Back catalogue: All genres

Review: Indonesia-based Babon was founded in 2023 by longtime friends Wahyudi T. Raupp and Rayi Raditia and craft instrumentals addressing environmental issues. Their sound fuses Melbourne's vibrant music energy with dangdut rhythms, gamelan percussion, and melodic keroncong folk styles. Here they debut on Batov Records with the wonderful 'Tropical Desert Music' which blends Indonesian traditions with Afro-Latin funk, Morricone-inspired grooves, Bollywood breaks and blues. It's the sort of sound that is perfect for fans of Khruangbin or Sababa 5. The A-side 'Desert Rose' is a spaghetti blues anthem, while the flip 'TNT' tells a miner's tragic tale through cinematic, explosive instrumentation.

Review: This release is a story of serendipitous stars aligning. Having released Bala Desejo's anthemic single, 'Baile De Mascaras', back in May 2023, Mr. Bongo could sense that they had a summer classic on their hands. The label always thought that it had the potential to find fans in a dance music audience; and in a further twist of fate, the sensational DJ, producer, and radio presenter Jamz Supernova recently graced their Great Escape in-store event with a phenomenal DJ set. After some feverish digging and emailing to her team, Bongo discovered that she was a fan of the original song and had made a personal edit to play in her DJ sets. Gilles had heard Jamz spinning the edit and asked for a copy, and by sheer coincidence and good fortune, it all fell into place. The track is a beast of an edit that gets heavier and deeper as it progresses.

Review: Barbatuques, a well known Brazilian group of body percussionists, originally recorded "Baiana" back in 2005 - which became a staple of their concerts. It is now issued on vinyl for the first time, marking the second volume of Brasingles: a new series on Selva Discos dedicated to releasing 'loud' 12" singles. On the first side, the original is a modern folk song from Bahia composed by Maria do Carmo Barbosa, and featuring a wild mouth harp sound with a stomping Barbatuques' arrangement that imprinted its trademark sound. German producer Jan Schulte (aka Wolf Mueller/Bufiman) heard the song and decided remix it to use in his DJ sets - adding more drums to brilliant effect.

Review: The Bees were a product of the late 80s South African music scene. They were an unknown band even in their homeland but its hard to see why given their happy kwaito sound. Now, 30 years later, international diggers are bringing the outfit the acclaim they deserve after the band was rather forgotten because they never had a big crossover hit in their early years. Here two of their best tracks are served up by Dutch label La Casa Tropical. They're lit up with pixelated synths and retro-future vibes that European party people love to get down to. "Mamezala" is the more considered of the two, while "Never Give Up" is a strident and rousing proto-house anthem with plenty of boogie in the bass.

Review: This limited release offers a rare glimpse into the genius of Jorge Ben, the father of samba rock, with two coveted tracks that any collector would jump at. One track is previously unreleased, while the other is a live performance from 1972 that was originally only available in Japan, making it a cult favourite among a select group of collectors. Featuring the legendary Trio Mocoto as his backing band, Ben's incisive guitar and signature sound shine in two extraordinary live cuts that capture the raw energy and brilliance of samba rock at its peak. Pressed on limited white vinyl, this 7" release is a treasure for anyone seeking rare gems from Brazilian music's golden age.

Review: A while back, Africaine 808's DJ Nomad contacted Favorite Recordings' chief Pascal Rioux about a killer track he'd been given some years back - an obscure, previously CD-R only fusion of modern Gwo-ka and Zouk by Esnard Boisdur entitled "Mizik Bel". Rioux was excited by what he heard and agreed that the track should come out on vinyl, accompanied by a fresh rework by Nomad and Dirk Leyers as Africaine 808. Boisdur's original version (side A) is rhythmically dense but also cheery and life affirming, with celebratory chorus vocals and 80s zouk style synth lines subtly rising above a busy, all-action groove. Arguably even better is the sub-heavy Africaine 808 mix, which brilliantly re-imagines the track as a tasty chunk of tropical house/disco-zouk fusion.

Review: The latest addition to Echo Edits keeps the funk coming courtesy of Break Character who delivers two powerful tracks that are indicative of his unique approach, names to enhance each edit with extra layers of FX and beats. 'Cosmic Freaks' takes a 60s go-go rock groove and infuses it with Moog and Space Echo effects while paying homage to the psychedelic club sounds of Pierre Henry and JJ Perrey. 'Cherie Boca' then transports you in an instant to the funky samba rhythms of 70s Brazil with an extended edit and added beats to guide dancers from the favela to the beach. Two distinct styles, perfect for different vibes.

