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Notes: Output Voltage : 7.5mV/1kHz (5cm/s)

Frequency Response: 20~20kHz

Channel Balance: <1.5dB

Separation: >25dB

Load Impeadance: 47kO / 200pF

Recommended Force: 2.5g

Cartridge Weight: 5.8g

Notes: Top-quality studio headphones designed for long-term use. Soft alcantara cushions and CoolTech gel pads ensure comfort for long sessions. FitLok system ensures a good fit from one use to the next.

Supplier's Notes:
The RODE NTH-100 professional over-ear headphones offer exceptional sonic performance and superior comfort that inspires creativity. Featuring custom-matched drivers that deliver an incredibly accurate frequency response and ultra-low distortion, and a precision-engineered acoustic design optimised for exceptional detail and clarity, they are ideal for all forms of content creation, including music production, mixing and audio editing, podcasting, streaming and location recording. Luxurious Alcantarar cushions with these revolutionary CoolTech gel ensure maximum comfort, particularly for long-format content creation, and the fully adjustable headband with the innovative FitLok locking system provides the perfect fit every time. Your search for the perfect headphones is over.

Audio as it's Meant to Be Heard

The NTH-100s are meticulously crafted to deliver exceptional sonic performance for critical listening, from monitoring to mixing to mastering. Featuring custom-matched dynamic drivers that have been painstakingly tuned for an incredibly accurate frequency response and extremely low distortion, they are remarkably natural-sounding headphones. These qualities are further enhanced by the unique contoured earcup construction, which is optimised to ensure exceptional detail and clarity, and memory foam cushions for excellent passive noise isolation. They are precision-crafted to retain every detail and every nuance of sound they produce. In other words, audio as it's meant to be heard.

Incredible Accuracy, Exceptional Clarity

The NTH-100 drivers feature a custom voice coil with a four-layer ultra-high-tension aluminium alloy at its core, which is coupled to an ultra-stiff triple-layer Mylarr diaphragm. Combined with a rare-earth neodymium magnet and innovative phase plug inspired by the award-winning NTG5 microphone, these high-grade components ensure an accurate frequency and phase response across the whole audible spectrum for an incredibly articulate listening experience.

The Most Comfortable Headphones Ever.

When it comes to creating, comfort is everything, and the NTH-100s promise comfort like nothing else. The luxurious Alcantarar earcup and headband cushions offer a premium feel that enhances the sensory experience from the moment they are put on - supremely soft and highly breathable. Underneath the Alcantara is a layer of the revolutionary CoolTech™ gel, which absorbs and dissipates heat, actively cooling your head and ears to significantly reduce wearing fatigue. The unique ergonomic design of the earcups is also extremely comfortable, with bi-directional movement and memory foam providing a custom-fit feel for any head size or shape (even if you wear glasses), and the fully adjustable headband with the innovative FitLok™ locking system ensures they feel exactly the same every time you put them on.

Style in a Class of its Own

The perfect marriage of classic aesthetics and cutting-edge industrial design, the NTH-100s are instantly iconic. With clean lines and sleek, high-grade finishes, including the unique ergonomic earcup design and premium Alcantarar cushions, they look as good as they feel. Customise the NTH-100s to suit your style, with high-quality cables available in four vibrant colours: pink, green, blue and orange (matched to the channels of the RODECaster Pro and RODE Connect). Available in 1.2m (3?11?) and 2.4m (7?10?) variants.

Built For Creative Endurance

The NTH-100s are built to withstand the rigours of creating day in, day out. Every component is designed to endure, from the high-strength spring steel headband with its scratch-resistant coating to the highly durable Alcantarar cushions to the locking cable connectors. The cushions and cable are also user replaceable. This modular design ensures maximum longevity, even with vigorous daily use. Every pair is designed and made in RODE's precision facilities in Sydney, Australia using high-grade materials, so you can take on any creative endeavour knowing they'll be with you for the long-haul.

Acoustic and electrical specifications:

Transducer Size (millimetres):40
Operating Principle:Dynamic
Frequency Response: 5Hz - 35Khz
Impedance:32O
Sensitivity:110dBMax
SPL126dB
SPL Ear Coupling: Circumaural
Ambient Noise Attenuation: 20dB
A Connection Type: Dual TRRS Cable Attachments

Mechanical specifications:

Dimensions (millimetres):Length: 80
Width: 190
Height: 188

Weight (grams):350
Cable Length (millimetres): 2400

Included Accessories:

1 x 2.4m Headphone Cable (Black)
1 x 3.5mm to 14-inch Adaptor
1 x Storage Pouch
1 x COLORS ID Set

Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.

Notes: Queequeg 2

Sub Generator

Reawaken The Depths Below

KMA Machines released the original Queequeg in 2016. The pedal was our take on how simple and effective an analogue monophonic suboctave device could be.

Time doesn't stand still and so with Queequeg 2, KMA's aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. Queequeg 2's super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there.

"Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful place. Queequeg 2- look deep down and believe."

Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of Queequeg 2's specialties. The pedal's super quick tracking benefits from KMA's custom all-analogue circuit design, giving you very organic and smooth suboctave tones.

Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from. These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.

