Review: Even reading the words All Saints takes us back to simmer times, when pop music seemed far more innocent and pop stars - the female ones at least - wore far more clothes. The British group's self-titled debut album was cooler and smarter than many of their candied peers (Spice Girls, we're looking at you) and blended effortlessly soulful vocals with rich, atmospheric production. From start to finish, the album lays down emotionally charged and honest lyrics. The production is lush yet minimal, allowing the powerful vocals to take centre stage, with classics like 'Never Ever', 'I Know Where It's At' and 'Lady Marmalade ('98 remix)' all still oozing a nice new soul and r&b edge.
Review: British producer Joe Thornalley aka Vegyn brings forward-facing, abrupt and clippy stylishness to Air's 1998 debut album Moon Safari, in a daring reimagining crossing both audio and English Channels. Vegyn's desultory dynamics prove a toothy match for Air's comparatively amniotic French downtempo pop sound, though we *can* hear the ways in which Vegyn might've always somewhat taken after Air's production, his dream-rap sound lent well John Glacier's album released not long ago. Of course, 'Sexy Boy', 'All I Need', and 'La Femme d'Argent' are synonymous with the vibe of an era, and Vegyn's LP-remix (an increasingly popular format in 2015) honours Air's e-steamed essence, reconditioning their turn-of-the-digital vibe in jerkier retrospective tones.
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