Nathan Haines - "U See That" (feat Vanessa Freeman & Marcus Begg - Atjazz Love Soul mix) (5:12)
The Realm x Atjazz x Kelli Sae - "On The Road" (vocal mix) (7:58)
Review: Back ion 2021, the relaunched Foliage Records imprint offered up a killer mix from NYC house legends Mood II Swing, the must-check Deep Rooted. Soon, the revitalised label will release a sequel, with long-serving British deep house don Atjazz at the helm. This sampler EP boasts six of the highlights from that set - all remixed and reworked by Atjazz himself. There's much to enjoy throughout, from the tense, slowly building deep-tech shuffle of Halo''s 'Glorty (Atjazz Galaxy Art Remix)'and the sun-splashed 6am bounce of Atjazz's remix of Dominique Fils-Aime's gorgeous 'Sun Rise', to the dreamy dancefloor wooziness of Ralf GUM's 'AWA' (re-imagined by Atjazz as an Osunlade-esque spiritual house workout) and the jazzy, bass-guitar-propelled broken house excellence of 'On The Road (Vocal Mix)', a three-way collab between Atjazz, Kelli Sae and The Realm.
Crackazat - "Can't Blame A Soul" (Mana dub) (5:51)
Beatsbyhand - "SARS" (6:24)
Review: Kid Fonque presents the sixth instalment of his label Stay True Sounds' compilation series. Showcasing the best of South Africa's dynamic musical talents, this 15-track volume of intense deep house and Afro house cuts is not to be passed over. Highlights on this 12" sampler edition of the wider comp include 'We R 1', a technologically driven, syncopated, trippy Kalahari jam by China Charmeleon and Hypaphonik; and 'SARS' by Beatsbyhand, a hollering ambient amapiano mystery.
Review: 'OHM Series #11' presents a vibrant mix of techno with contributions from four talented producers, adding depth to the ongoing series. On Side-1, Christine Benz's 'Sunset' opens with warm, enveloping chords, creating a serene atmosphere that feels like a sunset on a tropical island. Following that, Brizman's 'As We Should', featuring Linn, shifts the tone with a lighter, dub-infused house sound, perfect for a more relaxed vibe. Side-2 kicks off with Hidden Sequence's 'Dub Cycle', a darker, more ominous track, weaving catchy dub techno rhythms that pull you in. Finally, Martin Jarl's '02_37 AM' brings a smooth, ambient dub feel with a traditional techno edge. This airy composition evokes the timeless sounds and reminds us of Model 500's Starlight. This edition of OHM Series showcases diverse approaches to dub techno, balancing the atmospheric with the rhythmic - and all delivered with precision.
Review: The third edition in Ten Lovers' Coin series hears Marcello Cassanelli, Caruso and Helen McCormack fuse churnout disco, chicken pickin' guitar and Rhodes solos, in an extravaganza of fresh, sartorial dance music. Never pressing too hard, Cassenelli's 'Starlight' and 'Tropical Breeze' go easy on the master channel, with unhurried pan flutes, roiling strings and twizzling G-synths stuck loosely to a soft but firm electro-tropical backbeat. 'Dream Horizon' is a brilliant outerlude on which to close the side. On the flip, Caruso & Helen McCormack allude equally to the Manchester Street Soul scene of the late 80s with 'Have & Hold', whose razor-edge r&b vocals and low-slung progression lend the record a surprise twist. Their 'Love You More', meanwhile is lushness personified, before Caruso's 'Central' chugs magnficently towards the run out groove with oozing synths and glitterball glamour.
Review: Charlie Charlie's 'Save Us' is a track brimming with raw emotion, and Mondag's remix feels like a perfect counterpart, bringing a subtle touch of melancholy with its soft saxophone solo. The track maintains its weight, but Mondag's approach gives it a dream-like quality, coaxing out the depths of its aching beauty. Bella Boo's edit brings a noticeable shift, tightening the rhythms and infusing the track with a sharper energy, but it never loses the soul of the original. Gerd Janson, meanwhile, offers an ambient version that feels like an entirely different experience - less immediate, but no less absorbing. On the other side, Hypernatural's remixes expand on the dreamlike, almost otherworldly feeling of the originals. Knightlife's take on 'Spirit Walk' stretches the song's already fluid nature, making it feel weightless, while Gerd Janson's remix of 'Stormfront' adds a darker, more reflective mood.
