Review: Terry Callier's rediscovery in the early 90s was a turning point for Acid Jazz and few records symbolise that era quite like 'I Don't Want To See Myself (Without You)'. Originally released as a one-off on the indie label Erect, the track was Callier's final release before stepping away from music, leaving behind a career that had spanned Prestige, Cadet, and Elektra. By the time Acid Jazz reissued it in 1990, the original pressing had become a grail for collectors, with prices soaring. The song itself is a masterclass in understated soul, Callier's plaintive vocal weaving through rich instrumentation with the kind of deep emotional resonance that only he could deliver. Over the next decade, his legend grewihe returned to recording, toured the UK, and finally received the recognition he deserved. In 2006, Acid Jazz gave the record another limited pressing, featuring a fresh edit from Andy Lewis. Now, with the blessing of Callier's estate, the single is back once more, backed with 'If I Could Make You'. A vital piece of modern soul history, fully restored.
Rickey Calloway & His Tennessee Band - "Do It On The One (Stay In The Pocket)" (3:10)
The Tennessee Band - "Ain't It A Crime" (instrumental) (3:06)
Review: Funk Night cop a couple of fine funk gems here from Rickey Calloway. He is an r&b singer, as well as a rhythm guitar musician and songwriter from Jacksonville, Florida. His Tennessee Band helps him serve up funk that comes direct from the 70s, James Brown style. Both of the singles here are [rimed to fire up the floor, with 'Do It On The One (Stay In The Pocket)' the more direct of the two and the flip side 'Ain't It A Crime' (instrumental) going deeper.
Review: The Brazil 45 series is pure gold for lovers of Latin sounds across the funk, jazz and soul spectrum. Each one sells out fats but usually emcees back around, as is the case with this 18th edition. It features Ely Camargo's 'Taieiras' from his Ely's 1972 album Cantos Da Minha Gente and is a lively folk-inspired track sampled famously by DJ Yoda in 2012. Despite recording 12 albums, Ely remains an enigmatic figure whose music is all we have to feed off. On the flip side, Rio sibling trio Trio Esperanca shine with their psychedelic gem from their 1971 self-titled album. Known for their stunning harmonies, the group released seven albums between 1963 and 1975 but this is one of their finest moments.
Review: Brazil 45s hit the quarter century in their run and show no sign of stopping. It's an all-girl affair on this one as two hugely popular and prolific singers take a spin under Mr Bongo's spotlight. Elizabeth (often known as Elizete) lays down a steamy samba flavour that gets raunchier as the track develops. Elza, meanwhile, gets busy on a Bossa tip as a carnival of percussion and horns go toe-to-toe with her sharp, sexy staccato vocals. Powerful.
Review: 'I'm Here' is the glorious second single from Cornell CC Carter's album, Next Life. It is a superbly seductive and go-slow stepper with neat bass riffs spaciously drawn out beneath acoustic guitar motifs and lumpy drums. The vocal is butter sweet and as the track rolls on the chords grow ever more lush. After that memorising a-side comes a modern take on Curtis Mayfield style soul complete with the steamy spoken vocals, screen string sweeps and pillowy chords. Finishing it off in style is a bassline to die for.
Review: Building on the momentum of their debut album, the legendary musicians and 577 mainstays return with Shine Hear, Vol. 2, a stunning continuation of their avant-garde exploration. Saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parkeriwho also contributes on Gralla and Shakuhachiiand drummer and vocalist Francisco Mela, reunite to create another cosmic journey through sound. This second volume maintains the same spirit of improvisational brilliance while pushing the boundaries even further. Drawing from classic jazz structures, the ensemble weaves in modern experimentalism and a broad palette of instruments, resulting in an album that feels both timeless and innovative. The tracks and the album title are inspired by a new poem written by Carter, reflecting the transience and ceaseless motion of modern life, much like the city of New York, where all the musicians are based. This collaboration has unique magic can emerge when these legendary artists come together. Their interplay blends elegant, traditional jazz with daring, avant-garde arrangements. Shine Hear, Vol. 2 stands as a powerful and innovative work, affirming the quartet's ability to continually reinvent themselves while honouring the roots of jazz.
