Woke Up This Morning (My Baby She Was Gone) (4:21)
Ten Years Gone (6:40)
In My Time Of Dying (9:41)
Your Time Is Gonna Come (5:56)
Remedy (5:14)
The Lemon Song (9:02)
In The Light (9:17)
Shake Your Moneymaker (4:26)
Sloppy Drunk Blues (6:06)
Shapes Of Things (5:17)
Nobody's Fault But Mine (4:45)
Heartbreaker (5:56)
Bring It On Home (5:20)
She Talks To Angels (5:43)
Oh Well (4:06)
Band Intros (1:00)
Hey, Hey, What Can I Do (3:36)
You Shook Me (7:20)
Out On The Tiles (4:52)
Whole Lotta Love (5:44)
Custard Pie (Soundcheck) (5:14)
You Shook Me (Soundcheck) (8:09)
The Lemon Song (Soundcheck) (8:47)
Ten Years Gone (Soundcheck) (10:51)
Jam (Soundcheck) (10:39)
Review: The chemistry between Jimmy Page and The Black Crowes, caught here live in AL in 1999, produces a dynamic performance that brings fresh life to classic rock anthems. Tracks like 'Celebration Day' and 'What Is & What Should Never Be' are delivered with incredible precision, each riff from Page cutting through the mix, while the Crowes' rhythm section provides a perfect backdrop. Chris Robinson's vocals are raw and commanding, particularly on 'Heartbreaker,' where he channels the energy of the original while adding his own emotive twist. The blues covers, like 'Sloppy Drunk' and 'Mellow Down Easy,' show off the band's versatility, giving a loose, electric vibe that contrasts beautifully with the more structured Zeppelin classics. A live performance that captures both the spirit of the originals and the fire of the setting.
Review: Two-time Grammy Awards winner, MTV Video Award veteran, Brit nominee and icon of the 1980s. Robert Palmer's name may not be as familiar as it once once at the height of music video broadcasting - when his anthem of excess and glamour, 'Addicted To Love', was either fresh off the presses, circa 1986, or still being rolled out as one of the most defining pop clips of all time. Suffice to say, our world - our cultural universe - has shifted since then, and the Batley, West Yorkshire-born, Malta-raised legend isn't necessarily the first artist on your lips when someone asks why the lights are on when nobody's home. That's a crying shame, as beyond that most famous of his tracks there's a big oeuvre to explore. Including 1999's unashamedly sexy, seductive, and slick (perhaps even over-produced) Rhythm & Blues, arguably the most aptly titled record arriving in stock this month.
Review: This magnificent live album captures accomplished West Yorkshire-born singer-songwriter Robert Palmer at his peak. His electrifying performance from the final night of his 1988 Heavy Nova tour was recorded at the legendary Apollo Theatre and was released as his first full-length live album. It's packed with his signature blend of rock, soul and pop and his biggest hits, along with standout album tracks, are performed with both precision while his smooth vocals and charismatic stage presence really shine through on the likes of 'I Didn't Mean To Turn You On' and 'Woke Up Laughing'.
Review: Long After Dark by Tom Petty and the Heartbreakers is a standout album that often doesn't get the recognition it deserves. This nearly ballad-free record, released in 1982, is a cohesive, energetic breakup album. While none of its tracks are typically ranked among Petty's top ten classics, six of the ten songs are essential Petty numbers, filled with prime-era vocal performances and engaging musical arrangements. This new remastered versions comes complete with 12 rediscovered tracks, enhances the sound, bringing more depth to the instrumentation. It's essential listening for Tom Petty fans and highly recommended for lovers of heartland rock. Released on turquoise makes this package extra special. Tracks like 'One Story Town', 'You Got Lucky', 'Deliver Me', 'Change of Heart', 'We Stand a Chance' and 'Straight Into Darkness' stand out, showing the band's great musicianship and Petty's songwriting at its peak. Even the more understated songs like 'Finding Out' have a solid rock energy that excites.'The Same Old You' and 'Between Two Worlds' channel a Rolling Stones-like vibe. Overall, this album is still one of Tom Petty's best.
Review: On April 2nd 1998, jam and psych band Phish performed one of their best and most storied shows at the Nassau Veterans Memorial Coliseum in Uniondale, New York. For the first time, they would perform such later Phish favourites as 'Birds Of A Feather' and 'Frankie Says', and this is a rare case of a show from a
"micro-tour"; this was a band whose popularity bespoke an uncanny ability to tour whenever they felt like it, and for whichever length of time they chose, "because the band were getting bored and wanted to play some shows", according to Trey Anastasio. As ever, with irreverent quaternary glee, the group span neo-barbershop and smooth-tongued improv, crafting yet more fodder for a diehard fanbase's obsessive quibbling over the nuances of each performance.
Review: The Purple One did a series of special live shows at the Miami Glam Slam Club in 1994 as part of a residency, and as they were recorded for live radio broadcast we can now relive them again with this reissue. The dynamic songwriter, singer, multi-instrumentalist and producer was in top form in the mid-90s and used this residency to further explore his blend of funk, rock and soul. With electrifying performances of hits and deep cuts, this album highlights his unparalleled musicianship and charismatic stage presence with plenty of classics all included from 'The Most Beautiful Girl In The World ' to 'I Believe In You.' A great slice of pop history.
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