Back catalogue: All genres

Review: This recording of the Philadelphia Orchestra performing Sergei Prokofiev's 1936 story and orchestral score Peter and the Wolf was recorded in 1977 and was originally released in 1978. The role of the narrator on the recording was initially offered to both Peter Ustinov and Alec Guinness who both turned it down, before David Bowie agreed to take on the role, supposedly as a Christmas present to his son. On the B-side is another equally as charming piece of recent classical history, Benjamin Britten's Young Person's Guide To The Orchestra as narrated by Hugh Downs.

Review: Woody Shaw was one of the more influential jazz musicians of his time. This album was recorded in 1985 and finds him in full flow with his Tone Jansa Quartet. The American jazz trumpeter, composer, arranger, and band leader very much shows off his improvisational skills on flugelhorn and trumpet while his sidemen Renato Chico on piano, Peter Herbert on bass, Dragan Gajic on drums and Tone Jansa on tenor sax do not disappoint either. This is the first time the album has been reissued since its original release and comes in limited quantities.

Review: Tad's Inhaler emerges as a hidden gem in the grunge landscape, a powerhouse album that deserves far more recognition. Produced by J Mascis, its grunge-meets-metal sound is relentless, filled with saturated riffage and infectious melodies that rival the genre's biggest hits. Tracks like 'Throat Locust' and 'Grease Box' pack punchy, memorable choruses that should have propelled Tad to fame alongside their peers. Despite its quality, Tad's rise was thwarted by a mix of overlooked promotion and, ironically, political correctness, exemplified when their label dropped them over a controversial promotional poster. This reissue on magenta vinyl serves as a timely reminder of their legacy, showcasing the album's enduring appeal and its rightful place in the grunge canon. Tad Doyle's uncompromising vision and the raw, unapologetic spirit that defined the genre's golden era is harnessed here in this one album to enjoy.

Review: Irma Thomas, born Irma Lee in New Orleans, is routinely hailed the Soul Queen of the city. Once billed among Aretha Franklin and Etta James, Thomas eventually found her own recognition as an originary light repping New Orleans, less an international, commercial success story. Beginning her career in 1959, she was one of many voices who sung for a watershed moment r&b and soul, as labels like Minit and Imperial helped solidify the genre's identification with Louisiana, with its designs on the Southern soul genre at large. In 1966, Thomas released her second solo album, now reissued here through MOV. Including the iconic song 'Anyone Who Knows What Love Is (Will Understand)', which was co-written by Randy Newman and country star Jeannie Seely, the track became a hit, finding a toehold on the Billboard Hot 100. Beyond its commercial success, the ballad has garnered widespread recognition, notably appearing in several episodes of the hit series Black Mirror. But it's the record as a whole that really stirs our guts, obviating Thomas' early-career openness to romance and excess: "oh-oh, take a look at this girl, I'm the girl that wants you..." goes the title track...

Review: Following on from 1989's majorly successful and admittedly more commercial sounding fourth full-length Intuition, Trondheim glam metal-tinged hard rock heroes TNT would find themselves on the radar and eventual roster of Atlantic Records, who in 1992, would distribute the band's fifth album and first on the major label, Realized Fantasies. Praised by fans for its exceptional production with ludicrously bombastic percussion the whole way through, the project saw a sonic retracing of their more hardened edges, so as not to lose sight of their creative prowess. That being said, cuts such as the cheerful 'Easy Street' and epic ballad 'Lionheart' seem like they were purposefully designed to keep snooting record label execs off their proverbial backs. Never mind what glassy eyed nostalgia-baters say, Realized Fantasies goes hard as hell while delivering barrages of riffage, melody and playfully epic grandeur.

Review: Toots and the Maytals were sent back to Dynamic Sound Studios in Kingston for new recordings that eventually gave rise to the album after their Funky Kingston success. It features a number of covers of material aimed quite specifically at the English market such as John Denver's "Take Me Home, Country Roads." Though first recorded in 1974, it still packs a punch and of course delivers plenty of the Jamaican band's melodic reggae with beautiful vocal harmonies. The whole thing oozes soul and is underpinned by a certain sense of spirituality that makes it all the more alluring and enduring.

Review: American r&b and funk band Tower of Power hail from Oakland, California and have had several lead vocalists, the most notable being Lenny Williams. Their most successful album was their self-titled third long player in 1973 - the first Williams featured on. It went gold in the US and has their most well-known single 'So Very Hard to Go' alongside plenty of other silky soul sounds that go from the downbeat and string-laced wallowings of 'Will I Ever Find A Love?' to the more funky and upbeat grooves of 'Get Yo' Feet Back On The Ground.'

Review: Jupiter were kings of the middle of the road indie sound that dominated back at the turn of the millennium. If you don't remember the name you will remember the music as they topped charts and got heavy TV play, not least for most notable single 'I Wish You Would'. All in all this is an album of heartwarming and emotional indie pop niceness you're likely to fall head over heels for again, hence the fact it has been covered by innumerable stars since its initial release. In many ways, once you know the story the track takes on a very different form - far less amorous and much more about longing and lamentation. This latest reissue comes in red and black marble vinyl.

Review: It's been far too long since this seminal slice of sprightly, swinging jazz from Stanley Turrentine and Milt Jackson was in arms reach. Originally released in 1972, Cherry is a stunning piece of work that also features the mighty Billy Cobham on drums, Ron Carter on bass and Bob James on keys, backing up Jackson's dexterous vibraphone flexing and Turrentine's lyrical sax. This repress on Music On Vinyl comes housed in a numbered, gatefold sleeve with the music itself pressed into gorgeous pink wax.

Review: Yellowstone is an American neo-Western drama centered on the Dutton family, whose massive cattle ranch borders Yellowstone National Park, the Broken Rock Indian reservation, and land developers. Kevin Costner, Luke Grimes, and Kelly Reilly play the crossfire-caught Dutton family, and composer Brian Tyler, influenced by his experience in a Native American music group, evokes such turmoil and unchecked exploitation, through traditional Native American sounds and Western elements; percussion, woodwinds, and exotic instruments alongside cellos and basses are all incorporated, invoking the harrows of modern factionalism.