Review: Grand Central Records founder and Manchester mainstay Mark Rae is back with New Town Ghosts, a powerful novel four years in the making that is set during the sweltering summer of 1976. This emotionally rich coming-of-age story is told through the eyes of ten-year-old boys navigating friendship, responsibility, and growing up and is paired with a nostalgic soundtrack of ten original songs performed in four-part harmony with strings, horns, choir and live instrumentation. The music evokes the warmth of a radio playing in a sun-drenched garden with themes of nature, wheels (ie via skateboards, wheelchairs and prams) and youthful rebellion echo throughout.
Review: Rag'n'Bone Man, born Rory Charles Graham, is "embracing joy and balance in his life" as he releases his new album What Do You Believe In?. Known for his gravelly blues vocals, the British singer gained global recognition with his 2016 debut Human, which went platinum four times in the UK and multi-platinum in 27 other countries. Now, supported by family and newfound confidence, Rag'n'Bone Man's latest work blends personal growth with vibrant hooks and takes fans on an uplifting musical journey with title track setting the tone in superb fashion.
Review: On the debut EP 'We Are The Ones/Fire/Forever', Chicago DJ and all-out living legend Rahaan collaborates with an equally talented group of musicians: Marcus J. Austin on lead vocals, Nancy Clayton on backing vocals, Carnell C. Newbill (also known as Spike Rebel) on keyboards and backing vocals, Todd Swope on guitar, and Lou Terry on bass. Together, the outfit known as The Ones create an extended three-track EP of transcendent proportions, drawing on the avaricious world-passion for music and life heard in the joyous chasms between psychedelia, Afrobeat and disco. Bridging these precipices by way of a vast, suspensory dancefloor held together by firmly mixable kick drums serving as rivets, Rahaan produces and mixes a viscerally eye-popping set of devotionals here. From the impassioned beatitudes and thanksgivings of 'We Are The Ones', to the desirous chic-funk drum circle envisaged on 'Fire' and the eternal gospel-rock-tinged disco-soul ablution 'Forever' (a special favourite of ours), this is a holy chrism in record form.
Review: Rail Band are one of the most legendary bands in Malian musical history, and like all great legends their greatest moment was fleeting. This incredibly heavy, soulful and hard-grooving record was released in 1973, when the official orchestra of the Malian State Railway decided to enter the studio and lay down their potent blend of Western funk and surf, Mande tradition and Afro-Cuban percussion. The band was led by trumpet and sax player Tidiani Kone and Djelimady Tounkara on guitar, but in the iteration captured on this album they also featured future stars Salif Keita and Mory Kante on vocals. Shortly after, Keita and Kante eloped to embark on hugely successful solo careers, but for a brief moment in 1973 one of the greatest African guitar bands of all time created a perfect storm of West African storytelling and smoking hot grooves.
Review: Farfalla Records' reissue of Wonderland of Sound to celebrate its 50th anniversary is a nostalgic nod to the classic 70s library sound. Originally released in 1974 and produced by Brillant-Musik's Werner Tautz, the album was recorded in Zurich and features the talents of the Big Band Rainbow-Orchestra, comprised of Europe's finest session players. Wonderland of Sound epitomises the era's jazzy bliss, with splendidly funky compositions and arrangements that feature a ultra-stylish horn section. The album exudes a timeless charm, transporting listeners back to the heyday of European library music. Throughout the record, the craftsmanship of the musicians shines through, creating an exciting album that is both evocative and infectious.
Review: A Monster's Expedition + Earlier Adventures is a double disc collection of music from four different video games (namely A Monster's Expedition, Sokobond, Cosmic Express and A Good Snowman Is Hard to Build) all composed by Eli Rainsberry, Allison Walker, Nick Dymond, and Priscilla Snow. Each one is utterly unique to the game and each one comes laden with beautiful soothing atmospheres delicately coloured with ponderous and whimsical melodies that will distract you from whatever you are doing they are so gorgeous. This is music to get lost in and it comes with superbly serene artwork from Andre Rodrigues.
