Back catalogue: All genres

Notes: The latest in 1010's innovative range of compact devices, the Bento is a fresh take on sampling and sequencing, offering an alternative to conventional options such as Akai's MPC series. Pure standalone creative flow.

Supplier's notes:
Sample Every Flavour

Bento is a portable, all-in-one sampling production lab that brings together flexible sequencing, expressive performance tools, and pro-level connectivity-perfect as the centrepiece of your desktop or mobile rig. Whether you're looping on the go, launching clips live, or sequencing your entire synth setup, Bento gives you the tools to shape your sound from idea to performance.

With pristine 24-bit sound quality, a bright 7" touchscreen, 16 responsive pads, and deep control over samples, MIDI, and effects, Bento offers a fast, fluid workflow in a compact and portable form. Sequence one-shots, build multi-sample instruments, and chop loops using Bento's flexible tracks, scene-based sequencing, and expansive modulation and FX engine.

Designed to replace laptops, simplify cabling, and integrate seamlessly with your gear, Bento features multiple stereo inputs and outputs, USB-C host and device ports, dual TRS MIDI I/O, and a built-in battery for up to 3 hours of mobile creativity.

Recording Capabilities

Capture loops quickly with the option to synchronize the start and stop times to the clock
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Store recorded samples as WAV files on the micro SD card

What's included

bento - sampling production lab
MicroSD card with over 160 patches and over 200 wav files
USB C power cord
USB C power and data splitter
Type B TRS MIDI To MIDI 5 Pin DIN adapter
QR Code with link to the Quick Start Guide

Technical Specs

8 tracks with multiple patch types-sample banks, multisamples, slicers, granular, loops, and external MIDI
16 pressure- and velocity-sensitive pads
7" diagonal touch screen
8 context-sensitive endless encoders
3 stereo inputs, 3 stereo outputs, 1 stereo headphone out
2 TRS MIDI inputs & 2 TRS MIDI outputs (Type A & B)
USB-C host and device ports
Internal battery with 3 hours in low power mode
Includes 155 Patches and over 5000 sample files
Expandable via microSD card
24-bit ADC/DAC
MIDI sequencing, modulation, and CC control support
Compatible with 100 x 100 VESA mounts
Product dimensions: 8" x 8.5" x 2", 2 lb (20.4 x 21.8 x 5.1 cm, 936 grams)
Package dimensions: 10.25" x 8.5" x 2.75", 2.7 lb. ( 26 x 21.6 x 7 cm, 1.2 kg)

Notes: Pods are a perfect way to get started in Eurorack, or add more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 2.0A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods sized at 64hp and below are also available unpowered)

Each Pod104X typically will house up to 13 modules, but more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy-chain with the 4ms Row Power system, making them a convenient outboard skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Notes: Pigments

Sound design synthesiser

Pigments is an all-in-one software synthesiser for modern producers, blending 6 cutting-edge synthesis engines, a colour-coded interface, effortless drag-and-drop modulation, premium effects and generative sequencing. Shape your sonic vision with boundary-pushing sound design.

Shape your sonic vision

Explore in-depth sound design with every synthesis type you could need and a responsive, color-coded interface that rewards experimentation - from playful discoveries to intricate modulation and patch creation.

Multi-engine versatility

Discover pure sonic possibility with 6 forms of synthesis: Modal, Granular, Wavetable, Sample, Harmonic and Virtual Analog, alongside the Utility engine.

Visual sound design

Streamline your creative process with Pigments' clean, color-coded interface and drag-and-drop modulation - every step is designed for fast, fluid sound design without breaking your flow.

Modern-sounding aesthetic

Pigments is defined by a boundary-pushing sound and over 1600 instantly-rewarding presets - from hybrid-acoustic tones to sweeping granular textures. Expandable with the sound store.

Harness every shade of synthesis

Craft immense, composite soundscapes like no other synth. With 6 engine types, twin morphing filters, 19 high-quality FX, advanced modulation and creative sequencing - Pigments' in-depth sonic architecture lets your imagination lead the way.

Close the gap between inspiration and outcome

Transform your ideas into fully realized sounds with Pigments' visual workflow. Whether you're just experimenting or building complex patches - see what's happening, modulate with ease and watch your creativity come to life.

Clear, color-coded design

Pigments' clean, intuitive layout and color-coded modulation sources make it easy to see where you are and what's connected at a glance - so you can stay focused.

Effortless workflow

From drag-and-drop modulation, quick-edit tools, and streamlined signal routing, every element is crafted to make sound design fluid efficient and enjoyable.

Animation that informs

From engine waveforms to envelope transients and modulation dynamics - Pigments' real-time animated feedback offers instant visual clarity and aliveness.

A next-gen synth for innovative electronic genres

Pigments is at the forefront of modern sound design, embodying an innovative aesthetic that underpins the world's most daring music - from phosphorescent tones to thundering basses and sweeping granular expanse

Modern-sounding aesthetic

Discover a precise, powerful and high-quality sound that goes hand-in-hand with leading electronic genres - from trap to EDM, house, cinematic and beyond.

Extensive factory library

Harness 1500+ meticulously crafted presets that define Pigments' distinctive sonic identity and push its powers to the limit - basses, leads, pads, sequences and much more.

On-trend expansions

Stay on the cutting edge with contemporary presets and genre focused packs that capture today's most innovative musical trends.

Main Features

Two engines in parallel
Modal physical-modeling engine
Complex Wavetable engine
Granular and Sample engine
Harmonic Oscillator additive engine
Virtual Analog triple-osc engine
Includes Engine Cross- modulation
Utility Engine
5-shape Virtual Analog Oscillator
2 Noise Engines
External audio input
Two filters
13 modern filter types and 49 filter modes
Classic filter types from V Collection instruments
Continuous series/parallel routing
Powerful FX section
2 Insert buses, 1 Send bus, 3 FX per bus
Modulable parameters
19 algorithms including Shimmer Reverb, MultiBand Compressor, Distortion, Vocoder, and more.
Advanced modulation system
Colour-coded workflow
Drag-and-drop assignation
Hover quick-edit adjustment
Modulation side-chain
Envelopes, Morphing LFOs, Function generators, Random generators, Combinators and more
4 dynamic, assignable Macro controls
Generative Sequencer and Arpeggiator
Create complex, evolving and polymetric sequences/arps
Advanced random sequence generator
Sequencer lock & browser
Visual interface
4k resizeable interface
Interactive animated interface
Simplified Play View
Dark or Light themes
Extensive library of 1600 presets
MPE compatibility
NKS controller compatible
MTS-ESP microtuning compatibility

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple

Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Notes: 80 ohm version of Beyerdynamic's open-backed DT 990s, ideal for most studio applications. Open backs give the benefit of airier, more realistic sound for mixing and mastering as well as production and sound design tasks.

Supplier's Notes:
For decades now, professional users all around the world have placed their trust in our classic range: Dt 770/880/990 PRO. These benchmark-setting studio headphones boast extremely detailed resolution and very transparent sound. The DT 990 PRO headphones is the range's open-back model offering impressive spaciousness.

These open-back studio headphones are a reliable tool for any sound enthusiast. The wide stereo image and three-dimensional sound reproduction make the beyerdynamic DT 990 PRO headphones a loyal companion for producers. Outstanding tonal depth ensures that even small changes in the positioning of the acoustic source can be perceived while mixing.

With it's open design, the circumaural receiver has outstanding spatialityand detailed depth gradation. The 80 ohm version impresses with the proven sound signature of the DT 990 PRO: prominent bass and extroverted highs. Compared to the 250 ohm version, the high frequencies are slightly reduced.

The soft velour ear pads also offer breathability for a high level of comfort and long-lasting durability. The robust spring steel hoop gives the headphones a secure fit. At 375 grams - including the cable - the headphones are surpisingly light and yet sturdy - so nothing stands in the way of long studio sessions.

The DT 990 PRO headphones are and alwaus have been handcrafted in Germany. With their high-quality materials and meticulous workmanship, these studio headphones are a sound, long-term investment.

Notes: Black Lion's professional quality patchbay offers extreme versatility as well as top-notch, reliable sound. 48 point TRS design with clear LED display, customisable using PatchCAD files on a USB drive.

Supplier's Notes:
Eliminate confusion and non-aesthetic labeling when routing your racks of precious gear with the PBR TRS3 LIT patchbay from Black Lion Audio. Built to proven Black Lion standards of build quality and signal conductivity, the PBR TRS3 LIT patchbay features customisable, brightly-lit LED displays for every input and output. Simply connect a USB keyboard directly to your LIT to customise the displays, or use the included PatchCAD software to create custom text to export directly to your patchbay using a USB drive.

To customise the displays, you have two options: simply connect a USB keyboard to the front of the unit and start typing... or you can use the included PatchCAD software to create your custom digital labels on your computer, and export them to a USB drive to load directly into the unit.

PatchCAD (Mac/Win) lets you customize your digital labels using a quick, familiar spreadsheet-like interface. Simply type out how you want your labels to appear, export the file to a USB drive, and connect the USB drive to your LIT patchbay and press the Update button.

Your studio needs more than accessible patching - audio quality throughout the entire signal chain is essential. Black Lion Audio has been trusted for years to modify the best gear to perform beyond its original spec, and they leveraged every bit of that know-how when designing their patchbays.

Every PBR product uses audiophile-grade connectors. Every contact point is gold-plated; a major factor that's missing from most patchbays that you might have encountered. Black Lion's team of engineers have worked tirelessly to ensure that the PBR series delivers proper quality through-and-through.

The PBR patchbay series is built Black Lion-tough, with black-anodised aluminium faceplates that make for a matched and sophisticated look.

Notes: Another banger from Cre8's range of Eurorack-compatible standalone desktop modules, the Assembler is a synth-focussed mixer designed to bring everything together, whether that be other Cre8 instruments or third-party hardware.

Supplier's notes:
Introducing Assembler, a synth-focused audio mixer meticulously engineered to deliver unmatched vintage mixing console sound and intuitive, hands-on control. Developed in partnership with the renowned Pittsburgh Modular Synthesizers team, Assembler builds on the rich history and sonic warmth of classic analogue audio mixers while embracing a modern workflow designed specifically for contemporary electronic artists.

The idea behind Assembler was not only to provide a super flexible tool for mixing live or in the studio, but also to provide a sound sculpting tool that could add depth, complexity, and with its special Pittsburgh-designed circuits, help you even to sound better!

Inspired by the sound of iconic analogue consoles that shaped decades of music production, Assembler captures the essence of vintage mixers famed for their warmth, character, and dynamic response through tonal shaping and analog tape saturation emulation. These custom circuits, meticulously engineered for Assembler by Pittsburgh Modular utilize signal contouring and soft compression to unify the overall mix. This process emulates the signal chain cherished in vintage recordings, adding the warmth, cohesion, and character that other mixers often lack. The result is a better sounding modern electronic music mixer.

Assembler's ten audio inputs are split into three distinct mixer channel types to seamlessly integrate with various audio scenarios and workflows, however all ten channels have several features in common. Each input includes a powerful preamp capable of up to 20x gain boost, ideal for boosting line level signals, subtle clarity enhancement, or aggressive signal saturation. Three assignable aux sends add flexible audio processing options to each channel. Three segment LED meters, independent headphone Cue, and channel Mutes allow for precise and comprehensive monitoring. Channel 1 and 2 add extensive tonal control with vintage-inspired high and low EQ knobs, each offering -15 dB of boost or cut while all six mono inputs include a dedicated pan control. Two sets of stereo inputs take advantage of the powerful preamps and assignable aux sends to work with both Eurorack and line level signals. This allows for seamless integration of a wide variety of electronic instruments.

The Assembler offers significant flexibility with its three assignable aux send channels, allowing effortless integration of external effects like reverbs and delays or functioning as sub-mix channels. Specifically, two stereo returns and one mono return, each with independent gain adjustments (up to 2.7x gain), enable both creative experimentation and professional-grade signal blending.

