Back catalogue:

Review: Portugal has always had its own thriving scene right back to the days of 90s rave and techno. But in recent times it seems to be having a wider cultural impact with the arrival of plenty of great artists, labels, radio stations and collectives getting proper recognition across the global underground. Just over the Tagus river from Lisbon comes this new label oDYSea from the Caparica coast, and it's headed up by Penelope. GNMR's 'Zen' kicks off with cosmic tech and snappy kicks then Pakzad's 'I Could Never Imagine' is a mid-tempo and warped tech cut with hissing hi hats and psyched out colours. Eversines's 'Randomized Controlled Trial' is taught and trippy techno then Oscillator Man's 'Turning The Mix Up A Bit' is an acid-laced sleaze-fest.

Review: BOOOoo! returns with its fourth V/A, bringing together Ildec, Pagenty, Phase O'Matic, Gogo Gadgeto and label head BOOH for a tightly assembled five-tracker. Steering into the murkier corners of electro but with a light touch, their next comp offers a range of moods without ever dropping to fully into the abyss. From 'Volviento AMT' to 'The System Is The Matrix', each artist contributes a knowing cut, one which leans dark but stays danceable, threading twisted textures and low-slung rhythms without losing sight of playability.

Review: FaF's Marseille-based label Durite has assembled another Various Artists compilation full of global soundscapes inspired by Middle Eastern rhythms on one side, while the other blends psychedelic Japanese and Chinese samples into trippy, atmospheric cuts. Italian producer Nativo balances deep house and electro with worldly flair, French artist Pagenty keeps ting dubby and slow with snaking leads and hiccuping drums. Fellow Frenchman Blinkduus Dischetto sparkles with raspy synth leads and celestial keys and Crane De Poule then serves up 'Lucky,' the clear EP highlight with its hurried Eastern Melodie and vocal samples over a clipped and tight tech beat.

Review: The Clergy Ten Year anniversary celebrations continue with a fourth special instalment of their various artists series. It's packed again with the sort of high-functioning techno that DJs always need to construct powerful sets, and that dancers will respond well to thanks to its detailing. Norbak opens with the moody minimalism of 'Sinto', Sciahri explore a more uptempo sound with grainy, gritty loops on 'Antartide' and Phara's 'Faint' gets more twisted with hellish effects and caustic textures all getting you on edge while the pummelling drums bounce out their muscular rhythm. These are evocative cuts for techno storytelling.

Review: "Are You in Heaven?" Is a phrase immortalised by Roxy DJ Eddy de Clercq during one of Amsterdam's earliest house parties and it captures the spirit of what was a transformative era. Arnoud Winkler and Jochem Peteri (later known as Newworldaquarium) dropped this EP back in 1991, and it explored a then-new mix of euphoric energy with youthful, clever charm. Drawing inspiration from the booming European dance scene of the time, it's a passionate Dutch interpretation of American house music that very much stands up. Featuring blissed-out pads, dub textures and peak-time vibes, the reissue includes a new Gerd Janson edit of 'Ulysses Horizon' that brings it right up to date, plus the dreamy melodies of 'Flowerdale Beach' and the title track, and all three are timeless cuts that still radiate magic and meaning.

Review: As you can tell from the title of this ongoing series, System Error likes to serve up only 100% party bombs. The third volume lives up to that once more with Parchi Pubblici kicking off with the acid-laced bumps of 'Perfect Vacuum2Disco' complete with zippy synths and snappy percussion. Lanzieri's 'Twisted Tango' hits just as hard with an electro-techno fusion that rides on psychedelic synth loops with jacked-up drums. Raku's 'Valle Dei Templi' has a more pared-back sound with a menacing and rubbery low end and creeping synths that keep you on edge. Phill Prince's 'Indigo' shuts down with something tripped out and retro with 90s techno vibes colouring the drums.

Review: London DJ and producer Jules Von Daniken sets his phasers to fun, returning under his Phase O'Matic alias for another fresh EP-label inauguration (Blur Detection Program). His third release for 2025 (it's only May, god damnit), 'Behind The Glass' smashes through two-way mirror with gloomy glom-on acid, sparky redux design, slithery melodies and claspy 909 snareology, all of which together increment in intensity over a four-step dance inductor, seconding with the speak n' spelt post-new wave pranger 'Retroflex' and ending on the Robo-voiced 'Finetune (Darkest Day)'.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


A mesmerising blend of organic textures and synthetic precision, delivering a fresh take on techno and house. The title track, 'Upside Down', kicks things off with a clever nod to the glitch and microhouse era of the very early 00s. Its gorgeous melody and intricate layering make it both nostalgic and forward-thinking. 'Eyes Between Letters' follows with a deeper bassline and spacious, intricate production. Side-2 opens with 'Beyond Light & Shade', where Asian-inspired melodics weave seamlessly with a balanced blend of techno and house, offering a richly textured and emotive piece. Closing the EP, 'Complementary Senses' delivers profound depth, bringing an introspective quality to its lush production. A unique release tailor made for fans of innovative, boundary-pushing electronic music.

Review: Indo-Ukrainian producer Mayank Saraiya, under his Pontiff Ordric alias, helms the third chapter of the Barbatus series with a new four-track release that continues the label's deep-space electro saga. Based out of the Barbatus label's inner circle, Saraiya not only crafts the music but also handles the mix and mastering, giving this entry a tightly unified sound. 'Secrets Of Nexus' and 'Laboratory's Hazard' pulse with crisp, syncopated drums and shimmering 80s-inspired synths, while the B-side moves into darker, more propulsive territory i 'Ancient Technology' runs on acidic undercurrents and robotic swing and 'The Dawn Of Machines' closes the set with a steady proto-trance march that edges into cinematic territory. It's a new release that never leans too heavily on nostalgia, instead reanimating vintage electro textures with just enough detail and narrative flair to keep things compelling. Riddled with sonic in-jokes and pirate lore, this one rewards both the dancers and the heads i electro as odyssey, with its boots still muddy from the last expedition.

Review: Ronny Pries returns after a long hiatus a new EP on Abstract Rhythm that channels Detroit-influenced techno and electro with late-night dancefloor energy. Pries is a veteran of electronic music with roots dating back to the 90s and brings emotional weight to this release, especially on the standout cut 'This Ain't Jazz,' a dense, percolating acid techno cut that rewires your brain. 'Terminal Velocity' is a blizzard of distorted synths and manic percussive lines, and 'NGC 4889' explores an electro-adjacent sound with more celestial-style pads. After years focusing on other projects, this marks a meaningful comeback for Pries.

Review: The third and final chapter of R3volution Records' 3volution trilogy is a powerful meeting point between past and future. Bridging sci-fi-laced techno with 90s minimalism, it features deep sound design and muscular drum patterns that combine for real club potency. UVALL from Tbilisi offers refined, deep rhythms with his cut, then Operator brings seasoned UK innovation and label co-founder Divide delivers precision and weight with global pedigree. Elsewhere, Belgium's PTTRNRCRRNT tunnels through textures with futuristic, conceptual drive. Each track is a standout weapon but together they make for a cohesive, forward-thinking statement from a label closing its vinyl trilogy on a high.