Review: CASSIMM knows how to make rock-solid house designed to get floors bumping and that's just what he serves up here for the Rekids label. 'Body & Soul' is a tune that appeals to both with its charming bassline and raw drums all topped with some sultry vocal swirls. 'I Hear You' then brings some hands-in-the-air house with vamping chords and a well-swung groove while 'What Ya Looking At' shuts down with a funky low end and some soulful old school house grooves complete with a sleazy vocal.
Crackazat - "Can't Blame A Soul" (Mana dub) (5:51)
Beatsbyhand - "SARS" (6:24)
Review: Kid Fonque presents the sixth instalment of his label Stay True Sounds' compilation series. Showcasing the best of South Africa's dynamic musical talents, this 15-track volume of intense deep house and Afro house cuts is not to be passed over. Highlights on this 12" sampler edition of the wider comp include 'We R 1', a technologically driven, syncopated, trippy Kalahari jam by China Charmeleon and Hypaphonik; and 'SARS' by Beatsbyhand, a hollering ambient amapiano mystery.
Review: The third edition in Ten Lovers' Coin series hears Marcello Cassanelli, Caruso and Helen McCormack fuse churnout disco, chicken pickin' guitar and Rhodes solos, in an extravaganza of fresh, sartorial dance music. Never pressing too hard, Cassenelli's 'Starlight' and 'Tropical Breeze' go easy on the master channel, with unhurried pan flutes, roiling strings and twizzling G-synths stuck loosely to a soft but firm electro-tropical backbeat. 'Dream Horizon' is a brilliant outerlude on which to close the side. On the flip, Caruso & Helen McCormack allude equally to the Manchester Street Soul scene of the late 80s with 'Have & Hold', whose razor-edge r&b vocals and low-slung progression lend the record a surprise twist. Their 'Love You More', meanwhile is lushness personified, before Caruso's 'Central' chugs magnficently towards the run out groove with oozing synths and glitterball glamour.
Review: Esuoh Limited's third outing takes the form of another various artists offering, and it explores an on-point mix of garage, house and tech. Ale Castro gets things underway with the bubbly bass motifs and retro stabs of 'IDWTAD' with a vocal refrain repeating the line 'I don't want to talk about drugs'. Hurlee's 'Spectral Echoes' is a super breezy house cruiser with sugar chords and more widescreen smears adding the oil to the drums while a simple, effective vocal hook brings the soul. There is a darker, more heads down energy to Housewife's 'Jus A Lil Bit' then Midas Field's 'Groover' brings class, jazzy magic and plenty of fist pumping fun.
The Mechanical Man - "Uncle Swing" (feat Bob Vito) (4:31)
DJ Rocca - "The Box Above" (6:03)
Lex & Locke - "Soul Escape" (6:56)
Review: Musica Solida sampler 1 marks a thrilling celebration of 40 years of Flexi, the venerable record emporium that has stood the test of time in the ever-evolving music industry landscape. As the label weathered storms and celebrated triumphs, it has remained a beacon for vinyl enthusiasts, and this compilation embodies its enduring spirit. Curated by Flexi Cuts, Musica Solida promises a series of carefully selected singles spread across multiple 12-inch samplers, showcasing the talents of cherished Flexi-affiliated artists and producers. With a vision to cultivate a movement of sublime tunes, the compilation aims to uphold the commitment to quality that Flexi has exemplified within the Italian music scene and beyond. Musica Solida sampler one sets the stage with an eclectic lineup of artists, each bringing their unique flair to the table. DJ Rocca stands as a stalwart of the clubbing scene, while Club Soda delivers live electronic ensembles brimming with house-flavored jams. Lex & Locke bring a touch of Greek sophistication to the mix, showcasing their groovy sound destined for future acclaim. Hiroyuki Kato emerges as a Japan-based multi-instrumentalist with a punchy debut track, and The Mechanical Man (feat. Bob Vito) adds a raw, gritty energy to the compilation. For those that are adventurous in finding unique music, you will want to check out this great release.