Review: Mr Bongo take an MPB breather, tempering their recent larger-scale ambition to reissue mammoth Brazilian disco on comp with a 7" side order appetiser of a classic Brazilian MPB track. Celia's 'Na Boco Do Sol' ('At the Mouth of the Sun') is a gestalt slice of slow-samba, bringing with it a dash of torrid soul and telenovela cinematics. The favourite Arthur Verocai collaborator sings of psychic cities and imaginariums of the soul, verifying a well-travelled spirit; Verocai himself, and Vitor Martins, both lend the song a fuzzy phonic with their guitars and strings. And on the B side comes 'A Hora e Essa, the first track from her second self-titled LP: a lively samba-funk workout, doused in jazzy piano licks, strutting guitars and punchy horns.
Review: People of Earth shakes things up for #016 with a limited 12" from Charolastra entitled Karuna. Only 200 copies pressed of this continuous play, crossover jazz release. Brought to the realization with some of ATLANTA's most talented instrumentalists. It is an amalgamation of genres but the underlying emotions are immediately recognizable. Grief, loss, regret and the transcendental power of the spirit to overcome these hardships. Blending elements of jazz, IDM, broken beat, drone, and dub, while it may be difficult to put your finger on Karuna it doesn't make it any less enjoyable.
Review: Echi Chamber is reissuing the records is served up late last year because they were all so excellent they sold out. This one is from Cheeba's Latin Bros, a new Latin and boogaloo project from Si Cheeba who is a long-time vet' of the jazz and groove scene that was so big back in the 1990s in Manchester. Limited to just 300 copies, it features one tune spread across two sides of vinyl. 'New York Streets (part 1)' is a raw percussive hustle with big horns and impassioned funk vocals that never let up. Part two is a continuation of that same vibe with just as much raw, direct and percussive goodness to get lost in.
Review: Admittedly, we're as in the dark now about Cheeba's Prestige Allstars as we were when it first dropped last year, but it sold out so has done well. This reissue of the limited 7" release is a steamy blend of Afro and Latin funk. 'Dig This!' (vocal version) delivers a raw, energetic cut with punchy drums and lively James Brown samples, complemented by bold saxophone riffs. On the flip side, the instrumental version retains the groove, albeit slightly stripped back, maintaining the essence of James Brown's mic presence. While details about the band remain elusive, their music speaks volumes, offering a vibrant fusion of sounds that captivate dancefloors.
Review: Cheeba's Prestige All Stars delivers a knockout punch with I Got You on this very limited 7" release from Echo Chamber Recordings. The Afro-Latin funk fusion hits hard with two versions of the track. The original version is a raw, high-energy cut featuring hard-edge drums, vibrant Charles Keynard keyboard samples, and powerful saxophone riffs. On the flip side, the instrumental version maintains the same intensity, with Prestige 10000 series-inspired elements adding depth to the groove. Both versions features the band's prowess in blending Afro and Latin rhythms with soul-jazz influences, making I Got You a wonderful 7" to treasure.
Review: We hold our hands up, we don't know anything about Cheeba's Prestige Allstars and cannot find much out either. Echo Chamber Recordings though have got them on this limited 7" and the music is a steamy mix of Afro and Latin funk that comes in two different versions. 'Dig This!' (vocal version) is a raw cut with plenty of hard-edge drums and James Brown samples that liven it up next to some big sax energy. On the back side is the instrumental which is only slightly paired back and still has lots of James Brown mic work.
Review: Cheeba's Prestige All Stars carries on strong with its cut-and-paste beats/soul edits series. 'I Got You' tops up the trailblazing, quickfire repertoire with a dust-caked window into the past, by way of well-crafted, surround-mixed breakbeats and a gritty gospel sample on the A. Complementary to this comes the instrumental, highlighting the fact that the fact that the vocal sample is indeed the cherry on top; it hardly 'needs' said vocal to convince the listener to dance, though it does round things out with utter finesse.