Assembler prioritizes ease of use with its intuitive one-knob-per-function design. Every feature, EQ adjustment, auxiliary routing, panning, or level setting, is immediately accessible, providing a seamless, frustration-free mixing experience. Users new to audio mixers will appreciate its straightforward operation, while seasoned artists will instantly feel at home with familiar analogue mixer functionalities clearly laid out.

Equally adept at managing both line-level instruments and modular signals, Assembler effortlessly integrates into any studio or live performance setup. A dedicated headphone output with a separate cue mix ensures detailed and reliable monitoring in live situations, enabling performers to preview and adjust their sounds confidently.

Assembler purposefully eliminates extraneous features found in many modern modular mixers, focusing solely on superior audio quality, intuitive user experience, and robust reliability. The result is a professional-quality audio mixer that offers an exceptional analog sound experience at a significantly accessible price point compared to competing products.

Assembler continues this tradition by seamlessly blending revered analogue sound processing with modern modular flexibility, and it will also self-oscillate for all the noise artists, if that is important.

Notes: Exceptional value here. Cre8's analogue drum machine is based on Pittsburgh Modular audio circuits, offering true old-school-inspired drum synthesis and hands-on control at an excellent price.

Supplier's notes:
Introducing Boom Chick, a revolutionary analogue drum machine built on the warmth and character of Pittsburgh Modular's newly designed analog drum circuits. These powerful, expressive percussion voices are paired with an advanced sequencer designed for intuitive creativity and deep rhythmic exploration. Inspired by the hands-on performability of iconic analog drum machines, Boom Chick redefines analogue percussion with exceptional flexibility and sonic precision, tailored for modern musicians and producers.

Compact yet incredibly powerful, the Boom Chick ensures frustration-free jamming and tweaking through its intuitive knob-per-function layout and straightforward interface conventions. It's hands-on, immediate, and built for musicians who want a drum machine that feels alive. Turn up the dirt, push the limits, and make some serious noise.

Created by the Pittsburgh Modular Synthesizers team, Boom Chick features five meticulously crafted drum voices, each designed for maximum flexibility and expressiveness. The sounds are raw, dynamic, and laser sharp, built to drive and slice through any mix. The electricity creating the analog sounds is directly shaped using the knob-per-function interface. No menus, no hassle, just pure, tactile beat-making analogue magic at your fingertips. By focusing on creative, new analogue designs, Pittsburgh Modular ensured that Boom Chick doesn't just mimic the past, but kick starts a new future of analogue beats.

Every voice has been meticulously engineered for maximum sonic impact, making Boom Chick a true drum synthesizer, not just a drum machine. Starting with a massive bottom end, the Kick drum sculpts a specialized sine-wave oscillator using gritty overdrive, pitch manipulation, and a precise, percussive envelope allowing you to dial in everything from low and long or clean and punchy rhythms to aggressive, overdriven beats. The Snare drum showcases the power of modern analog with powerful snare hits that can mimic a physical snare drum or venture into creative new territories. Drum channels 1 and 2 offer even deeper sound-design possibilities. By utilizing two oscillators, wave shaping, frequency modulation, and noise you can generate everything from subtle nuanced percussion to wild, expressive sonic textures. Toms, claps, snares, kicks, cymbals, rim shots, cowbells, congas, claves, space sounds, and outer space sounds can all be dialed in and reimagined. Hats utilize a custom oscillator noise matrix to create crisp, bright metallic tones ideal for intricate rhythmic patterns.

Boom Chick's sequencer is designed to offer profound depth while maintaining intuitive simplicity. It features two powerful modes: Step Mode, for meticulous programming of each drum step, and Live Mode, allowing real-time rhythm creation and expressive performance. Tools such as Step Shift enable quick and precise timing adjustments for intricate rhythmic patterns, while Step Roll and Chance introduce engaging complexity and variation. Timing functions like Humanize, Swing, and Quantize provide refined control over groove and rhythm, allowing for perfectly locked or naturally loose-feeling sequences. Swing adds groove by shifting even steps slightly behind the beat, while Humanize introduces subtle timing variations to simulate natural playing styles. With up to 64-step sequences and polyrhythm capabilities, Boom Chick encourages experimentation by removing the boundaries to live performance and making beats.

At the heart of Boom Chick is a 6-track sequencer that gives you deep rhythmic control while staying easy to use. With design inspiration taken from Pittsburgh's Voltage Research Lab 2, Boom Chick's sequencer will take you from quick jams to mind-bending polyrhythms. This sequencer is not only designed to keep up with you, but also propel you to new territory.

Boom Chick is modular-friendly, MIDI-capable, and performance-ready. This makes it a perfect addition to any studio or live rig. Individual trigger inputs and individual drum outs allow each drum to be sent to a mixer or DAW separately for external processing or recording. MIDI in and out to send and receive clock, trigger drums, or sequence external percussion. Analog clock in and out allows Boom Chick to easily integrate with Eurorack setups and other gear. Separate Line and Headphone outputs make personal jams, recording, or live performances easy.

Notes: Unlock Limitless Creativity.

Experience the power and versatility of the ultimate MIDI Controller & Looper. Take control of your music like never before.

Redefined sensitivity.

ERAE II reacts from the lightest touch to the fastest strokes, pushing the dynamics to the extreme possible range of musical articulation. Embedding 16.000 force sensors, ERAE II benefits from our patented Force Multi-Touch technology, which offers ultra-responsiveness, down to a very low threshold force.

The most playable surface yet.

ERAE II benefits from 3 years of R&D with our patented Force Multi-Touch technology sensing just a few grams of pressure on a very large playable surface.

A sub-millimetre XY precision both in relative and absolute mode with enhanced sensor linearity for ultra-stable and continuous finger slides.

Complete musical articulation.

Add polyphonic portamentos, slides and after-touch to your musical creative process.

Control multiple sound parameters with a single touch and explore new possibilities on your favourite synthesizers.

Expressive looping.

Record segments of music and play them back with ERAE II's 8-track looper. You can define duration, quantization and BPM, overwrite and overdub expressive features.

Every gesture recorded on the fly is replayed visually, creating a show for the eyes.

Here it is in action: quickly recording a base line then adding a drum sequence. Stop the recording and jam on top of your loops.

Modular mastermind

Multi-dimensional connectivity.

ERAE II features 24 (12 dual) configurable analogue outputs, to be used as CV/Gate, drum triggers, and bipolar modulation CV controls. Bring life to your modular patches, and record intricate loops to be played back on any CV!

Different skins.

ERAE II features a unique skin that connects the sensors to your fingers. This material is designed to provide the perfect gliding sensation, with just the right amount of softness and the organic feel of fabric.

This skin can be replaced in just a few minutes. Our Kickstarter backers will receive a second skin made of black silicone.

Expressive Controller Looper

Erae Touch is a polyphonic MIDI Controller & Looper.

Designed for immersive live performances it will enrich your musical composition and become the master device to control all your hardware synthesizer, modular gear and software instruments.

Built with unrivalled sensitivity and offering infinite configurability.

User-friendly configuration

No more back & forth menu diving.

Setup the tempo, set your scales and launch loops from the settings section with ease thanks to the backlit buttons, the LCD screen and the selection click wheel embedded in the top right hand corner.

The ERAE Lab

Create your own layouts with the free companion software ERAE Lab. It's a simple yet powerful creation software: elements, MIDI settings and styles can be defined and tested in just a few clicks.

ERAE Lab now enables seamless layouts and project management. Drag existing layouts from a project to the compose panel. Browse your project library and pick layouts to create new ones in a few clicks.

Customize your interface with musical elements such as isomorphic keygrids, keyboards, or control elements with fader and buttons.

An open canvas.

This is an open canvas for the most daring. The API is a custom sysex library with messages enabling you to take full control of the ERAE II detection points and LEDs states. (You can already download the full API Documentation here).

A new kind of arpeggiator.

Explore the arpeggio's parameters in 3D. All the arpeggiator parameters (rate, octave range, note length, pattern, steps, velocity) can be mapped to expressive gestures (after touch, slide, portamentos).

Use the aftertouch control to modulate the rate while sliding the same finger to bend the note. Push it even more with MPE!

What's in the box:

Erae Il MIDI Controller & Looper
A Set of 2 skin with fabric and silicon material
60W USB power supply
2x USB cables (Power and MIDI data)
1x MIDI-TRS cable

Notes: Meet Xkey Air - the ultimate mobile MIDI keyboard, able to go wherever the music takes you. Featuring an ultra-slim lightweight design, Xkey Air is made for creation wherever inspiration strikes you. From the studio to your living room and everywhere in between, this keyboard brings professional performance anywhere. Simply link Xkey Air to your device and
play along with the best apps and recording software. Xkey Air is a fully class compliant, USB and Bluetooth MIDI controller that works with all MIDI apps on virtually all platforms.

Notes: Compact Size, Big Performance - The Perfect Creative Companion

Meet the Fluid Audio C35BT, a compact yet powerful studio monitor pair designed for creators who need high-quality sound in limited spaces. With accurate sound reproduction, versatile connectivity, and a sleek design, the C35BT offers a professional audio experience for musicians, content creators, and casual listeners alike.

Precision Sound in a Compact Form Factor

Despite its small size, the C35BT is engineered to deliver precise audio with a balanced and flat frequency response from 80Hz to 20kHz. Unlike many small-format monitors in this price range, which tend to boost bass or high frequencies, the C35BT maintains a neutral tonal balance, making it ideal for detailed listening and mixing in tight spaces.

Front-Panel Volume Control and AUX Input

Convenience is key when working in fast-paced environments. The C35BT's front panel features:

Volume control for quick adjustments without reaching behind the speakers
AUX input for instant connection to smartphones, tablets, or other portable devices
BT 5.0 Connectivity
Seamlessly stream high-quality audio wirelessly with BT 5.0. Whether you're referencing mixes or simply enjoying music, you can switch effortlessly between BT and wired inputs with minimal latency and no loss in audio fidelity.

Auto-Standby Mode with Manual Override

Designed to save energy without interrupting workflow, the C35BT automatically enters standby mode after 5 minutes of inactivity. For uninterrupted use, the auto-standby feature can be disabled via the rear-panel switch, offering flexibility depending on your setup.

Versatile Connectivity Options

Whether you're using professional audio equipment or consumer devices, the C35BT offers multiple input options to suit any setup:

"Balanced TRS inputs for pro-level audio interfaces
"Unbalanced RCA inputs for consumer electronics
"Front-panel AUX input for quick and easy device connection
"BT5.0 for wireless streaming without compromise
Advanced Features for Every User

Class D Amplification: Delivering 32W per speaker, the C35BT provides clean, distortion-free sound even at high volumes.

3.5" Composite Woofer + Silk Dome Tweeter: This combination ensures detailed mids, tight bass, and smooth high-frequency response.

Compact and Portable Design: With a footprint of just 125mm x 150mm x 185mm, the C35BT is perfect for desktop setups, home studios, or mobile creative spaces.

Rubber Feet Included: Designed to reduce vibrations and improve sound clarity by providing a stable base on any surface.

Recommended Use Cases

Music Production: Ideal for producers needing accurate sound representation.
Content Creation: Perfect for YouTubers, podcasters, and streamers who require professional audio monitoring.
General Listening: Whether wired or via BT 5.0, the C35BT offers exceptional clarity for casual music listening.