Review: Detroit mainstays Drivetrain and Blaktony are next up on Soiree with some high-octane but soul-infused machine music, while Funtom and Hughes Giboulay appear on the flip side. Drivetrain gets to work with the jerking loops and turbocharged chords of 'Hyperlock' while Blaktony's 'Butt Naked' sinks into a deeper late-night and more dubbed-out house vibe. Funtom's 'Wisdom' brings a great lightness of touch in the wispy pads and scuffed-up drum patterns, then 'Kickin That Feelin' has a more exuberant but still deep feel with subtle chord joy and deft acid.
Believe (Arno X DJ Dope Believe In Me Rhythm dub) (5:15)
Journey (6:48)
Journey (Dana Ruh remix) (7:06)
Review: Curtea Veche's LTD series returns with a heavyweight collaboration from west coast house pioneers Hipp-E and Halo Varga, better known as H-Foundation. Their early 00s productions helped define a distinct, groove-laden style that still reverberates in today's underground house scene. This latest release sees them tap into that timeless sound, delivering an EP that feels both nostalgic and fresh. Opening with 'Believe,' H-Foundation remind us of their signature deep, rolling basslines and hypnotic rhythms. It's a track built for those long, early morning hours when the energy on the dancefloor hits a special kind of intensity. Arno x DJ Dope take things into even deeper territory with their 'Believe In Me Rhythm Dub,' stripping back the original and adding a dubby, percussive twist that's impossible to ignore. On the flip side, 'Journey' takes a more expansive approach. Warm pads and bubbling basslines gradually unfold, inviting the listener into a lush soundscape. Dana Ruh's remix of 'Journey' retains that dreamy vibe but infuses it with her trademark minimalistic touch. It's a subtle yet powerful rework, full of intricate details that will stand out to those paying attention. This EP captures the essence of west coast house, while the remixes ensure it resonates with today's selectors, making it a must-have for DJs looking to bring a bit of history into their sets.
Review: Big Love's popular compilation-style A Touch Of Love series returns for a sixth instalment, with boss man Seamus Haji once again showcasing a quartet of tried-and-tested treats. Fittingly, he kicks things off with 'Serious', a kind of hbrid heavy garage-house/disco house affair featuring organ solos aplenty and vocals from Chicago legend Mike Dunn, before Moon Boots joins the dots between sweet 80s soul and nu-disco on the synth-powered vocal number 'In My Life'. Heavy, French Touch-inspired disco-house vibes are provided by DJ Fudge ('Escapade'), before Dutch rising star Danou P - with a little help from pal Jamie 3:26 on vocals - delivers the organ rich deep house/garage-house fusion of 'Fly'.
Makez - "Train To Saturn" (feat Dwayne Franklin & NPO303) (6:41)
Basic Soul Unit - "Souljourn" (7:23)
Hubie Davsion - "Entno" (4:23)
Review: On Demuja's label Blueprint comes an milestone six-track EP made up of breezy, ultraviolet house tunes, celebrating the imprint's tenth anniversary in the form of a bite-sized sampler referencing a wider compliation LP. With both familiar and fresh faces in tow, we're gripped by the selection on offer: Hall's synthetic glam-funk jam opens proceedings with whistly synths, while Makez' 'Train To Saturn' accelerates towards ever-faster ends, and Basic Soul Unit's 'Souljourn' takes the B's cake with knocky, tactile *perpetuum mobile*.
Review: Zurich's Project Indigo imprint has admirable aims, with the proceeds from the sales of all its singles going to reforestation initiatives around the world. It helps, of course, that the material they release is usually on-point and undeniably enjoyable. That's certainly the case with this four-tracker, a label-debut from rising star Hame. The producer's previous releases have frequently blurred the boundaries between electronic and acoustic sounds, as well as tech-house, deep house and more besides. There's a similar approach here, with the spacey, loose-limbed deep tech-house dreaminess of 'Everyday' being joined by the ethereal deep house melancholia of 'Hope', the enveloping, lo-fi electro beauty of 'Lo-Fi' and the bona fide early morning deep dancefloor hypnotism of 'Stick Together'.
