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Review: Kendrick Lamar's To Pimp a Butterfly, the Compton-based rapper's first album since 2012's major label debut, Good Kid, M.A.A.D City, has been receiving rave reviews. In truth, it's not hard to see why. Imaginative, soulful, and blessed with the looseness of live performance (a result of the use of jazz-minded live players as much as anything else), it sounds like the kind of album that may one day be hailed as a hip-hop classic. Sure, there are big name guests - Dre, Snoop, George Clinton and Thundercat included - but the focus remains on Lamar's distinctive flow and almost cinematic tales of life on L.A's streets. Given the quality of his lyrics, that's no bad thing.
… Read moreIntérprete: Andrew Pirie (Melting Pot), Juno Recommends CD Albums
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Review: Happenstance can be a fortuitous element. A union-funded single discovered in a dusty store, a long disbanded band found, leads to unreleased post punk dubs in a box of unreleased demos.
Formed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
… Read moreFormed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
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Review: It's quite shocking it's been six years since the last Caribou album, 2014's knockout "Our Love". Dan Snaith has never felt the need to rush his music out, and there was an interim Daphni album in 2017 to be fair to the guy, but here we are with a new set that sees Snaith returning to a little of the delicate songwriting and winsome electronica he forged his reputation on in the early days. There's a lot going on in here, from smooth as silk yacht rock-isms to deliriously modernist cut ups and more than a few wild pitch shifts to keep listeners on their toes. It's playful and heartfelt, and rarely lingers in one place for too long while still retaining a sense of calm. It may be not at all what you expected from Caribou's return, but we'd wager it's even better than you hoped.
… Read moreIntérprete: Kenneth Bager // Musicfordreams
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Review: Riding SCORCHING hot on the heels of their recent self-titled debut, fans could be forgiven for expecting more of the same from Champyun Clouds' second long player of
2021. A hodgepodge of cutting-room-floor-fodder and experiments that would've been b-sides or Japan-exclusive CD bonus tracks in those halcyon days of physical formats' golden ages is not what we're getting. Let's save those for a deluxe anniversary reissue
one day. Nah - sheer, unabashed creativity fuels this album; and weirdly enough, they've managed to branch out in interesting ways while also creating an album that is more immediate and banger-centric. Although Nail's eclectic psych-lounge tendencies and
Asa's irreverent poetry and broad Nottingham lilt remain the key touchstones of CC's sound, opener "Check For Silt"s rough drum'n'bass beats offer an immediate and clear sonic progression for the Nottingham duo. The LP ultimately plays a bit like a haunted
jukebox in outer space - with elements of dub, britpop, early house, trippy, blissed-out sunshine pop (reminiscent of mid-90s His Name Is Alive at their most Beach Boys-aping), William Orbit-esque 90s psych-pop electronica, distorted glam rock shuffles and
garage-y funk. There's a particularly great moment of sequencing at the end of the first half where I got lulled into a state of near-euphoria with the Air-like "The Flowered Crown" before getting slapped 'round the face by "I'm Not Right For You", which sounds
like Nile Rogers producing a demo for Sheila & B. Devotion, except he recorded it at the bottom of a well. Sophomore slump? Never heard of him, mate.
… Read more2021. A hodgepodge of cutting-room-floor-fodder and experiments that would've been b-sides or Japan-exclusive CD bonus tracks in those halcyon days of physical formats' golden ages is not what we're getting. Let's save those for a deluxe anniversary reissue
one day. Nah - sheer, unabashed creativity fuels this album; and weirdly enough, they've managed to branch out in interesting ways while also creating an album that is more immediate and banger-centric. Although Nail's eclectic psych-lounge tendencies and
Asa's irreverent poetry and broad Nottingham lilt remain the key touchstones of CC's sound, opener "Check For Silt"s rough drum'n'bass beats offer an immediate and clear sonic progression for the Nottingham duo. The LP ultimately plays a bit like a haunted
jukebox in outer space - with elements of dub, britpop, early house, trippy, blissed-out sunshine pop (reminiscent of mid-90s His Name Is Alive at their most Beach Boys-aping), William Orbit-esque 90s psych-pop electronica, distorted glam rock shuffles and
garage-y funk. There's a particularly great moment of sequencing at the end of the first half where I got lulled into a state of near-euphoria with the Air-like "The Flowered Crown" before getting slapped 'round the face by "I'm Not Right For You", which sounds
like Nile Rogers producing a demo for Sheila & B. Devotion, except he recorded it at the bottom of a well. Sophomore slump? Never heard of him, mate.