What's Included
1 x Active C35BT speaker
1 x Passive C35BT speaker
Speaker connection cable
Power cable
4 x Rubber feet
User manual

Additional information

Woofer: 3.5" composite cone
Tweeter: 0.8" silk dome tweeter
Frequency response: 80Hz-22kHz (+/- 3db)
Crossover frequency : 4.2kHz
Amplifier Power: 2 x 32 watts (64W total)
Mains Voltage Input: 85 VAC to 265 VAC universal
Protection: RF interference, output current limiting
Over temperature
Turn-on/off transient
Subsonic filter
External mains fuse

Cabinet: Vinyl-laminated MDF
Size (single monitor): 7.28" x 4.92"

Notes: Precision Meets Versatility - Designed for Creators, Perfect for Any Space

The Fluid Audio C50BT studio monitors are crafted for music producers, audio engineers, and serious enthusiasts seeking accurate sound reproduction without compromise. Compact yet powerful, the C50BT offers a feature set typically found in more expensive monitors, making it the ideal choice for near-field monitoring in studios or home setups.

Flat Frequency Response for Critical Listening

Unlike many other monitors in this price range, the C50BT delivers a flat and neutral frequency response. This ensures you hear your audio as it truly is, making it easier to make accurate mixing and mastering decisions. Competing models often color the sound, but the C50BT maintains the balance and clarity professionals demand.

Convenient Front-Panel Controls and Inputs

The C50BT's front panel provides instant access to the most important controls:

Volume knob: Easily adjust your listening level without reaching behind the speaker.
Input selection: Switch seamlessly between multiple input sources, including wired and BT 5.0.
AUX input: A convenient front-panel AUX input lets you quickly connect devices like smartphones and tablets.
Auto-Standby Mode with Manual Override

Energy efficiency meets user control. The C50BT features an automatic standby mode, activating after periods of inactivity to reduce power consumption. If you prefer continuous operation, simply disable the feature using the rear-panel switch.

Versatile Connectivity for Any Setup

Whether you're connecting to professional audio gear or consumer devices, the C50BT has you covered:

Balanced TRS inputs for professional audio interfaces and mixers
Unbalanced RCA inputs for connecting to various consumer audio devices
BT 5.0 for high-quality wireless audio streaming
Front-panel AUX input for quick and easy device connections
Compact, Space-Saving Design

With dimensions of 175mm x 195mm x 256mm, the C50BT fits comfortably on any desk or small studio space.
The sleek, minimalist design ensures it looks great in any environment while minimizing footprint.

Advanced Features for a Superior Experience
Balanced Subwoofer Output: Expand your low-end capabilities by connecting a subwoofer via the balanced sub-out. This makes the C50BT a scalable solution for those needing deeper bass.
High-Efficiency Class D Amplification: Delivering 42W per speaker, the C50BT ensures powerful, clean audio output without distortion, even at high volumes.
Precision-Engineered Crossover: The carefully tuned 3.4kHz crossover ensures smooth frequency transition between the woofer and tweeter, resulting in a well-balanced soundstage.
Premium Components: The 5.25" composite woofer and 1" silk dome tweeter are optimized for low distortion and accurate sound reproduction.
Rubber Feet Included: The included rubber feet help reduce vibrations and provide stability on any surface, improving overall sound clarity.

Recommended Use Cases
Music Production: Ideal for producers needing accurate sound representation.
Content Creation: Perfect for YouTubers, podcasters, and streamers who require professional audio monitoring.
General Listening: Whether wired or via BT 5.0, the C50BT offers exceptional clarity for casual music listening.

Notes: The next generation of Moog analogue synths, the Messenger draws on iconic designs of the past and introduces modern features which bring it right up to date. Affordable, top quality stuff from a legendary brand.

Supplier's notes:
A new method of sonic experimentation, communication, and connection has arrived. Say hello to Messenger, a next-generation analog synthesizer that celebrates classic Moog circuitry and introduces modern features to shape the future of sound design.

Messenger is a new Moog monophonic analog keyboard synthesiser designed for the electronic musicians, producers, sound designers, sonic tinkerers, and analog dreamers of today and tomorrow. Engineered to open new portals of art and expression through sound, the instrument is ready to be a trusted creative companion for any musical genre or style at any point in your synthesis journey.

If you're new to synthesis, welcome. You're exactly where you need to be. Messenger's intuitive layout with clearly labeled controls invites immediate hands-on exploration and encourages a deeper understanding of how to shape and sculpt sound. For experienced synthesists and sound designers, Messenger is packed full of innovative twists on beloved analog circuitry, blending the iconic, raw Moog sound with flexible, modern features designed for use on stage or in the studio. This synthesiser has two oscillators with wavefolding functionality, a sub-oscillator with continuously variable waveshapes, dual looping ADSR envelopes, 32 semi-weighted full-size keys with velocity and aftertouch, and the legendary Moog ladder filter augmented with resonance bass compensation, multiple filter slopes, and true multimode functionality. Messenger's 256 on-board presets allow for immediate saving and recall of your favorite sounds. An intuitive arpeggiator and expression/sustain pedal inputs make this an indispensable live tool, while its unique sequencer with probabilistic controls and modular connectivity set Messenger up to be at the core of your studio or home setup.

Craft soaring leads and deep, rumbling basses. Create delicately textured pads and flowing arpeggios. Build beats with custom kicks, snares, and toms. Explore dense drones and inharmonic metallics. Pay attention to how these sounds impact the way you hear the world around you.

Timeless and Intuitive: Messenger builds on the DNA of Moog's most iconic and prolific monosynths - Minimoog Model D, Voyager, Grandmother, Subsequent 37 - and puts a new spin on a familiar format with innovative circuits and timeless analog sound.

A Legend Reborn: The legendary Moog transistor ladder filter gets some new tricks up its sleeve. A unique pole-mixing design allows the ladder filter to preserve bass frequencies as resonance is increased via the RES BASS switch while keeping its sonic legacy intact. Low-pass mode adds a 2-pole filter slope in addition to the classic Moog 4-pole low-pass filter slope.

Inspiration at Your Fingertips: 32 full-size semi-weighted keys with velocity and aftertouch, a robust metal panel, 256 presets, and knob-per-function controls mean Messenger is endlessly playable and ready to bring to your next gig.

Compositional Powerhouse: Effortlessly record sequences of up to 64 steps, integrate chance operations, and introduce random fluctuations and parameter recording. Experiment with a plethora of arpeggiator patterns and cascade notes into infinity.

Sound Design and Modulation Playground: Two loopable ADSR envelopes, two LFOs, and expanded frequency and audio rate modulation options via Oscillator 2 provide a wealth of modulation options and deeper assignable possibilities.

Comprehensive Connectivity: Messenger integrates seamlessly into any studio or live setup with six analog control voltage (CV) patch points, an external audio input to the filter, expression and sustain pedal inputs, and 5-pin DIN MIDI in/out as well as MIDI over USB-C.

Notes: The super compact Nord Drum 3P combines stunning playability with unlimited sound design possibilities. New features include integrated multi-pad, Reverb and Delay effects, a simplified sound selection mode and new Sound Banks for quickly creating custom kits on the fly.

The Drum Select feature lets you browse a wide selection of great sounding drums sounds, simply assigned to each pad individually. Easily replace toms, cymbals or kicks in seconds by selecting from our new preset library. The Drum Select banks feature 9 categories of great preset sounds that can be easily assigned to any of the six pads/channels - and is a great starting point in rehearsal situations when you need to find the right sounds in a matter of seconds. The categories include Bass drums, Snare drums, Toms, Hi-hats, Cymbals, Percussion, Bells, Tuned Percussion and Effects.

The Sound generation takes place in the three sections Tone, Noise and Click. The sounds of the Nord Drum 3P are all synthesized in real-time - allowing you to both sculpt and play sounds with a unique dynamic response, regardless if you prefer to play with drum sticks or from a sequencer. The Tone Section is specialized for creating tonal and harmonically complex sound spectras and has four synthesis modes - Resonant synthesis, Subtractive Synthesis, Frequency Modulation and Ring Modulation synthesis. The Resonant synthesis mode offers a wide range of complex spectras inspired by materials like drum heads, marimba, vibraphone, tines and cymbals. A unique feature includes the possibility to tune harmonic spectra. The Subtractive Wave types include Sine, Saw, Square, Pulse waveforms and T-Bridge Oscillators and are brilliant for creating classic synth-type drum sounds and effects. The FM Synthesis mode features 6 different FM algorithms where the Frequency parameter controls modulation amount and Spectra controls modulation frequency. The Ring Modulation mode features 2 different types of Ring Modulation.

The Nord Drum 3P offers great control over the dynamic response of the harmonic spectras. When using Resonant synthesis waveforms the upper parts of the harmonic spectra be controlled with velocity, giving it a brighter timbre when played hard. When using the Subtractive synthesis mode, the Frequency parameter controls the cut-off frequency of a Low-Pass filter and the Dyn Filter controls how much the filter should respond to velocity. The Decay controls the decay of the whole spectra, with a choice of Linear and Exponential decay envelopes. A Dynamic Decay mode lets you set different Decay lengths for soft and hard strokes. The Punch Decay adds more attack to the Tone by giving the fundamental pitch an ultra-fast envelope at the very beginning of the sound. The Bend parameter provides a powerful, velocity sensitive pitch envelope. Use it to create attack-like effects but also more radical bending sounds that travel up or down when played such as the sound of a raindrop, tablas or the classic 80's - pioouw - tom-sound.

The Noise section is all about producing noise and is very powerful. Create anything from silky smooth hiss to gritty gravel to give the Tone part of the sound more texture. The Noise can be sculpted with Low-Pass, High-Pass or Band-Pass filters with Cut-Off and Resonance controls. Once you've found the noise of your choice, it can be adjusted to respond dynamically to velocity in the same manner as with the Tone section with the Dyn Filter control. The Decay control is just as powerful, with a choice of Linear, Exponential and Gated decay types. A Dynamic Decay mode lets you set different Decay lengths for soft and hard strokes. Combine this with the equally powerful dynamic controls of the Tone Section and it won't take long before realizing the potential for creating complex sounds with fascinating material-like behaviors!

The Click-section is a specialized section for an ultra-short attack to the sound. A wide range of different click types are available as well as a level control for finding the sweet spot where the Click merges with the other elements and becomes one coherent sound.

Each of the 6 channels of the Nord Drum 3P has its own powerful effects - Drive, EQ and Ring Modulation. Adding just a touch of Drive to your sounds can make a huge difference in terms of realism, while the Sample-Rate reduction is perfect for Lo-fi crackling effects. Ring Modulation can be used for slow tremolo-like effects to total atonal mayhem.

The Mute Group gives you the option to create sounds that can cancel each other out. Only one of the members of the group can sound at a time, and can be used for creating a close/open hi-hat behavior and emulating muting techniques from hand percussion.

Tuned Percussion kits can be created instantly by selecting one of the Scale Presets, which include Chord Scales, Pentatonic, Hang Tunings and Hexatonic.

The handy Edit All mode let's you edit all 6 channels simultaneously, for example reverb, distortion or delay.

MIDI in/out is also available for using the Nord Drum 3P with any kind of MIDI pads or sequence it from an external MIDI Sequencer. All of the Nord Drum 3P sound parameters can be controlled via CC-controls over MIDI. If you own an iPad don't miss our free iPad app Nord Beat, specifically designed for sequencing the Nord Drum 3P via MIDI.

The Channel Mixer sets the level for each channel and also features a Pan control for creating a lush stereo image. If you like to send the kick to a separate output, just pan that channel all the way to the left and the other channels to the right.

Everything you play when using the multipads and external input is automatically output to the MIDI output, making the Nord Drum 3 a brilliant controller for other sound sources via MIDI.

Notes: The Nord Lead A1 is a 4-part multitimbral synth with a classic layout, extensive filter options and effects. With its powerful panel interface and pre-programmed modulation matrix, creating unique and exciting sounds is very inspirational and quick.

At the heart of the Lead A1 is our new analog modeling engine. Taking our virtual analog synthesis to the next level, this modeling recreates a total analog signal path with uncanny realism, and is capable of immense sonic variety. With 26-voice polyphony and four simultaneous synthesizer parts, the Lead A1 is a true synthesizer powerhouse that goes far beyond the current trend for limited capability analog reissues.