With its one knob MIX control, you are able to dial in just the right blend of the generated octaves and your clean signal. From completely clean on the left, to 100% suboctave action on the right and all with different sonic blends in between, you're sure to find your mighty vessel of tone.

Beware - don't let your lows be dragged under! Queequeg 2 draws the line right here and ends your hunt for an easy-to-set and great-sounding all-analogue and thundering sub-sonic beast!

Notes: Line module is designed to bring audio signals into and out of the OP-Z. Use external audio signals in your mix, send the audio from selected tracks out, switch easily between mono and stereo signals and even make FX loops with your favourite effects pedals.

Audio line in/out

Now you can easily connect anything with an audio output to your OP-Z: effects pedals, radios, synths, computers or even your phone. With audio out, you can separate and process individual tracks by routing them to the module output. The line module stereo output can even be used as two mono outputs.

Sync in/out

Tempo Sync other compatible gear to OP-Z so you're on the beat, all the time.

MIDI in/out

Line module allows you to use OP-Z to control other synths with MIDI input by using the OP-Z sequencer with your external equipment. With MIDI in, you can use an external MIDI controller, keyboard or computer to control your OP-Z.

Trig in/out

Tempo Sync and trigger sounds on modular synths, like the pocket operator modular, by using Trig out. Trig in allows any track on OP-Z to be triggered by an external signal, such as a drum machine, to single step and advance the sequence.

PO out

Tempo Sync your Pocket Operators and other compatible gear and have them follow the tempo of the OP-Z.

Review: CircoLoco Records is a new record label forged in partnership with the iconic video game creators Rockstar Games. After four editions of colour coded releases, we now have the entire collection of 20 tracks compiled here on one 5xLP package. From the Black edition there's the tunneling techno of Adam Beyer's powerful 'Break It Up', from the Violet edition you have Margaret Dygas' majestic broken beat journey 'Wishing Well', as well as tINI with the neon-lit disco of 'What If, Then What?' featuring Amiture (Green) and Sama Abdulhadi with the steely and hypnotic techno of 'Reverie' taken from the Blue series - plus many more.

Notes: The Moog SR Series Etherwave Case is here to safeguard your Moog Etherwave Theremin where you need it most and ensure your sound travels far and wide.

Musicians report the most important performance a case can offer is protection from impact and protection from water - in that order. With that in mind, the Moog SR Series Cases have been developed to be the first line of defense for your instrument.

The Moog SR Series Etherwave Case features generous padding around a semi-rigid ABS shell with fitted antenna tray, a rugged Ballistic Cordura outer that resists tears and abrasions and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument.The adjustable shoulder strap and reinforced handle keep your commute comfortable, and a multifunction front pocket ensures you're organized on arrival.

This Moog SR Series Case is a perfect fit for your Etherwave Theremin.

Note: Please note that the SR Series Etherwave Case was made custom for the 2022 Etherwave and will not fit previous models of Etherwave Theremins.

Specifications

External Materials: Ballistic Cordura, Water-resistant laminated zippers
Internal Materials: Semi-Rigid ABS, Foam padding
Handles/Straps: 1 x Handle, 1 x Removable shoulder strap,
1 x Strap for use with rolling luggage handle
Pockets: 1 x Exterior zip pocket with nested velcro accessory pockets
Other: Molded tray for pitch and volume antenna storage

Weights & dimensions

Product only

Inner Dimensions
Imperial (in) 17.71" W x 5.9" L x 2.6" D
Metric (cm) 45 cm W x 15 cm L x 6.5 cm D

Outer Dimensions
Imperial (in) 19.69" W x 7.87" L x 6.30" D
Metric (cm) 50 cm W x 20 cm L x 16 cm D

Unboxed Weight *Doesn't ship in an individual box
Weight (lbs) 3.9 lbs
Weight (kg) 1.77 kg

Notes: Fuzzly Bear 2 - Unleash the Beast, again

"Through the untamed wilderness of the forest strives a grizzly monster, its glistening eyes peeking through the undergrowth. Endowed with razor sharp claws and bone-crushing teeth, this beast will rip through any intruder that dares to trespass into its domain. A thundering, sizzling roar distortedly echoes through the woodland. It's here! It's time to face the Fuzzly Bear!"

In 2013, KMA Machines' first ever production pedal was inspired by an old, obscure and highly underrated fuzz box from the 1970s - the Jordan Bosstone. The original Bosstone wasn't even a pedal, it was a device you plugged directly into your guitar, which brought a host of problems. Hence, KMA Machines greatly refined the circuit for the original Fuzzly Bear, to get the essence of that old-school sound, but giving it some modern twists by sorting out the low end and adding a Bias control, to help players explore lots of new tonal capabilities of this long-forgotten box of dirty tricks.

With Fuzzly Bear 2, KMA Machines put this now classic re-imagined fuzz into a modern, more pedal board friendly enclosure with top mounted jacks, enhanced it with relay-based silent switching and improved electronics.

Back in the day, the main reason why the Jordan Boss Tone did not conquer the world of effects was actually due to its massive lack of bass. However, its core fuzz sounds could be truly heavenly with tones ranging from a purring overdrive, to downright vile and aggressive fuzz assaults. But when you awoke it, dug in and found 'that' tone, boy was it good and not at all harsh and gritty, like so many other fuzz designs at the time could be.

