Back catalogue: All genres

Review: Given the critical reception rightly afforded to Tahliah Barnett's superb debut album as FKA Twigs, it makes perfect sense for Young Turks to rustle up a swift reissue of FKA Twigs, the four track 12" that announced her to the pop music world last year. This EP was the first instance of Barnett's ethereal vocals weaved in amidst production work from Arca that was at times floating, others crushingly pressurised. Naturally the effects of the music are heightened when combined with Jesse Kanda's mind bending videos ("Water Me" especially) but late comers to the magic of Twigs will be all over this. Do check "Papi Pacify" as Arca is on some "Cry Me A River" era Timbalaand tip.

Review: FKA twigs delivers Eusexua, her latest and hotly anticipated new album, and the latest to follow 2022's Caprisongs. A strong and determined directional shift away from Caprisongs' cutesy sensibility (we see it as no surprise that her last album was released under Atlantis, while Eusexua comes via home slices on her home turf, Young), Eusexua hears the artist formerly known as twigs take up a futuristic grey, suited, officiated and incorporated style, informed by a roundabout notion of "eusexua", her own coinage: "a feeling of momentary transcendence often evoked by art, music, sex, and unity." Themes of disconnected embodiment run rampant throughout the album, showing no signs of ambivalence where others might flinch in the face of greyness or techno-uniformity. Twigs' vision reclaims abundant but still currently dubious themes of hard work, grist and prosthesis, and as ever resounds in palates of glistening, glossy mecha-r&b, inheriting Bjorkish chameleonics and contrasting said spikiness with no less impassioned tales of her enjoying the underground techno scene in Prague, among other sources of inspiration.

Review: It has taken five years for FKA Twigs to follow up her astonishing first album, "LP1". With that kind of timeframe, you can't help but have high expectations for the finished product, expectations "Magdalene" more than meets from the off. An artist in the truest sense - with every step and stage in the recording process controlled by her - it's an accomplished comeback for a woman who in the last half decade has experienced both personal loss and major physical challenges. Don't expect more of the same, then, but instead a talent finding new purpose and new confidence following difficult times. With the ever-impressive Nicolas Jaar giving a helping hand, the result is a raw, honest record that's deeply personal, full of self-reflection and, ultimately, accepting and positive. Not to mention destined to be on repeat. Her position as one of the UK's most vital and compelling acts re-confirmed.