Kompakt Germany Vinilo y CD

Review: Dettinger's Intershop delicately navigates the realm of ambient music, inviting listeners into a realm where loops and jumps coalesce into a mesmerizing sonic journey. Each track, a miniature world of its own, boasts precision and allure, creating a cohesive yet dynamic listening experience. Through meticulous attention to detail, Dettinger crafts a therapeutic soundscape that encourages mindfulness and contemplation. The album's modest rhythms provide a gentle push forward while allowing space for introspection. With echoes of classic ambient techno and dub, Intershop achieves a rare balance between background and foreground, offering a tranquil yet engaging musical backdrop. It's a gem of sonic minimalism that captivates the mind, heart, and ears, leaving a lasting impression of completeness amid life's ever-shifting parts. 2024 brings us a remastered version now that enchances the audio spectrum for a real treat.

Review: Dettinger's Oasis, originally released in 2000, is an ethereal symphony of ambient textures and minimal techno. Its unique blend of orchestral elements, effects, and occasional beats creates a captivating and strangely peaceful sonic landscape. Each track offers a hypnotic journey. 'Oasis #2' pulsates with a gentle rhythm, while 'Oasis #3' transforms Balearic melodies into grainy memories. 'Oasis #4' showcases Dettinger's experimental side, merging techno with abstract soundscapes, while 'Oasis 6' infuses dub influences, adding a touch of warmth and groove. The album's appeal lies in his ability to fuse the organic and the electronic. Orchestral swells soar above pulsating synths, creating a sense of drama and allure. The result is a sonic oasis that transports listeners to a realm of serenity and wonder. Fans of Wolfgang's Voigt's Gas project or labels like Mille Plateaux, Staubold, RasterNoton and others may already know this masterpiece, but if you don't, then do not miss this.

Review: Since the release of 2016's epic Gas retrospective, Box, the pioneering drone ambient producer (real name Wolfgang Voigt) has been surprisingly productive. Rausch is the lauded electronic musician's speedy follow-up to last year's Narkopop, which happened to be his first full-length for over 15 years. As you'd expect, Rausch is superb, with Voigt variously turning cinematic orchestral tracks into hybrid electro-acoustic epics. While some are beat-less and fluid, others are loopy, hypnotic and otherworldly, with the German building tension via subtle rhythm tracks that draw on techno and IDM. The results are near faultless, as Voight once again proves that he's a true master of his ambient art.

Review: Kompakt continues to reissue the early, in-demand works of hypnotic ambient techno pioneer Wolfgang Voigt AKA Gas. This time it's "Konigsforst", an album that has been unavailable on vinyl since its' initial pressing on Mille Plateaux in 1998. Built around locked-in, soft-focus techno rhythms, drowsy neo-classical movements, densely layered samples and hazy, hard-to-define melodic elements, the album's eight tracks remain as potent now as they did 21 years ago. Voigt has made a lot of inspired music in his thickset "sound soup" style, but there's something extra-special about this "Konigsforst", which we'd describe as the audio equivalent of a sunrise stumble through an ancient German forest.

Review: To date Wata Igarashi has released most of his work as singles. The Japanese techno producer has steadily risen in profile thanks to releases for the likes of The Bunker New York, Nidgar, Bitta and Delsin, but now his trajectory shifts into a different gear as he offers up his first fully-fledged artist album outside of Japan for the mighty Kompakt. It's clear from the offset he's relished the opportunity to stretch out on an album and we're treated to some stunningly rendered ambient and downtempo soundscapes - just listen to the slow rise and fall of 'Searching' and you'll be instantly sold. There's space for drama and accomplished composition as on 'Ceremony Of The Dead', jazzy exploits on 'Burning' and much more besides, showcasing the unbridled imagination of one of Japan's brightest talents.

Review: Michael Mayer's fourth album, The Floor Is Lava, arrives after an eight-year wait, following his collaborative & album on !K7. Mayer's solo output has always been selective, with each release feeling like a significant moment. His previous albums, Mantasy and Touch, were similarly spaced out, but with good reason. As the head of Kompakt and Imara, a globe-trotting DJ, and a highly sought-after remixer, Mayer wears many hats, and it's no surprise his own productions are more sporadic. Yet, this also ensures quality. His name on a record sleeve signals music that's both forward-thinking and rooted in the past, deftly balancing the demands of the dancefloor and more reflective listening. The Floor Is Lava showcases Mayer's talent for threading together genres and eras while keeping a distinct sense of purpose. Whether it's designed for late-night clubs or a contemplative listen at home, Mayer's sound continues to evolve, pushing boundaries while remaining firmly anchored in his established style. As always, his knack for combining the exploratory with the functional shines through, and this latest offering is no exception.

