Back catalogue: All genres

Review: Percussionist and singer-songwriter Mami Kakudo returns with her latest album, Contact. A graduate of Tokyo University of the Arts' Department of Instrumental Music, Kakudo has gained recognition in Japan and internationally for her expressive use of marimba, percussion, voice and music boxes. Four years after her debut album, Oar (featuring covers of Maki Asakawa's 'My Friday' and Fishmans' 'Ikkareta Baby'), Contact showcases her signature sound again here in all its glory. Recorded with a talented ensemble-including Mugi Furukawa on guitar, Akita Goldman on bass, Wataru Mitsunaga on drums, and Yumiko Iwao on cello-Contact highlights Kakudo's ethereal voice, poetic lyrics and whimsical arrangements.

Review: Madonna's fourth studio album was, and remains her most explicit artistic statement. Though aiming for a "serious" sound, the album dazzled with a kaleidoscope of pop styles from the funk of 'Express Yourself' and 'Keep It Together' to the haunting 'Oh Father' and the alluring and still classic track. Praised for its songcraft as well as for pushing so many bundlers, Like a Prayer remains Madonna's most consistent album and though it was released 35 years ago, it still resonates. Over 15 million copies were sold in the years after release and the album produced six singles, spawned four top ten hits and now gets reissued as a special Silver Edition to celebrate 40 years of her groundbreaking career.

Review: Cliff Martinez's soundtrack is a full realised musical world that is defined by eerie synths and pulsating rhythms, all of which perfectly capture The Neon Demon hypnotic and unsettling atmosphere. Martinez is well known for his work on Drive and Only God Forgives and here once more delivers a score that is both haunting and seductive while mirroring the neon-lit world of fashion and obsession. The soundtrack weaves dreamy, ambient textures with dark, throbbing electronic undercurrents that draw you in and highlights include 'Neon Demon' and 'Mine' which pulse with icy beauty and mean this one stands as one of Martinez's most evocative and chilling compositions.

Review: The debut album Approach to Anima by Maya Ongaku landed originally in May 2023 but sold out quickly so is now being reissued. Initially available as a rare import, the album features Sonoda's fluid guitar and vocals, Takano's undulating bass, Ikeda's ethereal woodwinds and delicate synths and percussion to create a calm yet unsettling atmosphere. Tracks like 'Approach' and 'Water Dream' showcase their diverse influences by blending "Neo-Dada and Fluxus" with 1960s recording advancements. Based in serene Enoshima, the trio's music is free-spirited and reveals hidden depths and untamed vitality which reflect their ongoing creative journey.

Review: This extended triple vinyl edition of Batztoutai with Memorial Gadgets revives Merzbow's groundbreaking second vinyl release from 1986 in an all-new and special package. Widely regarded as one of the Japanese master's finest albums, this is its first-ever reissue on vinyl and the first release featuring the original recordings. The 1986 RRRec edition was a remix by the label, whereas this version presents the original tracks but also it includes bonus material from the same era to offer a definitive and immersive look at Merzbow's early work. Noise and experimental music fans, do not sniff at this one.

Review: Swedish progressive groove metal legends and djent pioneers Meshuggah have always been in competition with themselves, nearly eclipsing all prior output with 2022's ninth full-length Immutable; a near 70-minute beastly display of ludicrously technical, poly rhythmic mayhem that served as both their lengthiest work to date as well as one of their most critically acclaimed, combining the unhinged aggression of 2008's ObZen with the post-prog hypnotism of their 2002 fan-favourite Nothing. The Indelible Edition offers a unique sonic enhancement and total remaster, redefining the album's depth and clarity, while including three bonus live tracks captured over the course of their 2023/2024 world tours. A very on-brand reissue from a collective known for their painstakingly detailed commitment to their vision and craft, whether you prefer the term "indelible" or "definitive", this is the version of Immutable the band finally appear content with sharing with their fanbase almost three years after initial release, almost like the Kanye West of progressive metal but without all of the antisemitism. Complete with updated artwork and gold foil intricacies for the aesthetically minded fanbase.

