Review: The Tetine trio started writing and composing together in the lockdowns of 2020 - no doubt observing all the arcane rules about hands, face and space as they did so. They have an intuitive style that now translates to this record which was written for cello, voice, piano, organ and electronics and was born as "a respiratory, meditative, and improvisatory piece of DIY tropical-mutant-punk "chamber music". They have succeeded in their mission to subvert here with plenty of subtle background sounds bleeding in from the nearby street as themes such as hearing loss, menopause, pollution and respiration all come up.
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