Back catalogue: Classical

Review: Wherever You Are is the sonic result, expressed through solo piano, of a bright burst of introspection experienced at home by John Foxx of Ultravox fame. Made up of compositions he created in the quiet hours following a rare performance at Kings Place, London, during the BBC Radio 3 Night Tracks event in October 2023, the majority of Wherever You Are was recorded at home, with Foxx noting that the matutinal hours are the best for minimising self-criticism, and letting creative freedom flow. Morning, on Foxx's watch, is the ideal time to play: and in stark contrast to his oblique solo LP Metamatic, Foxx's latest is a mono-instrumental monument to personal tranquility and contentment. It reiterates the importance of quietude and temperance as crucial start-points for navigating the complex world we face today.

Review: Ezekiel Honig is a New York City-based artist who founded two vital labels, Anticipate Recordings and Microcosm, and now he is back with a new album on 12K. Unmapping The Distance Keeps Getting Closer is a tender and honest work of art that wears its heart on its sleeve with piano, horns and broken rhythms all characterising the palette. Field recordings are also worked into the arrangements to add a real narrative and to really evoke a sense of place. Add in plenty of textural and tactile motives and you have a journeying album full of melancholy but also a sense of hope.

Review: Deep Valley is a new collaborative work by Australian artists Seaworthy aka Cameron Webb and Matt Rosner and they came together for it during a week-long residency at Bundanon Art Museum in New South Wales. The property which was gifted to the Australian public by artists Arthur and Yvonne Boyd in the 1990s offers a unique landscape along the Shoalhaven River and is surrounded by sandstone cliffs and diverse wildlife. Drawing inspiration from Boyd's belief that "you can't own a landscape," Deep Valley combines the inspiration of that setting with environmental recordings, guitars, piano, and electronic processing all of which aim to highlight the transient nature of ecosystems and encourage you to reconnect with the sounds of nature.

Review: A cross-hemispheric exchange gave rise to Nocturna, the first collaboration between New Zealand composer Andrew Thomas and German sound artist Joachim Spieth - the former's first for Affin after long-held stints Kompakt. Beginning with Thomas's piano sketches, composed during a Southern Hemisphere summer, the material was passed to Spieth just as light returned to the North. A subtle transformation ensued; Spieth preserved the piano's fragile warmth as its edges came sculpted across ambient textures and restrained sound design. A peek-a-boo of presence and absence is scripted, where each decision to withhold a note feels as resonant as those included. Clipped reverb gargantuans contrast to crystal clear piano scales on our favourites, 'Lumina' and 'Amethyst'.

Review: International Anthem continues to serve up inspired debuts from some of the more intriguing members of Chicago's jazz and experimental music communities. The latest comes from multi-instrumentalist, composer and improviser Macie Stewart, who has delivered what's being dubbed "a companion piece for moving through life". At the heart of the album is Stewart's use of both piano and 'prepared piano' (a technique where various items such as coins and pieces of felt are attached to the instrument's strings). These picturesque and occasionally melancholic musical motifs come wrapped in atmospheric field recordings and sensitive string quartet arrangements. The results are rarely less than memorable, mesmerising and magnificent.

Review: London-based Australian vocalist, producer and multi-instrumentalist Penelope Trappe has always made immersive, enveloping and deeply atmospheric that sidesteps convention. It was that uniquely haunting and emotive approach to ambient and electronica that earned her deals with Optimo Music and Houndstooth, amongst others. Now signed to One Little Independent, Trappes has pushed the boat out further on Requiem, a mournful and bittersweet musical meditation in which her distinctively sweet-but-drowsy vocals rise above manipulated cello textures, hushed field recordings, ambient textures and intriguing electronic sounds aplenty. It's bold, beautiful and at times breathtakingly brilliant, once again marking Trappes out as an artist with a genuinely unique musical vision.

Review: ***B-STOCK: manufacturing fault not continuous play ***


Founded by Zach Frizzell aka zake of Past Inside the Present fame, Healing Sound Propagandist (HSP) is based in Indianapolis and has quietly amassed a catalogue of nearly 100 releases since its inception, all of them specialising in textured drone and experimental ambient music. To mark this achievement, Retrospective [2019-2024] compiles 76 standout tracks across a five-hour odyssey through the label's most significant works. The compilation features artists like James Bernard, Pallette, and Sean Evans who, along with many others, create a varied world of atmospheres through unique instrumentations. HSP emphasises a focus on deep listening and quality over gimmicks and this retrospective serves both as a tribute to the label's legacy and an introduction to its transformative, meditative soundscapes.

Review: Stepping into the world of Hiroshi Yoshimura is like entering a tranquil garden, where every sound is a carefully cultivated element of the landscape. His music, originating in the 1980s, blurs the lines between ambient soundscapes and composed pieces, creating an immersive experience that evokes the serenity of the natural world. 'Over The Clover' whispers with the gentle rustling of leaves, while 'Flora' blossoms with delicate melodies. Yoshimura captures the essence of specific natural elements, from the unfurling of a morning glory in 'Asagao' to the subtle shifts in air pressure in 'Wind Echo'. He even finds music in the unexpected, as 'Maple Syrup Factory' introduces a surprising sweetness to the sonic landscape. But Yoshimura's work is not simply about recreating the sounds of nature. The Japanese musician and composer encourages a deeper listening experience, where subtle details and intricate textures emerge with each listen, definitely music that rewards close attention.