Review: Originally released under the name The English Beat in 1982, this album sees the Two Tone experts spreading their wings and incoporating African vibes and jazz into their revolutionary sound. It's joyful, party-fuelling stuff but usually with a social message snuck in for good measure, which is just how we like it. Throw in some bonus studio and live tracks on this double deluxe RSD version and it really can't be Beat.
Review: The latest compilation on CTR, curated by Jason Boardman of Before I Die Records, dives into the rich, underground landscape of early 1980s post-punk. This collection offers a fascinating glimpse into the era's DIY ethos, featuring rare and never-before-heard tracks that encapsulate the innovative spirit of the time. From the 2-Tone-influenced Skeet in Coventry to the dub experiments of Surface Mutants with Cabaret Voltaire, the album uncovers a trove of hidden gems that have largely flown under the radar. One track even boasts a unique post-punk diss track, adding a touch of rebellion to the mix. Boardman has unearthed a variety of tracks, some even sampled by the likes of DJ Shadow, showcasing the lasting influence of these obscure artists. The compilation highlights a time when independent musicians, studios, and labels banded together, bypassing major labels in pursuit of their creative vision. While it's not a comprehensive guide to the era, this album shines a spotlight on the overlooked and underappreciated, giving these artists the recognition they've long deserved, not to mention the enduring power and creativity of the post-punk underground.
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