Review: It's been a wee while since we last heard from Rory Hamilton AKA Hammer, whose formative releases on Bicep's Feel My Bicep label were special to say the least. This is, we think, the Northern Irish producer's first solo EP for almost five years. He starts in style with 'Swerve', a pulsating slab of house-powered body music rich in sequenced bass, shimmering chords and saucer-eyed melodies, before opting for a deeper, tech-tinged and analogue-rich Italo-disco-goes-deep-house sound on 'Swivel'. Over on side B, 'Tbilisi' is a hushed, warehouse-ready affair full of sweat-soaked cymbals, restless square wave bass and vocal stabs, while 'Push Repeat' sees him pepper another sturdy house beat with melodic motifs and quietly moody pads.
Review: New York label HandsOnWax are said to confer to the digging DJ strange bouts of alien hand syndrome: when confronted with any one release, we simply cannot keep our hands off, no matter how much conscious control is exercised! Here the label clutches its fourth release with a tightly honed set of four house tracks built for peak functionality; each cut on number four is manually engineered for clean arrangements, tough low-end and sharp rhythmic details calibrated for optimum mix pressure. No pressure! That being said, we don't know the artist behind this one, only that 'Rumor Mill' and 'What A Dayb' are creamy, broken jazz come post-bassy club incursions, well worthy of consideration in themselves, not for the charismatic aura of person that made them.
Review: Handsonwax top up their esteemed repertoire with another four tracks added to their anonymous white labels series. 'Volume 3' continues the elusive label's preference for cheesy breaks lent to classic dance music motifs, leading the charge with a whomping breakstep version of Max Romeo's 'Chase The Devil', followed by a blissful dub techno excursion. The B-side rerubs Moodymann to delicious ends, while the star of the bunch reworks a rework; that is, Herbert's snappy version of Louie Austen's 'Hoping', except this time it's lent a swath of extra soulful house ornamentations.
Review: If we had a pound for every hush-hush Sade remix or re-edit we'd heard over the years, we'd likely have enough to fund a night out - or at least a light lunch at an overpriced London restaurant. This one comes from - surprise, surprise - a mystery artist, on the freshly minted Illegal Paris rework imprint. It sees our shadowy hero give his, her or their take on 1984's 'Hang On To Your Love', re-framing the classic cut as a smooth, subtly nu-disco tinged slab of warming deep house excellence built around a rising and falling bassline, crunchy drums and tech-house tinged electronic flourishes. The superb full vocal A-side version comes accompanied by a dancefloor dub style 'instrumental'. This features occasional vocal snippets and loads more spacey synth sounds.
Review: Warren 'Hanna' Harris, the multi-talented producer and instrumentalist from Cleveland, returns to Vibes And Pepper with a five-track EP of sophisticated and soulful sounds. The A-side features two previously released gems, 'Omnipotence' and 'The Dark', both timeless examples of Harris's ability to craft intricate arrangements that meld future jazz, broken beat and deep house influences, while the B-side unveils three previously unreleased tracks, highlighting his deft hand in manipulating sound, creating a landscape of unconventional sounds and structures. 'His Eyes (Detroit Remix)' is a standout, its mesmerising groove and soulful melodies take us to the heart of Motor City, while 'Menace' takes a darker turn, its brooding bassline and haunting chords evoking a disquieting aura of suspense and mystery. 'Spirit Logical' closes the EP with a flourish, its uplifting melodies and intricate rhythms again highlighting Harris's masterful production skills.
Review: 'Loose Fit' isn't always the first song name that springs to mind when thinking about the Happy Mondays, but the immediately identifiable opiate guitar riff is up there with the band's most memorable and infectious. A highlight of the group's third album, Pills 'n' Thrills and Bellyaches, the track was already dancefloor ready before this pack of re-dos arrived on the scene. We're glad it did, though. Greg Wilson and Che Wilson open the scoring, keeping things thoroughly Manchester and acid-tinged, it's a trip through the blue lights and sweat of a warehouse at 2AM. The Grid's EOE Edit and subsequent Remix take the tempo down and the atmosphere deeper, almost druggier if that could humanly be possible given the wider context here. Topped off with a post-club overture in the form of the epic downbeat Perfecto version, and you might want to stick it in the shopping cart now.
