Die Klapperschlange (Escape From New York) (vocal)
Die Klapperschlange (Escape From New York) (instrumental)
Die Klapperschlange (Escape From New York) (edit)
Die Klapperschlange (Escape From New York) (Nomoo remix)
Review: One of legendary filmmaker John Carpenter's few forays into electro-disco proper, 'Die Klapperschlange' is an instant throwback, the title theme from the 1981 sci-fi film Escape From New York. Everyone knows this melody, yet few could point to its origin, and that's likely due to the German release of the John Carpenter film being titled 'Die Klapperschlange' ('The Rattlesnake'). And yes, you heard us right: John Carpenter himself made this piece of music. A multi-talented man indeed, though he did work with fellow composer and sound designer Alan Howarth to add the finishing touches here. It's as if this track were made for the anarcho-discos of the future, its inherent darkness rendering it seemingly unassailable by the crumbling of society or public breakouts of violence depicted in the film. Plus, there's *that* unmistakable four-bar extension, in which a three-note hook has permanently wedged itself in our minds - wowee. And on this new release via ZYX, we've got two new alt-mixes and an outrun techno remix from Nomoo. Sweet!
Review: The reissue of Cagnet's Love Generation soundtrack is a nostalgic treasure for fans of 90s Japanese drama music. Originally composed for the hit series Love Generation (1997), starring Takuya Kimura and Takako Matsu, this soundtrack beautifully captures the show's emotional depth. Cagnet. led by Daisuke Hinata, crafted a unique blend of smooth jazz, pop, and wistful melodies that perfectly mirror the highs and lows of the drama's love story. Ahead of the time for then, now fits well with the Japanese reissue focus on smooth City Pop sounds. What sets this soundtrack apart is its balance between atmospheric background music and catchy, memorable tunes, which play an integral role in heightening the emotional resonance of key scenes. These tracks show Cagnet's ability to weave together soulful rhythms with melodic sophistication, making this reissue a perfect trip down memory lane. Now available on clear red double vinyl, Love Generation is an ideal piece to fit in with the classic Japanese drama soundtracks.
Review: From the moment you hit play on 'A New Threat Is Born', the first few minutes on this soundtrack to the acclaimed video game, Resident Evil 3, you could easily close your eyes and feel like you're back sat in front of a TV playing the story through. If you're unfamiliar with the franchise, let's just say it (re)wrote the book on survival horror, and a big part of this was in the scores used to accompany the on-screen tension. Less focused on specific theme tunes and tracks, over time the emphasis has increasingly fallen on building atmosphere and setting up jump scares for unassuming players. On a record, that sounds like a combination of fast moving and quickly developing instrumental movements and intimidating sound effects. Perhaps not the dinner party soundtrack you were looking for, nevertheless it makes a big impact.
B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition
A New Threat Is Born (1:41)
Escape (4:34)
The City Of Chaos (1:52)
Coming To Kill You (0:38)
The City Of Ruin (2:33)
Nemesis' Theme (2:41)
Desperate Ascent (3:25)
Free From Fear (2:02)
Fighting In The Flames (3:42)
No Other Way (0:36)
The City Without Hope (1:54)
Invincible Nemesis (4:12)
Battle Against The Beast (6:20)
Save Room (3:28)
Surrounded By Terror (4:00)
Determined To Find Carlos (3:53)
Laboratory (3:58)
Chase (2:19)
Metamorphosis (5:37)
Take Back The Vaccine (2:04)
Every Mistake Has A Cost (2:33)
The End Of Racoon City (1:34)
Sadness & Regret (2:07)
Staff & Credits (3:39)
Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***
From the moment you hit play on 'A New Threat Is Born', the first few minutes on this soundtrack to the acclaimed video game, Resident Evil 3, you could easily close your eyes and feel like you're back sat in front of a TV playing the story through. If you're unfamiliar with the franchise, let's just say it (re)wrote the book on survival horror, and a big part of this was in the scores used to accompany the on-screen tension. Less focused on specific theme tunes and tracks, over time the emphasis has increasingly fallen on building atmosphere and setting up jump scares for unassuming players. On a record, that sounds like a combination of fast moving and quickly developing instrumental movements and intimidating sound effects. Perhaps not the dinner party soundtrack you were looking for, nevertheless it makes a big impact.