Review: Man like Jordan Rakei has become a modern neo soul pin up. His solo releases - whether under this name or a more house leaning alias Dan Kyo - drip with sensuality. His buttery vocals always well matched with smoochy beats and deep grooves. To get a window into his music collection is mouthwatering indeed, and a Late Night Yales mix seems like the perfect opportunity to do so. As expect there are jazz moments, deeply soulful sounds, a few of his own exclusives and plenty of candle lit, tender, middle of the night moments of pure musical joy.
Review: Aussie soul boy and soothing crooner Jordan Rakei is a profile songwriter, producer and vocalist who has put out plenty of great records in recent times. They have made him a firm festival favourite over on these shores and as such he was tapped up back in 2021 to make his entry into the esteemed Late Night Tales series. As per the MO, he takes a deep dive into his record collection to soundtrack a session back at his once the sun has gone down. It's classy and sophisticated from front to back with jazz, soul, folk, deep house and plenty of his own tracks all adding up to something beautifully escapist.
Review: Enzo Randisi's Swing Ensemble is a quintessential summer jazz album, honouring the vibrancy and cheer of the early 80s. This Sicilian gem stands out for its unique blend of swing and experimental elements, reflecting the rich musical blend of Palermo at the time. Randisi's ensemble, featuring the exceptional vocal talents of the Spata sisters, Cinzia and Loredana, infuses tracks like 'All Blues' and Chick Corea's 'Spain' with a distinctive flair. One of the album's standout moments is Charles Cables' rendition of 'Quite Fire' (misspelled as 'Quite Fair'), a track that would gain recognition in the 90s Acid Jazz movement. This choice underscores Randisi's and his collaborators' deep musical knowledge and passion, achieved despite the isolation of their island home. Swing Ensemble is less experimental than Randisi's debut but offers a compelling mix of hard modal bop with an exotic twist, thanks to the Spata sisters' voices. With a polished re-press overseen by Tony Higgins, this album remains a vital piece of Italy's jazz scene, appealing to fans of swinging jazz and innovative arrangements.
Review: Tucked away on a private press release in the hidden corners of 70s Italian jazz, Enzo Randisi's debut album has been rescued from obscurity and given the reissue it so richly deserves. The extensive ensemble playing on this album includes Randisi's son Riccardo on Rhodes, Giuseppe Costa on bass, Enzo Palacardo on guitar and Franco Lota and Mimmo Cafiero on percussion, all serving as a backdrop to Randisi's exquisite vibraphone. It's a masterpiece of spiritual jazz cast in mysterious shades and sure to be cherished by any jazz aficionado, as confirmed by plaudits from such legends as Archie Shepp and Gil Evans.
Review: Trombonist Phil Ranelin alongside Wendell Harrison founded Tribe as a community enterprise and record label in Detroit in the 70s that went on to have a huge impact. Its musical legacy lives on through plenty of vital albums, not least Vibes From The Tribe. The Japanese Edition of the original album now arrives on Groove Diggers complete with an obi-strip and six spellbinding tunes that have all been remixed and remastered from the original multi-track tapes or lacquered directly from master tapes. It is as good as spiritual jazz gets, frankly.
Review: Tribe 2000 is a powerful celebration of Phil Ranelin's prolific career, featuring the Tribe Records founders, Ranelin on trombone and Wendell Harrison on saxophone. Recorded in 2000, this album brings together the core of the influential Detroit label, as Harrison sought to reconnect with Ranelin while incorporating a talented ensemble of seasoned musicians to enrich the arrangements. Four of the five compositions are penned by Ranelin, showcasing the innovative spirit that characterised Tribe. Wendell Harrison, known for his self-directed approach to music, co-founded the legendary Tribe label in the 1970s and established Rebirth Inc., a nonprofit dedicated to jazz performance and education. His collaborations with notable artists like pianist Geri Allen and saxophonist James Carter underscore his significant impact on the jazz community. Born in Indianapolis, Ranelin's early influences shaped his journey through Detroit's jazz scene before he moved to Los Angeles, where he continued to thrive alongside luminaries like Freddie Hubbard. Together, Ranelin and Harrison's Tribe 2000 exemplifies their enduring legacy in jazz music.