Tell Me What You Want (Rob Hardt Afro Vibe mix) (4:22)
Tell Me What You Want (Rob Hardt Groove mix) (4:51)
Review: Classic R'n'B and Afro Beat have found a harmonious blend in this standout reissue from Sedsoulciety Recordings. This release is not just a fresh take but also a revival of a collaboration that brings together the best of both worlds. "Tell Me What You Want" is back on the scene, and it's showcasing why this fusion was so groundbreaking. The A-side features the Afro Vibe Mix, where warm, pounding beats meet the rhythmic pulse of AfroBeat, all wrapped in the smooth elegance of modern r&b. On the flip side, the Groove Mix takes a more driving approach, maintaining the track's lush vocals while ramping up the energy for a dance-ready vibe. This reissue kicks off Sedsoulciety's gold line, a new series set to highlight the freshest takes on genres including Rap, HipHop, Neo-Soul, and Neo-Funk. Each release will delve into powerful beats and sophisticated vocal performances, reflecting the label's commitment to contemporary, genre-blending music. "Tell Me What You Want" serves as a prime example of how classic sounds can be revitalized to resonate with today's audience. This exclusive vinyl release is a testament to the enduring appeal of both R'n'B and Afro Beat, and it's sure to be a coveted addition to any collection.
Review: If you like classic r&b and Afrobeat then get your lugs around this where both sounds meet in a perfect fusion on this German-Nigerian collaboration. Featuring modern, warm drums and potent basslines, this release kicks off the Sedsoulciety Recordings Gold Line series aimed at showcasing contemporary styles. 'Tell Me What You Want' is presented here in two versions: the Afro Vibe Mix on the A-side and the Groove Mix on the flip. Both tracks bring plenty of heart and also dance floor heft so get things underway in great style.
Murky (Beyond The Wizards Sleeve Re-Animation) (8:08)
Murky (Coral Way dub mix) (5:40)
Review: Sean Johnston's releases have been relatively few and far between in recent years, with one EP a year appearing on average. His first missive of 2024 may or may not be his last of the year, but it's well worth your attention. Appearing on Matt Edwards' admirable Rekids imprint and featuring lead vocals by Beth Cassidy, 'Murky' expertly blurs the boundary between dark disco, moody mid-tempo house and melody-rich nu-disco - all growling bass guitar, sparkling synth sounds, nostalgic piano solos and loose-limbed beats. Richard Norris and Erol Alkan provide a typically impressive Beyond The Wizard's Sleeve 're-animation', channelling the spirit of their classic Franz Ferdinand rework of the 2000s, before Coral Way delivers a deliciously dark, moody and tactile dancefloor dub.
Review: Brighton-based producer Pierson brings a refreshing diversity to his deep house and disco house offerings, blending multiple influences with an ease that keeps his tracks exciting and unpredictable. 'Forget It Mate' starts off with a slow groove that feels like a nostalgic nod to vintage deep house, but it's much moreithis track is a skillful blend of old-school vibes and modern energy. It seamlessly moves between different styles, creating a dynamic and infectious vibe. 'Mr Miami' follows with a lively piano-driven melody, uplifting the listener with its ambient house feel, where lush chords and smooth transitions create a feel-good atmosphere. On Side-2, 'Spank Dat' is a funky standout. With its rich groove and rare disco aura, it's a killer track for any dancefloor, offering a unique fusion of genres. Finally, 'Just No!' dives into a tribal, electro-driven territory. Its organic yet robotic funk takes on an 80s electro feel, offering a quirky, dynamic sound that pushes boundaries. This EP delivers something for everyone, effortlessly blending styles while staying rooted in deep, groove-driven house. A true example of the producer's range and creativity.