Early WB Scores: The Depression Era (1936-1941) (6:01)
The Good Egg (1939) - A Vintage Merrie Melodie (4:37)
Various Cues From Bugs Bunny Films (1943-1956) (4:54)
There They Go Go Go (1956) - A Complete Road Runner (1:31)
Stalling Self Parody: Music From Porky's Preview - Preceded By The Introduction From You Ought To Be In Pictures (3:00)
Anxiety Montage (1952-1955) (0:45)
Stalling: The War Years (1942-1946) (15:41)
Medley - Dinner Music For A Pack Of Hungry Cannibals (1941-1950) (5:01)
Carl Stalling With Milt Franklyn In Session (1956) (5:32)
Speedy Gonzalez (1955) Meets Two Crows From Tacos (1956) (7:13)
Powerhouse And Other Cuts From The Early 50's (5:59)
Porky In Wackyland (1938) / Dough For The Do Do (1949) (5:38)
To Itch His Own (1958) - Stalling's Last Score (6:14)
Review: This is a delightful celebration of classic cartoon scores that arrives for a special Black Friday 2024 release. The collection showcases the genius of composers like Carl Stalling and Milt Franklyn, whose music defined the Looney Tunes and Merrie Melodies era. Orchestral brilliance and playful synchronisation bring timeless characters like Bugs Bunny and Daffy Duck to life. With all new remastered tracks, the album highlights intricate arrangements and whimsical motifs that revolutionised animation scoring. Perfect for collectors and nostalgia enthusiasts alike, this one honours the artistry behind some of the most iconic and enduring cartoon soundtracks in entertainment history.
Review: Robin Carolan's latest score for Robert Eggers' Nosferatu is a darkly atmospheric work that fuses gothic elements with a broad range of instruments and sounds. Following their successful collaboration on The Northman, Carolan once again teams up with Eggers to craft a haunting, meticulously composed score that complements the eerie 19th-century setting. British musician Daniel Pioro leads the orchestration, which features 60 string players, a full choir, horns, woodwinds, a harpist and two percussionists. Despite this grandeur, one of the trickiest pieces to perfect was the opening music box which really shows Carolan and Eggers' meticulous attention to detail. Carolan sought to avoid modern influences in the score while embracing contemporary instruments, a balance enhanced by Letty Stott's use of ancient horns and pipes. Carolan's inspirations were diverse, from Bartok and Coil to films like The Innocents and Eyes Wide Shut. He also drew from the Ukrainian film The Eve of Ivan Kupalo to shape the otherworldly tone of the score. Rather than focusing on horror cliches, Carolan emphasised the melancholic and tragic aspects of the story, adding a layer of warped romanticism. The result is an evocative soundtrack that, while perfectly aligned with the film, also stands as a powerful work of art on its own.
Review: John Carpenter's knack for cinematic storytelling without the screen takes centre stage on this deluxe reissue, marking ten years since the release of the great American soundtrack artist's first Lost Themes edition. The new expanded edition, complete with artwork by Greg Ruth, offers more than just a nostalgic revisit; it adds a new 7" featuring two unreleased tracks, 'Cruisin' With Mr. Scratch' and 'Dominator', both pulled from the original sessions. When it first came out, the album stood out for its vivid, visceral style, blending horror, science fiction, and eerie synthwork into standalone pieces that could easily score unseen films.