Review: Hudson Mohawke has always been a bit of a universe-builder, sonically speaking. Few dance music producers to emerge in the post-millennium period have created such a unique aural personality and carved out such an individual place for themselves. Despite giving us a number of incredible pieces of work over the years, Cry Sugar was in many ways the Scottish enigma's coming of age moment. Simultaneously smashing out hardcore, slomo UK breaks, weird-hop, freak&B, alternative-leaning EDM pop, soul, jazz, festival chart house, electronic sleaze and hyper emotional electronica overtures, the 2022 record was rightly tipped as one of the year's finest. And the perfect score to the tumultuous, chaotic and confusing times we woke up in at the time this one was being meticulously pieced together.

Review: Mixed by Japanese producer and DJ Muro, who has a background in hip-hop, this connoisseur is never short on deep cuts and takes us on a journey through soulful, vintage AOR sonics from his home country. Whilst no two tracks are by the same artist, there's a cohesion to the tracklist thanks to Muro's ear in pulling out things that sit so well together. Asakawa Mak's 1988 cut 'American Night' is a smooth nod to sophisti pop greats Prefab Sprout; whilst Seri Ishikawa's elegant and lush number, 'Eternal 1/2', highlights how innovative she was in forging new sounds back in 1985. These two cuts are just the tip of the iceberg, yet this compilation is an ideal entry point to some of the finest Japanese music of the late 20th century. You can bank on Muro delivering the goods.

Review: Renowned DJ and selector MURO is a Jedi-level compiler and this new collection of his delves into Victor's extensive archives to spotlight a world of Japanese jazz, fusion and AOR. It take sin plenty of internationally known names like Yasuko Agawa on the sunset sounds of 'L.A. Night', Sadistics who offers the more psyched out guitar leans of 'On the Seashore', Yuji Ohno's neo-Balaeric bliss-out 'The Dawn of Seychells' and Hiroshi Fukumura's soul soothing Ry Ayres-style melodies on 'White Clouds.' These are luxurious sounds and timeless tracks with MURO's signature funky perspective making this a brillaint choice for brighter, warmer days.

Review: David Murray is a prolific American jazz musician. His particular skills lay in tenor saxophone and bass clarinet and he has recorded several well thought of albums. In fact, he has over 200 LPs as a leader and countless more as a sideman under his belt so is a true musical legend. In 2020, Mr. Mandel celebrated Murray's work with 'Murray Mondays' on Instagram Live and when Murray returned to New York in 2021, he recorded a solo tenor saxophone and bass clarinet session at Reservoir Studio. The result was exceptional, leading to this double LP which now gets reissued.

Review: It's been a long time since Halo: Combat Evolved revolutionised the word of first-person shooter video games. Graphically superior to anything that had come before it, the franchise also benefits from a spectacularly gripping storyline in which humans are outgunned and out-teched by a ruthless and uncompromising alliance of superiorly equipped alien races united as The Covenant. The titular Halo adds a kind of Prometheus air of uncertainty, as nobody really knows what it does until attempts to activate the galaxy-destroying weapon reveal something worse than death - a parasitic breed called the Flood. If all that was enough to blow everyone away in 2001, 2004 brought us to a whole new level of immersion in this future scape. Just like its predecessor, a big part of the impact was the visionary score by gaming soundtrack masters Martin O'Donnell and Michael Savatori. Now here it is in all its Gregorian chanting glory.

Review: In the right circles,, Martin O'Donnell and Michael Savatori are living legends. Working with the iconic US video game company Bungie Inc, the pair put their names on the map - or maybe maps? - by creating soundtracks to a number of high profile titles, either as a duo or individually. O'Donnell is arguably the better known, or at least has the bigger online persona, but both composers deserve plenty of credit. Halo: Combat Evolved was the first title in what is now a huge and genre-defining first person shooter franchise, and the score reflects the emergence of video game music as an integral part of the on-screen action. O'Donnell and Savatori's efforts to ensure instrumentation dramatically changed with events in the game, which is by nature relatively non-linear, was a revelation. While their efforts to separate these into individual suites foresaw the rise of playable stories as films in their own right.