Fundamental to the design of the Lead A1 is a brand new simple yet sophisticated front panel interface. The design is in fact the result of requests from professional players - even the most experienced programmers - who need to create the perfect sound as quickly as possible for today's live or studio time demands. The Lead A1 allows easy patch creation and experimentation thanks to a new and unique oscillator section, pre-programmed modulation matrix, and simplified ADR envelopes. Dive in and create incredible patches far quicker than would normally be possible with a synthesizer of such power.

The Lead A1's new Oscillator section generates 47 different waveforms from classic analog to digital harmonic and inharmonic waves, whilst unique Oscillator Configuration Shortcuts make programming more immediate than ever. Start with a single Oscillator waveform select an Oscillator Configuration Shortcut - Pitch, Detune, Shape, Sync, Sub Mix, FM, AM or Noise - and use the Adjust knob to adjust the settings of the configuration. The end result is high speed programming without the need for the usual complexity of routing and patching, and with the opportunity for ready experimentation. A fast track to stunning sound design for both advanced and less experienced programmers.

The Lead A1's filter section features classic 12 and 24 dB Low Pass, a High Pass and a Band Pass filter, together with stunning emulations of the diode and ladder filters from the legendary Mini and the TB-303 synthesizers as used in the Lead 4. The Lead A1's modeling of these filters capture the true character and response of the originals, allowing supremely flexible and precise sound design. The filters are super-smooth with a warm analog character.

The Lead A1's effects section features two stunning brand new analog models of an Ensemble and Chorus, modeled on specific vintage synths and adding classic warmth and analog feel. Alongside these, choose from great-sounding Ring Modulation, Phaser, Flanger, or Drive per slot, and in addition a separate Delay and Reverb for each slot.

A classic Nord feature, the Morph function via Mod Wheel, Velocity or pedal, allows you to control multiple parameters of the Lead A1 simultaneously. Morph is exceptionally easy to set-up and use - just hold the Morph button and adjust any desired knob.

The Lead A1 features four separate Arpeggiators with Up/Down and Random modes and a 4-octave range. Any or all can be sync'd to the Lead A1's master clock.

The Master Clock function of the Lead A1 allows the LFO, Arpeggiator and Delay to be synchronized, either internally or slaved to external MIDI clock. A Tap Tempo button allows you to easily tap to the tempo of a drummer or to playback tracks.

Having four identical, equally powerful synthesizers at once opens breathtaking layering possibilities. The Split-mode gives you two 2 slots on each side of the split. A flexible Hold functionality lets you latch and hold slots independently in the background while playing something else on top.

New in the Lead A1 is the Multi-Focus Mode that allows editing and control of all four slots simultaneously. Save this mode as part of a Performance and you have live realtime control over all four slots of the Lead A1.

The Lead A1 features four independent audio outputs with the ability to route each slot to a different output. Plus control of Pan via the front panel knob is a welcome new addition in the Lead A1.

Unique to the Nord Lead A1 is the new 'Like' function, a simple and brilliant practical feature to use during patch creation. When programming a patch it's often not clear if it's yet perfect. Now with the Lead A1 you can simply 'Like' what you've done into a temporary location and continue editing. You can Like up to 50 variations, with the ability to scroll between them to compare your favourites or go back to a specific Liked version to edit in a different way. When you're ready, save your favourite patch or patches to the Lead A1's memory.

A popular feature of the Lead 4, the Mutator function allows variations of a patch to be created by adjusting one, some, or all elements of a patch by set percentages. There's also a wild Randomize mode to create an entirely new patch with all parameters randomized.

A newly designed "Fat-As-Fat-Can-Be" Unison Mode let's the Lead A1 challenge any vintage analog instrument.

Notes: The Nord Wave 2 is a powerful 4-part performance synthesiser combining Virtual Analogue synthesis, Samples, FM and Wavetable with an intuitive layer-focused interface. With 48 voice polyphony, innovative performance features and hands-on controls, the Nord Wave 2 offers outstanding sonic possibilities with advanced layering and tweaking on the fly.

With 4 independent synthesisers in one the Nord Wave 2 offers exceptional possibilities for layering both classic waveforms and samples. Dedicated OLED displays for Program and Oscillator sections provide an excellent overview when shaping your sounds. The wide range of performance features and instantly tweakable hands-on effects makes the Wave 2 Nord's most versatile performance synthesiser ever. The new Monitor mode displays your settings for Amp Envelope and Filters in the Program display for better overview and control.

The Wave 2 features a Program Layer section with faders for easily controlling the volume or pan for all 4 layer parts at once. The Layer section also provides handy features for quick layer focus, pan control, solo and multi-editing. The Split mode offers three split points providing up to 4 zones with optional crossfades. The flexible Hold functionality lets you latch and hold slots independently in the background while playing something else on top. The new Group feature allows you to group 2, 3 or 4 layers and lets them share the same Filter, Envelope, Arpeggiator, LFO and Effect-settings - perfect when creating complex multi-layered sounds that can be edited as one coherent sound.

The Oscillator section for each of the 4 layers offers 4 modes: Analog, Wavetable, FM and Samples and is easily browsed with our new direct category mode. The Oscillator Control features additional control over shape, sync or detune. The Wave 2 features a powerful multi-oscillator Unison effect with true Superwaves simultaneously generating hundreds of waveforms for extremely thick and fat sounds.

The Sample section has 1 GB of memory and comes loaded with a wide selection of quality samples including Strings, Brass, Guitars, Choirs, Chromatic Percussion as well as the exclusively licensed sounds of the legendary Mellotron and Chamberlin. All sounds are easily replaceable using the Nord Sound Manager. Adding your own custom sample instruments has never been easier thanks to the new streamlined Nord Sample Editor 3 for Mac and Windows that lets you map, loop and transfer samples to your Nord Wave 2 in a breeze.

The Filter section has 6 Filter types featuring classic 12 and 24 dB Low Pass, a High Pass, High Pass/Low Pass and a Band Pass filter, together with a stunning emulation of the transistor ladder filter from the legendary Mini. The unique modeling of these filters captures the true character and response of the classic analog instruments, allowing for flexible and precise sound design. The Filter section is equippied with full ADSR envelope.

The Wave 2 features a dedicated LFO for each layer with a choice of waveforms plus AD/AR Modulation Envelope with dedicated velocity setting and Invert mode. The LFO has several morphable parameters and the rate can be synchronized to the Master Clock.

The Amp Section is equipped with a full ADSR envelope featuring a powerful new Transient Attack mode for adding more punch to your sounds.

The Wave 2 features an extensive range of morphable parameters that can be controlled from four different sources: Velocity, Aftertouch, Wheel and Control Pedal. All morph sources can be quickly assigned to control multiple parameters simultaneously and the powerful Impulse Morph feature lets you instantly change any parameter of your sound. Instantly assign LFO, Oscillator Control or Filter to the Modulation Wheel.

The Nord Wave 2 is truly a rhythmical powerhouse with both a classic arpeggiator and a polyphonic mode with directly editable patterns. The Poly mode is a polyphonic Arpeggiator that will retrig all held keys either straight or patterned featuring different inversions for exciting harmonic variations. The brand new Gate mode chops your sound up in a rhythmic pattern with adjustable depth. The Pattern mode contains a wide selection of Rhythmic Patterns allows easy editing for creating your own custom patterns.

The Master Clock of the Wave 2 allows the LFO, Arpeggiator and various effects to be synchronized, either internally or by an external MIDI clock. With Master Clock synchronization you can synchronize 4 layers with individual patterns, all perfectly in sync with Delays and LFO's. A Tap Tempo allows you to easily tap to the tempo of a drummer or to playback tracks.

A separate Effect section for each layer featuring a great selection of instantly tweakable high quality stereo effects modelled after classic stomp boxes. Tremolo, Pan, Ring Modulator, Chorus, Ensemble and Vibe effects with Rate and Amount control. All effects are controllable via Control Pedal (or other Morph sources) and can also be synchronized to the Master Clock for rhythmic effects. EQ with Bass and Treble control - or 1 Band Sweepable EQ. A sparkling Tube Drive emulation is also available. Advanced stereo Delay effect with Ping Pong mode, Analog Mode and Tap Tempo. New features include creative new Feedback options for adding Ensemble, Chorus, Vibe as well as HP/LP and BP filter in the Feedback loop. The Reverb section has five different Reverb sizes (Booth, Room, Stage, Hall and new Cathedral) for adding some ambience to your sounds, and the amount is now morphable. New features include Bright and Dark modes for either extended or reduced treble. The new Chorale effect adds a lush modulation effect.

Features

Performance

Advanced Arpeggiator with Polyphonic Trig mode
Gate feature for rhythmic effects
Advanced Morph features with Impulse Morph
Master Clock control of Arpeggiator, LFO and Effects
Vibrato with 3 Delay modes and Wheel/Aftertouch assign

Oscillators
Analog: Basic, Shape, Multi, Sync and Noise with up to 16 oscillators
Samples
Wavetable
Advanced FM with harmonic and inharmonic algorithms
True Unison mode

Modulation
LFO with five waveforms
Flexible syncing and routing options
AD/AR envelope

Amp
ADSR Amp envelope
Transient Attack Mode

Filter
12/24 dB lowpass, lowpass M, band pass, high pass, and LP+HP
Filter Drive
ADSR envelope

Effects
FX section with Tremolo, Pan, Ring Modulation, Chorus, Ensemble and Vibe.
EQ section with Drive
Advanced Delay section
Reverb section with five sizes + Dark, Bright and Chorale modes

Notes: ***B-STOCK: Box opened, product in perfect working order***


Ideal for house parties, the tiny Party Mix II is the second generation of Numark's compact DJ controller. It's a tiny little device with a built-in LED light show to set the mood. Check out the Party Mix Live for a similar unit with built-in speakers.

Supplier's Notes:
The Party Continues

The original Party Mix quickly became one of the best-selling DJ controllers of all time. The Party Mix II takes the legacy to the next level with even more pro-level features added to the mix! The Party Mix II is always ready for a good time. Simply plug in your laptop or mobile device and start mixing your ultimate party playlist. With the flick of a switch, the built-in light show takes things to the next level with a colorful light show that dances to the beat.

Numark Party Mix DJ controller with light show

The Latest Music is Always on Deck

You no longer need a huge music library to start DJing. The Party Mix II DJ controller works with Serato Lite DJ software, giving you access to streaming services like TIDAL, Beatport LINK, Beatsource LINK, and SoundCloud GO. A streaming DJ controller means that the hottest tracks are available at your fingertips for you to create your custom party playlist.

If you'd rather bring a phone or tablet to the party, the Party Mix II is also compatible with popular DJ mobile apps like djay PRO AI by Algorriddim. Just connect your mobile device to the Party Mix II by using a USB camera connection kit (sold separately) to get the party started.

Party Mix streaming DJ controller partners

Instant Light Show

Set the party atmosphere with a DJ controller with lights! The Party Mix II features three multi-colored LEDs with special wide-coverage lenses for a room-filling, beat-synchronized light show. The switch on the side of the controller allows you to turn the light show on and off whenever you like.

Numark Party Mix DJ controller with built-in light show

Pro DJ Features

The Party Mix II has enough pro-grade features to handle virtually any party. The 1/8-inch main audio output allows you to hook up external speakers to bring your music to life while still monitoring the mix with the 1/8-inch headphone output connection.

DJ performance pads on Party Mix controller

Four performance pads on each deck allow quick access to cue points, loops, effects or samples. In addition to Play and Cue buttons on each deck, Sync buttons allow for the automatic tempo matching of two tracks for perfectly aligned mixes. Dedicated Filter knobs on each deck help add a pro-grade sound to your mixes, and the software-adjustable crossfader allows for sharp cuts for scratches or long, smooth fades for mixes.

DJ scratching on Party Mix controller

The Party Mix II also features two large, high-quality jog wheels that respond to your touch and allow you to manipulate your music with style. Backspin, pause, and even scratch your tracks as you work your way through your party playlist. The outer rings of the wheels function as a pitch-bend so that you can nudge tracks into alignment for the perfect mix.

