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Cat: 727740 Rel: 08 Apr 19
 
Compact true analogue synth - great for melodic & percussive sounds
Notes: True stereo analogue synth/sonic realiser. Perfect for melodic and percussion loops. Very easy (and fun!) to create modular style analogue loops. It's a complete sound track all by itself!

It's wrong to call it a synthesiser (in fact a new word needs to be invented) because then you get preconceived ideas about what it does. It's a whole lot more than a synth. It's also part drum synth, part pattern generator, part modular loop producer.

All its unique features plus the 2 independent LPFs give this machine the ability produce stereo loops that sound like multiple synths playing at once.

Impulse Command is a compact true analogue synth in a neat, smart, package. When we say 'real analogue' we mean that the entire audio path (aside from the post effects of course!) and all modulation are entirely analogue, using circuits based on awesome sounding vintage 1970s designs. Their circuits are not locked down by CPUs. Controls are not quantised and read by CPUs. With the exception of the essential digital elements (that is MIDI conversion, sequencer control and digital delay/reverb), Impulse Command really is analogue and the sound benefit is immediately apparent!

The synth has been designed by Tom Carpenter, a musician and a big fan of electronic music. He knows how to program a synth and what should be expected. So, the modulation choices and range of sounds they produced have all been carefully thought out and quickly give you those sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.
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 2 in stock $1,076.83
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Cat: 730438 Rel: 25 Apr 19
 
Desktop synth with integrated USB/MIDI interface - white with English lettering
Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $451.05
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Cat: 735588 Rel: 25 Apr 19
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $440.46
Cat: 730439 Rel: 25 Apr 19
 
Desktop synth with integrated USB/MIDI interface - white with Russian lettering
Notes: The idea of the Polivoks Mini analog synthesiser came into mind in 1990, as the junior version of its older brother - the well known Polivoks full synth. The aim was to develop a simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flows of the Polivoks full synth. As a result of this research, a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality. For example, in the Modulator section the Form switch has been replaced by the controller with triangular oscillation in the middle position and sawtooth shape oscillation smoothly falling in the extreme positions.

The controller for the envelope filter input is set to zero in the middle position and its value increases by turning the knob clockwise, while turning the knob counter-clockwise increases inverse voltage of the envelope generator. The main synthesizer sections, such as generator, famous Polivoks filter and multimode envelope generator, are essentially the same as the Polivoks, and have this unique sound. In addition, the main generator of the Polivoks Mini doesn't require any thermal stabilization or adjustment.

In general, the simplified schematic delivers the sound appreciated by a wide range of musicians with minimal means but new capabilities. The Polivoks Mini is a keyboardless version with integrated USB and MIDI interfaces. The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 3 in stock $451.05
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Cat: 648957 Rel: 30 Jan 19
 
Polyphonic hybrid sound generator featuring touch-capacitive keyboard
Notes: The Quadrantid Swarm is a versatile, unique instrument for sound designers and musicians looking to explore exquisite and unfamiliar timbres that range from subtle to outrageous, nebulous to shimmering. It is comprised of a digital synthesizer voice with a percussive element, 2 pole analogue filter, an LFO with 8 waveforms, and a spring reverb.

The 8 touch keys can be used as a mono keyboard, polyphonic keyboard or an 8-step sequencer. The QS interfaces with other instruments via MIDI, and CV/Trig inputs. Pre-patching allows you to get hands on immediately, but you can and should use patch cables to fully explore the potential of this instrument.
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 4 in stock $503.99
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Cat: 715950 Rel: 18 Feb 19
 
Compact patch-based synth, ideal for beginners
Notes: A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.

Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.

The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:

The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:

Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:

volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:

While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:

The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:

Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:

Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

There's also a micro tuning function that lets you individually specify the pitch of each note. You can pursue your own unique music by performing in an original tuning with the pitch of individual notes raised or lowered.

Connectors that allow synchronized performance and external control:

With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.
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 2 in stock $171.53
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Cat: 730432 Rel: 11 Jun 19
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
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 4 in stock $315.52
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Cat: 719351 Rel: 29 Mar 19
 
Compact analogue synth module based on the classic Taurus bass sound
Notes: Sirin is a limited-edition synthesizer module created in celebration of the Moog House of Electronicus Pop-up experience. Based on the legendary Moog Taurus sound engine, and presented in the familiar compact form of the Moog Minitaur - Sirin is the first instrument in Moog's Taurus family of bass synthesizers designed to generate pitches far above middle C, with an extended frequency range that reaches notes up to D8. Connect Sirin directly to any MIDI-note controller and immediately access a portable world of powerful analogue sound, or hook up to a computer via USB to explore even deeper layers of sound design, where every parameter can be manipulated, automated, and recalled using Sirin's dedicated Editor Librarian Software (free download for PC and Mac).

