Back catalogue: All genres

Review: A new take on a Jonathan Richman classic from 1977 which has lit up clubs for 45-odd years, especially during the punk era. The track's infectious rhythm has inspired various reggae remixes but now it's getting a fresh cumbia twist. Cumbia and reggae share a common groove, making them a perfect match for DJs to mix and this one was recorded in Lima by Pancho Acosta, founder and guitarist of Company Quinto, who transforms the track into an upbeat cumbia gem. The flip side features Acosta's 'Carnaval de Jujuy' blended with Money Chicha's modern take on Peru's fuzzed-out chicha sound.

Review: Egle Martin's rare Afro-Latin 7" gem, originally released in 1970, has become a highly coveted record among collectors due to its infectious dancefloor energy. Martin, a multifaceted Argentine artistiactress, dancer, and singeriplayed a pivotal role in promoting Afro-Argentine culture and reclaiming Afro roots in Rio de la Plata. By the time of this recording, she had already achieved widespread acclaim, having performed with legends like Dizzy Gillespie and the Berlin Symphony Orchestra and released an album with renowned composer Astor Piazzolla. Her voice, rich in texture and distinctive in tone, captivates as she sings in Spanish, with an effortless freedom and power in her delivery. In 'El Dombe', Martin's tenderness shines through, offering a heartfelt ode to the rhythm and meaning of the dombe dance. 'Dombe Barilo' takes on a more bold and sweeping energy, with its ritualistic and uplifting message. Roberto Montiel's dynamic arrangements blend soul, funk and Latin American rhythms, all deeply rooted in Afro influences.