Back catalogue: Funky/Club House

Review: Dreamer G's original on Madhouse Records was the kind of underground gem that defined a momentia track that slotted itself into the DNA of deep house in the 90s. Now, it's back, reimagined by Demuir with a fresh remix that injects a whole new energy without losing the original's soulful core. Demuir handles it with finesse, keeping things punchy yet faithful, delivering a rework that feels both modern and timeless. Kerri Chandler, the man behind it all, steps in with his own re-edit, reminding everyone why this track became such a sought-after piece of vinyl gold. His re-edit is all about refinementihe doesn't strip it down; he polishes it, making it gleam just that little bit brighter. For those still holding on to their original copy, this re-release is as much a nod to the track's legacy as it is an opportunity to hear it in a way that's never sounded better. Then there's the deep mix, which has been meticulously remastered by Chandler himself. It's not just a token touch-up; it's a love letter to a track that's stood the test of time. With the sound quality elevated to new heights, the deep mix captures the essence of Dreamer G's original vision, while making sure it feels right at home on today's systems. Ultimately, this rework package doesn't just revive Dreamer G; it affirms its place in house music's enduring historyiproof that great tracks don't fade, they just evolve.

Review: Now under new ownership (international dance music powerhouse Armada Music, fact fans), long-serving New York house imprint King Street Sounds is doing a good job in showcasing gems from its vast archives. This second label sampler contains four more genuine must-have cuts. First up, there's a chance to admire the deep, soulful house wonder that is Dennis Ferrer's 2008 hook-up with honeyed vocalist K.T. Brooks, 'How Do I Let Go'. It's followed by Masters at Work's deliciously loose, disco-influenced deep house revision of 'Give It Up' by Lil' Louis' Rain project (first released in 2000), Mood II Swing's DIY Soundsystem favourite 'Sunlight In My Eyes' (easily one of the greatest deep house jams of all time) and Lil' Louis's swinging garage-house rub of Kimra Lovelace's 'Misery'.

Review: Keinemuzik return for a fresh split 12", co-starring production peers Alan Dixon and Arabic Piano on the long-burner that is 'Thandaza'. A brooding progressive cut that glides through sun-upped vocal chants and shuffling percussive elements, the track is a veritable exciter, with Piano's vocals coming off especially charming. Dixon's signature piano line abounds in the breakdown, giving images of cocktail-glassed refractions of beachside fires backclothed by a deep blue ocean.

Review: Salif Keita: Remixed features two new remixes of iconic tracks by one of Africa's greatest vocalists. MoBlack's remix of 'Yamore' is currently a hit on streaming platforms and radio, while Francis Mercier reworks 'Kabe' from Ana Na Ming. The EP also includes Martin Solveig's famous 2003 cover of 'Madan' and Osunlade's remix of 'Moussolou'. All four tracks are taken from Keita's legendary 2002 album Moffou, which sold over 200,000 copies globally. The remixes breathe new life into these timeless songs, continuing to captivate audiences worldwide.

Review: Salif Keita's 'Madan' gets a fresh spin with Martin Solveig's Exotic Disco Mix and Exotic Disco Dub, originally released in 2002. One Side-1, Exotic Disco Mix, merges disco beats with Keita's distinctive African vocals, creating a high-energy dance track. On Side-2, the Exotic Disco Dub emphasizes tribal elements and heavy drums, focusing more on background vocals and the song's groove. Even after 22 years, these remixes continue to be staples at festivals far and wide. Anyone who has set foot on a dancefloor in the past two decades will instantly recognize this Afro house classic infused with a French touch.

Review: Toolroom's 'sampler' series, which rounds up previously digital-only releases and sticks them out on action-packed 12" EPs, reaches its sixteenth instalment. Given the format, you'll be unsurprised to discover that there's plenty of bona-fide peak-time heat on show, starting with Mark Knight and James Hurr's excitable, filter-heavy, string-laden disco-house bomb 'You Take Me Higher'. Friend Within offers a scintillating blend of heavy acid bass, glassy-eyed female vocal samples, weighty beats and subtle disco samples on the superb 'Chain', while Martin Ikin and Winnie Ama opt for even heavier drums, warped bass, creepy electronics and dead-eyed spoken word vocals on the sweat-soaked 'Control It'. To round things off, we're treated to the tech-tinged funky house bounce of Flashmob and Raumakustik's percussion -rich 'Club Talk'.