When designing and modifying the circuit, all the fuzzy goodness was kepy, but KMA Machines brought back the essential low end and gave some more tonal control, all to make this new take take fit more modern styles without compromising the core sound and simplicity.

The GAIN knob delivers a whole range of different fuzz shapes. Back it off to get a dirty chunky overdriven tone, turn it up to give the FUZZLY BEAR 2 a thick and thicker coat of fur. Set the gain fully clockwise and magic will happen! The pedal's smooth, warm and cosy decay turns into a starved and gated fuzz sound that almost gives a ghost octave, pseudo trumpety kinda vibe - perfect for classic tunes of yesteryear.

Fuzzly Bear 2 SKIN/MEAT control adjusts the bias of the circuit. Think of it as the claws of the beast. You can dial in a sharp drive tone that only brazes the skin, a thick and meaty wall of fuzzy fur that can rip right through the intruder's flesh and anything in between.

Don't confuse this pedal with a cute brown bear cub - this is the Fuzzly Bear 2 and it will maul your face off!

Review: Where do you start with a band like Depeche Mode? Easily up there with the most influential British live acts of the late-20th Century, and early-mid-21st - a term we specifically use because their work spans so many genres, from synth pop and new wave to alt and dance rock - the fact just one of their records can garner the kind of reverence that can produce 33 remixes by some of the most respected names in electronic sounds says more than we ever could even if this paragraph went on forever.

Here we have it, then, definitive collection of repurposed and rethought songs from the 2001 LP, Exciter. Veering from the deep proggyness of Danny Tenaglia's take on 'I Feel Loved', through Dave Clarke's breakneck sledgehammer-yet-spacey techno interpretation of 'Dream On', broad sounds would be putting it mildly indeed. Other highlights including the lucid downbeat of Bertrant Burgalat, epic dance metal of DJ Muggs, and sparse, stargazing atmospheres of Isan Falling Leaf.

Notes: Raising the Bar.

Condenser microphones have become a staple of most studio and broadcasting environments around the world for good reason. Their ability to capture the most subtle nuances of vocal and instrument performances has made them the preferred choice for a majority of studio and broadcast professionals.

The YCM01 is a studio-quality condenser microphone that adopts a cardioid polar pattern for more focused sensitivity, making it ideal for a broad range of applications, from live streaming or gaming voice chat, to remote meetings, and of course, music production. Offered in both black and white versions to adapt to your preferred streaming or recording environment, the stylish iconic design of the YCM01 will add a new level of professionalism to your creative content.

Hone in on your sound

The cardioid polar pattern of our condenser microphone ensures the highest sensitivity to sound directly in front of your mic while substantially reducing ambient noise from the rear and sides.

This allows the YCM01 to capture the distinct tones and timbre of your voice or instrument with stunning accuracy, giving your streaming audio an added quality and performance advantage.

*The YCM01 can also be mounted on a tabletop stand, a standard microphone stand, or a desk arm.

Specifcations

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 130 dB
Dimensions (Microphone Only): (Diameter) 55 x 166 mm ((Diameter) 2.2" x 6.5")
Weight (Microphone Only): 0.4 kg (0.9 lbs)
Included Accessories: Microphone stand adaptor x 1, Microphone pouch x 1, Owner's manual, Technical specifications

Notes: Raising the Bar.

Condenser microphones have become a staple of most studio and broadcasting environments around the world for good reason. Their ability to capture the most subtle nuances of vocal and instrument performances has made them the preferred choice for a majority of studio and broadcast professionals.

The YCM01 is a studio-quality condenser microphone that adopts a cardioid polar pattern for more focused sensitivity, making it ideal for a broad range of applications, from live streaming or gaming voice chat, to remote meetings, and of course, music production. Offered in both black and white versions to adapt to your preferred streaming or recording environment, the stylish iconic design of the YCM01 will add a new level of professionalism to your creative content.

Hone in on your sound

The cardioid polar pattern of our condenser microphone ensures the highest sensitivity to sound directly in front of your mic while substantially reducing ambient noise from the rear and sides.

This allows the YCM01 to capture the distinct tones and timbre of your voice or instrument with stunning accuracy, giving your streaming audio an added quality and performance advantage.

*The YCM01 can also be mounted on a tabletop stand, a standard microphone stand, or a desk arm.

Specifcations

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 130 dB
Dimensions (Microphone Only): (Diameter) 55 x 166 mm ((Diameter) 2.2" x 6.5")
Weight (Microphone Only): 0.4 kg (0.9 lbs)
Included Accessories: Microphone stand adaptor x 1, Microphone pouch x 1, Owner's manual, Technical specifications

Notes: EarthQuaker Devices Special Cranker

An Overdrive you can trust

The Special Cranker is an all-discrete analogue distortion enhancement device designed to give your signal some extra grit and boost without drastically altering your tone and retaining all of the natural nuances and character of your amp. Think of it as sticking an extra preamp tube in your amplifier for more saturation. Single notes will blossom and bloom with rich harmonics and singing sustain with responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Special Cranker is designed to preserve your tone's integrity without muddying up the low-end or smearing the midrange.

