Brian Bennett & Alan Hawkshaw - "Name Of The Game" (4:25)
Dave Richmond - "Confunktion" (4:38)
Review: Measured Mile is a new 7" label run by regular Ace consultant and confidante Bob Stanley. The plan is to release DJ-friendly 45s that are either very rare or previously unavailable on seven-inch. On this new one come two pieces from esteemed library musicians - the well known pairing of Alan Hawkshaw and Brian Bennett, and Dave Richmond. 'Name Of The Game' is a slow instrumental blues piece with beats ready to be plundered for hip-hop beats that once soundtracked a 1970s aftershave ad, while Richmond's 'Confunktion' is a motivational builder-upper with drums and organs aplenty.
Review: John Carpenter's knack for cinematic storytelling without the screen takes centre stage on this deluxe reissue, marking ten years since the release of the great American soundtrack artist's first Lost Themes edition. The new expanded edition, complete with artwork by Greg Ruth, offers more than just a nostalgic revisit; it adds a new 7" featuring two unreleased tracks, 'Cruisin' With Mr. Scratch' and 'Dominator', both pulled from the original sessions. When it first came out, the album stood out for its vivid, visceral style, blending horror, science fiction, and eerie synthwork into standalone pieces that could easily score unseen films.
Review: The Tele Music catalogue follows a long tradition of library music mores; stock patterned album art and themed series included. Originally from 1973, Rhythmiques functions as one of the label's most iconic releases. Written entirely in collaboration between French composer and percussionist Pierre Dahan and synthesist Mat Camison, it features tense funk, blunted jazz and heavy breaks all the way. It is considered the rightful sequel to Continental Pop Sound, and despite the origin as library music intended for TV and film, has endured as a vital album for producers and DJs.
Review: Dando Shaft were a British folk rock band active during the early 70s, and at the time of the release of their debut self-titler, all seemed to be looking up. This is reflected in its sound as much, with the album combining original songwriting and a sunny acoustic disposition with regional folk musics, whether they hailed from or near their local Coventry, or the furthest-Eastern corners of the globe. Trading Places do well to reissue this one, as it's a time-honoured classic that does solid justice to Dando Shaft's cache as one of the foremost group figures in the English folk revival movement of the 1960s and 70s.
Review: Northampton-based psychedelic rock band Dark formed in 1968 while founding member Steve Giles was still at school. They quickly became popular on the live circuit and worked up a tight playing style that they managed to capture when in the studio. Their debut album is their most well-known but a long series of compilations have also been issued. However, this is the first-ever accurate reproduction of one of the last surviving original twelve gatefold copies of the band's debut with the full-colour gatefold sleeve.
Review: Dead Meadow's latest offering marks a major leap forward for the legendary American psychedelic trio, blending their signature sound with new emotional depth. While their past albums have dazzled with expansive, mind-melting riffs and heavy cosmic grooves, this release brings a raw, introspective energy that highlights their lasting presence in the psych-rock world. Tracks like 'The Space Between' and 'A Wave Away' show the band experimenting with softer, more reflective moments, balancing their traditionally heavy sound with delicate, expansive textures. Drummer Mark Laughlin delivers some of his best performances yet, especially on 'Dead Tree Shake,' while the influence of late bassist Steve Kille is strongly felt throughout. His final contributions are heard in the powerful closing track, 'Voyager to Voyager,' where his artistry resonates deeply. This album proves Dead Meadow are evolving i not just in their sound, but in the essence of what continues to make them a standout act in modern psychedelic rock.
Review: Machine Head is the 1972 sixth LP from Deep Purple, best known for its pandora's box-style unleashing of one of the best-recalled rock riffs in the world: 'Smoke On The Water'. Now Warner and Rhino honour the album's boisterous legacy with a comprehensive reissued version, with new mixes and previously unreleased live recordings all in tow. The new indie exclusive mainly recalls such intensive wildouts such as 'Never Before', 'Lazy' and 'Highway Star', all of which betray the tightest of tight early heavy metal playing, as the genre transpired gracefully outwards from the groundwater spring of rock & roll in the early-to-mid 70s; in fact, the band and album were considered somewhat responsible for the development for the heavy metal genre as a whole; no wonder Machine Head was their most successful album.
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