Don Covay & The Jefferson Lemon Band - "If There's A Will There's A Way" (3:36)
Harvey Mandel - "Baby Batter" (3:40)
Review: Climactic, psychedelic soul and blues brilliance by Don Covay, co-written by Donny Hathaway and backed by a proto-Balearic sweetmeat on the B, Harvey Mandel's 'Baby Batter'. The A-side was originally released one year after (1972) the B-side (1971) on the American Janus label, and the tracks provide a palpable contrast, drawing on the same idiom yet approaching it with remarkable difference. Covay's lyrics are, thematically, overflowing with determination, despite the psychic conflict at the track's heart. Is there any resolution? "The sweeter you, look, mama... the bitterer you treat me..."
Makez - "Train To Saturn" (feat Dwayne Franklin & NPO303) (6:41)
Basic Soul Unit - "Souljourn" (7:23)
Hubie Davsion - "Entno" (4:23)
Review: On Demuja's label Blueprint comes an milestone six-track EP made up of breezy, ultraviolet house tunes, celebrating the imprint's tenth anniversary in the form of a bite-sized sampler referencing a wider compliation LP. With both familiar and fresh faces in tow, we're gripped by the selection on offer: Hall's synthetic glam-funk jam opens proceedings with whistly synths, while Makez' 'Train To Saturn' accelerates towards ever-faster ends, and Basic Soul Unit's 'Souljourn' takes the B's cake with knocky, tactile *perpetuum mobile*.
Review: Yaleesa Hall wastes no time setting the tone on this Timedance release, delivering a weighty fusion of UKG, electro and sub-heavy pressure. Opener 'Halfway Gone' lurches forward with a heady mix of swung percussion and cavernous bass, its tension building like a slow-motion collision. 'Light Headed' dials up the energy, its restless breakbeat patterns and distorted low-end hitting with unrelenting force. On the flip, 'Voices' leans into dubbed-out textures, letting ghostly vocal snippets drift through the haze as tightly coiled rhythms keep the pulse locked. Closer 'Still Here' brings the release full circle, with fractured beats and rumbling sub-bass weaving together in a hypnotic finale. It's a bold statement from Yaleesa Hallione that feels tailor-made for dancefloors that thrive on weight and space in equal measure.
Review: Handsonwax top up their esteemed repertoire with another four tracks added to their anonymous white labels series. 'Volume 3' continues the elusive label's preference for cheesy breaks lent to classic dance music motifs, leading the charge with a whomping breakstep version of Max Romeo's 'Chase The Devil', followed by a blissful dub techno excursion. The B-side rerubs Moodymann to delicious ends, while the star of the bunch reworks a rework; that is, Herbert's snappy version of Louie Austen's 'Hoping', except this time it's lent a swath of extra soulful house ornamentations.
Review: Warren 'Hanna' Harris, the multi-talented producer and instrumentalist from Cleveland, returns to Vibes And Pepper with a five-track EP of sophisticated and soulful sounds. The A-side features two previously released gems, 'Omnipotence' and 'The Dark', both timeless examples of Harris's ability to craft intricate arrangements that meld future jazz, broken beat and deep house influences, while the B-side unveils three previously unreleased tracks, highlighting his deft hand in manipulating sound, creating a landscape of unconventional sounds and structures. 'His Eyes (Detroit Remix)' is a standout, its mesmerising groove and soulful melodies take us to the heart of Motor City, while 'Menace' takes a darker turn, its brooding bassline and haunting chords evoking a disquieting aura of suspense and mystery. 'Spirit Logical' closes the EP with a flourish, its uplifting melodies and intricate rhythms again highlighting Harris's masterful production skills.