With the Numark Party Mix II DJ controller, the party never stops!

Outputs:
1 1/8" (3.5 mm) TRS Main output
1 1/8" (3.5 mm) TRS Headphone output

Power: via USB
Dimensions (width x depth x height): 12.8" x 7.8" x 2" 325.5 x 199 x 51 mm
Weight: 2.1 lb 0.95 kg

Minimum system requirements:

Computers/Laptops:

Operating System
macOS Catalina 10.15
macOS Mojave 10.14
macOS High Sierra 10.13
Windows 10

Processor Minimum Requirement: i3: 1.07GHz i5: 1.07GHz i7: 1.07GHz i9: 1.07GHz
Screen Resolution: 1280 x 720
Memory: 4 GB

Mobile Devices:

iPhone: Requires iOS 12.2 or later.
iPad: Requires iPadOS 12.2 or later.
iPod touch: Requires iOS 12.2 or later.

Notes: 2x66HP Aluminum Eurorack case

Inbuilt M3 Threads

PCB with 20 Power Sockets

Inbuild Power Supply +1A/-1A/+0,5A

ON/OFF Switch and Mini USB Power source (5V)

STORMBAG Case inclusive Shoulder Strap and Handle

Laptop stand with six heights

Power Wall with interchangeable Power Adaptors (UK/US/EU)

Size: 41cm x 32cm x 6cm (Bag), 35cm x 28,5cm x 3,5cm (Case)

Weight: 2kg (alltogether) / 1,1kg (case)

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Perennial favourite studio headphones from Sennheiser's extensive range. Closed-back design with an emphasis on isolation and comfort for long periods of use. Great all-rounders

Supplier notes:
The HD 280 Pro is Sennheiser's most significant closed, around-the-ear headphone to be introduced in years. Designed to exceed the demands of the professional environment, the HD 280 Pro boasts extremely robust construction combined with the sound quality, modular design and aggressive noise isolation the necessary in the field. The unique collapsible design, combined with swivelling ear cups, offers maximum flexibility in any application.

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


From Serato's stylish Colours range, this pair of control records features louder pressings to ensure more accurate tracking without skips. Shown here in clear but also available in a range of other colours.

Supplier notes:
This new line of performance vinyl features a re-mastered Serato NoiseMap Control Tone that is 6db louder than existing pressings, allowing for precise tracking, better vinyl wear and the most authentic feeling digital vinyl experience on the market. The new Performance Series pressings are packaged as a double set and feature a wide range of new colours.

Vinyl is a strange old girl. The manufacturing process - one part sweat, one part maths and one part magic, is not an exact science. While every record pressed is a high quality product and will perform flawlessly, there can be some variation in the color throughout a run. Every record is unique.

*** PLEASE NOTE: AS WITH ALL COLOURED VINYL, THERE MAY BE SLIGHT TRACES OF OTHER COLOURS WITHIN THE VINYL. THIS IS NORMAL AND DOES NOT MEAN THE VINYL IS DEFECTIVE. IT DOES NOT ADVERSELY AFFECT THE PRESSING IN ANY WAY AND RETURNS OF THIS NATURE CANNOT BE ACCEPTED ***

Notes: ***B-STOCK: Box opened, product in perfect working order***


Black version of this vintage-inspired 12-bit sampler from Sonicware. Inspired by 80s sampling workstations, and including over 2,500 samples to get you started, the Lofi-12 is a creative powerhouse.

Supplier's Notes:
Key Features

1) 12/24kHz Early-Digital Sound Sampling

Experience true 12kHz/24kHz sampling combined with the 12-bit Sampler mode, which transforms any sound into a pleasant Early-Digital sound, much like the legendary 12-bit samplers of yesteryear.

Each sample can be up to 40 seconds in length, and you can store as many samples as your SD card capacity allows. From these, you can load up to 256 samples (64MB) into a single project, seamlessly switching between samples during playback.

Samples can also be played using PAD mode, utilizing all 15 pads as a keyboard for chromatic/scale play. You can also chop samples to create and play individual slices within a single track.

2) Intuitive & Non-stop Beat Making

The powerful 8-track sequencer supports un-quantized recording and non-stop editing, allowing you to create tracks and beats in real-time as you hit the pads.

With parameter locking, dynamic parameter recording is a breeze - simply press the REC button and tweak the knobs. You can also input exact values directly using the step buttons.

Using the D-pad Roll, you can choose between 7 re-trigger divisions from 8th to 64th notes, while controlling velocity by a pad pressure.

A single project consists of 128 patterns and 16 songs. It can be used not only for song production, but also for long live performances by connecting songs with non-stop editing and various MUTE modes.?

3) Powerful Signal Processing & Extensive Sample Libraries

Simultaneously utilize 8 track effects, delay, reverb, and master compressor to craft diverse sounds.

Track effects can be selected from 22 effect types, and the master compressor can be side-chained. (Can be switched to the master filter for performance.)

The included SD card contains 2,500+ samples from legendary drum machines like TR-808/909, LM-1, linndrum, DMX, Drumulator, SP-12, Drumtraks and TOM*, to ready-to-use the Early-Digital Sound samples.

4) Effortless Background Mix-Tape Recording

The Mix-Tape recording feature continuously captures all your performances in the background up to three hours.

Recording quality can be selected from six levels, from the lo-fi recording quality of a micro-cassette tape to high quality recording at 48 kHz-16 bit, the same recording quality as DAT.

Whether you're mixing down tracks, recording live performances in their entirety, or extracting choice beats and phrases from your daily jams, you will have a continually expanding resource of your sounds and music at your fingertips.

5) Versatile Connectivity with Other Devices

Import and export audio files via USB or SD card. The Lofi-12XT's unique file convert feature ensures typical audio files with differing sampling bit/rates are transformed into the signature Lofi-12 Sounds.

Connect a wide variety of audio sources, from dynamic microphones, electric guitars/bass, synthesizers, and even USB audio sources from PC/Mac or Smartphones.

With TRS analogue inputs and outputs, digital outputs via USB, and tempo sync through MIDI or audio sync, the Lofi-12XT seamlessly integrates with DAWs and various other devices.

Specifications

Sampler: 12kHz/24kHz-16bit (mono) with 12bit mode
Recording time per sample: Up to 40 seconds
Max. number of samples: Up to SD card limit (Up to 64MB - 256 samples can be loaded into each project)
Sample editing: Realtime
Sample slicing: User slice markers
Slice choke groups: Yes
Sample file import: Yes (USB and SD card)
Amplitude modulation: ASR/AR envelope
Filter modulation: ASR/AR envelope
Pitch envelope: Sweep envelope
LFOs: 2 per track
Polyphony: 20 voices internal + USB & External audio
Number of tracks: 8
Track types: 1 (various voice modes)
Sequencer: 128 patterns- 16 songs x 256 projects
Note(Step) length: 1/1 to 1/64
Steps per pattern: 128
Non-Quantize recording: Yes (with MicroTiming edit)
Parameter lock recording: Yes
Drum roll/Note repeat: Yes
Effects: 26 types
Simultaneous effects: 11 (1 FX per track + 2 send FX + 1 master FX)
Background mix-tape recording: Yes
Pads/Keys: 15 velocity-sensitive pads with RGB LEDs
Display: 1.5" OLED
Built in mic: Yes
Audio inputs: 6.35mm TRS, USB audio
Audio input types: Line In, Dynamic Mic, Guitar
Audio outputs: 6.35mm
Headphones: 3.5mm
Midi connectivity: DIN MIDI + USB MIDI

Hardware specifications

Pads: 15 velocity-sensitive pads with RGB LEDs

Controllers: Control knob x 5, Directional pad with 2 button controls 1.5 inch OLED display
Mono x 1 (Omni-directional, 94dBSPL)
Display: 1.5 inch OLED display
Built-in Mic: Mono x1 (omnidirectional, 94dBSPL)
Built-in Speaker: Mono x 1 (1.5W 402)

Audio Inputs

INPUT L / Guitar (Switchable 10k and 1MQ impedance)
[LINE Gain] PAD: -20dB
[Hi-Z Gain] LOW: 0dB, NORMAL: +10dB, HI: +20dB
INPUT R / Dynamic Microphone
[LINE Gain] PAD: -20dB
[MIC Gain] LOW: 0dB, NORMAL: +28.8dB, HI: +50dB

Audio Outputs

STEREO LINE OUTPUTS (Max +6.5dBV)
*The above jacks are all balanced 1/4" TRS Jack Connectors
PHONES jack (stereo 3.5mm mini jack type)

USB port: micro USB Type-B

MIDI ports
[USB Audio] USB 2.0 Full Speed, 48kHz-16bit
Input: 2 channels
Output: 2 channels
[USB MIDI]
[Mass Storage Class] USB2.0 High Speed
*For iPhone, Apple Lightning to USB Camera Adapter required separately MIDI IN connector (5-Pin DIN type)

MIDI ports
MIDI IN connector (5-pin DIN type)
MIDI OUT connector (5-Pin DIN type)

Other connectors
SYNC IN jack (mono 3.5mm mini jack type)
SYNC OUT jack (mono 3.5mm mini jack type)
SD card slot (Standard size *Supports SDHC cards up to 32 GB)
DC IN connector

Bottom side hole: 1/4-20UNC screw for tripod mount

Size and weight
Width: 147mm | approx. 5.8 inch
Depth: 175mm | approx. 7.8 inch
Height: 46mm | approx. 1.8 inch
Weight: 550g | approx.1 lbs 3.5 oz

Power supply

DC12V output AC adapter (500mA, Inner Diameter: 2.5mm, Outer Diameter: 5.5mm, Polarity: Center +)
Ni-MH AA SIZE Rechargeable Battery or Alkaline AA SIZE Dry Battery x 6
(Alkaline dry batteries life: approx. 4 hours)
*Batteries sold separately

Accessories
32GB SDHC card incl. 2,500+ samples
Power Supply Unit: Warranty
*USB cable and the other connection cables sold separately

Notes: Introducing SSL 18 - a new era in rackmount production technology from Solid State Logic. Developed from our unmatched expertise in analogue and digital design, SSL 18 offers exceptional audio performance with a studio session-ready feature set, delivered with the signature SSL sound and premium quality that professionals trust. Whether you are recording, producing or mixing, SSL 18 enhances production workflows while elevating the performance of your creative space, it's the ultimate centrepiece for your studio. Welcome to a new era in rack mount interface performance.

Next-generation 32-bit/192 kHz converters provide the platform for SSL 18's analogue design to shine, with unrivalled dynamic range performance of 120 dB across all microphone, line-level and instrument inputs - capture your sources like never before. Experience 125 dB dynamic range on the monitor and line outputs to hear your music with uncompromised fidelity. Need to work on headphones? No problem, with the unbeatable 120 dB dynamic range on offer from the dual-headphone outputs.

SSL 18 features eight high-performance SSL-designed mic pre's, with switchable Mic/Line configuration. Leveraging our renowned engineering expertise, they deliver ultra-low noise recordings and a huge dynamic range, making sure you capture every detail of the performance with stunning accuracy. Their advanced 2-stage circuitry ensures ultra-low distortion while maintaining the natural character of the source - or flip them into Legacy 4K Mode to add real analogue saturation and the iconic 4000 series sound to vocals, drums, and more. What's more, in Line mode the mic preamp stage is completely bypassed - perfect for connecting external outboard gear. Located on the front of the unit, inputs 1 & 2 also offer instrument/Hi-Z inputs to capture DI'd guitars and vintage synths/drum machines.

SSL 18 comes equipped with ten balanced line-level outputs located on the rear of the unit. To ensure optimal signal integrity and maximise headroom, line outputs 1&2 and 3&4 can be configured between +9 and +24 dBu, providing seamless compatibility with a wide range of studio monitors and vintage equipment operating at lower levels. Outputs 3 to 10 operate at +24 dBu, perfect for integrating professional outboard equipment. For producers, all outputs are DC-coupled and capable of sending control voltage to synthesizers and modular rigs.