Secured in a brushed stainless steel enclosure with a retro-inspired colour palette, Sirin is an intoxicating conjuror of both quintessential leads and menacing Moog bass. Sirin's fully-recallable analogue sound engine originates with two analogue Taurus Bass oscillators that have been re-engineered to soar octaves beyond the traditional boundaries of its mythical ancestors. Sirin's harmonic transmissions are dynamically shaped and sculpted by a classic Moog Ladder filter operating in consummate harmony with two lightning-fast ADSR envelopes and a multi-wave LFO, offering a wide spectrum of expressive timbral variety and versatility.

Sirin integrates seamlessly with modern computer-based production environments via its dedicated Editor Librarian software (available as a free download for registered Sirin owners)--manage patches, automate parameters, unlock 6 additional LFO waveforms, engage Hard Sync, load up to 128 presets into Sirin, access full ADSR envelopes and more as you explore the vast magical realms of analogue synthesis.

A limited production run of Sirin are being produced by the employee-owners at the Moog Factory in Asheville, NC--after which no more will be available.
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 5 in stock $631.05
Cat: 711052 Rel: 12 Feb 19
 
Shaped noise percussion synthesiser
Notes: The Rakit Metal Synth has a Polivok's inspired filter at its core. It uses this, along with a punchy AD envelope to produce a variety of percussive sounds from shaped noise.

It was designed to be a companion to the Rakit Drum Synth and as such creates a range of mad/interesting sounds and some very useful metallic sounds.

How it Works:

The synth is triggered by a piezo disc which is sensitive to how hard you tap the top panel giving subtle differences in the two stage envelope.

The noise is generated digitally by a pre-programmed microcontroller. The filter at the heart of the unit can be controlled and modified by the Sweep, lowpass/bandpass, Resonance, Cutoff and Cutoff CV.

2x Trigger Options:

Trigger by activating the piezo under the touchpad (Metal Logo) or by plugging in an external trigger.

Powering The Unit:

The Metal Synth comes with a 9V pp3 battery to barrel jack connector as standard. We recommend using an alkaline battery, this is not included.

Should you wish to use your own power supply, please ensure it meets the following specifications:

+8V to +12V, Centre positive 2.1mm (centre) x 5.5mm (outside)
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 6 in stock $74.11
Cat: 720404 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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 1 in stock $337.77
Cat: 727158 Rel: 03 Apr 19
 
All-in-one portable synthesiser, sampler & controller with additional features - new 2019 edition
Notes: The OP-1 from Teenage Engineering is a high-end portable synthesiser, with the power and functions of a professional studio. The OP-1 also acts as a sampler and controller, with a fast, simple interface. Whether you're in a home, project or professional studio, the OP-1 delivers power and performance every time.

The OP1 from Teenage Engineering grabs your attention, with its simplistic layout and colour coded interface. The OP1 is also a portable, compact, hand-held synthesiser. The power of the OP-1 lies in the features; 8 built-in synthesiser engines, multiple effects, LFO's and unique sequencers all inside the OP-1. The OP1 has a built-in 4-track recorder and lets you match the track speed to the sequencer clock. Change the speed while recording and you can even record backwards. Mix your track using the using the 4-channel mixer and add some texture with the built in EQ and Drive.

The OP-1 is easy to connect to your computer via USB, just plug and play. No additional software or drivers required. The OP-1 shows up as a mass storage device. Ready for you to drag and drop audio files between your computer and the OP-1. Additional features include G-Force sensor for motion-controlled effects and FM Radio.

Do not worry about mains power, the OP-1 has a 16-hour battery life for long journeys and studio sessions. The colour coded interface and graphics make the functions easy to identify, while the sharp, easy to ready OLED display is directly related to the four colour rotary encoders and the legend on the keyboard.
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 2 in stock $1,213.42
Cat: 727131 Rel: 13 May 19
 
49 key edition synthesiser with music production software suite
Notes: Improving an already-winning formula of superb sound quality, huge power (including 128 note polyphony!), a sleek compact chassis and a great price, MX49 Version 2 adds iPad, iPhone and iPod touch audio/MIDI class compliancy.

Yamaha's MX Series synthesisers feature carefully-selected sounds taken from the award-winning Motif XS. But the MX49 isn't just a synthesiser; it also bridges the gap between hardware and software. Its class-compliant USB audio/MIDI connection massively simplifies music production with your favourite DAW, whether you use macOS, iOS or Windows.

Handy DAW and VST controls are built into the MX49, perfect for using with the included software for macOS and Windows: Cubase AI, YC3B Organ Synthesiser VST and Prologue Analogue Synthesiser VST.

And, for producers using iOS, the MX49 Version 2 will unlock both Steinberg's Cubasis app and Yamaha's own FM Essential synthesizer app for iOS.

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 1 in stock $421.42
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