Review: Konbini Classics shine a light on the tightest of city pop unknowns, where many an ingenious album and single in the style has thus far flown cynically under the European market's radar. First up on their latest 7" is Anri, with 'Gone With Sadness', a sizzling, pinching funk cut from the Kanagawa-born, LA-based singer's seventh album COOOL. Then contemporaneous 80s superstar Yurie Kokobu backs up the buzz with a much boxier and heavier tune, 'Dancing Tonight', a B-side from her well-mannered debut album, Relief 72 Hours.
Review: Both of these funk gems are taken from a cult compilation Trans Groove Express, which explored the sounds of Express Records and was assembled by MURO. Fourth Wave now serve them up on a superb 7", starting with Maki Asakawa. 'Hohi Hitotsu' is a delightfully gentle and subtle dub with funky guitars adding movement while the sultry vocal soars. Yasuhiro Abe's 'Night Fish' is a brighter and more retro 80s soul and boogie sound with glowing chords and snappy hits. The Japanese language vocal is emotive enough to mean plenty without understanding the meaning of the words.
Young Pulse & Fleur De Mur - "Smooth Sweet Talker" (6:53)
Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.
Review: Poor Man's Friend Records has assembled a tasty new 7" featuring reggae legend Cornell Campbell. With a career spanning over 60 years, Campbell is known for his distinctive falsetto and both heartfelt love songs and deep spiritual roots music. His latest track again delivers a powerful message against judgment and ego: "Just try sweeping up your backyard, before you find fault with people's yard," he sings, quite rightly. Produced in a classic mid-70s roots style and recorded by the Poor Man's Friend Rhythm Section in Bristol, this one comes with a fine dub version by Yakka and horn arrangements by the Cornerstone Horn Section.
Michele Chiavarini presents The Jazzcodes - "Jazz Was Dancing" (Saison remix) (5:54)
Michele Chiavarini presents The Jazzcodes - "Jazz Was Dancing" (7:35)
Yuichi Inoue - "A Night In The Room" (6:49)
Sebb Junior - "As One" (5:49)
Review: It's ten up for the cultured hose label No Fuss here and they hit the milestone in style with underground Michele Chiavarini and his Jazz Codes project. Their innovative 'Jazz Was Dancing' has a monologue about jazz over jazzy keys and live-sounding jazz drums so in a word, it's jazzy. Saison adds some more bumping drums and swinging grooves to their remix and on the flip, Japan's Yuichi Inoue offers a deep house sound that also explores jazz, but in a more seductive way on 'A Night In The Room.' Sebb Junior's 'As One' is last up and slows things down with a more sensuous late-night sound full of heart.
Everybody Wants To Be Somebody (instrumental) (6:00)
Review: US label Nervous played a key part in shaping emerging hue sounds of the 90s and beyond. It is as active now as ever, working with new artists but also reissuing the classics. One of those classics is 'Everybody Wants To Be Somebody' which here gets offered up as a new version by Classmatic vs Ruffneck feat Yavahn. The original hooky vocals feature with some piano stabs and turbocharged tech beats. It's likely to do damage this summer and comes as an instrumental for those who like it more paired back.
Review: Kevin de Vries collaborates with rising stars Y do I on his latest EP and it is a three-track journey showcasing the signature Afterlife sound. Merging emotionally charged moments with driving basslines and electrifying energy, the duo strikes a balance between light and dark while cooking up grooves that resonate deeply. Each track embodies the label's ethos of fostering close dancefloor connections through rhythm, emotion and vibration. This is evocative, painstakingly designed melodic techno with pristine synth work and sleek drums that carry you into all new worlds.
Review: A mock-vintage version of a well-known but also tragic reggae classic, 'Satta Massagana' by the Abyssinians. Legend has it that the original tune was slated for release on Studio One, but, for reasons unknown, the dubplate ended up rejected by the label's founder, Coxsone Dodd. Indeed, sometimes it's a record's repression, not its release (get it?), that lends it its staying power. To add insult to injury, this new cover version by the Dig This Way All Stars and Yakka was first produced in acetate form and ended up cracked and unplayable only weeks after its receipt. A miracle cure, in the form of a vinyl restoration service in Rome, salvaged the record: just know that you're in an extra lucky position to be hearing this one at all. A cursed record? Perhaps, but the release of 'Sata' also implies proof of the original song's point; that some higher power really did give praise.
