Back catalogue: Modern Classical

Review: Hardanger is a collaboration between Mariska Baars, Niki Jansen and Rutger Zuydervelt. Named after Jansen's Hardanger fiddle, the album expands on Baars and Zuydervelt's established chemistry after beginning as Jansen's improvisations with Baars adding vocals and guitar, all later shaped by Zuydervelt into two long-form tracks-one an electro-acoustic collage, the other more meditative. Baars blends ambient and folk and is known for collaborating with artists like Peter Broderick, while Jansen is a folk violinist and Zuydervel's prolific output as Machinefabriek is well worth checking as are his film scores and collabs as Piiptsjilling and Fean with Baars.

Review: In a first-time collaboration, psychedelic trance godhead Simon Posford (best known as Hallucinogen and a founding member of Shpongle) teams up with fellow hippie and flutist Raja Ram (Ronald Rothfield) on a welling improvisatory record, Improvisations For Piano And Flute. Though both are highly esteemed artists in their respective micro-corners of the electronic music scene, Posford and Rothfield both depart significantly from their usually danceable ends for a living-room recorded set of ambiences. With a synth placed atop an antique Bluthner piano, Raj and Simon would join in after the other first begun playing, delivering a 44-minute effluence for the spontaneous soul.

Review: Recorded at the legendary Eglise du Saint-Esprit in Paris, Blue Veil is the very first time we've been given a record fully dedicated to the incredible solo cello work of Lucy Railton. A spectacularly talented composer who is a master of the world's most mournful-yet-beautiful instrument, this is as much of a heart-stopping performance as it is a concept work of art. In many ways, Blue Veil is an experiment in resonance. If it were synthesised, we might refer to it as drone, although by nature the label infers a level of dullness. Here, we're talking about the natural refrains of an orchestral sunrise, the ebb and flow of contemporary classical tides. We're invited in, hypnotised, lulled and then let go. Free to wander back into the world after a brief respite from its relentless pace.

Review: Was there anyone who combined soul and synth pop this well with such expert instrumentation as this band?! This collection captures two iconic sessions for the John peel show recorded during the early 1980s, showcasing a beloved band at their creative peak. Remastered for a fresh listen, the album highlights their ability to craft memorable melodies and intricate synth-driven soundscapes. The funky, melodic opener boasts a strong chorus and infectious groove, setting the tone for an engaging journey through soulful pop. An upbeat, feel-good gem in 'Some People I Know To Lead Fantastic Lives ' follows, blending frenetic rhythms with shimmering synth textures that radiate warmth and optimism. An important hit for the band, 'Wishful Thinking' demonstrates clever songwriting and a catchy structure that's impossible to resist, solidifying its place as a synth pop classic. The collection also includes a stunning downtempo track with 'Watching The Rainclouds' , rich with soulfulness and unique instrumentation, showing the band's range and ability to evoke deep emotion through delicate melodies and expressive keyboard work. This compilation is a fantastic snapshot of their evolution and a reminder of their enduring influence. Fans old and new will find much to love in this expertly curated and beautifully remastered release. China Crisis continues to be more respected as time goes on.

Review: It's hard to believe that Steve Roach's landmark space ambient exploration is now four decades young. Emphasis on the young, considering we're getting new releases through that sound pretty similar. No disrespect to those that do - the point is Structures From Silence was so massively ahead of its time it still feels like the rest of us are catching up. Floating on a dust ring somewhere close to Saturn, maybe, this is lush, dreamy, cosmic synth stuff to lose yourself in. Just be sure there's a yurt close by, because this one's all about lying down and staring into your own thoughts. An exercise in escapism, without needing to move a muscle. In 2025, there's plenty of off-world talk as Earth buckles under the weight of capitalism. Little do they know some of us left that place behind decades ago.

Review: A quadruple box set spanning recordings made between 1968 and 1980 on two-track Revox tape, these previously unreleased works showcase the hypnotic cycles and textural explorations that define kosmische musik. Using his signature Farfisa organ and Echolette tape delay, the pieces evoke the spirit of Roedelius' Selbstportrait series and collaborations with Dieter Moebius and Michael Rother. Rather than a strict retrospective, 90 feels like a timeless sound journey, blending cascading minimalist loops with the organic warmth that has inspired generations. Tracks are unnamed and unmoored from chronology, allowing the listener to experience them as fluid expressions of Roedelius's artistry. The music recalls the meditative brilliance of contemporaries like Terry Riley, while firmly rooted in the experimental ethos of early German electronic music. Released to celebrate Roedelius's 90th birthday, this collection is both a celebration and a rediscovery, offering a vivid portrait of a visionary artist. 90 is a masterclass in innovation and introspection, essential for fans of kosmische and beyond.

Review: In a collaboration for the ages, we hear German kosmische musician Hans-Joachim Roedelius (Cluster, Harmonia) team up with Japanese flutist Yuko Matsuzaki and Berlin Philharmonic analog musician sound engineer Onnen Bock for a nacreous improv blast. Spanning soft, pearly electronica and neoclassical, Moon Garden comprises five works, incorporating techniques and fragments of songs already released. A mythical aura unfurls through synth koto and organic harmonics; 'In The Forest Of Syrinx' establishes a singing bowled, new age aesthetic, segueing into the purely vocal threnody 'Sapphire Jellyfish'. Bridging electronic washes, piano and female vocals, this is a borderless soundscape of exciting proportions.

Review: Polish audio artist and sound designer Wojciech Rubin apparently draws a lot of inspiration from gnostic texts. If that's your blank drawn, we're talking about a collection of religious beliefs that took root in the first century AD and pointed to humankind's salvation coming through knowledge, as oppose to faith. To quote South Park, "we didn't listen" and so we are where we are today. Thankfully, at least someone remembers this moment in the story of civilisation, although you'll need to listen pretty closely to spot how this has influenced Rusin. Nevertheless, Honey For The Ants is captivating stuff, giving us powerful and somewhat spiritual vocal solos, meandering piano wonders, droning didgeridoos, soft string movements and a sense of the fantastical, forgotten, and dreamt throughout.

Review: RZA has always been an interesting character who has dabbled in many different projects alongside his legendary presence as part of the Wu-Tang Crew. For this new album, he makes his first foray into the world of classical music and fans have already dubbed it a masterpiece. It's an emotional rollercoaster with turbulent moods, beautiful finales, and plenty in between, all of which have been designed as a way of attempting to get people into classical music who might previously have ignored the genre. It will surely work wonders on that front.