Review: The Off The Radar label very much got itself on the radar with its first offering of timeless edits. After that Brazilian focussed 12" comes a hand-stamped slab of wax with an Afro and funk twist. It is again by label heads Biga and Mirko Casalini 'Freaky' gets things underway with a strident groove and big bass licks topped with some sumptuous strings. 'Uptown' brings dazzling disco grooves and big synth energy under a lush vocal while 'Afrikasem' takes you to the Southern hemisphere in an instant with its Afro percussion and big beat brilliance. 'Stop' is another fine fusion of worldwide disco sounds.

Review: The high class Melodies International reissue label co-run by Floating Points and Elliot Bernard is back with the seance in its Melodies Record Club series. This time it is blistering club DJ Ben UFO who gets his pick after Four Tet had his go earlier in the year. The two tunes he pick have long been staples in his set either though on the surface of it neither are typical club tunes. They have never before been available on vinyl for that reason but we're glad they are now. 'Drums' is off Laurie Spiegel's 1980 experimental album The Expanding Universe and is all oscillating synths and computer generated percussion while Olof Dreijer from the Swedish band the Knife offers 'Echoes From Mamori' on the flip, a more tropical and whimsical cut of new age licked house made from arpeggios and frog samples.

Review: Belgian-Bolivian musician Susobrino delivers his debut EP 'NO', titling itself after a primal negation, and forged in the interplay of traditional South American percussion music with electronica. As if to curb his habit of collecting an (perhaps over-) abundance of percussion instruments, 'NO' hears Susobrino set a stark limit for both himself and the listener, bringing just three curt tracks to wax following a live-changing tour of his ancestral South America. Honorific of the traditions of SA percussive music, Susobrino nonetheless intones: "Mixing acoustic instruments and field recordings with electronics with the music software Ableton was my cocktail from the beginning". The result is a widescreen demo of ascendant percy jawns, equally suited for the curio club-goer as it is for the Bolivian folklorico fanatic.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


The latest must-cop record from the good people at Big Crown is a real summer special. Bacao Rhythm & Steel Band serve up some seriously soul-enriching grooves, with the impossibly warm and good time vibes that come from steel drums on each and every one. The beats are rooted in funk, with fat bass and expressive horn work bring each one to life. There are sojourns into dub, disco and jazz, and the whole thing bris with so much character and personality that it cannot but put a smile on your face.

Review: ***B-STOCK: Record slightly warped***


Now working under the alias Balaphonic, long serving Manchester artist Danny Ward steers his ear for percussion into something warm, rhythmically rich and hypnotic. He opens with 'Sunflowers in Dub (Deep Summer Mix)', where sitar, harmonica and fluttering keys glide across a humid dubscape, then folds in sun-dappled samba on 'Disorganics (All Strings Mix)', all brushed guitars and delicate groove. 'Six Fingers' leans deeper into Afro-Cuban melancholy, while 'Udders' chops South American drums into psychedelic loops, teasing out low-end heft. A standout collaboration with Ocean Waves Brasil, 'Oxum' blends gentle acid with dreamy textures and Afro-Brazilian swing, before closer 'Bloco Manco' lets off the brakes-delay-lashed, bass-heavy and totally locked-in. It's music built for dancefloors, but with the patience and touch of a drummer who knows when to let things breathe.

Review: BCUC aka. Bantu Continua Uhuru Consciousness are a South African band working in a highly specific niche: political psychedelic music with an African twist. Six long, energetic opuses hear the collective band intone in multiple languages, embracing Babel, while paying due homage to the anti-apartheid movement, as well as indigenous peoples, through many an ecstatic, multifaceted, hedonic trance.

Review: With a Yamaha organ and a vision, South African artist Pops Mohamed embarked on his musical journey in the mid-1970s as the bandleader and composer of Black Disco. He crafted an enthralling blend of chill-out jazz infused with futuristic drum machine sounds and spiritual nuances. His celestial organ melodies were complemented by two of the most esteemed session musicians on the South African scene: saxophone and flute virtuoso Basil Coetzee, renowned since 1974 for his solo on the hit 'Mannenberg,' and Sipho Gumede, the prodigious bassist already making waves among the veterans of the industry. Initially backed by polyphonic beats from Mohamed's electric organ and later incorporating a live drummer, Black Disco forged a distinctive sound, producing a trilogy of pioneering albums in a creative surge between 1975 and 1976. This first full reissue of their debut album, sourced from the original masters, captures the essence of their innovative spirit and showcases their groundbreaking contributions to the musical landscape. This release embodies the group's vibrant creativity and timeless artistry.