Back catalogue: All genres

Review: New York's Joe Claussell offers three blistering takes on 'So In Love' by Black Rascals, the early 90s project from Blaze. This red-label 7" is a pricey one, but the contents justify it: deep house from the source, reworked by one of its most spiritual selectors. 'Rough Mix 1' leans into swirling vocal loops and expansive FX, full of Claussell's signature dynamics, while 'Rough Mix 2' dials back the drama slightly for something more floor-focused. Flip it for 'Drums', a stripped-down tool that reimagines the track as raw percussive hypnosis. Essential NY house lineage, revived in style and pressed loud-just don't expect it to hang around.

Review: Quiet Music Under the Moon marks the 2023 debut of Calm, featuring a talented ensemble: Toshitaka Shibata on piano, Yuichiro Kato on saxophone, Tomokazu Sugimoto on upright bass and Kakuei on steel pan. This new collection shifts focus from showcasing virtuosic solos to delivering a meticulously crafted suite of chillout tracks, mostly incorporating "moon" in their titles. The album unfolds like a serene journey through the night, seamlessly transitioning from pieces like 'Drift Into Dreamland' to morning reflections in 'Oyasumi, Ohayo'. The natural sounds of cicadas and gentle summer showers act as connecting threads, enhancing the auditory experience. Musically, the tracks fall into two categories: softly sighing synth melodies reminiscent of 80s cinematic scores and gentle, beatless soundscapes infused with post-rave textures. For example, 'Moonshower' evokes the lush aesthetics of Digital Justice's works, slowed down to a meditative pace. Calm's signature ambient sound shines throughout, characterised by slowly arching pads and sustained chords that invite contemplation. This clear vinyl edition, complete with an obi strip.

Review: Candeleros is a six-member, Colombia- and Venezuela-rooted collective based in Madrid that fuse Cumbia, merengue, dub and an array of Afro-Caribbean rhythms, creating a psychedelic, postmodern celebration of Latin sound. Their music blends Andean echoes, cinematic textures and hypnotic percussion into what feels like a ritualistic dance experience and has seen them collaborating with artists like Dodosound and Carlos Talez. They always reject the usual genre boundaries while focusing on cultural activism and the power of collective expression and have performed across Europe. As this album shows, their sound is passionate, borderless and proof that Cumbia has truly rooted itself in Europe.

Review: Crazy P's latest album offers a clean, classic experience, while still showcasing the band's skill in merging retro influences with fresh, modern energy. Tracks like 'Portals' and 'Not Too Late' highlight the depth of their sound, and the late Danielle Moore's signature vocals provide an emotional anchor throughout. The pressing is high quality, ensuring every intricate detail shines through. This edition is perfect for both audiophiles and fans, offering an immersive listening experience that pays tribute to Moore's legacy within the band.