Intérprete: Juno Recommends Rock/Indie
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Cat: 5314893. Rel: 03 Apr 09
Indie/Alternative
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Modern Delusion (LP limited to 200 copies in picture sleeve)
Cat: SOTCD CTLGLP1. Rel: 11 Apr 23
Indie/Alternative
Review: The always superb Sounds Of The City comes through here with some freshness and newness here via their newly minted 'Sounds Of The City, Dark' series. It finds the French outfit Catalogue debuting on the label with a sound that brings a different perspective to the new post-punk movement. Their sound is a mixing pot of an array of different influences and what you get is music that will get you nodding to the grooves while your mind gets lost exploring synthetic elements, angular guitar riffs, robotic rhythms and lovely deep bass.
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Review: Boom: three years, three albums. No biggie for Bristol duo The Allergies, Jalapeno's biggest success story since Kraak & Smaak. Each album shows them getting deeper into the groove, creeping away from the cheeky samples and sculpting their own pedigree funk originals. With Ugly Ducking Andy Cooper onside through the mix from the wild ride vibing "Fade Away" to the white knuckle lyrical fire of "Run It Back", there's a real band feeling to the whole album as familiar voices thread throughout the jams... including that of UK hip hop legend Dr Syntax.
… Read moreIntérprete: The Allergies
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Review: Unabashed satirical wares straight outta Nottingham, Sleaford Mods somewhat charming embrace of British provincialism sees the semi-ironic nature of their music nestle itself in a space shared with Jamie T, Mike Skinner and Blackout Crew. Slightly wayward, political and patronising, their music can sometimes come off something like a scene out of Peep Show, though however tongue-in-cheek their commentary of the UK life can be, it's a gloriously proud album of cultural identity, and in among references to chip tune, bedroom produced beats, alternative Madchester-era sounds to rap and spoken word, it's a record embracing hoodies and trainers as much as it does anarchy and builder's tea. Oi!
… Read more in stock $6.08
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Cat: EDSL 0073. Rel: 02 Oct 20
Indie/Alternative
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Cat: BELLA 686CD. Rel: 08 Sep 17
Indie/Alternative
Review: 'Music For People In Trouble', the latest missive from Norwegian singer-songwriter Susanne Sundfor, is a marked departure from 2015's 'Ten Love Songs'. Here, Sundfor omits euphoric synth-pop hooks in favour of a quietly confident dappled choral aesthetic. The ideas at work in this album are as varied as those in her previous work, but feel far more cohesive in their execution. Over two songs, Sundfor smoothly transports the listener from the fingerpicking country and western of 'Reincarnation' to an intimate solo piano ballad then to smoky jazz club noir in 'Good Luck Bad Luck'. Without ever feeling heavy-handed, this considered sense of movement and form - paired with Sundfor's at times heart-wrenching lyrics - is what makes 'Music For People In Trouble' so striking.
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Review: Say She She bring soulful magic to the holidays with two tracks that effortlessly combine tradition and originality. Their cover of Marvin Gaye's 'Purple Snowflakes' brims with soft, tumbling melodies and an understated psychedelic charm, while 'This Wintertime' radiates with the heartfelt warmth of their first original Christmas tune. Lush harmonies and thoughtful arrangements define both tracks, reminding us of music's power to connect and uplift. This festive 7" single captures the spirit of the season in Say She She's signature style.
… Read more in stock $7.20
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Intérprete: Juno Recommends Hip Hop/R&B, Skyline Recordings Chart
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Review: Blur fans might have been forgiven by approaching 'The Magic Whip', the band's first album in thirteen years and first with lynchpin guitarist Graham Coxon for sixteen, with a degree of trepidation. Yet, in heartwarming fashion, this eighth effort stands as both a testimony to the band's enduring appeal and their experimental, restless side. Written in jam sessions and via an exchange of ideas from Coxon and Damon Albarn, it nods graciously to all eras of the band, whilst it also offering fresh influences - Coxon has talked of 'sci-fi folk' - and a plaintive air of melancholy hangs over many of the well-crafted ditties herein. Yet most importantly, 'The Magic Whip' is possessed of all the charm, ennui and exquisite songwriting of this iconic band at their best.
… Read more in stock $6.62
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Intérprete: The Allergies
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Review: Given that all four members of Piroshka have serious musical heritage stretching back to the late '80s and early '90s (famously the line-up boasts former members of Lush, Elastica, Moose and Modern English), it's perhaps unsurprising that their trademark sound taps into these roots. Love Drops & Gathers, their sophomore set, evolves this collective style further, adding notable nods towards shoegaze and shimmering electronica amongst the rugged Britpop grooves and classic indie-rock song structures. The result is a warm, drowsy and more musically adventurous affair that still puts hummable melodies and sing-along choruses at the heart of the action.
