Review: Germany's Bersarin Quartett - the imaginary invention of Munster musician Thomas Bucker - drops its fifth album Systeme. Whether the sole product of one man's imagination or the figurative invocation of orchestra-as-tulpa, it doesn't matter. This is an album of full-on metamodern electro-orchestral post-generations, the likes of which generations prior would've never heard before. Described by Denovali as "if Talk Talk, Tim Hecker and Skrillex were making music together and challenging our tolerance for ambiguity", we find this comparison apt if not eliding the real thrust of the record; the likes of 'Liebe' and 'Autopoesie' evidently draw on far more influences than mere composers, building a strikingly oneiric repertoire of crystalline fluctuations and timestretched neoclassical romances.
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