Back catalogue: Folk/Americana

Review: Tidiane Thiam's Africa Yontii speaks volumes beyond its melodic notes, conveying a powerful message of change and empowerment for Africa. Thiam's expressive guitar work serves as his voice, articulating the need for African agency and self-determination. Born in the Senegalese town of Podor, Thiam's compositions draw from his deep roots in Pulaar folk music, enriched by collaborations with hip-hop producer Ndiaye Moctar. In this album, Thiam addresses pressing issues facing Africa's youth and reflects on the challenges of leaving loved ones behind in pursuit of a brighter future. Despite grappling with heavy themes, his music radiates with love for his homeland and heritage. Africa Yontii boldly reclaims the narrative of "world music," placing African voices and perspectives at the forefront. Through soulful melodies and poignant lyrics, Thiam beckons Africa to seize its destiny and usher in a new era of change and progress.

Review: Malian singer-songwriter and multi-instrumentalist Ali Farka Toure's self-titled album is a cornerstone of African music. It's a perfect example of his unique fusion of traditional Malian sounds with blues influences and is one of many albums of his that remain favourites with collectors. Released in 1984, this iconic long player captures Toure's intricate guitar work and ability to blend hypnotic rhythms and soulful melodies that reflect the rich heritage of the Sahel. His deep, resonant voice conveys a sense of spiritual depth, with lyrics often rooted in Malian culture and folklore and the whole thing is a masterclass in understated artistry, where each track is a meditative journey.

Review: Originally released in 1986, this album showcases The Triffids' exceptional blend of folk, rock, and post-punk. Featuring David McComb's haunting vocals and lush instrumentals, In The Pines takes you on a journey through atmospheric soundscapes. This album, recorded in the Australian outback on a modest budget, highlights the band's raw talent and creativity. Tracks like 'Love and Affection' and the cover of Bill Anderson's 'Once a Day' exhibit their range, from sharp electric guitar riffs to country influences. In the Pines seemed an eccentric career move for The Triffids, who were poised for major success. Retreating to the outback, the band created an album of modest majesty. Haunted by desolation, tracks like the gothic folk waltz of the title track and the intense 'Kathy Knows' stand out. Yet, the album is also filled with camaraderie. Often compared to Bob Dylan and The Band's The Basement Tapes, In the Pines captures The Triffids' infectious joy in making music, solidifying its place as a timeless piece of artistry. In The Pines is perfect for lovers of sweeping, melancholic sounds.