Back catalogue: House

Review: This Biscuit release is a fierce four-track punch built dancefloor disruptors. Opening the A-side, France's BOOH (aka BOOOoo! Records co-founder) delivers 'Hidden Between Two Ferns,' a punishing blend of EBM and electro that morphs with dark energy. A2 sees Argentina's Micro.Tron bring pure electro muscle with 'Microclima Robot,' a rhythm-heavy cut that hits with precision. On the flip, JJ Fortune drops the epic and destructive 'Then I Dropped It' while Vloon closes with a snarling, high-voltage electro weapon. Raw, trippy and relentless, this one's built to shake basements and bend minds.

Review: Capodopere's eighth release comes from the enigmatic Vid, a dedicated genre explorer not bound by usual rules. Side A's 'Transpose' features a groovy dub bassline and intricate percussion that mesh together into a hypnotic rhythm that invites fluid body movement and deep mental immersion. Vid's subtle, warm textures make it both a dancefloor weapon and a cerebral experience then side-B's 'Stereochord' shifts to a darker tone with sequenced patterns and a deep bassline underpinning industrial textures and eerie echoes. The track's relentless energy and nocturnal atmosphere make it a real afterparty gem.

Review: Darcoform present a captivating four-tracker where minimal frenetics collide with backend sonic mental processes, producing no end of strange fidgety sounds. With side A, Vid's 'Soundscapes' and Cim Pian's 'Visions Of Neverland' conjure a twin gnosis through slipping frameworks made up of 2-step breakbeats and vocal samples. On the B, Mtps unites introspection and groove in 'Book Of Truth', interlacing vampish textures and beats, presaging Durosai's closer 'Str8 Chillin' which lays back with its arms folded over a mechanised punctuatiosn: "rock the dance", it goes, in celebratory conclusion.

Review: Interdance impressed with its first couple of forays onto wax and now its third release packs in more fresh talent from South America's underground. On the A-side, Buenos Aires' Vinz delivers two standout tracks: 'Instinto,' a raw, trance-tinged techno trip straight from 1992, and 'Transradio,' which is a cinematic journey with pounding drums and acidic synth lines burrowing deep. Flip to the B-side for Uruguayan producer Juan Dairecshion's deeper, more hypnotic sound on 'Rebel Rebel,' which rides a steady four-on-the-floor pulse, while 'UR Love' dives into murky, Detroit-inspired territory with eerie vocals and twisted melodies inspired by the group name-checked in the title. A bold, mind-bending four-tracker built for serious late-night floors.

Review: Dutch label Universo Positivo returns with label head Jospeh Salvador and house legend Orlando Voorn. Salvador has been active since the 1990s and has worked under various aliases and labels, while Voorn is known for connecting Detroit techno with European styles, and together they find a perfect sweet spot between deep and soulful house. The filter-funk energy of 'Slap My Funk' kicks off, then there's the boogie-fried and low slung house of 'Every Man Loves', jazzy melodies and big breaks of 'Break It Down' and strident, steamy disco-house stomper 'So Well.'

Review: Trent Voyage and Elena Moroder started working together in 2022 and here make their debut on Quirk. It speaks to a duo who have a love of classic US house but have enough skill to bring their own style to it. Elena's dynamic, sensual vocals weave through lyrics about paradise, love and fantasy, with the opener 'Jamiro' a perfect deep house hymn with timeless vibes. 'Show Them' is a more minimal and late-night sound with a twitchy synth and moody vocals bringing more edginess. 'So Good' has a jacked up groove and another magnificent original vocal that harks back to the golden era. 'Cosmic Connection' repeats the trick with a rugged drum sound, then 'Cravings' is built on an electro rhythm with future synth sparks.

Review: Somewhere between a rolling terrace session and a very well-behaved afters, Aloque's second 12" offers a quietly confident take on modern club gear. The Valencia-based label launched with a bang last year i their debut sold out quickly i and now they return with four new tracks from co-founders Vsan & Jose Marti. If the first record introduced the label's sound, this one deepens it. 'Creilla' opens the A-side with a stripped, percussive groove that unfolds patiently, stitched together with dubby effects and subtle movement. It's restrained but functional i the sort of track you'll play more often than you think. 'You Will (Remaster)' leans into darker territory: heads-down and system-facing, with a weighty low end and just enough melodic tension to hold your focus. Over on the flip, 'Stabito' takes things into smokier, slower territory. Airy stabs drift in and out over a skeleton of drums, soft-edged but purposeful. 'Calibre (feat Badano)' closes with more urgency i a focused, dry pulse driving the most direct track on the record. With two sharp 12"s under their belt and a clear sonic identity forming, Aloque sit right at the centre of Valencia's shifting dance landscape i these records already feel built to move well beyond it.

Review: Vyvyan is the solo project of Bonar Bradberry, a perennial underground perfumer with roots in disco and house and plenty of great releases to his name as half of the acclaimed Leeds duo PBR Streetgang. Here, he delivers music for dancefloors when the night turns uncanny by stripping club sounds to their raw essence. Following his 2022 debut album Y, which fused rough percussion with warped melodies, the 'Waterslide EP' pushes on further. The standout title track is minimal and wonky house with synergic synths that burrow deep into your brain and it receives a powerful remix from Gallegos, while 'Kindness' is an amped up rhythm with plump kicks and trippy lines spraying throughout the mix.

