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Review: If you ask us, Kalahari Oyster Cult is a label as unique in sound as it is in name. You can never quite be sure what they might serve up next, but you can be sure it is worth dialling into. Alfred Czital & Ayu step up for this one, which starts at high speed and has drums and hits skating along the surface at compelling pace as warped vocal fragments loop to trippy effect. 'Talk To Me' is another groove with real urgency but plenty of inventive sound designs and clipped, underlapping bass. It's hyper modern and dead good. The Sleep D remix is more zoned out and smooth for the afters and Roza Terenzi brings a signature sense of wonkiness.

Review: Juaan's debut on Kalahari Oyster Cult channels the Argentinian producer's ability to merge gritty, hypnotic house and electro with an unmistakable dark edge. With these four cuts, he expertly navigates a sonic landscape where urgency and allure coexist in perfect harmony. 'O Bianco O Negro' opens with a deep, rolling bassline, leading into acidic bursts and sharp percussive hits. It's a track that demands the dancefloor's attention, moody and relentless. 'Ladron' takes a slightly more sinister turn, with rumbling synths and a touch of tension, while still maintaining Juaan's fluid, dancefloor-driven momentum. Over on the B-side, 'Puntual' drops into an intricate mesh of stuttering rhythms and hypnotic arpeggios, perfect for those late-night sessions. Closing with 'Apego,' he draws the EP to a close with a darkly seductive groove, laced with eerie atmospheres and an unyielding forward motion. Informed by 90s influences but firmly grounded in the present, the EP delivers the kind of atmospheric, high-octane dancefloor heat that's made Juaan a standout talent in the underground scene. It's dark, sleek and perfectly calibrated for the dancefloorian intoxicating blend of funked-out futurism and dystopian allure.

Review: Danish prodder S.A.M. shucks out a meaty new one through Kalahari Oyster Cult, urging 90s Eurodance down a spiritual path. Having already led several labels to fruition, S.A.M. now moves as a solo artist between bold anthemic highs and intimate, meditative lacunae. 'Right To Disobey' evidences his desire to wrench the best frequent and amplitudinal possibilities affordable to the modern day producer, with hugely scooped vocal hooks and widescreen pannings bringing a next generative mood. It's only up from there, with 'Mastermind' maintaining a mindful but still detail-hungry stasis, and 'Crush' ending on moody minor second chords and raw, tweaker-jank percussions.