Lapsus Spain Vinilo y CD

Review: Science, Art And Ritual chronicles the musical journey of Kingsuk Biswas, known as Bedouin Ascent. Growing up in Harrow during the 70s and 80s, Biswas was influenced by David Rodigan's dub shows and the post-punk experimentation of the era. His eclectic tastes spanned punk, free jazz, noise, and Indian Classical music, which he fused with his ever expanding record collection. By 1987, his music prefigured what would become techno and gave rise to this album which was released in 1994 by Rising High Records. Science, Art And Ritual now celebrates its 30th anniversary with a deluxe 3LP reissue featuring restored tracks and some bonus new material.

Review: Appearing on labels as varied as Phonica, Shall Not Fade and Growing Bin, Bartosz Kruczynski has certainly carved his own path as Earth Trax. Now he arrives on Lapsus, the Spanish label which tends towards more introspective electronica and ambient. From the tender folk of 'Closer Now' to the straining neo pop of 'Understand' it's clear we're in for an experience very different to the upfront club bangers we might have enjoyed in the past. Proving himself to be a bold and fearless creator capable of many different sounds, with Closer Now Kruczynski is taking Earth Trax well and truly interstellar.

Review: Reimer Eising, aka Kettel, and Lennard van der Last, aka Secede, had already been lifelong friends by the time they began working on When Can. The Dutch producers wanted to create a seamless listening experience that would unfold and develop as a film does, using cinematic-leaning sounds to achieve their big idea. The whole thing feels like a narrative, a beginning-middle-end, which is doubly impressive when you learn there was no grand plan to begin with. Just two pals exploring what might come next. Originally released in 2012 - hark!, those heady, innocent days - what's perhaps even more astounding than the picturesque, immersive soundscapes here, is the fact this is the first time When Can has made it onto vinyl. Having said that, 12 years ago was another time and place, not least in terms of music sales, so let's not dwell on what everyone was thinking by not bringing this out on wax sooner. Instead, savour every moment of the rich, dreamy electronica.

Review: Via his Lord of the Isles alias and contributions to Firecracker's Mac-Talla Nan-Creag project, Neil McDonald has proved particularly good at unfurling atmospheric, melodious and immersive electronic music. While much of it has been ambient in nature, there have been fine dancefloor excursions, and on this third solo album, Subtle Thoughts, he showcases the full range of his talents. We get a mix of sparkling, spring-fresh IDM, evocative ambient soundscapes, locked-in ambient techno, his take on bleep-and-breaks ('Open Mode'), widescreen electronic epics ('Subtle Thoughts') and the kind of hard-to-pigeonhole blasts of life-affirming brilliance that mark out the work of only the most talented of producers (see 'Medhi'). His best album yet by some distance.

Review: RRUCCULLA finds fresh new ground to explore here on his new Zero Freq album for Lapsus. It is a wide-ranging one with vastly cinematic tracks taking you on a trip through magnificently realised compositions that pair electronic sound design with an almost orchestral architecture. The tracks sound both synthetic and abstract but organic and real world. Rhythms range from dubby and persuasive to barely there at all. In combining such grand ideas with relatable structures the Spanish composer, percussionist and multidisciplinary artist once again shows why he is in a class of one.

Review: It's been nearly seven years since Lennard van der Last AKA Secede last appeared on vinyl, and that was in the company of collaborator Reimer "Kettel" Eising. Up until that point, he'd released fine fare on a regular basis, with 2005's "Tryshasla" album arguably being the most acclaimed of the lot. If you missed out first time round (and many of us did), help is at hand via this first ever vinyl edition of the previously digital-only album. It remains a fine set, with van der Last drifting between drowsy, liquid ambience, crackling, spaced-out electronica, woozy soundscapes, post trip-hop bliss, sunrise drum and bass and melancholic, Erik Satie style piano compositions. In other words, it's ace.

Review: Lapsus was born in 2004 with a gas generator, a hi-fi system, a semi-abandoned house and 20 flyers. Over two decades, the label has experienced highs and lows-epiphanies of unstoppable ambition and moments of near defeat. Making a career in music is no easy feat, but looking back, the team behind it have created something genuine and to celebrate the journey and what lies ahead they have compiled VINT-a sonic photo album of unreleased tracks. Featuring forward-thinking producers like CLARAGUILAR, Kettel, Plaid, u-Ziq and more, VINT is a super techno exploration across diverse styles all unified by real quality.