The Special Cranker picks up where the beloved Speaker Cranker left off. It has the same spongy, dynamic, and touch-sensitive character of the original but with more gain, double the output volume (now with a user-friendly Level control), an added Tone control to shape your signal, and a diode selector switch featuring the original asymmetrical Silicon diodes as well as a hot, new Germanium diode option.

The More control goes from nearly clean to a medium gain overdrive when at maximum. This control adjusts the bias of the transistor, so you may hear a little noise as you turn the control. Don't freak out; it's totally fine. The gain characteristics are dependent on which diodes are chosen. When the Germanium diodes are selected, the Special Cranker delivers a softer, more rounded response with tamed highs and lower output, while the Silicon diodes add a brighter, more modern edge and higher output. Both are exceptionally responsive to playing dynamics and have excellent clarity. The Tone control gives the user full command over treble frequencies, cutting the highs when counter-clockwise and adding a slight high-frequency boost when turned clockwise. The Level control adjusts the output from nothing to nearly double at maximum.

Tech Specs:

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 15 mA
Input Impedance: 5M P
Output Impedance: <25 kO

Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power:

This device should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

The Special Cranker can be safely operated from 9-18 volts.

Notes: Part of Dreadbox's impressive effects line-up, the Disorder is a rowdy fuzzbox crossed with a self-oscillating filter, serving up some pleasingly nasty tones. An envelope follower with CV output adds versatility.

Supplier's Notes:
The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person's daily life.

Dreadbox Disorder is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds.

Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah-wah sounds.

Specifications

Circuit: Analogue
Bypass: CMOS
Audio: Mono
Inputs / Outputs
IN/OUT: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (Not included)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 50mA

Review: Given anyone over the age of 35 grew up with copies of Queen: Greatest Hits Vol. 1 and Vol. 2 in the house, you could be forgiven for asking if we need another retrospective of the iconic English rock band. Not least as there's also a Greatest Hits Vol.3, which many don't realise due to the success of the preceding two and how long the third took to materialise after the tragic death of lead singer Freddie Mercury.

Perhaps riding on the shirttails of the Platinum Jubilee of another monarchical figure, The Platinum Collection arrives and, on the face of it, does little that's not been done before. Don't Stop Me Now, Bicycle Race, Bohemian Rhapsody, Under Pressure, Flash - all the usual suspects are here. Keep reading, though, and you realise just how much else is here. Pretty much every great Queen track, plus stacks of post-Mercury singles and cover versions with all ranging from George Michael to Wyclef Jean. What's not to like?

Notes: An interesting take on multi-effects here, with Mooer's 'intelligent pedal' allowing you to hook up a guitar then use the free app to control presets, record to mobile devices and monitor via a headphone jack.

Supplier's Notes:
Say goodbye to bulky effects pedals and clunky power supplies, the Prime P1 fits comfortably in your pocket and provides an input and output jack, headphone out, and a USB charging port that also doubles as an USB-OTG port for recording directly to a mobile device. Preset selection and volume control is handled by a single clickable knob on the front of the P1 for a simple user interface and quick effect selection.

Users can download the Prime App which is available for Android and iOS devices and is completely free. Simply download the app and pair it with your Prime P1 to customize your own presets and load up to 4 tones (A/B/C/D) simultaneously. The mobile app also includes common guitar tools such as a metronome, tuner, drum machine, and looper. The firmware at launch is designed to be used with bass guitar and electric guitar. MOOER plans to update the firmware in the future to support other instruments like acoustic guitar. You can follow MOOER on all social media platforms for the latest news regarding software updates.

The Prime P1 also supports MOOER's F-series wireless footswitches which can be paired via Bluetooth for hands-free preset switching.

Specifications:

Input: 1/4" mono audio jack, impedance 2MO
Output: 1/4" mono audio jack, impedance 100O
Headphone output: 1/8" stereo audio jack, impedance value 32O
USB cable type: USB-C to USB-A cable
Bluetooth version: 5.0
Battery capacity: 1900mAh
Battery life: 4.5 hours
Charging requirements: DC 5V/1A
Wireless control: 2.4G
Weight: 100g
Dimensions: 99.3mm(D) x 55mm(W) x 21mm(h)
Accessories: Quick guide, USB-C to USB-A cable

Notes: Running Order is a two track trigger sequencer. It can be a precise master clock or manipulate incoming clock signal and works great in use as a sub-sequencer/divider in your Eurorack environment.

Zero-jitter clock generation: less than 50 microseconds internal clock jitter
101 style 1/16th note input mode (step/rest) with manual or CV controllable amount of triggers repeats when the active trigger step happens
Euclidean mode enabled for each track where we set Euclidean total steps amount in the circle and then amount of triggers happening in that circle.
Per step trigger probability in 101 mode and global probability in Euclidean mode.
Separate synchronization (reset) inputs, sync for track 1 is normalled to sync track 2
Clock divider for incoming external clock allows to quickly obtain various musical divisions on the fly incl. triplets of course, but more importantly tuplets mode allows you to stretch desired amount of triggers happening into a single bar
Separate mute buttons for each track
8 patterns of triggers sequences stored in the module and recalled on the next power up
Available in 3U / 6HP version

Power consumption:
30 mA +12V
10 mA -12V
0 mA 5V

Dimensions:
22 HP
26mm deep with power ribbon cable connected

Notes: Running Order is a two track trigger sequencer. It can be a precise master clock or manipulate incoming clock signal and works great in use as a sub-sequencer/divider in your Eurorack environment.