SculpturedMusic - "Get Home" (feat Robert Owens) (5:25)
Young Molz - "Closer" (7:00)
Review: 'SculpturedRecords Sample Vol 1' presents a showcase of South Africa's emerging deep house talents, featuring standout contributions from Maczito, Guztav, Young Molz, and SculpturedMusic. The release shines with soulful grooves and introspective beats, offering a finely crafted sonic journey. Highlighting the EP is the remix of DJ Nana's 'Unity' by Robert Owens and KG Sunset, blending smooth vocals with a compelling deep house backdrop. With each track delivering a distinct energy, SculpturedRecords kicks off this series with an impressive release, signalling an exciting new chapter for both the label and the producers involved.
Review: As the ongoing Palestinian humanitarian crisis deepens, more and more artists are taking a stand and demanding a ceasefire in the conflict. Following Annie Lennox's "Artists for ceasefire. Peace" outcry at the Grammys in January coming at the end of a heartwrenching rendition of 'Nothing Compares 2 U', Young Fathers, Fontaines DC, Massive Attack and Orbital have come together to use their platform to raise funds for non-profit humantarian medical group Medecins Sans Frontieres. The 12" comes in one of four colour combinations, where the disc and two contrasting colours on the cover (designed by Massive Attack's 3D) sport one of the bold colours of the Palestinian flag.
Review: The cultured ESHU label has pulled other some more tasteful talents for this four track 'Conrexture' EP. It opens up with Julien Fuentes's 'Jah Justice' (Klaridub Ambient mix) which is a nice atmospheric opener with some conscious dub mutterings and sci-fi pads. Jocelyn & Yasin Engwer then kick on with some watery, sub-aquatic minimal dub tech bliss in the form of 'Sticks & Stones', Voal gets even more dark and dirty with some grubby dub basslines on 'Eight Ball' and Ivano Tetelepta/Christine Benz layer up watery droplets, melodic whistles, static electricity and rubbery rhythms to mind-melting perfection on 'Supreme.'
Review: Purple Print Records Compilation 3 is a rich exploration of minimal and tech house, bringing unique textures and groovy rhythms to the forefront. Side-1 opens with He Did's 'Mientras Tanto', a fun and infectious groove. The track's deep, rolling bassline and lively percussion make it an instant mood-setter. Following is DeWaal's 'Iceshade', a bouncy, upbeat track that balances playful energy with a steady, deep tech groove. Side-2 moves further into introspective territory with Raz's 'Rora', a smooth and melodic track that drifts along effortlessly, blending subtle harmony with a deeper bassline. Yama Music's 'In My Space' rounds out the collection with a broken beat approach, delivering techy, spacious vibes that add depth and variety to the mix. Altogether, this compilation is a refined showcase of tech house cuts that'll resonate with dancefloor times.
Review: Tokyo's Inokasira Rangers have been crafting lo-fi reggae since the 1990s, yet remained a rather hidden gem outside Japan. Their release 'Can't Take My Eyes Off You' finally changed that when it dropped initially back in 2023 and sold out in quick time so now gets reissued. The A-side reimagines Frankie Valli's classic with a laid-back reggae twist while the B-side takes on Crystal Waters' '90s dance anthem with surprising charm. Infused with a subtle Shibuya-kei flair, both covers feel fresh yet timeless. The Waters rendition, in particular, sounds like a forgotten folk tune-so natural it's hard to believe it wasn't always this way. A breezy, nostalgic delight from a band overdue for global recognition.
Review: As you probably know, Lempuyang is a vital techno label that puts out a lot of music. Amongst that is the annual compilation series which again in 2024 is split over a pair of 12"s. Pura Lempuyang Telu Part 1 is packed with new material as well as a cult cut from the vaults that has been remastered. That is Martin Jarl's deliciously deep 'Weetabix' while Yagya keeps it heady with 'Gogur Dagur', Ohm & Octal Industries lay down icy dub techno on 'Chanti's Dream' and Paolo Zuliani's 'Facing Reality' is a more upright and steely closer.
Review: Maurice Joshua presents Yvonne Gage's Garden of Eve, bringing back the iconic 1980 Chicago production by Donald "Dee Bee" Burnside. In this 2024 remake, Grammy Award-winning producer and DJ Maurice Joshua delivers a fresh disco-funk twist, injecting new life into the classic with smooth grooves and an infectious rhythm. To complete the package, renowned remixer Moplen steps in with a masterful rework, adding his signature touch and rounding out this release on M-Jay US with style and flair, making it a must-have for dancefloor enthusiasts.
