Back catalogue:

Review: A compelling compilation that delves deep into the cosmos of techno, offering four tracks that each explore different atmospheric dimensions. On Side-1, Charlou's 'Hidefaces' sets a dark, spooky tone with its stomping beats, blending elements of techno, industrial and 90s rave sounds. It's a haunting journey that captures the raw, visceral energy of underground techno. Mar C follows with 'Wentron', a spacey breakbeat track characterised by its crisp production, which elevates the atmosphere with a futuristic edge. Side-2 opens with Lanzieri's 'Vogue', a track that brings a touch of goa-trance influence, combining ethereal melodies with powerful basslines, making it feel like a cosmic flight through sound. Kvrk's 'Haunted Illusions' closes the EP with a progressive house touch, providing a deep, entrancing groove that muystifies. Each track offers a unique exploration of techno's darker, more experimental side.

Review: Originally released for LNS & DJ Sotofett's Japan Tour 2024, this 12" now sees a global repress and it is a fittingly chaotic sonic postcard from the road with unpolished, playful and strictly for the heads cuts. Kicking things off, Tokyo's DJ Gizzard delivers 'Jitter Analysis', which is a tight blend of analogue funk, crisp grooves and rolling basslines. LNS & DJ Sotofett follow with the cosmic 'Electrolium' with its whistling synths and spaced-out, vintage-style rhythms. LNS's solo effort 'Work Them' explores robotic electro-funk with computerised melodies and percussive precision. Closing the EP, DJ Sotofett's 'Out of Place' fuses ominous electro with bold p-funk.

Review: Exxtra Beats Records backs up its commitment to pushing things on with a new four-tracker of minimal and tech cuts. Edo Ecker's 'Extraluxxo' has warped synth lines that encourage introspection while the snappy beats make you move physically. Leff's 'Future Problems' has hazy and positive arpeggios that toot away over sustained chords and move at a nice inviting pace. Little Sea offers the snappy drums and gurgling acid lines of 'How I Wanna Feel' while Andrea Bertoli & DJ Bogdan's 'Extremely On Line' is a snappy and upbeat cosmic tech cut with wonky lines adding the charm.

Review: The Cimedirapax crew are back with another superb various artists collection that nudges at the borders of tech house and minimal. Eliaz's 'Enbaspremal' is an alien sound with abstract designs and trippy pads and Lapucci then gets deeper and darker on the menacing 'To Be On Top.' F_Phono brings some nu-disco energy and bright 80s arps to 'Sollievo' then Marco Biagioli heads into more occult worlds with the eerie and haunting 'Strange Mirror' before Equinox's 'Intergalactic Space' offers a caustic electro workout.

Review: Fidelio and Luca Piermattei hook up here to explore worlds where acid, techno and electro all happily coexist. Fidelio's A-side offers three cuts that fuse 90s acid rawness with baroque drama that results in a unique mix of classical organ melodies and razor-sharp basslines. Punchy kicks and sizzling hi-hats drive the energy as you're happily lost on a neon-lit techno odyssey. On the flip, Piermattei's 'Gas' features a fluid bassline and glitching robotic vocals that are eerie yet inviting and 'Third Rec' (with Tascam 122) rounds out the release with pulse-driven electro and intricate percussion, perfect for late-night explorations.

Review: Focused on artists from the great anatine peninsula that is South America, Mirror Vinyl Series reflects the techno-house multi-talents of many an artist from Argentina to Bolivia to Ecaudor to Peru to Suriname to Uruguay to Colombia to Venezuela to Brazil... there are simply no limits on locale, except for the featuring artists' ancestries themselves, and that to hail from SA is a must. Here, after a stellar set of digitals recently from Sofia Duz, Zolbaran, Atemporal and Marcos Coya to name but a small few, we're now heard hearing the Uruguayan ur-builds of Marcos Coya ('Sabes Que Si'), the chord-smeared minitech funk of Colombian boheme Donnie Cosmo, and/or the hoarse breaks, seedy acids and "what do you wanna take tonight?"s of guileful Brasiliera, Guile.

Review: Yay Recordings closes out another solid 12 months with a various artists' EP that showcases right where the label is at. Heavy Mental kicks off with 'Dabro', a colourful and loopy house jaunt for sunny days. Twowi's 'Metaverse' takes off to the cosmos on lithe electro rhythms with ice-cold beats and widescreen pads. Parchi Pubblici & Lucretio's 'Aladdin Sane' brings some wonky deep tech vibes with of-balance drums and muffled spoken words and Rinaldo Makaj closes down with a fresh party sound perfect for cosy floors. There's plenty of variety here, which makes this a great addition to your bag.