Zero-jitter clock generation: less than 50 microseconds internal clock jitter
101 style 1/16th note input mode (step/rest) with manual or CV controllable amount of triggers repeats when the active trigger step happens
Euclidean mode enabled for each track where we set Euclidean total steps amount in the circle and then amount of triggers happening in that circle.
Per step trigger probability in 101 mode and global probability in Euclidean mode.
Separate synchronization (reset) inputs, sync for track 1 is normalled to sync track 2
Clock divider for incoming external clock allows to quickly obtain various musical divisions on the fly incl. triplets of course, but more importantly tuplets mode allows you to stretch desired amount of triggers happening into a single bar
Separate mute buttons for each track
8 patterns of triggers sequences stored in the module and recalled on the next power up
Available in 3U / 6HP version

Power consumption:
30 mA +12V
10 mA -12V
0 mA 5V

Dimensions
22 HP
26mm deep with power ribbon cable connected

Notes: The C-1U module is a one-channel module for recording and playing back movements of controller. Those can be recorded with channel's knob. The movements will be output as control voltage. The record time amounts to one minute maximal.

The track can be played once only (one shot) or in loop. The speed of the play back or the output offset is controllable with the pot. There are an additional CV input for CV recordings and a reset input.

The track data remains permanently stored when a 3V battery is used to buffer the RAM. When the module is switched on, the recorded data is available again. The module can be operated unipolar or bipolar (set by jumper on the back).

Note: The C-1U KnobRekorder uses a standard 3v lithium backup battery , type CR2032. The battery is needed to keep recordings and settings stored when the Eurorack case is turned off.

Dimensions: 12 HP
Power consumption: 20mA at +12 V and 9mA at -12 V

Module is a 1U tile.

Review: Music Message & The Moment has been put together to celebrate 60 years of Impulse Records. All the big hitters like John Coltrane, Quincy Jones, Charles Mingus, Oliver Nelson, Pharaoh Sanders, Archie Shepp and a host of other legendary jazz cats all feature. Each of them contributed to Impulse's reputation as the leading, political stand-taking label of the 60s. Togeterh they add up to a strong statement of black power, and musically the compilation take sin a wide embrace of styles and sounds. The stunning four LP box set is housed in a high-quality archival portfolio cast with a museum drop front, and it also comes with a booklet and unique slipmat, so is a real piece of collector's gold.

Notes: Make quick changes to signal routing manually or with CV control. Any audio or CV signal can be routed via two outputs in series, parallel or reverse series. Quick, clever and easy to use.

Supplier's Notes:
Signal flow is an essential concept in modular synthesis: the path taken by audio or control voltages (CVs) may be long or short, branching or linear, intuitive or highly complex.

While the patch programmability of a modular system is its greatest strength, it can also be a weakness: quick experimentation is often hampered by the need to repatch the synthesiser to change the signal flow.

Pivot 2 offers a unique solution: a compact, fully voltage controlled variable signal router. At the turn of a single knob, any signal can be routed through two external modules in series, parallel or reverse series, as well as any combination in between.

Experiment with patching wavefolders before, after or alongside filters, shuffle multiple delay lines, precisely dial in two-stage audio compression or easily control intricate feedback patches.

Looking beyond the basic signal routing application, Pivot 2 will also function as a complementary pair of counter-acting linear voltage controlled amplifiers (VCAs), a voltage controlled crossfader or a voltage controlled panner.

Analogue voltage controlled send/return router.
Seamless transitions from series, through parallel on to reverse series effect routing.
Also functions as a complementary VCA pair, voltage controlled crossfader or panner.
Impedance-compensated outputs with dual-colour LEDs.
Premium mounting hardware: black screws, black nylon washers and matching hex key.
High-quality components and assembly; designed and made in Belgium.

4 HP | +12: 60 mA, -12: 60 mA

Notes: The easy-to-use production toolkit to get you creating podcasts quickly and in great quality on your computer or iOS device. The UR12 Podcast Starter Pack combines a dual-channel USB 2.0 audio interface, quality condenser microphone and all mic accessories with a full software suite. It's a complete, studio-grade social media production package.

The ST-M01 studio condenser microphone

The ST-M01 studio condenser microphone includes the heritage of many high-quality studio mics. With excellent sensitivity and a wide frequency response for recording speech, singing or any musical instrument, it captures every nuance of the signal in excellent quality.
The included accessories

These qualities are enhanced by the included pop screen to reduce noise, a low noise microphone cable to connect the ST-M01 to the UR12 and a tabletop mic stand to help you place the microphone in the best position.

Advantages Of Using The UR12 Podcast Starter Pack

Become a podcast pro with the complete package

Share your thoughts, inspiration, ideas and news with the world by recording podcasts for broadcast on any online medium, or write them to audio files for distribution or download. With this versatile and highly portable production package, you can produce your podcast anywhere - at home, at work, on vacation, even in the middle of nowhere! With seamless PC/Mac computer and iOS compatibility, it has everything you need to become a true podcast pro.