Review: Freerange's City To City series returns with its second edition, this time spotlighting Lisbon. Known for its stunning views, beautiful beaches and vibrant nightlife, perhaps one of the city's best-known hotspots is the iconic Lux Fragile, which has shaped the city's sound since the late 90s. Longtime resident DJs from Lisbon are now gaining global traction; to butterfly-net the essence of the coastal metropolis, this new mix LP hears six original tracks from local talents, chief among whom are Megatronic, progressor and ambassador for the city, and Yen Sung & Photonz, two names closely tied to the circuit's deeper-underground corners.A
Review: This double A-side is a classic release from 1967 on the Caltone label. The tracks showcase the richly and newly emerging rocksteady sounds of the era with the uncredited Lynn Taitt and The Jets providing the dynamic backing on Lloyd & The Groovers's 'Do It To Me Baby.' It's a buttery smooth vocal harmony with swaggering drums and bass combos and nice plucked guitars. On the flip the lo-fi and breezy 'Take My Hand' provides a deeper, more emotive groove with a whimsical edge.
Review: Mad Professor's 'In The Name of Love' is a compelling fusion of dub and reggae, showcasing his signature production style. The track opens with a deep, resonant bassline that anchors the composition, while subtle percussion elements add rhythmic complexity. The dub version on the B-side further enhances the track's atmospheric depth, offering a more stripped-back interpretation that allows the intricate soundscapes to emerge more prominently. This release underscores Mad Professor's adeptness at blending traditional dub elements with contemporary production techniques, resulting in a track that is both rooted in the genre's history and forward-thinking in its execution.
Review: Three groove maestros in Jamie 3:26, Young Pulse, and Danou P all join forces on Frappe's 30th release, the 'Mystic Freaks EP'. This cosmic disco house journey delivers three irresistible tracks perfect for the dancefloor - they are sexy, raw and packed with funk and disco energy while embodying authentic house music values. Expect disco drums layered with house rhythms, ethereal sound effects, groovy keyboards and seductive vocals whispering to dancers all served up with the label's signature artwork. Three real gems.
Review: Happiest of birthdays to Super Spicy who celebrate half a decade in the game with an EP of irresistible tunes. Phunque kicks the party off with an old school vibe that pairs a superb male vocal with crisp, effective drums. Bob Musella brings sample magic on 'Baby Hot Stuff' and Ysheso, Ralo keep the disco-tinged house feels flowing with a percussive monster. After the smoother sounds of Ghosts Of Venice, the flip side brings a trio of funked-up and guitar-laced house grooves that take it back to the glory days of New York.
Review: A captivating blend of electro, IDM, and braindance influences, showcasing the artists' ability to merge melodic richness with experimental sounds. 'Critical' opens the EP with driving rhythms and a punchy bassline, while 'Rewind' brings a smoother, more atmospheric vibe, featuring lush pads and steady percussion. 'Shadow Phase' introduces a darker tone, layering glitchy textures with hypnotic beats. The final track, 'The Bike Ride,' offers a complex arrangement that ties the EP together, featuring intricate rhythms and emotive melodies that evoke both energy and introspection. This EP highlights their skill in balancing cerebral soundscapes with dynamic rhythms, making it a standout release for fans of forward-thinking electronic music.
Review: The debut album from Ukrainian collective Noneside unites musicians and visual artists under the inspiring words of poet Taras Shevchenko, who said 'Make love, o dark-browed ones.' Framed by a painting from contemporary artist Iryna Maksymova, the music explores the trance and tech house that is destined to bring souls together on the dancefloor this summer and beyond. Shjva opens with fresh and mashed bass and sleek trance pads that are subtle but effective. Lostlojic layer sup deep, bubbly techno drums and bass with an angelic vocal tone and Saturated Color's 'Trancia' is a speedy, scuffed-up tech groove for late-night cruising. Peshka and Yevhenii Loi offer two more future-facing trance-techno fusions packed with feels.
