New Sound Quartet - "Bass Construction" (Marc Davis edit) (5:47)
The Saucer Planes - "Straight To The Point" (Marc Davis edit) (8:13)
Review: Producer, DJ, and revered collector Marc Davis returns to his Chi-Talo series with a much-anticipated second volume. The Chi-Talo series deals in split EPs; each entry draws on an ultra-rare Chicago house gem and an Italian disco record respectively (one for the A and one for the B), re-working both into an enduring dialectal retelling of each city's contemporaneous come-ups in the 1980s and 90s. This time around, we're met with a reconstruction of 'Bass Construction', first heard on the Italo disco album Crazy Colours by New Sound Quartet (1979). Then comes a wonky, handclapping rendition of The Saucer Planes' 'Straight To The Point', the original of which can hardly be found on the net at all, even now. Both are huge but humble versions, marking out the guidelines for yet more editors to come.
Review: Mr Bongo present a staunch retro vision of Cuban-born violinist Alfredo De La Fe, one of whose sonographic creams was the debut salsa-and-more fusion album, Alfredo. Based between New York and Colombia, Alfredo worked with many of the greats in Latin music, including Eddie Palmieri, Willie Colon and Roberto Roena, as well as disco and soul icons Sylvester and Aquarian Dream. For a debut solo record, Alfredo is a real charm offensive, and a valiant experiment at that, mixing Latin dancefloor crunches with De La Fe's own, unusually additive violin, placed centre stage as he solos. The record - a favourite of legendary New York club The Paradise Garage - tonally shifts past the halfway mark, eschewing the A-side's chroma-jazzy clavier discombobulations for an early four-to-the-floor, daresay proto deep house excursion, 'Hot To Trot'.
Did You Give The World Some Love Today, Baby (3:21)
I Wish I Knew (2:26)
Grey Rain Of Sweden (3:00)
Waiting At The Station (3:11)
Don't (3:07)
Daisies (2:14)
You Never Come Closer (4:15)
Whispering Pine (3:50)
I'm Pushing You Out (2:57)
Won't You Take Me To The Theatre (2:24)
Beatmaker (3:35)
Bath (2:02)
Review: This great album was first put out by EMI Sweden, and if you can find one of those early original copies it is worth well over $500. Thankfully, those of us more bothered about the music than the sautes of the physical product can cop this reissue of Doris's debut LP for a fair price. It has hints of Joni Mitchell as well as Led Zeppelin and Doris herself was back dup by her hubby on bass, who provide plenty of killer funky b-lines under the experimental melodies up top. Add in Janne Carlsson on drums and great work by Bernot Egerladh on organ and you have an essential record.
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