Back catalogue: Coldwave/Synth

Review: The world seems to be rapidly splitting in two again, or perhaps separating into 200 or so pieces, division driven by simple minds. So Vision's Checkpoint Charlie is certainly a release for our times. After just two decades in which planet and people at least pretended to be actively striving to unite, the rhetoric of nationalism, distrust, and imperialistic ambitions has returned to the main stage.

At times like this, what do you need? How about a huge synth pop anthem that sounds like it was created in the latter stages of the Cold War, boasting lyrics like "Don't fight love now", an apocalyptic air to the melodic refrains, and these huge, punchy drum beats? Instantly impactful, if the music industry was as it used to be when Checkpoint Charlie was in operation as one of the few places to legally cross from East to West Berlin, this would likely be the week's highest new Top 40 entry.

Review: A world of brutal beats and hard edge techno rhythms beckons on this new min album, vocals often obstructed by brushing synths and comprised textural sounds, tortured leads and fizzing apocalyptic energies that make it perfect for gritty warehouse raves. Opener 'The Brain Plays With Me' sets a powerful tone from the off, while 'Claroscuro' slips into a slower but just as caustic world of sound. 'Don't Trust In The First Whispers' is a paranoid chamber of reflected vocals and crashing hits that has you looking over your shoulder and 'Melted Doubts' is doom laden drone from the end of the world.

Review: Volksmusik's Underground is a captivating release on Unusual Systems, featuring five dance tracks that fuse various darker subgenres into a compelling electro house hybrid. The album explores dark wave, EBM, and electro techno, creating a unique sonic experience. Side-1 opens with 'Underground,' an uptempo track with a darker Italo house feel that captures an 80s futuristic vibe. Following is 'The Force,' a dynamic piece with engaging lyrics that blend a Nu-Romantic vibe reminiscent of Visage. Side-2 begins with 'Glowing In The Dark,' maintaining the album's dark and atmospheric tone. 'Snake Island' shifts towards a darker rock sound, verging on Goth rock, adding variety to the album's texture. Closing the release is 'We Danced,' which infuses an EBM edge, rounding out the collection with its energetic and intense rhythm. Underground stands out for its innovative blend of genres, making it a great release for fans of dark, electro-infused dance music.