Review: Inspired by his neon-lit walks around London's docklands, crate digger Ilan Pdahtzur's 2019 compilation Night City Life marked him out as a dusty-fingered crate digger and record collector with a distinctive, synth-heavy musical vision. It made him the toast of the selector/collector community, but more than that it was a genuinely superb selection of obscure, hard-to-find cuts. This belated sequel is every bit as essential and filled, unsurprisingly, with rare and lesser-known gems. Highlights are too plentiful to mention, but our current favourites include Sharon & Tracey's 'The Sheik' (a belly-dancing inspired slab of TB-303 bass-driven house hedonism), Jennifer's 1992 Euro-house gem 'Come Into My Life', Scicilian musician Claudio D'Ignoti's boogie-era treat 'Ache Per Noir', and the fashion scene inspired leftfield synth-pop of Lena's 'Embrasse-Moi (Strumentale)'.

Review: After 32 years promoting a distinctive blend of off-kilter Cologne techno, mind-altering minimalism, ambient pop and trippy tech-house, Kompakt Records has notched up 499 releases. It makes sense, then, that the long-serving German label would be keen to mark release number 500 with something suitably special. They've done just that, offering up a lovingly produced box set that does a fantastic job of celebrating the imprint's journey to date. There are five, differently coloured discs packed with (mostly edited) versions of lesser-known early gems and Kompakt classics, plus a bonus picture disc containing 50 locked grooves, and a 100-page, 10" hardback book telling the label's story to date. It's an incredible product all told, one blessed with a host of electronic household names - The Orb, Laurent Garnier, John Tejada, DJ Koze - and deeper cut, cementing the label's status as a gamechangers and pack leaders.

Review: Given that much time has passed since the original nu-rave and, ahem, 'indie sleaze' days of the noughties, it was perhaps inevitable that we'd get a celebratory compilation sooner, rather than later. Two Piers has done a pretty good job of marking those movements - or the 'nu-rave' end of it at least - on Strobes In Space. There are plenty of bona-fide crossover anthems of the period present - Justice v Simian's 'We Are Your Friends', New Yong Pony Club's punk-funk inspired 'Ice Cream', the Jacques Lu Cont revision of The Killers 'Mr Brightside' and LCD Soundsystem's 'Tribulations' included - alongside genuine underground club classics and tracks that undoubtedly deserve another airing (see Simian Mobile Disco's 'Hustler', Tiga's 'You're Gonna Want It', Playgroup's genuinely brilliant 'Make It Happen' and Soulwax's 'NY Excuse').

Review: Of all the terms here, the one used at the time was most frequently new rave and it would be an unthinkable scene without the Klaxons, so it's great to see them make the tracklist, alongside top tier like-minded acts. Bloc Party are one of the best indie bands to remix ever and the version of their best song 'Banquet' is a banger. Elsewhere, LCD Soundsystem's most catchy number 'Tribulations' is a dead cert in terms of getting people off their seats. One of the hyped bands of the era who deserve recognition are We Have Band and it's a shrewd move to include them. Electroclash heroes Fischerspooner had signed to Minsitry of Sound for L2 million around the time 'Emerge' came out and were easily one of the hottest dance acts around, and make for another cracking addition to this seriously high quality retrospective.

Review: Barcelona-based label Exarde's latest compilation gathers a select group of producers whose intricate, cold minimalism defines the label's identity. From the jagged percussion of Kvrk's 'Access Denied' to the hypnotic rhythm of C.ru.z's 'Tecno-Logico', each track offers something different yet unmistakably rooted in Exarde's vision. J6's 'Cyber Crisis' injects an anxious energy, while Sancra's 'Obscure Consciousness' offers an immersive experience, drawing you into its murky depths. As TrascendAnce's 'Whathehell' dissolves and reforms, rhythms begin to shift in unpredictable ways, leading to Dissocietisociety's 'Oda A D.houle', where a metallic sheen gives way to a stripped-back, almost clinical production. Nicolas Longo's contribution pares everything back, reducing the sound to its essential components. Curity's closer delivers an uncompromising, propulsive end, capping off a collection that feels both cohesive and meticulously crafted.

Review: Through standout tracks from artists like Magnolia, Maryag and Third Attempt, as well as remixes from Bosq and Dr Packer, this new one from The Disco Express embodies the irresistible fusion of house, nu-disco, and classic disco, prefiguring the beatdown summer to come. Over seven sizzling tracks, spread across an eye-catching orange vinyl, La Felix's 'Hot', Rayowa's 'Can You Feel The Love' and Bustin' Loose's funk-flecked and wriggling bass-led 'Pharaoh's Lean Time' are but a few several cooldown quenchers to be found here, all of which are sure to add a natural flavour to the sure-to-be parching heatwaves of Summer 2025.

Review: Longplay II: 10 Years Anniversary Compilation is a monumental six-record box set that celebrates a decade of cutting-edge mininalist techno. From the hypnotic rhythms of Cezar's 'Nkv2' on Side-1 to the atmospheric 'Nochi' by Denis Korablev on Side 12, each side brings its unique flavour. Tracks like Vincentiulian's 'Owowow' and SIT's 'Internal Network' showcase intricate, minimal soundscapes that are both cerebral and dancefloor-ready. The compilation also includes standout moments like Alci's "Man Studer" with its deep, pulsating basslines, and Ben Neville's 'Good Techno Stops Time', a testament to the timeless nature of the genre.