Attract and entertain followers by live streaming

Streaming and vlogging are great ways to reach new audiences, as well as entertaining your existing followers. The UR12 Podcast Starter Pack provides the ideal platform for you to go live online. The Loopback function lets you easily stream any audio content to live online platforms, with the included condenser microphone, high-quality inputs and included software meaning your audience will hear everything in superb quality.

Work from home in the best audio quality

Nowadays working from home has become commonplace; connecting with colleagues and business partners via video chats is an essential part of the working day for many people. The UR12 Podcast Starter Pack includes everything you need to help improve the quality of your spoken contributions to online meetings. With the high-quality UR12 audio interface, microphone and accessories, you can help your colleagues and business partners to clearly understand your message.

Go live online

The UR12 Podcast Starter Pack includes everything you need for performing online. Whether it's karaoke with social singing apps like Smule, live music, spoken recitals, sports commentaries or just having fun with friends, the iOS connectivity and included high-quality condenser microphone, cable and pop shield make it the ideal online performance package, wherever you are.

Connectivity

Total number of inputs: 2
Total number of Outputs: 2
Microphone inputs: 1
Inputs with HI-Z: 1
Analogue inputs TRS: 1
Analogue inputs Combo: 0
Analogue outputs TRS: 0
Phantom power: 1
Headphones outputs: 1
Digital In ADAT: 0
Digital Out ADAT: 0
Digital In S/PDIF Optical: 0
Digital Out S/PDIF Optical: 0

Dimensions

Weight: 850 g
Width: 159 mm
Height: 47 mm
Depth: 144 mm

DSP

Monitoring: Hardware based zero latency monitoring (switchable)

General
Connection Type: USB 2.0
Design: Desktop (1/3 19", 1HU)
Casing: Full-metal casing

AD/DA: 24 bit
Maximum sample rate: 192 kHz
Dynamic range input: 101 [dB]

System requirements

Operating systems (Mac): macOS High Sierra, macOS Mojave, macOS Catalina, macOS Big Sur, macOS Monterey
Operating systems (Windows): Windows 7 (64-bit), Windows 8.1 (64-bit), Windows 10 (64-bit), Windows 11 (64-bit)
Operating systems (iOS): iOS 14, iOS 10, iOS 11, iOS 12, iOS 13
Apple silicon-based Mac: Rosetta 2 App
Port: USB 2.0, USB 3.0 (Tested with Intel USB 3.0 host controller)
CPU minimum (Windows): Intel Core i-series multicore processor 2 GHz or faster, or AMD equivalent processor
RAM minimum: 4 GB
Hard disk free space: 100 MB
Display resolution recommended: 1280 x 800
Internet connection for: manuals and instructions, driver and tools, additional downloads, license activation, account sign up and product registration, installer download

Notes: Plug-and-play mini mixer for portable DJ setups. About as simple as it gets, with two channels and three-band EQ in a compact format. Also available in plain black or plain silver.

Supplier's Notes:
Everyone thinks they are a DJ now, and the Pokket's revolutionary design gives everyone the chance to prove it! The set-up has been simplified to the extent it takes only 30 seconds to plug and play. Incredibly, there is no power supply required.

All of the inputs and outputs run off the standard 3.5mm jack, with two input sources and one output signal - your grandma could set it up. There's a smooth and responsive cross-fader and cue mix button so you can hear what's playing on the other channel though your headphones.

There are three EQ knobs to twist on each channel for the lows, mids and highs - perfect for pulling DJ-like concentration faces whilst your mates dance around your living room holding glow sticks.

It is light, fast to set-up, pocket-sized and looks as good as a sunrise in Ibiza. All you need are some massive headphones, some devices to provide the playlists (anything with a headphone output will work) and of course a banging sound system!

Music mixing is no longer just reserved for professional DJs. The Pokketmixer is the first mobile mini DJ mixer for everybody. It's easy to use and - since it needs no power supply - it's very versatile. The handy POKKETMIXER is easy to wire up and is ready in just 30 seconds. So anyone can easily and spontaneously be a DJ anywhere and at anytime.

MAIN FUNCTIONS:

Cross fading between two stereo audio signals (headphones signals), preview listen and EQ. With the crossfader you can fade from one song to the other. With the "Listen" switch the music can be heard from either device through your headphones. An equalizer can be switched on to change low, mid and high frequency of the left or right player.

FEATURES:

Set-up: Quick and Easy
Just plug in two players, connect the music system and the dance floor is ready.

Transport: Easy
The small, light unit weighs just 130 g; needs no power supply unit, no unnecessary multiple sockets or extra connection cables.

Use: extremely flexible
For example indoors or outdoors, just connect your Pokketmixer to a battery-operated boombox - at home, in a bar, in the park, at the beach, in the car, camper or on a boat.

Two in, one out - it couldn't be easier
Two signals go in, one signal comes out. With the standard 3.5 mm stereo plug, two players are docked (eg MP3 player, mobile phone, notebook, iPad, PC) and one system plays your music (eg, stereo system or active mobilespeaker).