… Read more in stock $5.52
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Soft Cell - "Tainted Love"
Duran Duran - "Girls On Film"
The Human League - "Love Action (I Believe In Love)"
Orchestral Manoeuvres In The Dark - "Enola Gay"
Spandau Ballet - "To Cut A Long Story Short"
Visage - "Fade To Grey"
Heaven 17 - "Temptation"
Tears For Fears - "Mad World"
Japan - "Ghosts"
The Passions - "I'm In A Love With A German Film Star"
China Crisis - "Wishful Thinking"
Kajagoogoo - "Too Shy"
Howard Jones - "New Song"
Landscape - "Einstein A Go-Go"
Peter Schilling - "Major Tom (Coming Home)"
Simple Minds - "Glittering Prize"
Talk Talk - "It's My Life"
A Flock Of Seagulls - "I Ran"
Blue Zoo - "Cry Boy Cry"
Classix Nouveaux - "Is It A Dream"
Lotus Eaters - "The First Picture Of You"
Culture Club - "Do You Really Want To Hurt Me"
Giorgio Moroder & Philip Okey - "Together In Electric Dreams"
Limahl - "Never Ending Story"
Nik Kershaw - "The Riddle"
Adam Ant - "Friend Or Foe"
Bow Wow Wow - "Go Wild In The Country"
Haircut 100 - "Favourite Shirts (Boy Meets Girl)"
ABC - "Tears Are Not Enough"
The Teardop Explodes - "Reward"
Kim Wilde - "Chequered Love"
Altered Images - "I Could Be Happy"
Toyah - "It's A Mystery"
Dave Stewart & Barbara Gaskin - "It's My Party"
Men Without Hats - "The Safety Dance"
Marilyn - "Calling Your Name"
Dollar - "Videotheque"
Bucks Fizz - "My Camera Never Lies"
Paul Young - "Come Back & Stay"
Alison Moyet - "Love Resurrection"
PhD - "I Won't Let You Down"
Thompson Twins - "Hold Me Now"
Frankie Goes To Hollywood - "Relax"
Dead Or Alive - "That's The Way (I Like It)"
Blondie - "Atomic"
Martha & The Muffins - "Echo Beach"
Echo & The Bunnymen - "The Killing Moon"
Joy Division - "Love Will Tear Us Apart"
The Psychedelic Furs - "Pretty In Pink"
Wang Chung - "Dance Hall Days"
Re-Flex - "The Politics Of Dancing"
Joe Jackson - "Steppin' Out"
Stranglers - "Strange Little Girl"
Mobiles - "Drowning In Berlin"
Hazel O'Connor - "Eighth Day"
The Belle Stars - "Sign Of The Times"
Madness - "Our House"
Dexys Midnight Runners - "There There My Dear"
UB40 - "One In Ten"
JoBoxers - "Boxerbeat"
Roman Holiday - "Don't Try To Stop It"
Mari Wilson - "Just What I Always Wanted"
The Maisonettes - "Heartache Avenue"
The Style Council - "Long Hot Summer"
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There's So Many People That Want To Be Loved (7" + MP3 download code)
Cat: RUG 1315. Rel: 29 Jul 22
Indie/Alternative
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Cat: BN 7CD. Rel: 01 Sep 23
Indie/Alternative
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Review: Oxford's Foals, now ten years old and some seven years on from their debut, have pulled the neat trick of elevating themselves to dizzy heights without essentially compromising their kinetic mixture of art-driven experimentation and widescreen melodic grandstanding. Yet 'What Went Down', their fourth salvo thus far, shows a band newly reinvigorated, and somehow managing to be both heavier and more danceable in turn. As angry and inventive as ever, the howls of mainman Yannis Philippakis have lost none of their cathartic charge, the chime of their guitars remains as seductive, yet so vibrant and vivacious is this collection of songs that their elevation to festival headliner status seems a foregone conclusion.
… Read more in stock $6.35
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Cat: TRANS 666CD. Rel: 22 Jun 23
Soundtracks
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Review: Second time around for the Bees' terrific debut album, Sunshine Hit Me, which wowed critics and buyers alike on its initial release way back in 2001. The epitome of a surprise hit with admirably DIY roots - the duo behind it, Paul Butler and Aaron Fletcher, famously recorded it in a limited home studio built in the back garden of a residential house on the Isle of Wight - the album has lost none of its allure all these years on. Woozy, summery and lo-fi, with hazy horns and glassy-eyed vocals rising above backing tracks that variously doff a cap to soul, rocksteady, ska, 1960s dream pop, psychedelia and a wealth of subtle global musical influences, Sunshine Hit Me is a warming, smile-inducing treat. This edition also boasts a sextet of bonus cuts, which seem to be a mixture of B-sides and tracks plucked from the pair's archives.
… Read moreIntérprete: Phat Phil Cooper
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