynamic rhythms and immersive atmospheres with great precision. Each track builds on a foundation of undulating basslines and intricate textures, which takes you on a trip through shifting sonic terrain. From hypnotic momentum to cavernous depth, there is a balance between raw propulsion and detailed production that makes for a bold, immersive statement that positions AgainstMe as a key rising voice in forward-thinking techno.
Review: AgainstMe makes a powerful debut on Renegade Methodz with 'Diagonal Prism', a four-track EP that offers up his refined minimalist approach to techno. Known for meticulous sound design, AgainstMe brings a fresh yet distinctive style to this Greek label and is sure to pick up plenty of new fans as a result. The EP opener 'Drama' introduces dense grooves and subtle yet impactful drum patterns that build tension, while a throbbing synth weaves in and out. The title track relies on hypnotic repetition and driving rhythms, while '4PM' brings peak-time energy with crisp, dynamic beats. Closing with 'Spasmoi' AgainstMe delivers a compelling club groove that masterfully balances intensity and rhythm.
Review: Agents Of Time return to Afterlife with the 'Midnight Drive In Santiago', EP following on from their debut Forest Of Lies in 2018. Though they fit well within the Afterlife oeuvre, the Chilean trio nonetheless channel a singular sound, bringing synthy, Miami-vice-gripped arp builds to a downtempo pace, amounting to a no less than composed but exciting take on the vintage sonic sublime. Most of us haven't been to Santiago to experience what it might be like to night-drive there; but we're more than sure that this EP will still survive the car test and provide a worthy vicarious alternative, with the toothy cascades and chromatic synth swells of 'Midnight Drive' and emergent arps of 'Chain Reaction' making for a compelling second-best.
Review: Agonis' debut album Neutropia receives a well-earned remix treatment here. Originally released in 2021, the album showcased Agonis' evolution beyond deep, hypnotic techno by incorporating half-paced drum & bass, rolling amen breaks, trip-hop and futuristic techno. Neutropia Remixed broadens this palette further with four distinctive reworks. Carrier slows 'Thermo' into a half-time rhythmic masterpiece, Christina Vantzou crafts a mesmerising drone trip, upsammy injects shimmering dynamics into 'Algoflash' and Felix K transforms 'Pyrchid' into an intricate drum workout.
Review: Basel-based experimental labels Amenthia Recordings and A Walking Contradiction join forces for their first collaborative release here in the form of the Flash Crash/Hack Crash EP. Both labels are known for pushing boundaries within their close-knit creative circles and this one features Agonis' heavy stepper and Konduku's whirlpool of low frequencies on the Amenthia side, while Lemont continues the low-end, tripped-out vibe. Varuna represents A Walking Contradiction and delivers swampy, slow-motion sounds in their signature style. This release embodies both labels' commitment to daring, unconventional electronic sounds.
Review: David Agrella has dropped some great work in recent times on the Seven Hills label as well as his own R.F.X.N. and now is charged with kicking off a new imprint Path. It opens with 'Yes I Am Available' which is a silky blend of minimal tech and balmy cosmic pads. 'At The Tone' is a more percussive number that is stripped back to some dry tech beats, and 'Contented Regrets' then shuts down with a dark, more menacing edge for those freak after-party moments. All three are well designed and sure to do a job.
Kidz (Elena Colombi's Are The Kids Alright remix) (6:14)
Review: This is the debut EP from DJ, producer and multidisciplinary artist Sol Leon under the moniker aka-Sol. It marks years of creative evolution and finds him blending vibrant energy with raw emotion across three tracks. aka-Sol channels a psychedelic edge into the punk roots of electronic music here by using modular synths and analogue textures to challenge modern club norms and genre boundaries. It results in a fearless offering that is equal parts love letter and provocation and invites headbanging and liberation on the dancefloor. A remix by Osare! Editions' Elena Colombi completes the EP, with experimental, post-punk and club intersections.
Review: Mutual Rytm welcomes back Alarico for another one of his trademark and mind-bending techno EPs. His grasp of rhythm and sound design both elevate these high-functioning tracks into art form level. '0 Kelvin' wastes no time in hitting the ground running with its hurried, closely stacked kicks and barrage of percussion while 'One More' has waves of pixelated melody breaking over the grainy drums and supple bass. The flip side is full of invention on all fronts - there is coy funk in 'Asma' that is clipped and kinetic, then 'Sunburn' bangs that box with fizzing synths and yelping vocals that raise the euphoria levels. 'Drops Of You' is a final emotionally intense offering that races along with shimmering melodies and more emotionally charged vocals.