Review: Luschn and Roman Khropko seamlessly blend their styles on 'Rozchyn', a bouncing, elastic groove that pulsates with energy, its hypnotic rhythms and infectious melodies drawing the listener into a world of sonic intrigue. 'High Hopes' takes a different approach, its smooth, tech-infused textures creating a hypnotic atmosphere, like a journey through a neon-lit cityscape at night. On the flipside, Luschn's 'Never Defeat Me' emerges as an anthem for the resilient, its driving rhythm and soaring melodies inspiring perseverance and determination.

Review: Island Beats welcome the return of Dani Labb for his second release 'Inclementia', converging sonic memory and dystopian fiction: the DJ and producer from Rio Negra culls his inspirations from the the many grim realms glimpsed in the video games that defined his youth, daubing a claustrophobic, hard-acid breaks pixel painting. Though the game realms aren't named, we're hearing hellish sonic level design in this one, be that in the Half Life security breach voices of 'Locked Away' or the dungeon crawling Doom acid of 'Hijack'.

Review: 22Recordings' latest dystopi-lectro outing takes the form of Lachina's second self-titled EP volume, bringing six edge-of-the-map microchip malfunctions to the replicant ear. Spanning every trace influence from chiptune to outrun to Italo, 2024 debutant Lachina continues to explore their very own brand of phlox purple electro, beginning on the twizzling opener 'Sogni E Ombre', marking the midpoint with the synthetic bass guitar pluckers '05.11.93' and 'What Is Love', and ending on the sampler vox-shot cheese-oozing that is 'The Violet Season'. Every track faithfully adheres to the sensibility of 80s synth music, while also getting away with things that only a contemporary artist of Lachina's calibre could.

Review: Lakker's debut release on Love Love Records happens to be the imprint's first vinyl and it melds shrill melancholy with hypnotic techno grooves. It's both captivating enough for home listening, but also primed and ready for DJ deployment. Following their work on Blueprint and Killekill, Lakker retains their intricate sound while intensifying their focus on the grooves with 'LF9' evolving from chaotic rhythms into a powerhouse of clattering percussion, accompanied by haunting pads. On the B-side, 'Deathmask' offers ambient melodies and precise skittering drums that create fragile beauty. 'PRESET Numb' plunges into cold, clinical rhythms with eerie synths, marking a striking new chapter for Lakker.

Review: Don Thigpen's artistic debut came under the pseudonym LEO, inspired by his zodiac sign and his desire to bring an edgy persona to his music. A familiar face behind many notable tracks from the Jackson area, Thigpen, along with his friend Sam Anderson, also recorded the highly sought-after 'Shirley Baby' on his CJR (Capitol Jackson Records) label. 'Fee Fi Fo Fum' marks LEO's electro-infused contribution to the 80s wave of computer culture; inviting parallels to Zapp & Roger's 'Computer Love,' the track humorously explores the idea of a computer falling in love with a woman, and the machine attempting to woo her through flashing the words "Fee Fi Fo Fum" on the screen. Limited to just 450 copies with a hand-made risograph sleeve, this is as authentic as early electro number can get; sodden in trigger pad swish and askew, circuit bent wonk.

Review: LFT returns to Mechatronica with a five-track blistering of electro of relentless fervour. Boldly shaped and informed by various drum machines and classic samples, the three originals that make up this one's avant- and arriere-gardes come flanked by a razor-edged remix from Imogen and an occult collaboration with Cardinal & Nun. The result is explosive, mixing the sonic aesthetic of electro with the structural tendencies of techno and booty bass.

Review: The "Rhythms Of The Pacific" series hears Vancouver label Pacific Rhythms reimagine dance music to aid in vast ocean traversals. Returning with another 12" sampler of material - the tracks are slated for inclusion in a celebratory ten year anniversary comp later this year - we hear Lnrdcroy, Waterpark, Kennedy and Active Surplus bring upper-echelonic, chameleonic beats of the much-less-peggable variety. 'Galaxio Salaxio' moves between dark synth and watery dub, scarcely preparing us for the immersive chordal swims that ensue on 'Coastal Plus'. Finally, 'Blue Beam' incurs an underwater search for coves and water pockets, as jets of pressure escape through riser synths and pufferfish drums.

Review: Horror Corp debuts with a first volume in this new series which is a striking four-track release from rising artist Log In. This collection fuses modern techno with a nostalgic 80s influence to create high-energy hooks and deep, evolving breaks guaranteed to captivate the dance floor. Each one is crafted to evoke a visceral emotional response while bridging old-school vibes with fresh, forward-thinking sounds. The result is a dynamic mix of cuts with a vintage edge but that are not overtly revivalist Perfect for fans of bold, boundary-pushing beats, this suggests that Horror Corp's journey is going to be one well worth keeping up with.