Review: Dark Knite renegade Hannibal Selector returns with a broad bounty of militant steppery. 'What A Shame' is a gritty tech step number that's reminiscent of Dom & Roland around the 'Cant Punish Me' era. 'End Of All' meanwhile is more a whole warehouse of chainsaws being let off at the same time, then sped up by some type of dark d&b sorcery. Finally 'Necrodancer' closes on more of a sinister bone rattler flex. Hard, acidic but still bouncy. What an EP.
Review: A record that explores deep, hypnotic rhythms with a strong tribal and mystical undercurrent, the latest Siamese Twins records pushes the boundaries of what is possibly in eastern influences underground techno. Side-1 opens with 'The Golden Triangle', an atmospheric introduction that feels cinematic, setting the stage with ambient textures before giving way to movement. 'Lens of Time' follows, locking into a deep, primal groove where rolling percussion and rich low-end create an entrancing effect. On Side-2 'Mekong' leans into tribal mysticism, blending ancient rhythmic patterns with a modern pulse. The production is detailed yet raw, drawing from rich percussive layers. 'Ruak' closes the EP with pulsating bass and deep, rolling rhythms, channeling Eastern influences into a hypnotic techno flow. A powerful release from Siamese Twins Records, driven by Sunju Hargun's distinct vision.
Review: Deep Jungle bossman Harmony gets busy once again and it's a tale of two bangers. 'Hold It' goes in with the swagger and a hardcore energy. There's a big drive to the breakdown where everything melts into bliss. Need something deep for the weekend? Get your listening gear around 'Star Chaser'. Twinkling flutes, shimming synths, gentle vocal textures. Think Seba and you're in the right cosmos.
Review: The Brazil45 series has always been pure gold and now come a pair f beauties from Harmony Cats, a vocal quintet-turned-trio from Sao Paulo known for their disco-era hits. Harmony Cats' 'Theme' from 1976 is their most recognised track outside Brazil and is inspired by Rhythm Heritage's Barretta's Theme with its spacey breakbeats, lush vocals and percussive flair, all of which have made it a true crossover classic. On the B-side, 'Seja Como Nos (De Pe No Chao)' delivers an exuberant Brazilian twist on The Jacksons' 'Shake Your Body (Down to the Ground)'- it's a guaranteed floor-filler with radiant disco energy and Harmony Cats' signature vocal style.
Review: Brighton-based producer Pierson brings a refreshing diversity to his deep house and disco house offerings, blending multiple influences with an ease that keeps his tracks exciting and unpredictable. 'Forget It Mate' starts off with a slow groove that feels like a nostalgic nod to vintage deep house, but it's much moreithis track is a skillful blend of old-school vibes and modern energy. It seamlessly moves between different styles, creating a dynamic and infectious vibe. 'Mr Miami' follows with a lively piano-driven melody, uplifting the listener with its ambient house feel, where lush chords and smooth transitions create a feel-good atmosphere. On Side-2, 'Spank Dat' is a funky standout. With its rich groove and rare disco aura, it's a killer track for any dancefloor, offering a unique fusion of genres. Finally, 'Just No!' dives into a tribal, electro-driven territory. Its organic yet robotic funk takes on an 80s electro feel, offering a quirky, dynamic sound that pushes boundaries. This EP delivers something for everyone, effortlessly blending styles while staying rooted in deep, groove-driven house. A true example of the producer's range and creativity.
Review: How is it that this EP from Warren Harris, aka the deep house maestro Hanna, is now 20 years old but still sounds like tomorrow music? Such is the vision of Harris that his off-grid grooves and sparkling cosmic melodies have aged to perfection. The pads weave in and out of the wonky kicks on 'Metropolitan' to make for an outlier soul sound. 'Cottage' pairs more wispy melodies with cool-as-you-like drums and on 'Healing' there is a sunny day feel with glistening and golden keys and louche drums persuading you to sway. 'Afternoon In Paris (NY mix)' brings some swaggering jazzy swing and busy keys work that again transcends space and time. This is one of the many classics on Theo Parrish's Soul Signature label.