Review: Four distinct late-night techno tracks, each packing a punch. Side-1 opens with 'Guilt', a tight, dark, and brooding techno banger, designed to keep the dancefloor moving with its relentless energy. Following that is 'Troia', a primal, alien-like track that mesmerises with snappy rhythms and hypnotic soundscapes. On Side-2, 'Crea' delivers a stomping, sci-fi-infused beat that feels like a journey through futuristic landscapes, perfect for intense moments in a set. Closing out the EP is 'Vowels', an eerie, dark cut with unsettling atmospheres that create a sense of mystery and tension. The 'Crea EP' is a showcase of Alarico's range in techno, blending brooding moods with driving rhythms, making it an ideal pick for late-night sessions.
Review: Aleqs Notal shares a machinic new EP of counfounding delights for the Industrial Light label, also run by the artist and based out of Paris. Named after the artist's debut release which shared equal sides with fellow producer Modern House Quintet, here Notal changes the game, occupying a full four sides of wax. The A-siders 'City Smile' and 'True I Am' bring atmospheres of motoric rigidity, functioning as premier schema for the human navigation of comparatively less human urban environments. 'Let Me In' and 'Confused Reaction' offer similar blueprints, though there's an ever so slightly upped acidity on the B2.
Review: Syncrophone presents the very first vinyl release from Aleqs Notal's label, Industrial Light. Notal here teams up with longtime friend and fellow producer Modern House Quintet, and together they lay down four pure dancefloor heaters for the contemporary disco-goer. Opening with two functional acid house bustlers, we then get deeper with things with the latter's nocturnal shuffle 'Nadrezacalenis', before ending on a return to utility with 'Disokouron' as well as an inversion of the A1, 'Message From The P', in an upped Chicago house style.
Review: Leeds is a city that has always primarily been known for its house scene, but Nathan Alexander is an ever more vital talent who is delving deep into futuristic techno. After a fine outing on Drum Workouts late last year, he's now back on NIX with a shadowy, body-moving three-tracker. Opener 'Language' sets the tone with sharp stabs and a moody tension that gets the space-trip underway. 'Pulsewidth' raises the energy with heavy low-end and warped textures, glitchy stabs and funny, swinging drums. The title track 'Skin' stretches into tribal rhythms, hypnotic vocal snippets, and deep filter sweeps and taps into that liminal space where reality slips. All in all, these are seriously punchy but sensual and immersive late-night weapons.
Review: It's double figures for Bruto Industries, who as the name suggest like to offer up brutalistic techno bangers. These latest six missives come from Alf who opens with lurching beat beats and zippy synth loops that lock you in the moment. 'Servil Comadreja' is another broken beat rocker this time with twitchy synth modulations and acid lines slashing through the mix. There is raw machine rigidity to 'La Tipica Historia' that echoes the vibe of EBM and three further cuts keep exploring a rase of textures and busted rhythms with 'Raquitismo' being particularly heavy.
Review: Lempuyang is a label you will know and respect for its high quality stream of immersive dub techno and now the man behind it, Alastair Kelly, debuts a new label with none other than revered UK techno mainstay Ibrahim Alfa Jnr. He opens up with 'Component A' which is a moody melange of slow, broken dub beats and fizzing synths. There is further experimentation on 'Untitled B2 1' which pairs a churning dub rhythm with naive and innocent melodies and lots of li-fi static. 'Entangled' ups the ante with the suggestion of a fast paced rhythm through a skeletal groove and the flip brings broken beat dub weight, meaning and percussive bass with a 2-step swagger then deep introspection on the closer. A classy EP that suggests this label is one well worth watching.
Review: The sixth release in the 303 Pattern series marks the first time artists' identities are revealed. What doesn't change is the fact this is a powerful 12" of hard-hitting, hypnotic and atmospheric acid techno with the legendary Roland TR-303 at its core. Alien Rain makes his debut on the label with 'Holosexual's' raw drums and distorted acid lines, Akkaelle's 'Acid Mood' delivers funky, bouncy techno energy with atmospheric depth and Sour returns with another hypnotic, high-intensity bomb. Closing in style is Dima Gastroller who drops a banger of an acid techno track that should come with a health warning for anyone with a weak heart.
Review: Aussie techno innovator Alpharisc is back on Mutual Rytm with a standout second EP. Following his underground gem 'Ram Face' EP, Shane Yates again draws on the fact he has been immersed in techno for over 30 years, crafting raw, rugged sounds with his extensive hardware collection. 'Peace Be With You' opens with urgent synths and sharp drums, while 'Hail' adds frosty noise and an intense groove. 'Remain Seated 'features bright synths and driving bass and 'Look At This' combines slamming drums with melancholic pads. The closing track 'In Your Mind' offers cosmic, deep techno to close.
