Back catalogue: Clásico/Ska

Review: On the second volume in the GATT edits series, Swedish scalpel fiend Beatconductor once again pairs a previously unheard rework with something sought-after from his catalogue. In the latter category you'll find flipside 'Crazy in Kingston', an early noughties mash-up that adds Beyonce's superb lead vocals (and Jay-Z's on-point rap verse) from the peerless 'Crazy in Love' with a dusty old reggae riddim. It's a simple idea, beautifully executed. The brand-new (or at least previously unheard) cut this time around is 'Finger on the Trigger', a lolloping, life-affirming tweak of a 1970s dancefloor soul number that sits somewhere between the stomping heaviness of Detroit Soul and the proto-disco deliciousness of Philly Soul.

Review: Boston's Cultures Of Soul present some edits here of underrated Belizean artist Bredda "David" Obi whose musical style known as "Kungo Muzik" mixes key flavours from his home with reggae and calypso to rock and funk to formulate a modern tropical style. Years later, DJs and record collectors found his music in basements of record stores in Los Angeles and Brooklyn - some of which are featured here. Sol Power All-Stars will get you stoned into the groove with their acid-inflected rework of "Dancin'", L.A.'s DJ Duckcomb works the original's lo-slung dub influence on "Experience" while the ever reliable Justin Van Der Volgen similarly accentuates the reggae swagger of "Sunshine". A tribute to a legend!

Review: If you like sensuous and slow motion grooves with hints of dub, reggae and disco all packaged up in super bawdy soul then look no further - this new 12" features a pair of singles that were first put out on 7" by Risco Connection's Otis Gayle. Up first is the glorious 'Sexy Eyes' which was a worldwide charting success and Dr Hook now brings new reggae vibes to his cover version, then on the flip is Domenic Troiano's 'We All Need Love', again with a mix of dubby disco and reggae stylings that have been draw out into extended format to make for a more lasting impact on the dancefloor.

Review: Blending reggae, disco, soul, funk and roots - comes the reissue of the highly sought-after 7" from 1979 by Gypsy Fari, the first known reggae outfit from Chicago, born in the south side of the city after a chance meeting between St Kitts expat Leroy Webster and local music graduate Kevin Coleman. The pair set out to blur the boundaries of genre with their unique brand of music, spearheaded by Webster's Caribbean roots and fused with the soul and blues of the midwest.On the A-side, 'Chi-Town Reggae' springs out the gate with fast-paced disco-reggae, powered by a relentless rhythm section and Webster's infectious vocal melody. On the flip, 'Hail Jah' is a swaggering, deep roots reggae cut that pays homage to Webster's heritage - which he wrote on the hilltops of the outskirts of Kingston, Jamaica.

Review: Emotional Rescue closes out another brilliant year with one final hot drop. This sorting 7" Safari by King Sporty was the artist's first ever single back in 1976. It comes after the label has served up plenty of reissues of the man known as Noel Wiliam's tackle but this one might be the best. It's from his album Deep Reggae Roots and is nice tropical excursion with steamy hits, wooden percussive sounds and funky bass over a low-slung groove and chanting vocals. This one is backed with a special disco mix by Lexx that reworks the tune for more lively moments.

Review: New York's incomparable edit king, and a hugely prolific one at that, Danny Krivit aka Mr K returns with some elongated reworks of a couple of Stevie Wonder's most timeless tunes. First up is his version of 'Master Blaster' which was originally the sound of Stevie paying tribute to Bob Marley. In his hands, it has a big intro and drums ready to rock. Flip it over and you will find 'I Was Made To Love Her' which has big r&b overtones and the sort of breakdowns that really build a vibe in the club. Adding in lashings of signature soul and you have two more steamy and effective tributes from the one and only Mr K.

Review: Risco Connection were the perfect reggae-disco crossover act, founded by Studio 1 sticksman Joe Isaacs after he moved to Canada in the late 60s. Searching for a sweet spot between the plush orchestration of disco and the upbeat shuffle of rocksteady, he embarked on a series of covers with a strong cast behind him, taking on the likes of Chic's 'Good Times', 'It's My House' and a version of 'Ain't No Stopping Us Now' which became a staple at David Mancuso's mythical Loft parties. This collection gathers together all the singles - vocals, dubs and all - and comes packaged with an interview with Isaacs and liner notes, restored and remastered and sounding better than ever.

Review: Dope selection of reggae fire versions of classics..

Review: After the success of last year's inaugural Disco Reggae compilation from Stix, it's no surprise the long running reggae focused offshoot of Favorite Recordings have returned with a second collection. All the usual Stix suspects are present and correct here with Matcher, 7 Samurai, Mato, and John Milk all contributing to the nine tracks that will nice up any dancehall that's got a sense of humour. Stand out cuts include the 7 Samurai Electro Dub take on Levan classic "Stand On The Word" and the Grandmagneto cover of "Tainted Love". The Mato mix of "Happy" is as chalk or cheese as the original from that fella in the big hat.

Review: Sometimes all you need is a classic with a stylistic twist. This is the fifth installment of the very functionally named 'Disco Reggae', a series of compilations of reggae covers of disco classics. French outputters Stix are the brains behind this one, being the sub-label of Favorite Recordings, who specialise exclusively in reggae remixes. Everything from slow-jam nighttime disco ('What You Won't Do For Love' by Bobby Caldwell) to high-energy glitterballers (Labelle's 'Lady Marmalade') appear here, flaunting the easier-to-bridge-than-you'd-think gap between disco and reggae.

Review: Operazione Sole, like the impactful 1967 Peppino Di Capri song, highlights the impact of Jamaican rhythms on Italian pop music from the 60s and 70s. This collection showcases how the upbeat sounds of Kingston influenced Italian artists, especially during the reggae boom in England (1968-1970) and Bob Marley's rise to global fame. Starting with Mina's 1959 Jamaican shuffle 'Nessuno' and evolving through blue-beat and ska by artists like I 4 di Lucca and Peppino Di Capri, Italian musicians embraced these Caribbean-infused sounds. In the late 70s and early 80s, reggae's influence grew, with prominent names like Loredana Berte and Adriano Celentano experimenting with these new rhythms. Operazione Sole focuses on lesser-known artists who adapted popular Italian pop to the prevailing black sounds of the West, ranging from classic reggae to dub-influenced Italo-disco and Neapolitan grooves. This collection is both a scholarly exploration and a joyful celebration of Italy's unique musical journey, capturing a vibrant era where local pop met global trends, resulting in innovative and memorable music.