Review: How is it that this EP from Warren Harris, aka the deep house maestro Hanna, is now 20 years old but still sounds like tomorrow music? Such is the vision of Harris that his off-grid grooves and sparkling cosmic melodies have aged to perfection. The pads weave in and out of the wonky kicks on 'Metropolitan' to make for an outlier soul sound. 'Cottage' pairs more wispy melodies with cool-as-you-like drums and on 'Healing' there is a sunny day feel with glistening and golden keys and louche drums persuading you to sway. 'Afternoon In Paris (NY mix)' brings some swaggering jazzy swing and busy keys work that again transcends space and time. This is one of the many classics on Theo Parrish's Soul Signature label.
Review: SQNC's debut release on Sequence Records delivers an electrifying clash of styles. Hearthug's playful energy opens the A-side with 'Beep Blump Beep (Sex Mix)', a bouncy track that effortlessly commands the dancefloor. 'Moonrush (Original Mix)' follows, taking a more acidic approach while maintaining that signature groove that's undeniably infectious. On the B-side, Cybercafe - Adam Dirk'heim's brainchild - establishes its cybernetic identity. 'Hyperdrive' is an immersive experience with deep kicks and distorted synths, creating a pulsating rhythm that draws listeners in. 'Katorza' takes things further with a retro-futuristic edge, adding a hypnotic energy that makes it perfect for late-night sets. It's a dynamic fusion of playfulness and intensity, showcasing the unique approaches of both artists while setting the tone for Sequence Records' future. This release is full of depth and dancefloor potential, marking the start of something exciting for the label.
Review: After a decade-long break, Herbert returns with 'Part 9', a continuation of his influential Parts series that has been a cornerstone of leftfield house music since Part One debuted nearly 30 years ago. This release marks the beginning of a renewed focus on Herbert's innovative sound, with 'Part 10' scheduled for later this year and a new album expected early next year. Part 9 introduces collaborations with Momoko Gill, known for her work with artists like Tirzah and Coby Sey. The EP kicks off with 'Fallen,' where Gill's vocals meld with Herbert's minimalist, 90s-inspired production, creating a track that's both haunting and deeply rhythmic. 'Find Me' strips things down with an instrumental that showcases Herbert's skill in blending subtle grooves with engaging beats. The release closes with 'Curt,' a track that feels like a nod to Herbert's roots, fusing minimal elements with house vibes that are both nostalgic and forward-thinking.
Herd & Fitz/Hannah Wants/Abigail Bailey - "I Just Can't Get Enough 2024" (6:39)
Herd & Fitz/Jakkob/Abigail Bailey - "I Just Can't Get Enough 2024" (5:26)
Herd & Fitz/Abigail Bailey - "I Just Can't Get Enough 2024" (5:16)
Herd & Fitz/Abigail Bailey - "I Just Can't Get Enough 2024" (H&F Sunrise mix) (6:00)
Review: Back in 2006, Jason Herd and Jon Fitz scored a colossal club hit with 'Just Can't Get Enough', a funky and chunky house number featuring impassioned lead vocals by Abigail Bailey and a prominent sample from Kariya's late-80s dancefloor classic 'Let Me Love You For Tonight'. 18 years on, the track has been given a makeover. Hannah Wants steps up first, retaining the vocals and Kariya synth samples while combining it with a beefy, tooled-up house groove, before Jakob reaches for mid-90s organ bass, a grandiose breakdown and even bigger builds. Flip for two reworks by Herd and Fitz - a rushing, peak-time friendly, radio-ready big room house re-wire, and a bouncier, piano-sporting 'Sunrise' revision.
Review: Detroit-born but now based in Thailand, Scott Hess returns to show his enduring Motor City class with Redlight Bangkok Vol. 3, a third instalment of his vinyl-only series on Adeen. This one opens up with 'En Bloom' which is a Miami bass-inspired jam with crisp kicks and icy cold 808s. Rocco Universal's remix is more deep and house-leaning with some magnificent melodies then on the B-side, 'Whitelight' gets more twisted with elastic bass and snappy percussion. 'Untitles' is a cosmic journey with a funky guitar and dreamy chorus and last of all comes the smooth and serene, chord-laced soundscapes and fathom deep grooves of ''Untitles' which is a classy late-night sound.