Review: Hauff's highly anticipated debut on Tresor, and it's as strikingly original as you'd expect. The title track, 'Multiplying My Absurdities', opens with a slow build of magnetic synths and acid drops that seem to pulsate with playful skepticism. It's simple yet gripping, pulling you into a dark, hypnotic space where the unexpected becomes beautiful. 'Punks in the Gym' takes the energy up a notch, drawing inspiration from a notorious Australian climbing route. The track climbs relentlessly, each bar steeper than the last, with 303-driven tremors building into a volcanic eruption of sound. It's a relentless ride that doesn't let up, pushing you to the limits. Closing out the release, 'Humanoid Fruit' ventures even deeper into the unknown. Its prehistoric soundscape, full of sharp synth bursts, feels like a chaotic journey through ancient lands where acid rain falls from the sky. Dark, eerie and transporting, this track leaves a lasting impression.
Review: Purple Print Records Compilation 3 is a rich exploration of minimal and tech house, bringing unique textures and groovy rhythms to the forefront. Side-1 opens with He Did's 'Mientras Tanto', a fun and infectious groove. The track's deep, rolling bassline and lively percussion make it an instant mood-setter. Following is DeWaal's 'Iceshade', a bouncy, upbeat track that balances playful energy with a steady, deep tech groove. Side-2 moves further into introspective territory with Raz's 'Rora', a smooth and melodic track that drifts along effortlessly, blending subtle harmony with a deeper bassline. Yama Music's 'In My Space' rounds out the collection with a broken beat approach, delivering techy, spacious vibes that add depth and variety to the mix. Altogether, this compilation is a refined showcase of tech house cuts that'll resonate with dancefloor times.
Review: Ron Henderson is the North Carolina-based singer-songwriter who, along with his group Choice of Colour, released their sole album Soul Junction in 1976. This now mad rare record has fetched prices over $800 at auctions which prompted a 2020 reissue by P Vine which quickly sold out. Recently discovered, the 1983 hit single 'Gemini Lady' which was included as a bonus track on that reissue was an alternate take, not the original. Consequently, P-VINE decided to reissue the single in its authentic form. As such this formerly hard-to-find 7" single is reissued and replicates the original label design making it a must-cop.
Review: Discos Martos is a new division of Rocafort Records. The imprint takes its bow here with a cultured single from soul singer Glen Anthony Henry who is originally from Los Angeles but now based in Spain. His vibe is to blend the best bits from classic soul with a modern edge that hits different. The A-side, 'Thankful,' is an upbeat tribute to love and friendship featuring a catchy hook and an Al Green-style drum groove. The B-side, 'Fade Away', highlights Henry's falsetto in a deep, introspective ballad. Both tracks are produced by Oscar Martos using full analogue recording so they capture the warmth of 70s soul and make for an exciting start for Discos Martos.
Review: After a decade-long break, Herbert returns with 'Part 9', a continuation of his influential Parts series that has been a cornerstone of leftfield house music since Part One debuted nearly 30 years ago. This release marks the beginning of a renewed focus on Herbert's innovative sound, with 'Part 10' scheduled for later this year and a new album expected early next year. Part 9 introduces collaborations with Momoko Gill, known for her work with artists like Tirzah and Coby Sey. The EP kicks off with 'Fallen,' where Gill's vocals meld with Herbert's minimalist, 90s-inspired production, creating a track that's both haunting and deeply rhythmic. 'Find Me' strips things down with an instrumental that showcases Herbert's skill in blending subtle grooves with engaging beats. The release closes with 'Curt,' a track that feels like a nod to Herbert's roots, fusing minimal elements with house vibes that are both nostalgic and forward-thinking.
Review: A five-track EP of pure dancefloor bangers from Hermeth, the enigmatic Valencian-raised, Swiss-based artist. It's a potent blend of breakbeat, techno, house and dubstep, showcasing Hermeth's signature sound - a dynamic fusion of styles that defies categorisation. Tracks like 'Bababoy' and 'Fvck War' are guaranteed to ignite dancefloors with their infectious energy and pulsating rhythms, while '10Min' and 'P*ta Que Pariu' delve into deeper, more hypnotic territories. The EP also features a remix from Ben Pest, adding another dimension to Hermeth's already captivating sound, and with its blend of saturated breaks and ghetto vibes, this release is a must-have for those who like their music raw, energetic and undeniably funky.
