Review: In Li Yield's Chinese homeland, the title of this album translates back to English as 'childhood' or 'dishevelled hair'. Both are fitting. The London-based multi-instrumentalist and composer follows on from 2021's spellbinding OF with a second full-length record, and this time looks to try and immortalise the experience of growing up young, seeing the world through wide open eyes and learning by engaging with it. The technical back story is impressive - Nonage is packed with outtakes of old Chinese TV shows, mechanical toys and instruments that were made by the artist for this project. Yilei's own childhood piano jams, and half-memories, are also interspersed. In the end, it's a beguiling listen, intriguing and curious, and consistently hazy, just like those recollections from when you were only just able to reach the counter top.
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