Hold On Me (club mix instrumental - Deep mix) (4:06)
Hold On Me (Deep mix instrumental) (4:06)
Review: There is a distinctly old school feel to the dark moods of this new deep house outing on Fruit Merchant from Hidden Spheres and Private Joy. 'Hold On Me' takes you back to the days of Adonis, Hercules and Tax Records with it intense emotion, humid atmospheres and menacing bassline. The drums are raw and jacking but the vocal brings a vital soulful and human edge. After that club mix comes the paired back instrumental, a deeper mix that smooths the edges and makes this more soft focus and cuddly. It's a gorgeous tune for loved-up floors.
Review: Will Hofbauer and Igaxx collaboratively expand the all-too-easily received palettes of electro, techno, garage all in between, and even more yonder, proving to us that the boundary edges of each genre may be blurred without worry. Sharing three groove-bays each on this latest 12", Hofbauer indulges an across-the-pond sojourn, guesting on Japan's Ladybug label, which is managed by the also eminent Igaxx, who occupies the B with equal grip. Hofbauer's 'Cricket', 'Clod' and 'Cocodrilo' bring three endocrine C's to a singly sanguine side, echoing a Hessle Audio-esque experimental dance sensibility while secreting all manner of vital sonic fluids from his ears unto ours; the last track is especially alarming; cursedly toothy, its growly lead zombifying the elsewise rapid mix by way of an enthralled grunt. Igaxx's contributions are relatively supportive and yet mad, moving from the squelches and pipey ascensions of '4 5 SL Trip' to the parabreaks flows of 'Liquefy' and the sloshing cosmo-funk astro-vista that is 'Ray In Space'.
Review: Holo makes a welcome return to Shall Not Fade, delivering four tracks that strike a perfect balance between deep house nostalgia and contemporary groove. His signature soundilush synth work, crisp percussion, and a delicate emotional pulliis on full display, weaving a rich, transportive atmosphere throughout. 'Pink Wax' sets the scene with warm, enveloping pads and a rolling low-end, effortlessly drawing us in. 'Flipper' leans into more playful territory, its shimmering melodies and tight drum programming keeping the energy light yet propulsive. Across the record, Holo's ability to craft emotive, immersive dance music remains undeniable, blending hazy textures with infectious rhythms in a way that feels both timeless and forward-thinking.
Review: Priku is the acclaimed Romanian DJ and producer also known as Adrian Niculae and here he brings his signature deep, minimalistic soundscapes to the forefront with an exceptional remix of 'Mayon,' the first track of the first EP on the new Menikmati label. Homebase is behind the original which is a deft and intricately assembled minimal sound with thudding kicks and glitchy hits next to ghoulish vocal sounds. 'Layton' shuts down with a more airy mix of heady synths and dusty drum loops that get your head up and your ass moving.
Review: Homebase's latest release 'Everlasting Love' is a joyous celebration of love that transcends time and musical boundaries. The captivating original track is a romantic minimal lullaby with feel-good melodies full of innocence that do a fine job of conveying the moments that make hearts race and memories that last forever. Whether dancing or reflecting, this track connects deeply with the soul. Then comes remixes by renowned artists Phonique, Marc Spieler, and Richard de Clark, each adding their unique touch with some perfect for dreamy after-hours and some a little more ready for the club.
Review: HoneyLuv makes her debut on Danny Howard's Nothing Else Matters imprint, teaming up with New York DJ, producer, singer-songwriter and vocalist Roland Clark for 'This Is My Life'. With the latter artist having thus far been crowned 'the voice of house' for his various features for the likes of Fatboy Slim, Mark Knight, Todd Terry, Roger Sanchez and Bob Sinclair, and the former having more recently taken the house circuit by storm with her fiery productions released via the likes of Black Book and Tuskegee, 'This Is My Life' is a worthy addition to the pair's shared jackin' house repertoire; a repeated affirmation to 'dance all night', to 'feel all right' in spite of the pressure and to find ultimate salvation in the music.
