New releases last eight weeks: Jazz

Review: Decca Records, a champion of British jazz and particularly the homegrown talent of the 50s, 60s and 70s, continues its exploration of those eras. Curated by Mark Baxter, this is the perfect entry point for those unfamiliar with the virtuoso saxophonist, flautist, vibraphonist and composer Hayes, gathering ten tracks originally recorded for the Fontana label between 1961 and 1969 and answering to the question "Where do I start with Tubby Hayes?" Hayes was a significant figure in British jazz, a multi-instrumentalist and composer whose work spanned various styles, from hard bop to modal jazz. This collection showcases the breadth of his talent, highlighting key moments from his prolific period with Fontana. It's a chance to hear Hayes at his peak, demonstrating his technical prowess and his distinctive musical voice. Here, seasoned jazz aficionados are offered a curated selection of familiar favorites, perhaps revealing new nuances with fresh ears. But its primary purpose is to introduce new listeners to Hayes's brilliance and by focusing on a specific era and label, the compilation offers a coherent taste of Hayes's evolution throughout the 60s

Review: An essential snapshot of late 60s British jazz, Off Centre snaps pianist and arranger John Cameron during a rare small group session, capturing a uniquely vivid, rhythmically complex album. Renowned for his soundtrack and library music work, Cameron brings that same cinematic flair to these tracks: 'Off Centre', 'Troublemaker' and 'Omah Cheyenne' are rowdily rich in texture, yet never overworked. His collaborators include the extraordinary Harold McNair, whose flute and tenor sax playing bring a kinetic energy that nods to his Roland Kirk influences, but with a cooler, more spacious edge. There's a strong modal undercurrent throughout, bringing the session a searching, propulsive edge, reflecting the sonic gemstone gleams that music magpie Gilles Peterson helped champion on his storied Impressed compilations.