Review: Nick Cave and Warren Ellis's soundtrack for the National Geographic documentary about an imagined 2033 manned mission to Mars feels like a sketch for the atmospheric soundscapes of Nick Cave and the Bad Seeds' 2016 album Skeleton Tree. Both works inhabit the same dark-hued, super-charged sonic atmosphere. Cave's cinematic music, enriched by Ellis's imaginative contributions, explores a wide range of sounds: distorted guitars in 'Space X,' sibylline keyboard arpeggios in 'Space Station,' and vast synthesized swathes evoking space's void. 'Planetarium' features soulful drones and synthesized strings, creating anticipation and stillness. With few vocals, this ambient soundtrack is perfect for chilling out and daydreaming. It's a departure from the intense emotions of the Bad Seeds, reflecting Cave's inward focus after personal tragedy. Unlike many soundtracks, this one stands apart, integral to Cave and Ellis's collaboration, and can be savored without thinking about Mars. Now available on vinyl for the first time!
Review: This soundtrack was originally released in 2006 and is a great reflection of the Disney Channel movie's rich and candied musical journey. Featuring songs that blend pop, r&b and dance beats, the album showcases the talents of the Cheetah Girls themselves aka Adrienne Bailon, Sabrina Bryan and Kiely Williams as they take on new challenges in Barcelona. Highlights include the upbeat 'Strut' the empowering 'Cheetah-licious Christmas' and the catchy 'The Party's Just Begun'" The soundtrack perfectly mirrors the film's themes of friendship, self-expression and following dreams as well as being full of infectious tunes.
A Tempestuous Noise Of Thunder & Lightning Heard (3:05)
Om Mani Padme Hum (part 1) (4:14)
Yane No Mori (5:18)
Tialocan (5:27)
Om Mani Padme Hum (part 2) (3:37)
I Should Build The Man A Statue (5:02)
Forgot The Cry Of Gulls (3:12)
Om Mani Padme Hum (part 3) (2:48)
(The Song Of Life) (2:48)
It Can't Rain All The Time (5:19)
Review: The soundtrack for Risk of Rain 2's Seekers of the Storm, is here making its vinyl debut, and it's an edition fans won't want to miss. Composed by Chris Christodoulou, with a special contribution from Stavros Markonis, this release brings some atmospheric and powerful music to life on a stunning looking record. The vinyl itself is a visual treat, featuring a striking blue, white, dark green, sky blue, and black marbled design. This soundtrack is housed in a beautifully crafted gatefold sleeve with artwork by Daniele Giardini. Christodoulou's compositions delve into new, unexplored territories with a blend of intense and emotive pieces. The use of a seven-string guitar adds a new layer of depth to the music, delivering some of the most elaborate and heavy tracks ever written for the series. Markonis' contribution introduces a fresh sound, seamlessly integrating into the Risk of Rain universe while also bringing something unique to the table. The recent uptick in soundtracks released on vinyl have really shown that fans love connecting with the music of many movies and TV shows. Even if you may not know the series, this is one the best in recent weeks for you to enjoy.