Review: Known for their refusal to use laptops, London Modular Alliance channel their creativity through pure analog improvisation, creating an organic, hypnotic soundscape with every track. A journey through live electro, the trio's decade-long mastery in modular synthesis cis coming to a culmination with this EP. On Side-1, the title track 'Holy Mantle' opens with a stunning progression, rooted in vintage analogue textures, evoking a sense of fluidity and experimentation. The track flows seamlessly, radiating an energy that is timeless. 'Walnut' follows with its deep, melodic electro vibes, incorporating atmospheric, rolling basslines and layers of intricate rhythms that draw the listener deeper into the groove. Side-2 continues to explore the trio's diverse sound palette. 'Scuba' is a melancholic, electro-infused piece that feels like drifting through the depths of an underwater world, full of longing and machine love. Finally, 'A155' delivers robotic, funky electro with tight, infectious rhythms and a sharp, futuristic edge, adding a dynamic finish to the EP. With 'Holy Mantle', London Modular Alliance reinforces their reputation for cutting-edge, analogue-driven techno.

Review: Frustrated Funk is one of the very many labels out of the Netherlands that offers up house and techno music with a through line to the Chicago and Detroit foundations. It is top tackle with a timeless edge and that proves to be true again with this one from Lost Trax. '23' is both dreamy and cancerous but groovy. 'And Or' is more wonky with mad acid, 'It's All Good' is a downbeat synth interlude, 'Grib' is lo-fi and experimental with Omar S style aesthetics and 'The Watcher' closes with more dusty and brilliant depths.

Review: UK-based electronic musician Luke's Anger (aka Luke Sanger) is a 20+ year scene veteran who a new four-track electro EP that's both nostalgic and future-focused. Known for his genre-hopping rave output and live experimental techno sets, often gracing stages like Berghain, Sanger returns to his banging roots here. 'Particle Swarm' opens with squelchy synth textures, while 'Threshold Rider' bounces with infectious 808 energy. The title track builds euphoria through fluttering rhythms, and 'Silicon Boogie' closes things with funky digital chaos. With nods to sci-fi electro and UK bleep techno, Ceiling Walker is a tightly engineered ride through bass-driven, mechanical funk built for serious body movement.

Review: It has been a rather remarkable three years since Yuko dropped its first release, but finally, they are back with more. It is co-founder Emo Omar who features both solo and in collaboration with Luje from Club Pizza while two exciting new French talents Chud and Vivant also make their mark. 'Pollen' is a bright and hooky melodic electro sound then 'You & Me' gets more percussive, with old school cow bells staying busy next to all sorts of wonky synth work. 'Tomorrow's Made Of Breaks' is built on rigid funk and trippy synth bleeps and 'Zeus' shuts down with some retro-future vocoder vocals. This is a great return from a label we hope now pushes on.

Review: Motion Potion Records returns with a second release from the Australian label founded by Jono Xidias, Mehmet Alpdogan, and ritmiq. This collaborative project sees ritmiq teaming up with Lewba and Louis for the 'Signals' EP, a heady exploration of spacey club sounds. Standout track 'Transmitting From Space' (with Lewba) glides through cosmic synths, subtle breaks and hypnotic melodies so is sure to become a certified late-night burner. On the A-side, Louis and ritmiq deliver 'Interplanetary Prisoner' and 'Parallax,' which are both rich in mood and groove. ritmiq's solo cut 'Nebularae' closes the EP with high energy and dancefloor heat. Signals is a stylish, cosmic journey worth taking.

Review: Spooky Wooky return with a newly nourished Pandora's box worth of tunes, welcoming four new producers each for their own scare, as well as an opening fourfold fright. Joining forces only under the name Spooky Wooky, 'Cauchemard Ambulant' puns on the French term for "waking nightmare" terming it a "walking nightmare", with fidgety, motile synth snaps and pops aligned alongside bow can scrape samples and strange monstrous gurgles. Our faves among the solo cuts have to be Lazer Man's 'Fuck The Bass' and Gogo Gadgeto's 'FREAK', both of which seem to convey a sort of crazed elvish otherworld.

Review: Utter plunges into the shadows for their long-awaited 13th release, offering a limited double LP from the notorious electro conjurer Labyrinthine. Titled 'II-V', the record summons 11 sinister tracks, cut at 45rpm on striking deep red vinyl. Encased in haunting artwork by Alison Flora, painted in her own blood, this release is not for the weak-willed. The dark, twisted soundscapes are known to mesmerize and overpower even the strongest minds, making 'II-V' an unsettling journey into the abyss. Approach with cautionithis is a descent into pure sonic madness.

Review: Dutchman Danny Wolfers aka Legowelt is one of the most prolific artists in the game. He has several aliases which all explore ambient, synth, house and techno, but this is his most well-known. Synths Below Sea Level is another singular long player packed with his signature machine-made sounds and vintage synth textures. There are intergalactic acid odysseys like 'A1200 The Valley Energy', brilliantly lo-fi deep house mediations like 'Maybe You See Them Fly' with melodies so meaningful they bring a tear to your eye and forward-thinking cosmic techno bangers like 'MKS100 CZ Reference Pod 9' which bend space and time. Another gem with artwork by the man himself.