Review: Detroit-born but now based in Thailand, Scott Hess returns to show his enduring Motor City class with Redlight Bangkok Vol. 3, a third instalment of his vinyl-only series on Adeen. This one opens up with 'En Bloom' which is a Miami bass-inspired jam with crisp kicks and icy cold 808s. Rocco Universal's remix is more deep and house-leaning with some magnificent melodies then on the B-side, 'Whitelight' gets more twisted with elastic bass and snappy percussion. 'Untitles' is a cosmic journey with a funky guitar and dreamy chorus and last of all comes the smooth and serene, chord-laced soundscapes and fathom deep grooves of ''Untitles' which is a classy late-night sound.
Funk O Mart (feat Chubb Rock - Smoove remix) (4:25)
B Boy Document 25 (Suckaside remix) (4:02)
Review: Operant since 2006 as wonder-purveyors of everything funk and soul come battle breaks, Wack Records share their latest 7", a smattering of hip-hop flips met by the heated hands of resident producers Smoove and Suckaside. This time brought to two Philly-to-NYC hip-hop originals first laid down by the top-reg duo The High & Mighty (Mr. Eon and DJ Mighty Mi), Smoove and Suckaside first let the crackles and licks hang loose for a debauched drama on the A, before a tighter groove opens up further on the B-side's 'B Boy Document 25'.
Review: Some labels deal only in pristine soul legitness - and Celestial Echo are one such set of aesthetes. A reissues label, Celestial Echo focuses on modern soul and boogie, and is curated by Miche (Michael Davies) and Stu Clark. Following three impressively chosen sonic chrisms, all reissued in 2024 - releases by Glenda McLeod, Brutal Force and Winfield Parker - comes this fourth foray into one of the best-loved and perhaps only publicly known tunes by the obscure boogie singer Lisa Hill: 'I Am On The Real Side'. New York's Qit Records were the original purveyors of this track, though its initial obscurity is so baffling to us that we'd guess some case of derelict nobility was at play here; either that, or there was just this much amazing soul music being made in the big city at the time! Here, Hill proclaims her place on the right side of love, with a lyrical emphasis on the object of her passions proving themself to her before she submits.
Review: Eric Hilton's latest release feels like stepping into a hazy, late-night reverie. The track unfolds with a subtle interplay of gently rolling beats and shimmering guitar tones, setting a mood that's as reflective as it is cinematic. Dreamlike vocal layers drift in and out, adding a human touch to an otherwise deeply atmospheric composition. There's a warmth here that recalls the golden era of downtempo, yet Hilton's refined production ensures it feels distinctly modern. It's music for quiet moments, crafted with a level of care and precision that speaks to Hilton's years of mastery in sculpting immersive soundscapes.
Review: Jamwax breathes new life into a rare and evocative track from Justin Hinds, a heavyweight roots reggae masterpiece that embodies the spirit and teachings of Marcus Garvey. A-side 'Marcus Tradition" delivers a powerful message of tradition and heritage, driven by a down-tempo riddim and distinctive whistle. The flipside offers a dubwise reimagining, stripping back the vocals to reveal the hypnotic depths of the instrumental arrangement. This reissue is a testament to Jamwax's dedication to preserving Jamaican musical heritage, honouring both Hinds' artistry and Garvey's enduring legacy. A must-have for any roots reggae enthusiast or those seeking to connect with the powerful message of Marcus Garvey.
Review: For those seeking a genuine experiment in the vein of dark, gritted electro-techno mixed with battle DJ-esque, medley-style hip-hop and turntablist chirps and scratches, look no further than this record. Four classy, metallurgic takes on a classic hip-hop track each - 'Paid In Full', 'Raw', 'So Whatcha Sayin'' and 'Cold Gettin' Dumb' respectively - amount to a weighty hydraulic techno pressing, neither deterred by the precious demands of the hip-hop genre (the beat-form is largely sordid, hardcore 4x4 techno) nor sacrificial of its themes. In the record's lighter moments, we hear this unknown artist make sole use of their source material's self-reflexively energising nature, with 'Raw' especially wafting off a proto-techno prescience with quantized breaks and a pre-drop "I'm coming" sample. Best of this crock, however, has to be 'So Whatcha Sayin'', unrelenting in its jacked-up flow speed and unrepentant in its splatting snares and kicks.
