Review: There are back stories, and then there's Chess of the Wind. Sheila Gharachedaghi's remarkable movie soundtrack wouldn't be here today if it weren't for the fact the movie itself - a 1976, pre-revolutionary Iranian queer-gothic-class-horror masterpiece - had been banned in its homeland and presumed lost forever, until a copy turned up in an antique shop. That was 2014, and six years later it was re-released, having benefited from restoration by the Martin Scorsese Film Foundation. A remarkable insight not just into a society long since lost, but its pitfalls and problems, to accompany this Gharachedaghi combines classical Persian instrumentation and atonal dissonance, traditional melodies and experimental moods for a score that's just as much of a landmark.
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