Custom headphone mixes with two independent headphone outputs, configurable for different types with 'Standard', 'High Sensitivity', and 'High Impedance' settings. SSL 18's headphone outputs can also be repurposed as line-level outputs for added flexibility.

SSL 18 features a full monitor controller section with built-in talkback input. Line outputs 1&2 and 3&4 offer alternative speaker switching with Alt and Cut accessible via the monitor controls located on the front panel. Alternatively, customise the monitor controls via SSL 360 and tailor them to your workflow. SSL 18 also features a dedicated talkback input channel that can operate in MIC or LINE mode. LINE mode is great for re-processing audio through the classic Listen Mic Compressor - crush drums, parallel vocals, and more.

The SSL 4000 series consoles (often referred to as '4K') are renowned for imparting a unique 'mojo' to sounds and instruments that pass through them. This mojo comes from multiple stages of harmonic distortion from compressor VCAs, VCA faders, and other crucial components such as the transistor mix amps. Using modern components, SSL has developed a circuit that distils the two essential characteristics of the 4K sound into a single design. Legacy 4K Analogue Enhancement injects a controlled amount of finely-tuned, sweet-sounding harmonic distortion and a 'forward' yet musical high-frequency EQ boost into the signal path, giving your sound the 4K mojo and presence that artists and engineers have loved for decades.

A host of digital audio connections means that SSL 18 is ready to expand your I/O count whenever you are, with an additional 16 channels via ADAT and a further two via S/PDIF. SSL 18's dedicated Word clock output provides rock-solid clocking for integrating external digital devices into your system.

The SSL 18 mixer offers comprehensive management of all inputs and outputs, as well as detailed, scalable input metering in SSL 360-. In the SSL 18 mixer you can create and manage the control room monitor mix, as well as configure up to four independent mixes for performers. In addition, a flexible Mirror Routing system allows you to route any input or aux master directly to an output - perfect for feeding personal monitoring systems, external metering and outboard FX. Create different templates for tracking, mixing and more, then save them as a profile in the SSL 18 mixer.

Designed by the same engineering teams behind the esteemed range of analogue and digital mixing consoles, SSL's rich heritage can be found throughout the design and feature set. SSL 18 is the only product in its category that is designed to properly integrate with professional outboard gear, thanks to the +24 dBu capable inputs and outputs.

Notes: The original SSL 2 interface raised the bar by delivering a level of performance never seen before in its class. SSL 2 MKII builds upon the success of its predecessor, with a series of significant enhancements and carefully curated feature additions. Designed for musicians, producers and engineers who demand the highest standards in sound quality, SSL 2 MKII provides unmatched audio performance and a user-friendly design that caters for both those starting their creative journey and seasoned professionals. Fuel your creativity with SSL 2 MKII.

The SSL 2 MKII is equipped with two high-performance SSL-design microphone preamps delivering a massive 64 dB gain range, in conjunction with class-leading 116.5 dB dynamic range and -130.5 dBu EIN. The mic pre's can also operate in LINE mode for connecting synths or INSTRUMENT mode for connecting guitars/basses.

Located on the rear of the SSL 2 MKII are balanced Left/Right outputs for connecting your studio monitors. With professional-grade monitor outputs, the SSL 2 MKII delivers a 120 dB dynamic range, allowing you to hear every detail in your productions - from the most subtle riff to the deepest bassline. All outputs are DC-coupled, enabling you to send CV (control voltages) to synthesisers.

The SSL 2 MKII features dual headphone outputs conveniently located on the front panel. These re-engineered outputs (featuring high-current NJM headphone amps) are capable of driving any type of headphones, from small in-ear monitors to large-diaphragm models. Now boasting a jaw-dropping 119.5 dB dynamic range (MK I previously 111 dB), you have all the performance and clarity needed for accurate monitoring in any environment.

The SSL 4000 series consoles (often referred to as '4K') are renowned for imparting a unique 'mojo' to sounds and instruments that pass through them. This mojo comes from multiple stages of harmonic distortion from compressor VCAs, VCA faders, and other crucial components such as the transistor mix amps. Using modern components, SSL has developed a circuit that distils the two essential characteristics of the 4K sound into a single design. Legacy 4K Analogue Enhancement injects a controlled amount of finely-tuned, sweet-sounding harmonic distortion and a 'forward' yet musical high-frequency EQ boost into the signal path, giving your sound the 4K mojo and presence that artists and engineers have loved for decades.

Front-access jack sockets provide convenient access to 2 instrument DI inputs and 2 headphone outputs. On the rear, SSL 2 MKII provides Neutrik XLR Combo sockets for Mic/Line inputs, two balanced outputs and the USB connector.

Whether it's the professional-grade mic preamps, Neutrik XLR and jack connectors and Alps pots, or the exceptional level of performance delivered from next-gen convertors - all SSL products, including SSL 2 MKII, offer pro studio quality, from the front to the back. The MKII range of interfaces feature updated switches on the front panel with status LEDs so you know exactly how your device is configured when recording.

High-quality audio conversion is essential for artists and engineers alike and the SSL 2 MKII is built around Next-Gen 32-bit 192 kHz Converters. The result? Clearer, more detailed recordings, preserving every nuance of your performance. Capture stunning acoustic performances, record drum machines and synths with more punch and texture. Make your live streams sound like professional broadcasts and mix quicker and easier as sounds are more defined.

With dual professional-grade headphone outputs, SSL's next-gen converters and punchy mic/line inputs, you can capture sounds in all their detail and create music which stands out from the crowd. The SSL 2 MKII interface is your production sidekick in the studio, and when combined with the SSL production Pack gives you everything you need to make professional quality music.

SSL 2 MKII provides the essential connectivity for your microphones and instruments to write your next record. Low-latency monitoring to capture your best take and 4K analogue enhancement to make that lead vocal pop. Quickly create great-sounding demos all the way to finished tracks ready for streaming.

Notes: The original SSL 2+ interface raised the bar by delivering a level of performance never seen before in its class. SSL 2+ MKII builds upon the success of its predecessor, with a series of significant enhancements and carefully curated feature additions. Designed for musicians, producers and engineers who demand the highest standards in sound quality, SSL 2+ MKII provides unmatched audio performance and a user-friendly design that caters for both those starting their creative journey and seasoned professionals.

The SSL 2+ MKII is equipped with two high-performance SSL-design microphone preamps delivering a massive 64 dB gain range, in conjunction with class-leading 116.5 dB dynamic range and -130.5 dBu EIN. The mic pre's can also operate in LINE mode for connecting synths or INSTRUMENT mode for connecting guitars/basses.

Located on the rear of the SSL 2+ MKII are four balanced outputs for connecting your studio monitors, rackmount kit, FX pedals, and more. With professional-grade outputs, the SSL 2+ MKII delivers 120 dB dynamic range, allowing you to hear every detail in your productions - from the most subtle riff to the deepest bassline. All outputs are DC-coupled, enabling you to send CV (control voltages) to synthesisers.

The SSL 2+ MKII features independent headphone outputs conveniently located on the front panel. These re-engineered outputs (featuring high-current NJM headphone amps) are capable of driving any type of headphones. Now boasting a jaw-dropping 119.5 dB dynamic range (MK I previously 111 dB), you have all the performance and clarity needed for accurate monitoring in any environment. SSL 2+ MKII allows you to create separate mixes for the artist and engineer.

The SSL 4000 series consoles (often referred to as '4K') are renowned for imparting a unique 'mojo' to sounds and instruments that pass through them. This mojo comes from multiple stages of harmonic distortion from compressor VCAs, VCA faders, and other crucial components such as the transistor mix amps. Using modern components, SSL has developed a circuit that distils the two essential characteristics of the 4K sound into a single design. Legacy 4K Analogue Enhancement injects a controlled amount of finely-tuned, sweet-sounding harmonic distortion and a 'forward' yet musical high-frequency EQ boost into the signal path, giving your sound the 4K mojo and presence that artists and engineers have loved for decades.

Front-access jack sockets provide convenient access to 2 instrument DI inputs and 2 independent headphone outputs. On the rear, SSL 2+ MKII provides Neutrik XLR Combo sockets for Mic/Line inputs, four balanced outputs, 5 pin DIN MIDI I/O and the USB connector.

Whether it's the professional-grade mic preamps, Neutrik XLR and jack connectors and Alps pots, or the exceptional level of performance delivered from next-gen converters - all SSL products, including SSL 2+ MKII, offer pro studio quality, from the front to the back. The MKII range of interfaces feature updated switches on the front panel with status LEDs so you know exactly how your device is configured when recording.

High-quality audio conversion is essential for artists and engineers alike and the SSL 2+ MKII is built around Next-Gen 32-bit 192 kHz Converters. The result? Clearer, more detailed recordings, preserving every nuance of your performance. Capture stunning acoustic performances, record drum machines and synths with more punch and texture. Make your live streams sound like professional broadcasts and mix quicker and easier as sounds are more defined.

Whether you are recording a podcast, live streaming via social media, or performing karaoke online with friends, SSL 2+ MKII is equipped with all the tools you need to make content with amazing sound. Class-leading mic preamps allow you to capture every nuance of your conversation or voiceover. The built-in Loopback functionality ensures your audience hears virtual guests or system audio with ease.

With dual professional-grade headphone outputs, SSL's next-gen converters and punchy mic/line inputs, you can capture sounds in all their detail and create music which stands out from the crowd. The SSL 2+ MKII interface is your production sidekick in the studio, and when combined with the SSL production Pack gives you everything you need to make professional quality music.

Notes: To the casual observer SiX looks like any other compact desktop mixer. Look a little closer and like all SSL consoles, SiX reveals a carefully considered feature set that is driven by an obsessive desire for total flexibility, to encompass every creative eventuality. It may be small but SiX is a classic SSL design. It carries the DNA of 40 years of true expertise in creative studio workflow. Listen to SiX and you will experience the impeccable sonic performance that is the hallmark of every SSL console. It is powerful and intuitive. Inspired and rewarding.

SiX is a condensed professional console for use in the studio, in post-production, on stage, and for podcasting. SiX offers big console sound and an impressive set of utility features in a format that is small enough to stick in a bag a go wherever you need it. SiX is stunning value; it offers two recording channels with SuperAnalogueTM mic pres, two band EQ, an essential one knob version of the classic SSL Channel Compressor, a new two-band Channel EQ, inserts and 100mm faders.

There is a two-knob version of the legendary G-Series Bus Compressor on the main mix bus and the unique Listen Mic Compressor on the Talkback. In mixdown mode it is a very capable twelve channel summing system that offers analogue detail, depth and width to your mixes

SiX is an SSL SuperAnalogue design - it gives you the sonic signature of a large format SSL console on your desktop or in your backpack. Its signal path is fully balanced from front to back on everything except the headphone output. It delivers pristine, detailed audio with wide dynamic range, ultra-low noise, ultra-low distortion and superb imaging. If you want to know more about the technical reasons why SSL mixers sound so good read our Lifting The Veil document.

In addition to Mic Pre's, SiX's SuperAnalogue Recording channels feature classic SSL feed-forward Channel Compressor circuit and two band SSL EQ with shelf and bell curves. It has two mono SuperAnalogue - Mic' Pre's taken from large-format duality and AWS consoles, offering phantom power, 75Hz HPF and independant line-level inputs.

SiX has a G Series Bus Compressor on the main mix bus. This uses the same circuit design as the legendary SSL Bus Compressor from our larger consoles but with a fixed ratio, attack, and release settings and a more modern quad-VCA chip. Easy to get that SSL glue and punch on your master bus. It has two mono channels with SSL SuperAnalogue - Mic' Pre's; these are transparent, fast and have a much wider available gain range than you would typically get on a compact desktop mixer - 66dB of gain compared to the more typical mid-40s or 50dB found in desktop mixers. They have phantom power, 75Hz high pass filter and an independent line-level input which can be switched to instrument level input with high impedance.