Notes: Mighty oscillations, mini size.

An analog oscillator and LFO with pure waveforms and precise tracking in a compact package. Perfect as a utility modulation source but equally capable to be used as a primary sound source. Patch it up and let it rip!

Features
Four simultaneous pure waveforms: Sine, Triangle, Square and Sawtooth
Pitch input for 1V/Oct tracking and FM
SYNC input for Hard Sync. This input has a comparator so that you can use a variety of waveforms as triggers.
Switch to select VCO (audio) or LFO range of operation
Three position Octave switch to jump pitch up or down by two octaves
PITCH knob has three octave range in VCO mode (extended to seven with the octave switch) and seven octave range in LFO mode (extended to 11 with the octave switch).
Bicolor led indicates the state of the triangle core rate

Specs
Width 14HP
Depth 37.5mm
Power 19mA @ +12V
16mA @ -12V

Notes: SHTH - Sample and Hold - Track and Hold

Create stepped outputs using two different classic synthesis techniques, sample & hold and/or track & hold.

Sample & Hold

The top four jacks make up the sample and hold section. There is a noise output that is normalled to the input so you can pass a gate/trig signal into the SAMP input to get a stepped output at the OUT jack.

IN - Signal that will be sampled, normalled to NSE output
SAMP - When high updates the voltage being sent to the output
NSE - White noise output
OUT - The sampled output (freezes the value from the IN jack when the SAMP jack receives a high signal)
Track & Hold

The bottom four jacks make up the track and hold section. There is a walk signal (a randomish meandering voltage) that is normalled to the input. Track and hold is the opposite of sample and hold in that it will pass the IN value to the OUT jack until the TRACK input receives a high gate. While the TRACK input is high it will hold the value. After the TRACK input goes low, it will begin tracking the IN signal again.

IN - Signal that will be tracked
TRACK - When high the value will be held at the output
WALK - A meandering voltage
OUT - The track output (follows IN while TRACK is low, held voltage while TRACK is high)
CC-BY-SA Emelie Gillett

Notes: Fuzz sculptor with an appetite

Star Eater is an all-analogue, dual footswitch super-jumbo Fuzz with a footswitchable booster and variable filter stage, allowing players to easily sculpt a massive array of inspiring, unique fuzz tones. On the fuzz side, newly-available, precision-matched transistor pairs are utilized to ensure that each and every unit is perfectly dialled in to "the sweet spot" that can be so elusive to find in vintage pedals. A rocker switch provides your choice of Germanium or Silicon colour. Downstream from the fuzz, a powerful booster stage drives the filter in the Star Eater. Scoop and Bump voicings for the filter can be selected via a rocker switch, drastically changing the frequency response of the Sweep control throughout its entire range. Built to last and designed to inspire, the Star Eater brings a unique approach and a new standard of performance to the world of boutique fuzz pedals. Runs on standard 9VDC.

Knob-by-knob

Hunger: Determines the amount of gain in the fuzz.
Volume: Determines the output level of the fuzz.
Sweep: Sets the frequency response of the filter. Note: The Sweep knob is only active when the Contour footswitch has been turned on.
Voice: Selects between Silicon (Si) and Germanium (Ge) diode clipping in the fuzz circuit.
Contour: Changes the shape of the tone.

Back to the future

Inspired by the chunky chassis feel of the late 70s and early 80s, Star Eater was designed to offer a fun, tactile user experience and make it easy for players to fine tune their own signature fuzz tone.

Model

Model name: Star Eater
SKU: FUZ
Function: Super-Jumbo Fuzz with Filter
Category 1: Distortion
Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
BodyLength (in): 3.5
Width (in): 4.75
Height (in): 2
Weight (lbs): 1

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: The AI-1 is a professional-grade single-channel audio interface that delivers exceptional audio quality for everything from bedroom music recording to livestreaming and podcasting. Featuring a studio-grade preamp, a high-quality Neutrik™ combo jack for connecting microphones or instruments, and a high-power headphone amplifier for crystal-clear audio monitoring and playback, it's the perfect interface for recording studio-quality audio at home.

Key Features:

Professional-grade single-channel audio interface
Neutrik combo jack for connecting microphones, guitars, synthesisers and other instruments
Studio-grade preamp with level indicator
High-power headphone amplifier

Studio-quality Sound With Ease

With a single input and streamlined controls, the AI-1 is incredibly simple to use - just connect it to your computer, plug in your microphone or instrument, and hit record. Under the hood, the AI-1 packs plenty of punch, including an ultra-low-noise, high-gain studio-grade preamp for recording pristine audio, balanced 14-inch outputs for connecting your favourite speakers, and a high-power headphone amplifier capable of driving professional high-impedance models for flawless monitoring.

Get Connected and Create

The AI-1 features a high-quality Neutrik combo jack for connecting both XLR and 14-inch cables, so you can plug in your microphone, guitar, bass, or synthesiser with ease. Switchable phantom power ensures any microphone is accommodated, while the simple indicator LED allows you to monitor your input level for crystal-clear audio every time. Every AI-1 also comes with a free version of Ableton Lite, so you can get recording right away. Whether you're livestreaming or making multi-layered music, the AI-1 will capture your sonic vision in every detail.