Review: The Selector Series has pulled out a big one for this year's Record Store Day celebrations. Both of these tunes are imagined classics reimagined that have a fresh West Coast jazz-funk feel and arrive on 45rpm together for the first time. The A-side has a rocky feel and is a version of The Beginning Of The End's 'Funky Nassau', while over on the other side Isaac Hayes' 'Shaft' gets a new psychedelic twist. This pari of covers by The Chuck Boris Trio are as brillaint as they are obscure and will cost you well over three figures if you can find an original. Both are remastered for this 7".
Review: It might be getting cold and dark and wet here in the UK but music will always be able to transport us to warmer, sunnier, happier climes. And so it is with this new 7", which includes a booklet, from Discodelic. It's a two tracker from Cizana and La Nueva Generation that is flame hot and bristling with energy - Cizana's 'She Sold Her Soul' kicks off with its joyous flutes, hand drums and percussive Latin grooves then La Nueva Generacion slow things down and up the brass with their carnivalesque Afro-funk workout 'Uhru Sasa'.
Review: Two supreme MPB/bossa nova cuts courtesy of Mr Bongo's resident popular-musica plug Claudia. The MPB singer began her career at the tender age of nine and gained recognition in the 1960s. Her repertoire extends to samba and rock, and having put out an extensive suite of LPs, we're more than faithful in Claudia's selective brilliance, not least when it comes to her own catalogue. Here on the A we have 'Deixa o Morro Cantar', which features on Claudia's very first 7", released in 1965 by RGE: a warm, burring, brass-backed beat typhoon. And on the flip side comes her timeless version of the mythic 'Mas Que Nada', a jazzier folk-funk take on the Jorge Ben classic.
Review: Supreme musica popular Brasileira and bossa-nova vibes here on two tracks from Mr Bongo's leading Brazilian 45's lady, Claudia. "Deixa o Morro Cantar" features on Claudia's very first 7", released in 1965 by RGE Brazil. Her version of "Mas Que Nada" is said to be more of a jazzy/folk-funk take on the Ben classic. A relatively recent discovery made during the label's last trip to Brazil, Maria das Gracas Rallo was born in 1946 in Rio de Janeiro. She has become the most awarded singer outside of her home country and was most popular internationally in 1982 with the song "Don't Cry for Me Argentina" from the musical Evita. Moreover, she has recorded over twenty albums and has amassed huge record sales throughout her successful career.
Review: 'Deixa Eu Dizer' is a timeless Brazilian classic that was famously sampled by Marcelo D2 on his iconic hip-hop track 'Desafabo' and maybe just as notary, it was also the debut release on Mr Bongo's now much loved Brazil 45's imprint. It originally featured on Cizinha's stunning album of the same name and until Mr Bongo stepped in it had never been available on a 7". 'Deixa Eu Dizer' has been a long-standing favourite with deep diggers despite its mysterious origins and this welcome reissue not only celebrates Cizinha's unforgettable contribution to Brazilian music but also brings this beloved track to a new generation.
Review: This latest is a reissue of a Congress Productions EP featuring their seminal 'Neptune'. The much-sampled early 80s jazz-funk classic comes in original form next to two unreleased cuts. The first is a rare boogie cut 'Live It Up' that has been extended for more dancefloor heft having first been dropped under the D'aile' alias as a B-side. Then comes 'Kevin's Funk' which is named in reference to Incognito trumpet player Kevin Robinson, who played as part of a Congress-associated line-up for this session.
Bembe Segue - "Mother Of The Future" (live version)
Review: Expansion's focus right now is on reissuing classic tracks alongside a newer version of it. They are all coming on tidy 10" eco vinyl in mad limited numbers and next up is Norman Connors and Bembe Segue. Connors dropped his superb 'Mother of the Future' in 1975 and it is a mad jazz dancer with layer upon layer of Afro drumming, loose percussion and expressive vocal ad-libs. Flip it over and we're taken to 2008's live version of the same tune by Bembe Segue. It's a little less intense but no less busy, with silky jazz grooves and new vocals layering in some future soul.