How Do We End All Of This Madness (instrumental) (4:28)
How Do We End All Of This Madness (6:40)
Wife (9:06)
Merciful (6:01)
Beneficent (6:59)
Review: Wendell Harrison and Phil Raneli's Message From The Tribe is regarded by those who know as an untouchable example of spiritual jazz. The Tribe label - run of course by the pair themselves - it came on was also one of the great of its era in the 1970s. Here the album has been remixed from the OG master tapes, all under the watchful eye of its creators, then lacquered by Bernie Grundman. It is an expansive and indulgent record that includes a vast booklet that takes us through the history of the label and touches on the story of Black American empowerment.
Review: Since launching a few years back, Matthew Halsall's Gondwana Records has released some terrific albums from a string of talented but often little-known artists. This brilliant set is another. It comes from Hania Rani, a pianist, composer and producer better known for her collaborative work with the likes of Christian Loffler, Dobrawa Czocher and Hior Chronik. "Esja" is Rani's solo debut and sees her sashay between atmospheric, often poignant pieces that put her impeccable piano playing at the heart of the action. It's exceedingly elegant and picturesque, with Rani's subtle use of field recordings and crackling background noise only enhancing the listening experience.
Review: For Maria Raquel, there is no fear when it comes to following her passion. Whether it be moving from Colombia to New York to follow her dream, or getting onstage with the greats of Latin music, Maria does no second guessing. On her debut album Mucha Mujer, Maria dives headfirst into the classic sounds of boleros and cumbias, spotlighting her smoky alto amidst a live 16 piece orchestra of percussion, strings, horns, bass and guitar. Featuring all original compositions and recorded to analog tape, Mucha Mujer is reminiscent of classic recordings by artists like Omara Portuondo, Celia Cruz, and La Lupe, yet Maria Raquel breathes new life into these classic genres - the haunting yearning of the boleros contrasting with the pulsing insistence of Cumbia. Featuring some of New York's top Latin musicians such as Reuben Rodriguez (Tito Puente), Marcos Lopez (Marc Anthony), Ivan Renta (Eddie Palmieri), and arranged and produced by Mike Eckroth (Orquesta Akokán) and Jacob Plasse (Los Hacheros), Mucha Mujer introduces the world to a spellbinding new talent.
Review: As well as sporting a superb moustache, Enrico Rava was also the first Italian jazz artist to break out onto the international scene. He was born in Trieste in 1939 and 'Pupa o Crisalide' is one of the most interesting works in his catalogue. It sums up what he was about in the first chapter of his career with a selection of treks made with different musicians alongside him including Giovanni Tommaso, Bruno Biriaco, Franco D'Andrea and Michele Ascolese. There are fiery, funky and edgy tunes as well as jazz-rock inspire fusions and then more serene and Latin flavour jams in the second half.
Play Your Position (feat Trek Life & Supastition) (3:30)
Excalibur (2:08)
State My Case (1:59)
Dotty X & The Sen (feat Sadat X & El Da Sensei) (1:55)
Stay Good (1:41)
Role Reversal (feat Craig G) (2:15)
Brazil (1:24)
Straight Shot Of Whiskey (feat Cyrus Batty & B-Jazz) (4:04)
Everyday Sh-t (feat Illa J & Frank Nitt) (2:57)
The Brink (feat Wordsworth & John Robinson) (2:29)
The Sun (feat Blu & Ras Kass) (3:32)
Xanadu (feat Ann One) (3:51)
Review: Rawlsmatic is a powerhouse partnership made up of Rhettmatic of Beat Junkies and J Rawls from Slum Village et al, coming together for an album which bobs and weaves between gritty boom bap, lush soul and even touches of modern jazz. There are cuts from Rhettmatic scattered throughout, stitching the whole project together as a hip-hop centric affair with ample guest spots from the likes of Craig G, Blu, Ras Kass, Illa J & Frank Nitt, John Robinson, Wordsworth and Sadat X & El da Sensei. Given the calibre of talent involved, it's no surprise to learn the album is absolutely essential, and it more than deserves its ceremonious outing on wax.
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