Dub charts

Review: This limited edition release from the Trojan Records vaults is a true gem for collectors. Featuring Lee 'Scratch' Perry with Mad Professor on the mix, it brings the monumental Madman Dubwise on the B-sideian 80s dub classic that's hard to find. The original Trojan label reproduction adds even more to the allure, making this pressing a must-have for reggae and dub fans. I Am A Madman on the A-side is a perfect showcase of Perry's genius, while the dub version on the flip cements this as a top-tier collector's item.

Review: Way back in 1998 when Massive Attack's career-defining "Mezzanine" was first released, legendary dub technician Mad Professor cooked up some radical reworking. They now get their first official release alongside dubs of two tracks that never actually made it onto the album - Metal Banshee: a dub version of "Superpredators" which was a cover of Siouxsie and the Banshees' "Metal Postcard", and "Wire", which was actually recorded for the film "Welcome to Sarajevo". Wild effects, plenty of knob twiddling and oodles of reverb define this freaky late night collection and mark another essential release in the catalogue of the already legendary Mad Professor.

Review: Mad Professor's 'In The Name of Love' is a compelling fusion of dub and reggae, showcasing his signature production style. The track opens with a deep, resonant bassline that anchors the composition, while subtle percussion elements add rhythmic complexity. The dub version on the B-side further enhances the track's atmospheric depth, offering a more stripped-back interpretation that allows the intricate soundscapes to emerge more prominently. This release underscores Mad Professor's adeptness at blending traditional dub elements with contemporary production techniques, resulting in a track that is both rooted in the genre's history and forward-thinking in its execution.

Review: 'Dark Clouds' is a powerful anthem about overcoming life's toughest challenges. The song embodies resilience by conveying that victory is always possible, even in difficult times. Its uplifting melody and infectious chorus blend English, Wollof and an Arabic, African and Caribbean patois to make a unique, cross-cultural sound. Produced by the legendary Mad Professor at Ariwa Sounds, the track offers hope and strength while inspiring us to keep pushing forward despite adversity over a compelling rhythm.

Review: Mad Professor (Neil Fraser) is renowned worldwide for his dub recordings, captivating live sets showcasing the creativity of dub sound engineers, and his collaborations with both reggae and non-reggae artists alike such as Lee Scratch Perry, Jah Shaka, Sade, The Orb, Massive Attack and Grace Jones. Above all, he is celebrated for his prolific output in the genres of dub, lovers rock, reggae; now this reissued version of this original 1984 release for Ariwa Sounds is sure to turn just as many heads as his originals do. Known to be the yield of the label's first ever collaborative effort - after Fraser set up his South London studio with no prior experience - 'The Early Session' is one of the purest incarnation of the Mad Professor sound we know today and set the tone for the label thereafter.

Review: Legendary dub head Mad Professor manage to turning his mixing desk into an instrument in its own right. He coded all manner of heady and futurist sounds of it it by twisting nobs and playing with faders in a way no one had before and fee have managed to recreate ever since. He has turned his hand to reworking countless classic albums as well as turning out his own heart works, not least this album that was originally released in 1984. Ariwa Sounds (The Early Sessions) captures his work with artists like Errol Sly, Rock A Way & Sister Audrey and Sergeant Pepper, all of who he left with his magic dub touch.