RODE Central

RODE Central is an easy-to-use companion app for the AI-1 (and other RODE devices) that allows you to access device information and update to the latest firmware. The latest firmware version adds an extended gain range for enhanced performance with low-output dynamic microphones. To update, download RODE Central below and follow the prompts.

Note: OS Requirements - MacOS 10.13 or later; Windows 10 Version 1803 or later; iOS 14 or later; Android 9.0 or later.

Specifications

Acoustic & Electrical Specifications
Gain Range: 60dB (with firmware version 1.3.1)
Bit Depth: 24-Bit
Sample Rates: 44.1kHz 48kHz 88.2kHz 96kHz
48V Phantom Power: Yes
Simultaneous I/O: 1 x 2
Number of Preamps: 1
Direct Monitor: Yes
Bus Powered: Yes
OS Requirements: Mac OS10.10 or later Windows 7 or later
Power: USB bus-powered

Mechanical Specifications
Form Factor: Desktop
Analogue Inputs: 1 x Neutrik XLR-1/4" combo
Analogue Outputs
2 x 1/4" speaker outputs (impedance balanced) 1 x 1/4" headphone output
USB Connectors: 1 x USB-C
Depth: 100mm total (with knobs), Chassis: 88mm
Width: 124mm
Height: 38mm
Weight: 1lb/3.7oz/560g
Warranty: 1 year (extending to 2 years after product registration)

Box Contains:

1 x AI-1
1 x USB-C to USB-A Cable

Notes: Wireless Foot Control for Digital Music Scores, YouTube, DAWs, Instruments, and Beyond

Ultra-compact and fully customizable, the FS-1-WL is an essential hands-free partner for all your creative needs. Control digital music score apps, YouTube videos, DAWs, and supported BOSS and Roland gear wirelessly over Bluetoothr. Or connect a MIDI cable to operate multi-effect processors, pedals, and other hardware. Expand your setup with external footswitches and an expression pedal. And use the dedicated editor/librarian to assign keyboard commands and MIDI messages to control nearly any software application or MIDI device.

Cable-Free Control for Your Creative World

The FS-1-WL flows smoothly into all your creative activities. Easily pair with devices over Bluetooth to operate a wide range of software apps and music gear.

Music Page Turner

Turn pages in digital music scores with the footswitches as you play. For example, you can move forward as you perform or page back to work on specific areas.

YouTube Learning

Take advantage of YouTube keyboard commands to learn faster with online lesson content. Keep your hands on your instrument and use your feet to control play/pause, rewind, playback speed, and more

DAW Control

Stay focused on capturing great performances with hands-free control of music recording software. Operate record, play, and other keyboard commands in your DAW. Or use the software's MIDI learn tools to configure setups on the fly.

BOSS and Roland Gear

Wirelessly change presets, control effects, and more on Bluetooth-equipped products like Pocket GT, Katana-Air, and Waza-Air, or the GX-100 via the Bluetoothr Audio MIDI Dual Adaptor. And control MIDI keyboards, hardware devices, and computers over Bluetooth using Roland's WM-1 and WM-1D.

Customizable Command

Using the FS-1-WL editor app on your computer or smartphone, you can change up the pre-configured setups to operate just about any software application or MIDI device. Assign keyboard commands to the footswitches, either single keystrokes or combinations with modifier keys like shift and control. Or call up MIDI mode and set up custom PC and CC messages for your devices. You can also create a library of configurations for different needs.

Built Like a BOSS

Backed by decades of BOSS design expertise, the FS-1-WL is comfortable to use and built to last. The footswitches are quiet and easy to press, with no click noises to interrupt your workspace or performance stage. Status LEDs provide high visibility and can be set to different colors with the editor app. Two AAA alkaline batteries offer up to 14 hours of operation on the move, and AC power is supported with an optional BOSS PSA adaptor.

Versatile Connections

Up to two external footswitches can be connected for expanded control with both MIDI messages and keyboard commands. And with an external expression pedal, you have continuous parameter control of any device that responds to MIDI CC messages. The FS-1-WL also features a TRS MIDI jack for wired operation of MIDI hardware devices.

Specifications

Controls:

POWER switch
Bluetooth button (INSTRUMENT)
Bluetooth button (Smartphone/PC)
Pedal switchs (L, C, R)
Indicator:

Power:

Bluetooth (INSTRUMENT)
Bluetooth (Smartphone/PC)
Pedal indicators (L, C, R)

Connectors:

DC IN jack
CTL 1, 2 jack: 1/4-inch TRS phone type
EXP jack: 1/4-inch TRS phone type
MIDI OUT jack: stereo miniature phone type
USB port: USB B
Power Supply: Alkaline battery (AAA, LR03) x 2, AC adaptor (sold separately)
Current Draw; 65 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline battery: 14 hours

Accessories:

Owner's Manual
Leaflet "USING THE UNIT SAFELY"
Alkaline battery (AAA, LR03) x 2

Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 207 mm / 8-3/16 inches
Depth: 77 mm / 3-1/16 inches
Height: 32 mm / 1-5/16 inches
Weight: 258 g/10 oz