Review: British singer Hope Tala makes about as impressive a debut as you could possibly hope for here. Hope Handwritten is full of indelible love letters and brims with the confidence of an artist who has finely honed her craft. The West London singer leans on neo-soul and classic r&b for inspiration while weaving personal narratives with meticulous care. The standout track 'Breaking Isn't What A Heart Is For' exemplifies the album's essence with velvet vocals over beautifully arranged instrumentals that deepen the emotion of her storytelling. Tala's literary background shines through in her direct yet poetic lyrics, which make this one even more of a fine debut.
Review: More of a refinement than a total reinvention TOKiMONSTA's latest sees her subtly shifting her sound while retaining its essential character. While collaborations are present, they serve to highlight rather overshadow, her distinctive production style. This is a curated journey, moving fluidly between moments of quiet introspection and bursts of dancefloor energy. 'On Sum', the much-anticipated link-up with Anderson.Paak and Rae Khalil, is a clear standout. The established chemistry between TOKiMONSTA and.Paak is undeniable, their styles meshing seamlessly. Khalil's smooth vocals provide a captivating entry point, giving way to.Paak's effortless flow. It's a lesson in modern r&b, where soulful vocals meet TOKiMONSTA's signature rhythms and shimmering synths. This double LP isn't confined to 'On Sum', however. It explores a wider landscape. 'Corazon / Death By Disco Pt. 2' is pure kinetic energy, a samba-infused track built for sweaty dancefloors. But the album also makes space for quieter moments, with tracks like 'Eternal' and 'Reverie' offering a chance to breathe. It's here, in these more contemplative moments, that the intricacies of TOKiMONSTA's production truly come to the fore. This release is a statement, showcasingTOKiMONSTA's continued artistic growth, her ability to weave diverse influences into a cohesive and compelling whole. From the high-octane energy of 'Corazon/Death By Disco Pt. 2' to the understated beauty of 'On Sum', this is a journey worth taking.
Better That Way (feat Le Syndicat Du Chrome - Jazz reworked) (2:55)
Ronin (feat Hugo Kant - dub) (3:31)
Pills For Your Ills (Afghan Beat) (3:29)
Past Your Time (Trap Reboot) (3:19)
The Journey (Lost mix) (3:17)
Review: South African rapper TUMI teams up with French trio Chinese Man for a genre-defying collaboration here that reimagines hip-hop through a global lens. Drawing from dusty crates and forgotten corners of music history, such as banjo riffs, 1930s swing and Andean flutes, the production is a crate-digger's dream that boldly ventures far beyond traditional hip-hop terrain. The result is a rich, textured sound that's both nostalgic and refreshingly new as TUMI's lyrics weave between irony and poignancy and are grounded in sonic experimentation with sharp social commentary. This is a bold, borderless journey and proof that when cultures and styles collide, magic happens.
Shake Ah (feat Tony Duardo, Optimist music & Ez Maestro) (5:44)
Push 2 Start (2:37)
Back To You (2:34)
Review: Tyla every much burst onto the global r&b scene with her breakout single 'Water.' Se quickly capitalised on summer ubiquity with a self-titled album which showcases her distinct blend of Afrobeat, pop and r&b. It's a mix of the usual tropes - sultry, steamy vocals, lovely smooth bass, rich melodic hooks and polished production that doesnt lose an intimate edge. Tyla brings an energy that's both vibrant and emotional with her vocals and while her most famous single remains her best work, her ability to weave personal experiences into her lyrics adds depth on this record which does a god job of showing her impressive vocal range.
Kanye West's new collaborative album with Ty Dolla $ign, VULTURES 1, feels unexpectedly cohesive and fully realizedia surprising change of pace for West's recent output. Known for raw and often incomplete releases, this time he brings clear production and a crisp, polished mix. Ty's smooth delivery contrasts with Kanye's own verses, blending effortlessly on tracks like the Donna Summer-sampling 'Good (Don't Die)'. Rhythmic, industrial beats provide a dynamic backdrop, especially on tracks like 'Paid' and 'Carnival,' giving this album a depth that stands out in West's complex, ever-evolving catalogue.
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