Back catalogue: Rock (All)

Review: Let There Be Rock, AC/DC's powerhouse fourth album, embodies the raw, unbridled energy that defines rock and roll. From the raw, almost Albini-like production of opener 'Go Down' onwards, the relentless drive of the title track to the riotous closing of 'Whole Lotta Rosie,' the album exudes a 'do it live' ethos. Bon Scott's raucous vocals and the band's frenetic guitars and driving rhythms push the limits of their musical abilities, resulting in a sound that's both unapologetically aggressive and irresistibly engaging. With its electrifying execution and high-octane performances, this album not only captures the essence of AC/DC but also makes a compelling case for their influence on the punk movement, landing as it did in 1977.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


It's 1977 and AC/DC are not-so-fresh after a spell as the support on Black Sabbath's tour. Looking for a new bassist, after a disagreement over whether to pick Manfred Mann's Colin Pattenden, the band agree on Cliff Williams, who would remain in place until 2003. Recording what became Powerage, their fifth studio album, Atlantic Records soon complained there wasn't a sellable lead single. 'Rock 'n' Roll Damnation' took form, one of the group's outliers, which comes without standard guitar solo but with maracas and hand claps. While this proved divisive among die hard fans, the album itself has gold waiting to be discovered deeper down. 'Gimme A Bullet', for example, has been cited as the finest track the late Bon Scott would write, his lyrical flair and deft metaphorical wit shining through on a tune that won't let up. This was his final LP, and tragically three years later he was no longer with us, marking an end to the group's iconic first chapter.

Review: Frampton Comes Alive? Jeff Mills Live At The Liquid Room? Pah! There is only contender in the park when it comes to the best live album of all time and that's AC/DC's 1978 classic, recorded at the Glasgow Apollo and featuring their original vocalist Bon Scott. From the deft riffing of opener 'Riff Raff' - recently covered by men of the moment Black Midi - to the 12 bar frenzy of traditional closer 'Rocker' via big hitting groovers like 'Bad Boy Boogie' and 'Problem Child' and audience participation-fests like 'The Jack' and 'Whole Lotta Rosie', this is dripping in crowd atmospherics, improvised solos and big walls of riffs. Just about as great an advert for live music as ever existed.

Review: Tina Arena's career-defining album takes listeners on a journey of soaring ballads and infectious pop, remaining one of Australia's most loved records. Anchored by the powerful 'Chains,' the album re-established Arena as a force in contemporary music, earning her five ARIA Awards, including Album of the Year. With six singles and a legacy of ten times Platinum status, it's no surprise the album continues to stand the test of time. Now, 30 years on, Arena's emotional connection to the music remains as strong as ever, with a national tour set to mark this iconic anniversary.