Review: Nicola Conte's 'Do You Feel Like I Feel' and 'Ghana' were initially part of his 2011 album, 'Love & Revolution,' a project that showcased a vibrant mix of Italian and international jazz talent. Produced during sessions at Tommy Cavalieri's studios, this album never saw a vinyl releaseiuntil now. Schema Records is rectifying this with a new 2-LP edition, set to include these standout tracks. The 45rpm single, featuring 'Do You Feel Like I Feel' and 'Ghana,' highlights the core of Conte's vision: the soulful resonance of the former and the Latin-jazz flair of the latter. Both tracks are enhanced by Magnus Lindgren's arrangements and feature Gregory Porter, whose vocals, though still emerging at the time, are already a testament to his rising status in the jazz world. With this vinyl release, Conte's modern jazz masterpiece receives the physical format it deserves, offering a fresh opportunity to appreciate its intricate compositions and collaborations.
Review: Nicola Conte and Gianluca Petrella follow up last year's beautiful "African Spirits / New World Shuffle" with two more lavish instrumentals. "Sun Song" lives up to its name with wave after wave of heated musicianship from the belting harmonies to the light-touch keys. "Nigeria" taps deep into the source too as it drives us through the heart of Lagos with full horns and sweeping keys. Spiritual, sun-splashed and vital.
Review: Never before released in this particular form, two inscriptions by the French jazz fusion band Cortex make for a fidgeting classic each, perfect for the tube-amped dancefloor. Made up of many a cover and original, the full-length 'Inedit '79' EP first came to Underdog Records in 2006, though it was composed almost entirely of recordings laid down in 1979, proving the band's asynchronic staying power across decades. This new 7", however, recuts the lead track from the album, and a never-before-heard session floorcut respectively. The B-side in question, 'Where Do You Come From', did not appear on the 2006 release, and was also recorded later in 1981, though it is considered a part of the same inspo-flush.
Review: This is a first ever reissue for this lovely little jazz 7", which first landed in 1976. It was recorded just after French jazz fusion group Cortex's iconic Troupeau Bleu LP and is awash with gentle drum tumbles, twinkling keys and sustained strong sounds that bring a golden touch. The female vocal harmonies are a perfect counter for the male spoken words and the whole thing really tugs at the heart. Flip it over and there is the much more upbeat 'Back to Life' with its busy harmonica, funky drumming and rippling Rhodes work. Fantastic stuff.
Review: After his debut album E o que a casa oferece from 2023, Gabriel da Rosa is back with another silken bossa nova record, in homage to the musical style that raised him. 'Cafune' was first released digitally a follow-up single to the alnbum, one which rounded out the year that said debut was released, and which was written for the soundtrack to the film film All Happy Families (Haroula Rose). Now an authentic 12" version, the song is here backed by the B-side 'Sort Of', an impressive desert passage through refractive, rainbow dream pop.
Review: The Brazil 45s / Mr Bongo outlet is back with its classic moves, coming through with some truly special soul blends out of the Brazilian golden era. Dalila and Neyde Alexandre feature in this latest 7", the former with 1968's "Canto Chorado", a slow-burning bubble of funky exotica - surely impossible to find in its original shade - and the latter with a funky little bomb from 1971 by the name of "Perplexidade" - surely the smoothest, sexiest soul number out this week! Lovely stuff.
Review: Mr Bongo restock a brilliant 7" in their signature Brazil 45s series. The nineteenth to grace it, this blue-starred slice of small wax shone a light on Wilson das Neves' brilliant cover of Average White Band's 'Pick Up The Pieces' on the A, as well as a Mr Bongo fave on the B, Som Tres' potent samba-funk overflow 'Tanga'. The former flexes the historic muscles of a mythic Brazilian percussionist and vibesman, lending fidgety soft feels to AWB's already lull-lifting concoction; then 'Tanga' contrasts to this sense of measuredness with pure animal verve, as Tres' calls out to his bandmates commandingly amid whirlwinds of piano and drums.
Take Five (feat Carmen McRae - vocal version) (2:21)
Review: .with a feelgood charm that has resonated not only with jazz heads, but also the youngest generation thanks to its inclusion in the soundtrack to the magnificent Sing animation. It is one of those that will always get a good reaction and is always worth having in the collection. Here it's served up on a 180 gram vinyl 12" with the more noodling 'Blue Rondo A La Turk' and a vocal version of 'Take Five' with Carmen McRae bringing the soul.
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in stock$17.16
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