Moving down the channel strip we have a brand-new one knob compressor circuit. This design is based on and has the same sound as the classic SSL feed-forward Channel Compressor circuit. It has a program-dependent attack time, a fixed release time and fixed ratio. Simply adjust the threshold, watch the traffic lights flash to see how much compression is happening and rely on the circuit to automatically adjust gain to match input levels. This is a cool-sounding circuit that makes it simple to dial in a consistent level and get signals sitting right in the sweet spot.

Both mono channels have a new two-band SSL EQ that may be independently switched between shelf and bell curves, with different centre frequencies for each type. This approach draws upon the SSL design legacy of specifying response curves and centre frequencies for channel EQ that are immediately intuitively pleasing in their response; these curves and frequencies were selected by our team as the most "musically useful" for a wide range of sources.

SiX has 100mm faders. We spent some time working on alternate fader tapers and settled on a law that gave us the most control over the most useable gain range, making on-stage level control far easier than it would be with a rotary or a 60mm fader as found on other compact mixers. Each channel has a fully balanced insert point for integrating other signal processors which is after the EQ and Compressor circuits, and like all SSLs the insert send is always active - meaning you can use this as a "dry" record send to your DAW if required. At the bottom of the mono channels we have an ALTernate input switch which can source 2 extra mono channels from a connector on the rear of the console which can be used at mixdown.

SiX has two stereo input channels with -10/+20 dB trim for line sources such as synthesisers, drum machines, output from soundcards etc. These have their own balance controls and 100mm faders. If only the Left input of a stereo channel is connected (and the right left free) the channel will automatically switch to mono, panned centre. While SiX might be small it can handle a lot of inputs at mix-down! Using the two mono input and the two stereo input channels gives SiX its name, but we also have two stereo EXTernal inputs (with volume controls in the master section) which can be sent to the mix bus. Include the ALT inputs and we have up to 12 channels that can be summed into the main mix bus.

SiX has a collection of professional routing & monitoring features taken directly from our large format console heritage. It has two Stereo Cue buses (with level and pan controls) for individual artist foldback mixes. The Master Section has main and alternate monitor outputs with a proper monitor source matrix, as well as mono check, dim and cut. The fader channels all have proper PFL and a Mute button that routes the muted signal to a 'Bus B'. Bus B can be used as a convenient DAW record send but it can also be routed to the monitor matrix. This means that the muted signal can be monitored without it feeding the main mix bus and then switched in to the main mix with the Mute button - perfect for live webcasting because a remote feed can be monitored 'offline' and punched in to the broadcast feed. There is a talkback mic' input with phantom power and SSL's unique, crunchy Listen Mic Compressor, which of course also serves as a unique processing tool that delivers that classic 1980's slammed drums sound.

Notes: Affordable entry-level handheld recorder from one of the most reliable brands in the game. Simple, straightforward two-channel design with built-in microphones for stereo recording and USB audio interface.

Supplier's notes:
DR-07XP

2-Channel 32-Bit Float Handheld Recorder With USB-C Interface and Adjustable Mics

Pro-Quality Portable Recording, Simplified

The TASCAM DR-07XP portable handheld recorder makes it easy to capture pro-quality recordings for music, audio-for-video, meetings, dictation, and more. With 32-bit float recording mode, you'll never need to worry about setting audio levels, and adjustable stereo condenser microphones give you full control over your sound. With easy one-handed operation, the DR-07XP makes it simple to start recording with minimal setup time.

Capture Pro-Level Recordings Every Time

With its 32-bit float recording mode, the DR-07XP ensures your audio recordings will always be clear, distinct, and free of distortion that could ruin your recording - and you'll never need to worry about setting input levels.

Adjustable Stereo Condenser Microphones

The DR-07XP features unidirectional stereo condenser microphones with adjustable A/B or X/Y configurations, allowing you to capture incredibly vivid stereo recordings in any setting.

Simplicity in Your Palm

With the DR-07XP, the complexities of audio recording are a thing of the past. Easily access every feature from the palm of your hand. Plus, the backlit LCD screen means no squinting; just clear and concise navigation any time of day, in any environment.

Your Portable Recording Studio

The DR-07XP isn't only a powerful portable recorder - it's also a 2-in/2-out USB-C audio interface you can use to record anywhere, directly to audio recording software on your Mac or PC.

Ideal for Musicians

The DR-07XP is a fantastic portable recording solution for musicians with its high-quality microphones, 32-bit float recording, built-in tuner, reverb, overdubbing and more.

On Location

With its compact size, the DR-07XP can travel anywhere for exceptional field recording. Choose from three different low cut filter options for getting rid of unwanted noises. As a companion for video, the DR-07XP can attach easily to tripods and the Auto Tone output for cameras makes post-production a simple task.

Record Anything, Anywhere

From dialogue to vlogs, whether you're in an alley or a recording booth, the DR-07XP captures clear, crisp audio with ease. In addition to the built-in mics, use the stereo mini jack to add microphones with plug-in power or external line inputs to capture audio from any source in mono or stereo. Connect the unit to a computer via USB-C for use as a USB microphone.

Features

2-channel portable handheld audio recorder with microSDXC card storage
32-bit float recording mode ensures low-noise, distortion-free recordings
Stereo AB/XY condenser microphones handle loud environments and sources (up to 125dB SPL)
2-in/2-out USB-C audio interface for recording directly to your computer
Up to 17.5 hours operation with 2 x AA alkaline batteries
Recording modes include 32-bit float/24-bit/16-bit, 96kHz/48kHz/44.1kHz
microSDXC (up to 512GB) cards can be used as recording media
USB Type-C port
Stereo mini jack for external stereo microphones (provides plug-in power) / External line input
Support multiple menu languages (ENG/FRA/DEU/ITA/ESP/RUS/PRT/JPN/CHI/KOR)
Long recordings as MP3 files possible
Various recording function (Auto rec, Self timer, Pre rec)
Overdubbing function
Limiter and Peak reduction
Three low-cut filter levels (40/80/120Hz)
Auto Tone output for use with DSLR camera
Reverb effect for vocal and instrument resonance
Mark function
128×64 pixel graphic LCD with backlight
Tripod mounting point attaches to any standard tripod
Stereo mini line output and headphone output
Speed change (VSA) function for adjusting the speed from 0.5 to 2.0 times (in 0.1 increments)
Playlist function
Built-in monaural speaker makes it easy to check your recordings
Chromatic tuner for tuning musical instruments before recording

* WS-11 Windscreen sold separately
* SD card not included



Recorder specifications

Recording media/file systems: microSD cards, microSDHC cards, microSDXC cards (up to 512 GB)
Recording/playback formats

WAV (BWF)
Sampling frequency: 44.1 kHz, 48 kHz, 96 kHz
Quantization bit depth: 16-bit / 24-bit / 32-bit float

MP3
Sampling frequency: 32 / 64 / 96 / 128 / 192 / 256 / 320 kbps
Quantization bit depth: 24-bit / 32-bit float
Maximum number of input channels: 2
Maximum number of recordable tracks: 2

Analogue audio input/output ratings
MIC/EXT IN jack (can provide plug-in power)

Connector: 3.5mm (1/8") stereo mini jack

Input Impedance: 18 kO or more (when plug-in power is turned off)
2 kO or more (when plug-in power is turned on)
Nominal input level: - 20 dBV
Maximum input level : -4 dBV
PHONES/LINE OUT jack

Connector: 3.5mm (1/8") stereo mini jack
Output impedance: 12 O
Nominal output level : - 14 dBV (10kO loaded)
Maximum output level: +2 dBV (10kO loaded)
Maximum output: 20 mW + 20 mW (32 ? load)
Working impedance: 16 - 250O

Built-in Speaker

Output: 0.3W (monaural)

USB
Connector: USB Type-C
Format:USB 2.0 High Speed Mass Storage Class
USB 1.1 Full Speed Audio Class

USB Audio

Sampling rate : 44.1 / 48 kHz
Quantization bit depth: 24-bit
Number of inputs: 2 channels (output from this unit)
Number of outputs: 2 channels (input to this unit)

General

Power 2AA batteries (alkaline or NiMH)
USB bus power (5V/0.5A) from a computer, etc.
TASCAM PS-P520U AC adapter (sold separately)
Power consumption: 1.7 W (maximum)

Weight: 184 g / 0.406 lb (including batteries)
136 g / 0.30 lb (not including batteries)
Operating temperature range: 0 - 40 -C / 32 - 104 -F

Dimensions
Mic closed: 68 x 159.6 x 27.0 mm
2.68 x 6.28 x 1.06 inch
Mic opened: 90.3 x 159.6 x 27.0 mm
3.56 x 6.28 x 1.06 inch

Included items:
DR-07XP x1
Safety guide (including warranty) x1
TASCAM ID registration guide x1
*Note:0 dBV=1 Vrms, 0 dBu=0.775 Vrms

Notes: ***B-STOCK: Box opened, product in perfect working order***


A creative new approach to sampling, the first release from Teenage Engineering's EP Series is an evolution of the PO-33 K.O! Pocket Operator. Sample, program, sequence and produce in one comapact, retro box.

*** OS 2.0 firmware update- April 2025 ***

Resampling
Song mode
Sidechain
More polyphony
More MIDI

K.O. II just got its first major OS update! Teenage Engineering have managed to pack a ton of new knockout features like resampling to remix and chop sounds, sidechain for groove control, song mode to arrange tracks of up to 9,801 bars, an optimized playback engine with increased polyphony, plus extended MIDI support.

Resampling

Sample any sound source on or off the K.O. II, process it through effects and make a brand new sample from it.

Song mode

Song mode adds the ability to chain scenes and create longer, more structured track arrangements.

Sidechaining

Sidechain allows one sound to control the volume of another, perfect for kick and bass groove control.

More polyphony

Teenage Engineering have managed to increase K.O. II's voice count, now supporting 16 mono or 12 stereo voice polyphony.

More MIDI

Pass notes between units with MIDI thru, keep your gear in sync and pair up to16 devices simultaneously.

Supplier's Notes:
Get ready for Round 2

Meet the next evolution of the world's most sold sampler. Based on the legendary PO-33 K.O!, the new EP-133 K.O. II adds more power, more sampling capabilities, a fully reworked sequencer and brand new punch-in 2.0™ effects. Introducing a workflow that lets you go from idea to track faster than ever. It's pocket operators gone pro.

The champ is here

A versatile machine with an impressive set of features, K.O. II is the new champion in and outside the studio. Unrivaled by anything in its class, this is the sampler you've always wanted.

Record sounds around you, sample your voice, favorite synths, vinyl records or whatever audio that you've got on your phone.

Sequence your samples and loops. Make use of the curated selection of drums, bass and keys that come pre-loaded on your K.O. II.

Tweak and automate things like filter, pitch and more... add stereo effects, compressor and next generation punch-in effects.

Knock out features

9 projects each with 80,000 notes
Projects contain 4 groups, each with 99 patterns
Patterns have 12 tracks for samples and midi
Variable pattern length per group (1 to 99 bars)
12 mono / 6 stereo voice polyphony
Use groups to mix and match patterns on the fly
Record and automate all 12 fader assignments
Sequence in free time or quantized with swing
Assign any pad to one of 16 midi channels
Loop mode from OB-4 with length and slide
12 pressure and velocity sensitive pads
Instantaneous time correction and erase
Slice samples live or automatically
Stereo / mono sampling at 46.875 kHz / 16-bit
Punch-in 2.0: effects (pressure sensitive)
Arrange quickly using the instant commit feature
32-bit float signal chain, 24-bit ADC/DAC
Sync io for ext. Gear. 8th, 16th note or sync24
6 built-in send FX and a master compressor
Drag and drop samples using the sample tool

The sequencer engine of the K.O. IIO provides an intuitive, fast way of building up beats and variations using 4 groups x 12 patterns. Like most DAWs, you can instantly swap patterns per group, experiment with different combos to find what beat and bass lines work together. The commit button helps you freeze a point in time and move on, adding a verse or a break. It all happens in real time while playing.