Review: Following the warm reception for the most recent Vokabularium release, label boss Denis Horvat once again joins forces with talented vocalist Lilli Ellen on the EP ‘Two Makes Everything’, a murkily earnest progressive house record building on indie pop and blues. The title track moves snakily, through watery grain-echoed synth plucks and brimming background pads, as Ellen pleas for understanding despite a newfound sense of determination in who she is. ‘Gone’, meanwhile, prefers a more plodding abstraction, held together firmly by a three-note stab.
B-STOCK: Sleeve damaged but otherwise in excellent condition
Track 1 (6:58)
Track 2 (7:16)
Track 3 (7:20)
Track 4 (7:43)
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Hostom is both an artistic moniker and a record label, controlled by producer and mastering engineer Varhat Veliere, acting under the aegis of their very own distribution company, based in France. Veliere has kept the Hostom arm of their craft since 2015, dropping myriad creative works centring on weirdo atmospheric house. This latest, seventh edition to the imprint hears just four new untitled ones hit the worthy shelves and all of them are unusually serene, off-guard-catching forays into unseen psychedelic worlds, whether evoked simply by the weird, wondrous and bubbly sounds heard throughout; or literally narrated by pop-psychedelic guru Terence McKenna (Track 3).
Review: Ah, Hot Creations, home to the hippest house music that cites disco and 25 year-old club anthems as its inspirations. Here, label head honchos Jamie Jones and Lee Foss revived their Hot Natured project for a sweet stroll through smiley vocal house territory in the company of one-time electrofunk revivalist Ali Love. "Benediction" is good for what it is - a vaguely deep, pleasant Hot Creations record - but the real killer here is the remix of former single "Forward Motion" by crusty old US garage head Mark "MK" Kinchen. He recalls those glory days of tough but groovy MK dubs with a rework straight out of 1993.
Please Take Me There (Makez vocal House remix) (6:30)
Please Take Me There (Sizmo A Capella dub mix) (6:39)
Review: House of Spirits made a fine debut on this label back in summer and now quickly follows it up with more sumptuous house sounds. It is an alias of Tom Noble, a mind full of soulful and blissed out musical ideas that he translates fantastically. 'Please Take Me There' is irresistibly cool and catchy with its funky bass riffs and many great guitar motifs all causing over a smooth groove. The Makez vocal House remix is deeper and has a hint of shuffling US garage to it, then the Sizmo A Capella dub mix ups the blissed out feels with new age melodies and supple, dubby drums.
Review: The second in the HouseHeadz00 Series, The Black Edition, is "a masterful exploration of house music's rich and varied landscape." The EP take in four tracks that combine seamlessly blend different subgenres into one complete listening experience. 'Recuerdo' goes for classic house with its vibrant pianos and uplifting melodies, 'Desire' heads deeper with hypnotic beats and lush textures. On the flip, 'Dream' does what it says on the tin, enveloping you in a woozy, dreamlike state with intricate layers and ethereal sounds, before 'Ever' introduces a soulful dimension with smooth vocals and emotive harmonies. Something for everyone, pretty much.
Nicole Moudaber - "Rise Up" (feat London Community Gospel Choir) (8:13)
Armand Van Helden & Mark Knight - "Down To Earth" (6:37)
Review: NEM 100.1 Vol 1 isn't your standard deep house compilation. With heavyweight contributors like Danny Howard, Nicole Moudaber, and Armand Van Helden, this release feels like a meeting of minds with a shared purpose: to push familiar boundaries into unexpected places. Danny Howard and Eli & Fur's If You Were sets the tone with a blend of understated house rhythms and finely layered vocals. There's nothing overblown here - it's precise, refined, and confident in its restraint. PAX and Rui Da Silva's Touch Me follows, reviving the iconic anthem with modern production sensibilities. The track is driven by its deep, chugging bassline and stabs of melody that feel like a nod to the original, but also refreshing in their approach. Nicole Moudaber brings a more atmospheric element to the fold with Rise Up, featuring the London Community Gospel Choir. It's expansive, combining gospel depth with Moudaber's signature techno edge, resulting in a track that demands attention without feeling heavy-handed. Closing things out is Armand Van Helden and Mark Knight's Down to Earthia production that melds classic house tropes with a contemporary spin. Its punchy, syncopated rhythm and laid-back groove avoid the typical tropes, instead offering something warm, slightly off-kilter, and entirely captivating. This is a collection that doesn't fall into the trap of overused house formulasiit's bold without overstating, intricate without being pretentious. A strong reminder that these artists still have a few tricks up their sleeves.
