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Review: Marking the second single to be lifted from Will Saul's nourish pop project Close, "My Way" marks one of the album's many forays into vocal territory with a sterling turn from Fat Freddy's Drop crooner Joe Dukie. As well as the calming tones of the original, there is plethora of remixes to accompany the release from regular Saul collaborators for his Simple and Aus labels. Dusky take the lead first with a pumping, garage-fuelled version that keeps the melodics in a moody refrain and the vocal fully intact, while Midland shakes things up with a simmering revision that injects some grainy synth fuzz into the mix and chops the vocal down to one looping sample for the main hook. Tanner Ross and Slow Hands get utterly blissed out with their snail-paced version that does away with sonic detritus and lets the warmth and musicality shine through.

Notes: Stereo cable with 2 narrow angular 6.3 mm plugs.

Review: Russian titan Monokle is back to once again traverse many different sound worlds with his new album Ultraflowers. It is one of a number of superb albums landing on Constellation Tatsu this summer and one defined again by its warmth. The title track is a lo-fi, scruffy and deep opener with persuasive breakbeats, while 'Glassy Eyed' is an ambient jungle trip that drips with watery melody. 'Night Objects' offers some introspection and 'Moths' is a glitchy future techno cut with smeared synth soul. '1000Work' layer sup more breaks with elegant ambient melodies and 'Predteche' casts you admit in the deepest corners of space.

Review: One Million Eyes, previously known as Templehof, return with a new album of balearic ambient, previously heard on two excellent releases for A Strangely Isolated Place. This time appearing on legendary cassette label Constellation Tatsu as part of their fall combo, anyone familiar with their previous work will know what to expect. Dreamy, sun hazed analogue synth lines mix with deep fourth world soundscapes that wouldn't sound out of place on 90s labels such as Pete Namlook's Fax or Instinct Ambient. The first half of Signal begins slowly, eyes wide shut, with 'Nickel', a slow pulsating jam of chilled out psychedelia. 'Marea' blends organic instrumentation with distant, processed voices. 'Koala', the deepest cut on the album, leads to a mood shift in 'Opalescent' that will sound eerily familiar to any Gaussian Curve fans. 'Polaris', 'Solstice' and highlight 'Landscape' close out the album in style. For fans of anyone from Music From Memory, Jonathan Fitoussi & Ishq, there are few better ways to relive your memories of later summer.