Review: The Club Mix crew rolled out a third impressive new 12" here and once again it tapes into some old-school house values but with new-school perspectives. Known Artist serves up the one original, 'El Ritmo Fatal' which is a dark house cut with analogue drums, menacing horn blasts and moody vocals. The Fantastic Man remix brings some comic energy and more free-flowing house rhythms and then the Baldo remix is a more tribal techno sound with dense grooves. Last of all is a psychedelic rework from Matisa that brings some yelping vocals and raw analogue drum pressure. All are club weapons, make no mistake.

Review: Matt Edwards's label Rekids continues to do a brilliant job of curating innovative and interesting techno sounds that work in the club but never lack character. This time it looks to Hilit Kolet who kicks off with 'Snap Talk' (feat Kameelah Waheed) - it's a buoyant and bass-heavy bit of bouncing techno with chattery claps and Afro rhythms. On the flip side, 'Gate 33' is another bold club sound with great vocals worked into the busy broken beats as a peppering of percussion up top adds further layers of rhythm. Both of these will make a real mark in any set.

Review: Koperblond is the owner of Prettemusic and here serves up the fledgling label's second outing. 'Make A Scene' leads off with chunky house drums and plenty of vivacious synth work while two heavyweight remixes from Dirty Dutch icon Chuckie and Finland's Skuwa serve up bubbling old-school vibes, while DJ Babatr delivers a thunderous Rraptor house version that is all tension and explosive energy. Koperblond teams up with AutoFlower and Beau de Wit then on 'Feel You' which is a feel-good piano house cut with an irresistible vocal hook. The closer, 'Plan B.' shifts gears into a deeper, more emotional space.

Review: The third release from Soul In The Horn features tracks from Rockwilder and KingPros, the former's 'Love In Need' proving to be a captivating mid-tempo house rendition of a classic tune by the esteemed hip-hop producer, blending the original melody with the soulful rhythms and textures of mid-tempo house. King Pros' 'You Had to Know' is a powerful mid-tempo rework of a very well respected voice. The result is two stunning tracks that demonstrate the versatility and vitality of the genre.

Review: Four artists with a taste for classic deep house infused with more than a touch of house line on the Silver Walker label's sixth release. Following releases on the likes of Local Talk, Balance, Traxx Underground, Mate, Quintessentials and upcoming projects on Nervous and NDATL, Shaka opens proceedings with a flurry of Hammond and plenty of exotic percussion, lie Alan Hawkshaw riffing with Underground Resistance. Glenn Davis (Wolf, Yore Records, Deeper Groove and Selections Records) delivers a deeper house workout on the A2 house track, the jazzy keyboard chords, fluttering flute and restless synths working real magic. One of the masterminds behind the Silver Walker label, Diego aka DFRA, comes on all perky with the saxes and soloing Rhodes, on the second side's opener, 'Nitewax'. Then we close with Damien aka Keymono (founder of several labels including Monocturne Records and Funkyshirts) laying on the handclaps of classic disco strings, the snippets of funk guitar and vibes the cherry on top.

Review: Defected's House Masters series tribute to Frankie Knuckles is being released as two double LPs, but it could have easily been four or five, such is the quality of the tracks and remixes that the 'Godfather of House' produced during his lifetime. Naturally this second and final part is full to bursting with colourful, tactile and wonderfully saucer-eyed classics - many familiar, some slightly less so - which deserve a place in your collection. Picking highlights is naturally tough, but for proof of Knuckles' unassailable musical majesty and dancefloor magic it's hard to beat the Sound Factory mix of 'The Whistle Song', the low-tempo house bliss of his remix of Inner City's 'Whatcha Do With My Lovin', the Satoshi Tomiie/Robert Owens hook-up 'Tears' and his incredible revision of Electribe 101's 'Talking With Myself'.

Review: It's been a long time coming, but finally Defected's producer and remixer-focused House Masters series has turned its attention to the undisputed Godfather of House himself, the late, great Frankie Knuckles. This first part (of two) fittingly opens with the track that originally set out his melodious, warm, colourful and loved-up trademark sound, the Jamie Principle collaboration 'Your Love', before flitting between genuine anthems (legendary remixes of Loose Ends' 'Hangin' On a String' and 'Blind' by Hercules and Love Affair, the sleazy, acid house-era 'Baby Wants To Ride', the exceptional 'Hallucinogenic Mix' of Chaka Khan's 'Ain't Nobody') and arguably more overlooked gems (the garage-house wonders that are his remixes of Adeva and Sounds of Blackness).