Review: Altinbas delivers a blistering and futuristic techno release with 'Sustain' on Fuse Imprint Belgium, showing his talent for crafting elite techno tracks. Side-1 begins with 'Trail Of', a techno killer driven by pulsating bass and a fast-paced beat that packs a punch. Following is 'Life Force', which dives into a mysterious, minimal soundscape with alien-like textures and an intricate, classy rhythm that adds depth to the EP. On Side 2, 'Purpose' emerges as a melodic builder that balances minimalism with an upbeat tempo, demonstrating top-notch production and a refined touch. The EP concludes with 'Sustain', a melodic highlight that caps the record on a high note, delivering a memorable and resonant finish.
Review: A four-track exploration of darker, vintage late-90s-inspired techno. The title track, 'Voyage', opens with sci-fi-infused melodies and an epic atmosphere, setting the tone for an immersive journey. 'Stygious Night' follows, offering crisp subterranean techno with an edge that feels both modern and timeless. On the flip side, 'Venus Ballroom' channels an otherworldly energy, reminiscent of Surgeon's intricate and industrial soundscapes. Closing the EP, 'Psychosphere' dives into tribal territory with percussive grooves and alien textures, creating a hypnotic, dancefloor-ready vibe. A unique blend of melodic, tribal, and industrial influences, not to mention a masterclass in contemporary techno sounds.
Review: Yuki Takasaki aka. Altone delivers tactile dub techno tonage with 'Wonderscape Numinous', his latest miracle EP to hit the Primary(Colours) shelves. Honouring traditional dub techno sounds while also treading new counterweighted waters, this is a short symphony of reverberative basslines and delicate synths, reminiscent of skulking Tokyo streets, gripped by a hooded curiosity for the urban alley, the railway underpass, the red lit skyline. Brendon Moeller brings a UK bassier womp to 'Self Replication' - itself a self-replicating track, as there's not one but two versions - replete with silicate sound design that both sloshes and tinkles away in the mix's midfield, like a quantum energy source, overflown with potential.
Review: Altone aka. Yuki Takasaki is a champion channeller of dub techno trueness, having made many a wave on the Tokyo underground scene already; his efforts come to a renewed head on the new EP for Primary Colours, 'Wonderscape Numinous', a high-impedance, phantom-powered trip through figurative J-scapes; to 'Self-Replication', 'Adaptive Swarm' and 'Wonderscape Numinous', we imagine a simulacrum web of nanobots splayed across the city, their many lens refocusings and field reconfigurations emitting a syntonic electric hum. The closer is especially beautiful, haunting the nighttime itinerant ear with cutoff chord ricochets and an endless fumbling foley sound; the sound recalls a restless cyborg, endlessly fiddling with its field recording equipment as though it were a dopaminergic Rubik's cube.
Review: Planet Rhythm's back with its special series and the third instalment is another techno trip into another dimension. Toni Alvarez is the man on the buttons and for the opener 'The Renegade' he pairs panel-beating 90s techno drum loops with classic 90s dance samples to make for something equally intense, nostalgic and futuristic. 'The Jam' is expertly designed techno with pristine hi-hats and hurried kicks all superbly well defined, smooth yet powerful, with another 90s vocal dropped in for some extra throwback fun up top. Two brilliant bangers.
Review: With over half a dozen releases on the techno instituion that is this label, Spanish producer Toni Alvarez continues to perfect his ability to craft tracks that resonate with both energy and depth that are ideal to represent the label. The title track, 'Groove System', kicks off with looped melodic chords and immaculate production, creating an irresistible rhythm that captures the essence of modern techno. 'Jingo' follows with a pounding beat, tribal undertones and a primal energy that veers into sci-fi territory, making it perfect for adventurous DJs. On Side-2, 'Magalenha' dives deeper into tribal elements, delivering a thunderous groove that commands the dancefloor. Closing the release, 'Land Of Nowhere' offers hypnotic loops and hard-hitting percussion, seamlessly blending upbeat energy with an entrancing rhythm. With this EP, Alvarez not only reinforces his status as a Planet Rhythm mainstay but also continues to push boundaries, delivering tracks that are as functional as they are engaging.
Review: Mutual Pleasure clocks up a sixth outing here with more searing electro sounds. Behind the beats is Amadeezy who is from Boston and behind the much-loved trap and dirty south night PVRPLE. He makes plenty of sleazy sounds as demonstrated here on a fun, party-starting EP that is not low on quality. 'Freak Syndrome' (feat partiboi69) kicks off with booty-shaking bass and tight bars while 'Freaky Bitch' is just that with its bumping bottom ends over oversized kick drum funk next to a classic vocal sample. Two further, even more frenzied bass-driven bangers round out the b-side.
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