Smallville Vinilo y CD

Review: Last year, Home of House Records founder - and the producer responsible for the first release on the admired Kalahari Oyster Cult imprint - delivered his first new EP of music in over five years. The creative juices now flowing again, he's landed on another admired imprint: Hamburg stable Smallville. He begins in confident mood via the new age house-meets-vintage-Italian house hustle of 'Move Your Body', where Enigma style synth-flutes and elongated chords flutter around a squelchy bassline, before opting for a dreamier and more thickset classic deep garage-house sound on 'Feel The G'. The Italian producer reaches for more sublime ambient house chords, jazzy bass and eyes-closed melodies on flip-side opener 'One Kiss One', while 'Isola 89' sounds like his tribute to the 'paradise house' of Don Carlos and Sueno Latino.

Review: 24 years into his career as Lawrence, Peter M Kersten continues to deliver devilishly deep house workouts that somehow manage to be both effortlessly immersive and percussively propulsive. There's plenty of examples of this trademark style on the Gravity Hill EP, which marks his return to Smalleville after a nine-year absence. Check first the title track, where soft-focus pads, poignant piano motifs and deep bass ride a rock-solid house groove, before turning your attention to the dusty, opaque, slowly unfurling dancefloor beauty of 'Beaver'. Kersten opts for a warmer, drowsier and more hypnotic deep house sound in the similarly gorgeous 'The Swamp', before he doffs a cap to Green and Brown Album-era Orbital via the looped intergalactic synth sounds, analogue synth-bass and swinging house beats of 'Stargazer'.

Review: In the sales notes sent to record stores, Smalleville has described this multi-artist affair as "a club night from start to finish". Certainly, the four tracks are pleasingly varied, moving from the 109 BPM bliss of Makybee Diva's untitled dream-house shuffler, to the energetic acid house/deep house fusion of "Monkeys On My Roof" by L'Amour Fou, a collaborative project whose members include the legendary David 'Move D' Moufang. Elsewhere, Arnaldo delivers a near perfect chunk of Detroit techno inspired deep house hypnotism ("Screaming With A Blocked Nose"), and Chicagoan producer Snad combines sweaty, bumpin' grooves and becalmed synthesizer motifs on the excellent "Excerptz".

Review: Margaux Gazur has made her mark as a DJ with sets at places like Panorama Bar and Waking Life. Her debut album on Smallville is a deeply personal exploration of identity and sound that confirms she is just as good in the studio. The French-Vietnamese artist is now based in Berlin but draws from her time living in Vietnam and childhood recollections to craft nearly 70 minutes of immersive, organic electronica across Blurred Memories. Field recordings, traditional instruments and woozy textures blend with street rhythms from Hanoi to create rich, intimate soundscapes of the sort that are well suited to this label. Each track reveals delicate details such as mysterious voices and fragile glitches in the hypnotic grooves. Known for captivating sets at Panorama Bar, La Station, and Waking Life, Margaux offers a magical, emotionally resonant debut that invites listeners into her blurred sonic past.

Review: While Christopher Rau has released many fine EPs and 12" singles, some of his best work has been showcased on albums. It's no surprise when you think about it, because his brand of ultra-deep and sonically detailed house and techno suits the full-length format. It's exciting, then, that he's finally got round to recording and releasing a fourth LP. Stretched across two slabs of wax to ensure club-ready loudness, the eight showcased cuts cannily combine woozy, twinkling and tactile melodic motifs with great grooves, swinging drums and toasty basslines. Highlights include star-lit opener 'Better Times', the starry hypnotism of 'On The Dancefloor', the lo-fi St Germain vibes of 'Ne Travaillez Jamais (Still Working Mix)', the deep up-tempo dustiness of 'Thank You', and the wide-eyed loved-up hug of 'Evin'.

Review: While his productions have graced many fine labels - Die Orakel, Pampa, Mule Musiq and Giegling included - Christopher Rau has been integral part of the Smallville Records family since 2009. High quality deep house is the order of the day throughout Abspace, his first EP for the label since 2020, with the yearning, slow-build positivity of the gorgeous title track being followed by the immersive, sci-fi bliss of 'Set It Off', whose melancholic chords add a bittersweet touch to an otherwise loved-up affair. Over on side B, 'Do It' sees him successfully doff a catch the classic Mr Fingers productions (with a touch of Move D on the side), while 'One More Time' is a melodious, riff-heavy affair that's as saucer eyed as they come.

Review: Having made a name for herself via a series of fine EPs for Shall Not Fade, Chiwax and Tresydos (the latter in collaboration with Vince Void), rising star Lis Sarroca makes her Smallville label debut with a quartet of typically impressive cuts. The Spanish producer is in fine form on opener 'Atacote', where positive and gently sunny piano motifs and Italian dream house influenced pads ride a smooth bassline and shuffling deep house drums. 'Breaks Reminder' sees her successfully fuse the immersive dreaminess of classic Smallville deep house with shuffling electro-breaks and tight TB-303 acid lines, while 'Early Years' is a sumptuous slab of picturesque deep house dreaminess. To round off a brilliant EP, she serves up the revivalist electrofunk-meets-early European house excellence of 'Might Be'.