Review: Hastings-born prog/tech veteran Danny Howells' latest foray into the world of house music proves once again why he's a staple of the scene. Lead track 'Powershow' is a sprawling 12-minute exploration that encapsulates everything great about houseideep, soulful, yet endlessly driving. Following that is 'Stereodrama,' which shifts gears slightly, upping the ante with a raucous, percussive workout. It's a perfect reflection of Howells' deft touch for crafting emotionally resonant yet unrelentingly danceable moments. Finally, there's 'Earthlings X,' a track that might have been created years ago but still feels entirely of the moment. Despite being Danny's first release for Selador, it's aged like fine wineiits ever-present freshness matching its ability to still sound like a future classic. It's the kind of cut that seems to embody everything Howells stands for, the perfect intersection of intelligence, energy, and soul. Sounding both timeless and cutting-edge this is another feather in his already many-feathered cap.
Review: Two enigmatic raw deep house cuts from Gene Hughes aka. Bluemoon Productions, debuting for HotMix for the first time. Technically first released in 1990 via Code Blue, this remastered vinyl edition is as pure a slice of otherworldly house realness you can get. The mood throughout is nocturnal, fade-to-black, lamplit, verging on wild - opener 'D' is darkly jazz-chorded and peppered throughout with the sound of hyenas cackling, as if to suggest a nighttime jamboree at the edge of civilization; then there's the Latin guitar glidings-above of 'R' and the beautifully, unusually wompy drumwork-dreamwork of 'A'; and finally, closer 'S' takes the form of a sonic flex: the slowest breakbeat track we've encountered in a while, whose choppy slices, feel-it vocals and deep Reeses force us to consider our unconscious associations around bassweight and floor-readiness.
Review: Mole Music branches out for the first time to vinyl here and shows it has a great wealth of talent to call on with a various artists' EP that is presumably the start of a new series. Holy Guacamole Vol 1 kicks off with JHNS keeping it deep and lively with 'Nevermind' while Steve End and Colau hook up for 'Back Spin' and lay down some magnificent drum loops that are silky and infectious. El Funkador's 'Shame' brings some 90s New York vibes with lovely snare sounds and warm bursts of chords. On the flipside, Alben & Laje & Errat, Hot DLVRY and Craftsmanship all cook up more fresh fusions of old and new school house.
HoneyLuv & Mason Maynard - "XTC" (Jamie Jones remix) (7:31)
Lauren Lane - "Ryde Or Die Anthem" (5:23)
Carloh - "Quisiera Tenerte" (6:58)
Review: Hot Creations' latest vinyl sampler delivers four essential cuts, each with its own distinct flavour, while maintaining a coherent, subtle progression. Kolter's 'Red Alert' opens the A-side with a thundering intensity, its old-school house energy and relentless groove laying down a powerful foundation. Jamie Jones's rework of 'XTC' follows, taking the original into a deep, bewitching realm with dubby atmospherics and a head-nodding rhythm that perfectly complements the previous track. Flip it, Lauren Lane's 'Ryde Or Die Anthem' offers a playful rework of DMX's 'Ruff Ryder's Anthem', blending rolling basslines and rapped vocals with transcendent guitar stabs for a tripped-out ride. Finally, Carloh's 'Quisiera Tenerte' injects a lively Latin groove, dripping with enthralling basslines and hooky vocals that ensure the groove never falters. Each track is finely tuned to create a mix that's full of energy but never overcomplicated, seamlessly connecting one moment to the next.
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