Vertigogo (LP1: The Missing Ingredient - Opening Theme) (2:18)
Junglero (0:08)
Four Rooms Swing (1:54)
Bewitched (0:01)
Tea & Eva In The Elevator (2:05)
Invocation (0:56)
Breakfast At Denny's (2:14)
Strange Brew (2:06)
Coven Of Witches (2:19)
The Earthly Diana (1:33)
Eva Seduces Ted (2:00)
Hallway Ted (The Wrong Man) (1:36)
Headshake Rhumba (0:42)
Skippen, Pukin, Sigfried (1:49)
Angela (1:04)
Punch Drunk (2:12)
Male Bonding (0:53)
Mariachi (LP2: The Misbehavers) (0:25)
Antes De Medianoche (2:40)
Sentimental Journey (2:15)
Kids Watch TV (0:22)
Champagne & Needles (1:59)
Bullseye (2:05)
Harlem Nocturne (0:59)
The Millionaire's Holiday (4:40)
Ted-O-Vater (The Man From Hollywood) (0:38)
Vertigogo (Closing Credits) (5:28)
D In The Hallway (0:22)
Torchy (0:16)
Review: Four Rooms reflects a very fun time in Hollywood, or at least the annals of American cinema. Co-directed by Allison Anders, Alexandre Rockwell, Robert Rodriguez and Quentin Tarantino, the story of the fictional Los Angeles-set Hotel Mon Signor, and the strange, demanding, off-putting, and straight up intimidating guests that stay there on New Year's Eve - just as Tim Roth starts his first shift on the job as bellhop - is full of energy and a carefree, playful attitude. It's the kind of movie which, if it were made today, would no doubt be rushed straight to the bottom of the New Releases section on whatever streaming service you've given in to because it would feel cheap rather than charismatic. But in 1994, catching a quintet of fresh filmmakers on the rise, at a time when positivity reigned and the silver screen still had an ounce of class, means the whole thing worked well. As for the soundtrack, we veer between Americana and a reworking of the theme from 1960s US TV series Bewitched, weird, meditative vocal drone and lounge music.
D Hawkins/S J Lewis/E Breadwater - "Suzie Q" (3:39)
C Coppola/F Coppola/M Hart - "Nung River" (1:05)
C Coppola/F Coppola/R Hansen - "Do Lung" (4:22)
Letters From Home (1:31)
C Coppola/F Coppola/M Hart - "Clean's Death" (2:34)
Clean's Funeral (3:43)
Love Theme (4:13)
Chief's Death (2:28)
Voyage (4:00)
Chef's Head (2:36)
Kurtz Chorale (1:42)
Finale (8:05)
Review: The music from Apocalypse Now is a compelling piece of the film's unique atmosphere, composed by Carmine Coppola and his son, Francis Ford Coppola. This remastered gatefold 2xLP presents a score that is anything but conventional. Featuring bold electronic experimentation, the music complements the film's depiction of chaos and inner turmoil. Tracks like 'The Delta' and 'The Dossier' create a meditative, eerie backdrop, while 'Orange Light' and 'Voyage' highlight the hallucinatory journey of its protagonist, with the latter infusing a touch of psychedelic guitar. While it's not a traditional, action-driven score, the pulsating synths of 'Nung River' and dissonance of 'Chef's Head' bring tension to the forefront. Its final moments with 'Finale' bring reflection to a movie that explores the boundaries of duty and sanity. Although challenging at times, the music's blend of synthetic and natural elements provides a fascinating listen, especially for those open to a bold 1970s electronic sound.
Review: Divisive in a big way - with outcry in Mexico over national stereotypes and concern from the LGBTQIA+ community due to its portrayal of gender transition - nevertheless Emelia Perez made a massive impact in the movie world when it landed in August 2024. Now the second most nominated movie in Golden Globe history, it tells the story of a cartel boss who enlists a lawyer to help him disappear and transition into a woman. All of which is told in a musical style, with as many tongues in cheek on screen as there are dramatic moments. The soundtrack, then, is a combination of original score composed by Clement Ducol with French singer Camille, and numbers and speeches performed by the cast, which includes Selena Gomez, Mark Ivan, Zoe SaldaNa and Karla Sofia Gascon.
Review: Laced Records and Halo Studios partner up to bring the epic soundtracks of the original Halo trilogy to vinyl for the first time, remastering and revamping 83 original scores from Halo: Combat Evolved, Halo 2, and Halo 3. the music that defined a franchise is thus ethered in perpetuity. Weaving orchestral elements, prog rock, drum corps marches, and heavy metal, Halo presents a perfect bottling of angst and militancy; owing to its popularity with a certain teen gamer cohort, Halo 2's score especially made history as the first video game OST to chart on the Billboard 200. Now, each soundtrack is presented in its own sleeve with custom artwork, and comes in a collector's box adorned with a debossed Halo logo and silver laminate finish.
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