Review: Defiant, spruce and intractable, Hodges James Smith & Crawford's 'Nobody' marks this brilliant new funk reissue with a caustic grip-quip after at the slippery satins of love: "nobody's gonna tell me that you don't love me, baby. They just don't know that you're an angel..." Walking a universal tightrope of ambivalence - this is a situation that we'd wager everyone of one stripe or another is familiar with - this record could function either as a tell of blind infatuation with a ne'er-do-well, or a real statement of loving intention for a misunderstood penitent. 'It Cracks Me Up' backs up the B with an ensouled, ensemble-armoured musing on "girls with shiny faces" and "superdudes", resolving on a tonic note of equal sexual charge. The West Coast vocal group outdid themselves back in 1971, so much that original copies of this fetch unholily exorbitant prices; high time for a repress!
Hit It N Quit It (Cratebug & Jamie 3:26 edit remix) (7:33)
Review: Chicago stalwarts Cratebug and Jamie 3:26 were relatively little-known when they joined forces to create this killer rework of Loleatta Holloway's Salsoul classic "Hit 'N' Run" way back in 2011. The interpretation, which laces choice passages of Holloway's impassioned vocal over a loopy and driving house groove reminiscent of Paperclip People's "Throw", first appeared on vinyl as part of Lumberjacks In Hell's now impossible-to-find Chicago Service compilation four years ago. Happily, Salsoul has decided to reissue it on this must-have, single-sided 12". It's more of a remix than a re-edit, and is guaranteed to get things going at peak-time. Basically, it's a banger, and you need it in your box.
Review: The people behind Ba Dum Tish say they spent months calling, texting and emailing people trying to track down the Hoodrats, but in the end, they did and it was all worth it because it means we now get this reissue of their superb 00s EP 'Tha Whack Messiah'. The title cut is all dusty drums and skipping hi-hats with quiet vocal musings stitched in and swirling pads adding depth and scale. 'So UR The Traitor' on the flip has a more cosmic outlook with smeared synths and tin-pot percussion combing into a sweet tech house roller that oozes early authenticity.
Review: Ah, Hot Creations, home to the hippest house music that cites disco and 25 year-old club anthems as its inspirations. Here, label head honchos Jamie Jones and Lee Foss revived their Hot Natured project for a sweet stroll through smiley vocal house territory in the company of one-time electrofunk revivalist Ali Love. "Benediction" is good for what it is - a vaguely deep, pleasant Hot Creations record - but the real killer here is the remix of former single "Forward Motion" by crusty old US garage head Mark "MK" Kinchen. He recalls those glory days of tough but groovy MK dubs with a rework straight out of 1993.
Trip To Your Mind (Chris Hill & Robbie Vincent remix) (9:02)
Review: Second time around for Hudson People's most celebrated single, 1979's obscure and suitably hard to find 'Trip To Your Mind'. The track was originally released on a couple of different labels, and mixes from both 12-inches are featured on this reissue. The 'Hit House' version, which we think was mixed by the band's leader and in-house producer, is a superb dancefloor jazz-funk epic rich in disco-funk licks, a driving groove, jammed-out electric piano lines, punchy horns, occasional vocal refrains and duelling rock and jazz style guitar solos. On the flip you'll find the breezier and arguably more club-focused remix by UK jazz-funk legends (and Funk Mafia members) Chris Hill and Robbie Vincent, a version that dubs out the vocals a little, prioritises the percussion and adds some superb sax solos.
