Back catalogue: Post Rock/Experimental

Review: Yoo Doo Right's third album delivers a great blend of post-rock epics and emotionally charged sonic explorations. Opening with a droning guitar barrage, the album unfolds through mantra-like repetitions, abyssal tones and carefree saturation that all serve to cement their status as Montreal post-rock royalty. Inspired by themes of patience, art commodification, AI and unconditional love, this LP draws influence from Wes Montgomery, Rachmaninoff, Neurosis and Russian Circles and was written during a snowstorm retreat in early 2023 which meant the trio aimed for cinematic, experiential significance.

Review: Based in New York City, YHWH Nailgun (pronounced "Yahweh") are a newfound experimental noise-rock four-piece who have varied acceptance on what can be deemed "noise". Built around the ludicrous percussive ability of drummer Sam Pickard whose use of rototoms conjures an organic yet mechanistic pulse, warped and compressed guitars collide with an array of synths and electronic elements all infused with the suffocated, ranting, rambling, unhinged shrieking of vocalist Zack Borzone. Their debut full-length 45 Pounds bubbles with a similar art-noise sass-punk quality to very early HEALTH (before they rebooted as the industrial-metal trio they're known as today) yet attempting to still fit in with the likes of The Jesus Lizard or Chat Pile. They don't whatsoever, and they're all the better for it, as these unhinged 21 minutes condense saccharine, bubblegum machinery into some of the most frenetic compositions recorded all year. Just because it can only be described as "noise-rock" doesn't mean it necessarily sounds like noise-rock.