Bessa Simmons - "Sii Nana" (JKriv Fit rework) (7:11)
Vincenzo - "Love Accurate" (6:54)
Ilija Rudman - "Discoteka Parmida" (5:25)
Yasmin - "Real High" (4:59)
Arnau Obiols - "Pagan Mambo" (5:04)
Review: On this sampler EP for the Razor N Tape label's latest Family Affair compilation, the Brooklyn based imprint showcases previously unheard cuts from a mixture of new artists and long-established names. In the latter camp you'll find long-serving deep house don Vincenzo, who delivers the gorgeous, tactile and loved-up deliciousness of 'Love Accurate', and Croatian nu-disco don Ilya Rudman (the acid-heavy dancefloor squelch of 'Discoteka Parmida'). Elsewhere, Yasmin impresses with the neo-soul/nu-disco fusion warmth of 'Real High', Arnau Obiols slams down the Fela-influenced Afrobeat excellence of 'Pagan Mambo', and label co-founder J Kriv turns Bessa Simons 'Si Naana' into an Afro-tinged analogue house treat
Review: Laurent Garnier selects fresh tracks for this release from a wide array of strong producers inJules Wells, Skatman, Works Of Intent, Squal G, YANNLEAN and Joaquim Plossu. Berlin-based, Tunisian-born Skatman - recognised for merging classic and modern sounds and boasting releases on Innervisions and Correspondent - offers the deep, groovy 'Transcending House.' Jules Wells, from Bordeaux, France (Submerge, KMS, Planet E) returns with the Detroit-influenced retro house track 'Dreamer.' Works Of Intent, a pivotal member of the UK South Asian collective Daytimers and Emotional Weaponry label owner, follows with the intricate 'Subversive.' French artist Squal G, producer and manager of Slates Records, delivers the techno-spirited 'Waiting 4U.' Multi-talented Yann Lean, also a sound engineer, brings tribal energy on 'To Get Close,' supported by prestigious labels like KMS and Bedrock. Lastly, Joaquim Plossu, a French-born, Mexican-resident, collaborates with Leeds-based Salem Focus for the energetic d&b track 'Cosmic,' closing the diverse release. Laurent Garnier is one of the most trusted tastemakers in the DJ world for over 35 years now - and that ain't changing any time soon.
Review: Brian Dougans and Garry Cobain, the masterminds behind Future Sound of London, return with The Pulse EP Vol 3, a reissue of their classic work under various aliases on the Jumpin' & Pumpin' label. This highly anticipated 12" features tracks that showcase their 90s techno brilliance. Side-1 opens with Smart Systems' 'Tingler' (Four By Four mix), a dark, sinister track that channels Beltram's 'hover' sound into a hardcore rave anthem. Indo Tribe's 'Owl' (I Can See You mix) follows, hailed by fans as one of the greatest breakbeat hardcore tracks ever made, a retro-classic loaded with chunky, energetic beats and an unforgettable sample. Side-2 kicks off with Indo Tribe's 'Bite The Bullet Baby' (Jacques Reynoix mix), another gem that blends early 90s rave energy with a unique edge. The real highlight, however, is Yage's 'Calcium' (Elementary mix), which first appeared on Future Sound of London's Accelerator album. Even today, it sounds transcendental and timeless, its melodic piano lines and otherworldly ambiance continuing to win over listeners. This EP is a vital piece of underground rave history and an essential listen for fans of early techno and breakbeat hardcore.
Sonic Soul Orchestra - "Good Inside" (feat Kathy Brown) (6:17)
Da Lukas - "Drop The Funk" (7:05)
Yam Who? & Rikky Disco - "Set Me Free" (6:49)
Guy Preston - "Purple Heart" (feat Adrian Crutchfield) (4:49)
Review: Disco Juice kicks off with some irresistibly sweet disco jams on this first volume on 12". Sonic Soul Orchestra get things underway with 'Good Inside' featuring the one and only Kathy Brown belting out some big hooks over strident drums. There are more rickety drums and loose-limbed funk workouts on Da Lukas's 'Drop The Funk' then Yam Who? & Rikky Disco's 'Set Me Free' brings big trumpet energy and withering pads next to lush strings. Last but not least, Guy Preston's 'Purple Heart' (feat Adrian Crutchfield) rounds out with a hip-swinging groove and call and response vocal to get hands in the air.
Review: Six dance tracks skillfully blending old-school vibes with contemporary sounds, spanning acid, breakbeat, electro and house, inviting listeners to dream of underground raves and enigmatic gatherings where ethereal battles against soulless algorithms unfold amid nocturnal dance. Highlights include Trabuco's 'Happy Spliff, a vibrant mix of New York house and early 90s-inspired techno, setting a nostalgic yet fresh tone. Trabuco's 'Signals' follows, delivering a spacey techno experience that feels both futuristic and retro. Yepecc's 'UFO Camp' seamlessly combines electro and acid for a sci-fi romp that transports listeners to otherworldly dimensions. Kevin Kendall's 'Volca Three' stands out with its rich analogue bass, adding depth and warmth to the compilation. The album closes with Victor Reyes' 'Inspired By Nature,' which offers a cool, bouncy finale that leaves a lasting impression. Overall, The Sciences of the Artificial is a refreshing take on retro styled techno and it is perfect for those seeking a blend of nostalgic and fun.
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