Review: Al Hudson & The Soul Partners' 'Spread Love' remains a cornerstone of Disco, emerging as a highlight from their 1978 album Spreading Love on ABC Records. This track, which has seen numerous covers and samples over the decades, is now officially licensed and remastered for the first time in 46 years by South Street Disco. The release offers a fresh perspective on this classic, with the A-side presenting the extended intro version as heard on the original album, while the B-side features the 1978 12" single version that plunges directly into the groove. This remastered edition not only celebrates the track's enduring legacy but also provides an opportunity for both new listeners and long-time fans to experience it anew.
Lost Girl (Marc Hype & Jim Dunloop Late Night rework) (3:32)
Special Technique Of Love (Jim Dunloop Shaolin Soul edit) (3:08)
Review: The mighty Dusty Donuts return to Queensbridge where they encounter a 'Lost Girl' featured on a legendary mixtape by one of QB's finest. This bouncy, choppy Marc Hype & Jim Dunloop Late Night Remix is sure to ignite any gathering. On the flipside, the vibes shift from Queensbridge to Staten Island and bring a special sound to work the crowd - this heavy soul classic arrives in true Shaolin style with choppy, dark soul chords and classic hip-hop beats. It's a track that commands attention with the drums but also locks in head and heart.
Review: Mole Music branches out for the first time to vinyl here and shows it has a great wealth of talent to call on with a various artists' EP that is presumably the start of a new series. Holy Guacamole Vol 1 kicks off with JHNS keeping it deep and lively with 'Nevermind' while Steve End and Colau hook up for 'Back Spin' and lay down some magnificent drum loops that are silky and infectious. El Funkador's 'Shame' brings some 90s New York vibes with lovely snare sounds and warm bursts of chords. On the flipside, Alben & Laje & Errat, Hot DLVRY and Craftsmanship all cook up more fresh fusions of old and new school house.
Hertz Collision X Programma 101 - "Concrete Skin" (5:03)
Rebecca Delle Piane - "Ten Dosis Of Melatonin" (4:11)
Disguised - "Kaki" (5:12)
Temudo - "In Chains" (Cleric 2/10 remix) (5:45)
Review: British label Clergy marks a decade in the game with a special 12" featuring a range of artists who have ties to the imprint. Stef Mendesidis comes with the trance tinged overtones of 'Hydra' and its slamming drums and bass blend. Regent's 'Decoder' is a more minimal sound but unfurls high speed with a deep vibe and Hertz Collision/Programma 101's 'Concrete Skin' is all about masterful loops and eerie synths. On the flip, 'Rebecca Delle Piane stands out with the heady minimalism and 90s techno vibes of 'Ten Doses Of Melatonin'.
Obatala Sango Ochun - "The Beginning" (Afrikan Latino mix) (6:24)
House II House - "Into The Night" (5:25)
Bizzy B - "Summer House" (3:20)
Rohan Delano - "Inflight" (5:17)
Montana Orchestra - "Esto Parese Amor" (Tribal Love beats) (5:11)
Uncle 22 - "The Man From" (6:22)
Review: Hotmix deliver another two-track slaying from an aliased ambassador of the label itself, this time the first edition in the new 'Obscure Bad Dreams' series. An homage to Sauro Cosimetti (the Italian house and techno mastermind whose credits include releases on Frequenza, Natura Viva and Beatfreak), six acolytes of the artist bring six, discoic house hosing-downs to the table. Most exciting among the selections are the lively African trad chanter 'The Beginning', the dreamy soulful house 'Inflight' by Rohan Delano, and Montano Orchestra's freestyle-inspired dub-electro-disco 'Tribal Love Beats' version of their own 'Esto Parese Amor'.
Review: Opal Sunn's 'Elastic' lands on Test Pressing Recordings as the first in a trilogy, bringing together Alex Kassian and Hiroaki Oba's knack for genre-blending electronic soundscapes. Known for their captivating live sets, they've crafted an EP that traverses moods and styles. The A-side opens with hypnotic deep trance, layering rich synth textures and rolling grooves. Over on the B-side, things get lush and atmospheric: one track dives into dub influences, saturated with warm basslines and echoing chords, while the final cut drifts into serene, ambient territory. It's an impressive start that shows their mastery of both rhythm and space.
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