New releases last eight weeks: UK Hardcore

Review: It was way back in 1994 when original rave hero and genuinely foundational DJ Ellis Dee (real name Roy Collins) offered up his one and only 12" as Norty But Nice. 31 years on, that two-tracker returns to stores in remastered form via this coloured vinyl reissue from Vinyl Fanatiks. Lead cut 'Do You Want It' is spacey, intoxicating and - as you'd expect - breathlessly energetic, with Collins placing piano riffs, vocal samples and intergalactic electronics atop a jungle-style hardcore breakbeat and booming bass. On flip-side 'Give It To Me Baby' he opts for more deep space synths, rolling bass, deeply layered breakbeats and more rushing piano motifs. Both tracks are, of course, genuine breakbeat hardcore classics.

Review: Malvern's Rave 2 The Grave are a dedicated rave cultural node, committing their entire artistic output to nostalgic remakes of fave rave brainwaves. Adding to their many from-scratch taxidermies - including FSOL's 'Papua New Guinea', Liquid's 'Liquid Is Liquid', 808 State's 'Pacific State' and Outlander's 'Vamp' - they now take up 'Take Me Up' by Soundsource (1991), whose floor-al transmission made it through to being sampled by Rhythm On The Loose on 'Break Of Dawn'; both became fast-track underground hits back then and the rework is just as cracking. On the B is an equally respectful replica of 'Injected With A Poison' by Praga Khan (1992), steering the mood logarithmic, wooping, psychedelic.

Review: After originally being self-released as a white label, Synthasy's breakbeat hardcore debut quickly gained cult status. It was engineered by Jezz Wright, who did renowned work on Liquid's 'Sweet Harmony' and Lemon D's early EPs and was distributed through London shops. High demand led to a full artwork repress, but copies vanished swiftly and helped cement its cult reputation as a rare gem. Over time, it became a coveted collector's item that commanded high prices - but not any more, thanks to this latest reissue. The rain, directness of the music, rave-ready synths and unforgettable vocal cries that turn the emotion up to 11 mean this debut remains a standout from early '90s rave culture.

Review: Canadian-born, German-based producer Ash Luk is best known for his work in Minimal Violence, a band that used electronics to create raucous, vivid punk-rock style live experiences, as well as his role as one half of 'doom electronic' duo S.A.T.I.N. alongside Ireen Amnes. Under the Infinity Division moniker he's created more impressively dystopian sonic adventures that channel a suitably wide array of extreme music styles, from isolationist ambience at the start of 'No Reason' - which then twists into industrial junglist madness - to breakbeaty Sisters of Mercy-style coldwave on 'Weather Prophets'. Fans of Alec Empire's notorious Digital Hardcore Recordings label and its output should find this entertainingly terrifying and twisted up musical vision very much up their street.