Built-in mic and speaker
USB-C
Midi output
Midi input
Sync output
Sync input
Audio input
Audio output
4x AAA batteries

One-two punch

Vintage style keys with a modern touch, combining tactility with pressure sensitivity.

10" EP format

Comes in a limited edition 10" collector's box

Tech specs:

K.O.II highlights

Sampling frequency: 46 kHz / 16-bit
Internal signal chain: 32-bit
999 sample slots
64 mb memory
Preset samples
High resolution sequencer
Built-in FX
Fader and pressure sensitive pads
Six stereo voices, twelve mono
Runs on 4x AAA batteries with the option to be powered via USB-C

Dimensions and weight

240 mm x 176 mm x 16 mm
9.45" x 6.93" x 0.63" inches
620 g / 22 oz

Stereo input

24 bit
SNR: 96 dba
Analogue gain: 0 - 12 dB
Max level: 8 DBU, 2.0 VRMS

Stereo headphone/line output

24 bit
SNR: 98 dba
Max level: 5 DBU, 1.4 VRMS

MIDI input and output
TRS type A, MMA compliant

Sync input and output
Sync 8 ppm, 16 ppm, 24 PPQN
Start / stop

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Mantis have taken years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis deep black coloru gives you another option to customize your Eurorack look and matches perfectly with black Tiptop Audio modules.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

Dual Mantis Studio Brackets

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow.

Notes: The UDG Equipment Cover is a high-end accessory designed to safeguard your essential DJ and audio gear - whether it's controllers, mixers, players, turntables, or interfaces. Engineered for precision, it's tailored to fit the most popular models perfectly.

Crafted from ultra-durable ABS polymer infused with eco-friendly recycled materials, this sleek, protective cover delivers rugged performance with a touch of class, thanks to its luxurious high-gloss black finish. It shields your gear from accidental spills, dust, and impacts - keeping your setup in pristine condition, gig after gig.

Lightweight and travel-ready, it slips easily into flight or soft cases for extra protection on the road. The UDG Equipment Cover is where sustainability meets style, reliability, and pro-grade functionality - perfect for DJs and audio pros, at home or on the move.

This is what UDG stands for: bringing quality, innovative DJ gear to the global community - built to perform, built to last.

Notes: Protect the faders on your favorite modules while making them more comfortable to use at the same time!

Perfect size for modules like the WMD Performance Mixer, Malekko Voltage Block, STG Graphic Sequencer, TTSH, Roland JU-06, and more. Custom sized to fit faders snug and clear in color so you can still see the LED indicator. The WMD clear fader cap is a must have for any module with plastic faders.

Notes: Protect the faders on your favorite modules while making them more comfortable to use at the same time!

Perfect size for modules like the WMD Performance Mixer, Malekko Voltage Block, STG Graphic Sequencer, TTSH, Roland JU-06, and more. Custom sized to fit faders snug and clear in color so you can still see the LED indicator. The WMD clear fader cap is a must have for any module with plastic faders.

Review: ***B-STOCK: Creasing to corner of outer sleeve, record slightly warped***


The 39 Orbits pair of Nick Annies and Twink put out only two releases and they were back in 1993. In the years since though, they have become real digger's delights that now fetch high prices on the second-hand market if and when copies come up. But not anymore - Cosmic Soup has assembled this welcome 180g 12" which features tracks from those original records as well as one previously unreleased cut. 'Mercury' is pure dreamy post-rave prog house, as is the slightly more direct 'Outer Limits.' 'After Life' is high-speed house with lush synth work and 'Orbit's Theme' gets more deep and inwardly reflective.

Review: For Record Store Day 2025, Bloom Japan presents a lovely 7" from the 45TRIO, who reimagine Minnie Riperton's classic 'Inside My Love.' This reinterpretation delivers a lush, jazz-infused instrumental take that honours the original's unique sensuality while introducing a fresh, soulful groove for modern 'floors. 45TRIO's tasteful blend of live instrumentation and vintage tones helps breathe new life into this timeless gem while the B-side offers a stripped-down version perfect for late-night spins or sample hunters. This is one to pick up and drop during those loved-up moments.

Review: Portuguese legend and 30-year scene veteran A Paul is no stranger to Planet Rhythm - in fact he has already dropped an EP on the vital label this year. But now he's back with more on this Shadow Light six tracker. The opener is fast and dubby, stripped back and seductive for body and mind. 'Magnatizm' fizzes with more electricity and alien energy and 'Nocturnal' brings manic, anxiety-inducing loops. There is glitch and pent-up tension in 'Magnolia' while 'Dramatism' and 'Naperon' close out with more streamlined and tunnelling techno depths.

Review: ***B-STOCK: Sleeve slightly damaged, record slightly warped***


A² was the electro, breaks and tech house duo Andy Panayi and Alec Stone, and this outing on R.A.N.D. Muzik Recordings is a four-track collection that comes years after the tragic passing of Panayi so serves as a poignant tribute from his close friends and family. Honouring Andy's legacy, the release captures the duo's innovative electronic spirit and is both a celebration of their work and a touching farewell. Musically 'Street Renegade' is a lithe breakbeat sound, 'Upton Park Breaks' is more dark and textured and 'Electro Boogie' is just that while 'Reckless' closes on a more spaced out and cosmic tip.

Review: Planet Orange Records' fifth release is a four-tracker from the legendary minds behind Alien Recordings, aka A2 and Stopouts, who take one side each. From the opening moments, the Beyonders EP weaves a thread between the halcyon days of tech and minimal from the 90s but with forward-thinking energy. A²'s 'Glider' is a happy, piano-laced celebration to start with ,then 'Let's Get It Together' cuts loose with lithe pads and more mid-tempo drums. Stopouts steep up for the flip and soon melts the mind with some tightly woven acid and cosmic tech on 'Sin City' and 'Kartwheel' then brings a more freewheeling and loopy groove with some neon colours dripping down its face.

Review: LA label Milkcrate Mondays is back with more slick contemporary hip-hop and r&b sounds, this time in the form of a split 7". Abel takes care of the opener with 'Flex'd Up', which has slow, seductive and silky drums and synths making for a sunny sound that is topped with a gorgeously heartfelt r&b vocal that swoons and swoops effortlessly. On the flip, Netwerk's 'Horns Of A Feather' has a duster and more classic boom-bap hip-hop beat that's low in the mix, with muted horns and another aching vocal really finishing it in style. Two different vibes, both are excellent.

Review: Acid For The Grandma's fourth release is another boundless trip into warped rhythms and surreal soundscapes with acid liquid textures that make for a psychedelic experience that sparks the imagination while pulling you into otherworldly dimensions. 'Login Beat' casts you adrift amongst circling snares over jacking beats and 'Biancone Interno' then cuts loose with freewheeling arms and sci-fi motifs that leave long neon trails. 'Strobe Transforms Thinking' taps into more taught dub tech with sinewy leads and last of all, 'Light And Illusion' places you in a colourful world of refracted rhythm and slivery tech house drums sent back from a distant planet.

Review: New week, new Planet Rhythm, same old tech class. Aero is no stranger to this label and hail from Northside Dublin, where they Baldoyle native has been cooking up his take on techno - it's always driven by punchy rhythms but with plenty of synth craft making it much more than mere DJ tool fodder. 'Buried In Noise' has urgent and anxious melodies lighting up the drums while 'Velvet Kiss' is a deeper, more late-night prowler. 'State Of Burn' then bangs with steel-plated loops and 'Scarred' layers up synths that feel like they're going to fall over themselves with a hypnotic and time-keeping drum thud. 'The 242' closes with astral anxiety and a never-ending sense of rush.

Review: Alektra is a new project featuring the combined talents of long-serving European nu-disco and house hero Daniel Monaco and rising star John Noseda. As debut singles go, 'Shake Your Body' is a genuine treat - a throbbing, high-octane trip into mid 1980s Hi-NRG hedonism rich in sequenced, arpeggio-style bass, heavy machine drums, razor-sharp synth riffs, glassy-eyed female vocal samples and oodles of sweat-soaked male muscularity. It's basically a peak-time dancefloor anthem in the making. As well as the original mix (side A), we're also treated to a handy instrumental take shorn of the distinctive female vocal samples, and an effects-laden acapella for DJs who like to get imaginative in the mix

Review: Ross Alexander debuts on Yore and brings with him a more tech-leaning sound that you might expect of this traditionally techno-centric outlet. It still calls on plenty of Motor City signifiers, however, such as warm synth soul, machine grooves and a dusty depth. 'Soul Roots' has all that and a cosmic melodic air, 'Cycles' gets more twisted with a pressurised baseline and drums full of rebound while 'All I Need' sets off on freewheeling, psychedelic pads and serene grooves that carry you away in a reverie before 'Reflections' shuts down with twinning cosmic pads and gurgling low ends. A classy and escapist EP of futuristic bliss.

Review: Chicago house newcomer Arsene's 'Jack Shit' is guaranteed to detonate on impact, because its 7" release back in February has already done plenty of damage and got shouts from Luke Solomon, Moodymann and Danny Krivit among more. Now the Chicago upstart finally unleashes the full EP with three other, equally fresh cuts of raw, tracky Windy City house. Crunchy drum machines, hypnotic basslines and that unmistakable Chi-town swing are all present and correct here, with dark undertones but persuasive atmospheres all packed with Arsene's own urgent spark. No weak imitations here - this is a familiar analogue grit with future intent.

Review: Turkish producer Alec Attari harbours a passion for minimal wave, EBM, and underground Italo disco, condensing each into a striking end result with 1982. The record is said to have kept in mind the early foments of electronic music, where vanguard technologies helped heroes such as Ron Hardy and Frankie Knuckles bear the best in earliest house and techno. The standout track is an exceptional remix by Italian legend Alexander Robotnick, whose version channels the spirit of his classic 'Problemes d'Amour' with a mysterious, hypnotic reversal. His remix of 'Visage' on Side A comes followed by 'Time Machine', a powerful nod to EBM and techno reminiscent of The Hacker, not long before the original 'Visage' follows, oozing a serpentine elegance. '1982' ends things on a buccal-licking, mucous acid finale.

Review: Given his long-held love of fusing elements of different musical cultures from around the world, Auntie Flo (real name Brian D'Souza) is almost the perfect Multi-Culti artist. It's something of a surprise then to find that this is only his second outing on the label. He begins in confident mood with 'Esperanto', a delightfully melodious, bubbly and synth-heavy slab of chugging sonic joy, before wrapping waves of mind-altering electronics and sun-bright synths around a slipped Afro-tech beat on 'Unua Libro'. Over on side two, D'Souza takes us to a deeper and more immersive place on 'El Heine', explores hybrid cosmic/ambient soundscapes on 'Ho Mia Kor', and doffs a cap to the new age ambient pioneers of times gone by on blissful closing cut 'Mia Penso'.

Review: This is a fine first outing from Chez De Milo's Club Blanco label, an imprint named after the DJ/producer's now long-running party in his hometown of Bristol. He's scored something of a coup, too, by persuading Paranoid London man Quinn Whalley to re-activate his occasional Johnny Aux alias after 12 years. Whalley delivers two original cuts: 'Supersonic', a kind of techno-tempo 4/4 electro number with pulsating bass, elongated chords and restless electronic riffs, and 'On The Train', a breathless breakbeat number peppered with fizzing electronics and his trademark TB-303 acid sounds. Jamie Paton remixes that track, giving it a smoother, more spaced-out feel - it's a superb revision all told - while Chez De Milo turns 'Supersonic' into a dark acid roller.