Review: The longevity of Alex Patterson's Orb project never ceases to amaze. While the ambient outfit has gone through many changes since making its debut in 1989 - longtime production partner Thomas Fehlmann being the man at the controls these days - Patterson shows little sign of wanting to call it a day. Here the duo delivers their 21st album, returning to the stargazing obsessions that have served them so well over the years. Consisting of four typically epic workouts, Moonbuilding 2703 AD doffs a cap to many of their obsessions of recent years - hypnotic Berlin techno, classic ambience, woozy tech-house and dub, primarily - with the jazz-funk-meets-ambient dub flex of the title track standing out.

Review: The Orb's 13th album is a carefully crafted collection of tracks that are couched in minimal techno and ambient house. The first half embraces so-called 'Schaffel' rhythms, while the second half explores classic Orb sonic landscapes and features guest appearances from Schneider TM and Ulf Lohmann. The likes of 'Captain Korma' are warmly infused melodic jaunts with shimmering vocals, 'Cool Harbour' is a lumpy, dubby and off-balance workout and 'Kompagna (Zandic mix)' is a raw, experimental blend of harmonic tones, smeared samples and ambient bliss. This one, then, continues The Orb's legacy of genre-defying music which started in the late 80s when they pioneered chill-out and ambient house.

Review: Originally confined to CDia relic of a different timeiJorg Burger's early-2000s masterwork finally sees the vinyl treatment it deserves. Lush, transportive, and quietly radical, this is ambient techno at its most fluid, a body of work that drifts between nostalgia and movement, solitude and propulsion. 'Leuchtturm' remains untouched, its soft hand drums and hazy atmospheres still unfolding like a slow sunrise. Elsewhere, 'AG Penthouse' undergoes a transformation, its flute-like trills and glassy keys now fused to a churning rhythm that recalls Tangerine Dream's work on Thief, minus the guitar histrionics. Beat-driven yet deeply immersive, each track rises, crests and recedes in perfect sequence, a travelogue in the vein of Carl Craig's Landcruising or Model 500's Deep Space. What makes this release endure isn't just its shimmering detail but its refusal to conform. In a landscape where ambient techno so often leans on a specific nostalgia, Burger sidesteps the obvious, creating a listening experience that still feels singular, 21 years later.

Review: Kompakt's Pop Ambient 2025 marks 25 years of their signature deep ambient series, embodying a refined sense of tranquility and atmospheric depth. This vinyl release gathers new gems from longtime contributors like Leandro Fresco, Pass Into Silence and Wurden & Schafe, who each bring lush soundscapes that feel like meditative journeys. Triola's inclusion reinforces the continuity of the series, while new compositions like 'Artifacts of Synthese' by Segensklang add fresh, delicate textures. Hendrik Meyer's 'Grun War Die Klamm' stands out with its natural, serene tones, beautifully complementing the collection. For ambient listeners, this anniversary edition presents a thoughtfully curated blend of Kompakt's ambient vision over the years, celebrating a legacy of introspective, lush sound and marking a milestone in the genre.

Review: RECOMMENDED
It's hard to imagine anyone with ears and an understanding of 'how things should be done properly' not having about a million years' worth of time for Kompakt Records and the bossman Michael Mayer. Both have endured rises and falls in electronic music, and remain emblems of quality within house, techno, electro and electronica. In more recent times, though, you could argue the label has never been on better form than when dealing with tracks which are not necessarily focused on the dance floor.

From that end of things comes the appropriately titled Pop Ambient compilation series, each instalment a masterclass of lush, thoughtful production work. Here we're treated to efforts from Markus Guentner and Joachim Spieth, Triola, Andrew Thomas and Black Gloss, with the combined effect equivalent to what it might feel like to physically walk into a tapestry of vivid, soft, relaxing colours.

Review: After 32 years promoting a distinctive blend of off-kilter Cologne techno, mind-altering minimalism, ambient pop and trippy tech-house, Kompakt Records has notched up 499 releases. It makes sense, then, that the long-serving German label would be keen to mark release number 500 with something suitably special. They’ve done just that, offering up a lovingly produced box set that does a fantastic job of celebrating the imprint’s journey to date. There are five, differently coloured discs packed with (mostly edited) versions of lesser-known early gems and Kompakt classics, plus a bonus picture disc containing 50 locked grooves, and a 100-page, 10-inch hardback book telling the label’s story to date. It’s an incredible product all told, and one that will surely cement Kompakt’s status as one of European electronic music’s most admired and significant imprints.